At first, I was enjoying it by thinking things like “Annon is cute” and seeing elements from existing bands, but then I got pulled in by Soyosan’s creepy vibe that hinted at him definitely having something hidden… From the point after that famous Kasugakage moment, Soyosan continually trying to escape and getting lost, to being pulled up by Annon’s great expressions and then dragging himself off was just too good; it was the best.

Since becoming Soyo, I’ve been able to watch with a smile as she develops a bad habit of foot-tapping and treats Anon carelessly together with Ricky… The conversation about how Tomori and Soyo will never forget their classic was ultimately about how these guys are saying almost the same thing… It felt very good, like they’re all in the same boat.

Even though Rara-chan had set it up so much, I couldn’t help but laugh when the old lady came out, and I was able to smile while talking about the place. I also felt a sense of support from Kasumi to Tomori as the main character, and the way existing characters were used was just right, which was great.

I watched the first episode of Abemujika without knowing which Sohyo to believe, and since that Sohyo was really impressive, I think I’ll binge-watch it tomorrow.

For now, I understand that Nagasaki really hit the mark!

>>2

The visuals were nice for Annon-chan, but Sayoko-san’s move, where it seemed like she was putting on a facade, was so creepy that it just pulled me in.

I just thought, but the movements of Soyosan in the early part are almost the same as An-chan’s, even though their thoughts are different, right? So Soyosan is really in the zone, isn’t she?

If you haven’t watched Musica until the end, you can just be mindful of the spoilers when you talk about it, right?

Wasn’t the character with the thinnest personality before the anime…? They were a character that people were worried about.

The way Soyos changes is really gripping.

The declaration of not forgetting CRYCHIC with two people is great, isn’t it?

>>9

In the scene before this, Soyou is very curt, showing an attitude of “I’m just casually dealing with this,” but I think that’s because she’s finally found someone she can genuinely rely on, which she hasn’t had until now. Thinking about it, the fact that she can openly tell Tomori that she can’t forget her classic moments is truly a good thing…

If you’re a fan of Soyorin, you’ll really enjoy Musica!

When Tomorin met Hikari at the planetarium, she thought, “I don’t know the series, but she must be a senpai-type character from it.”

The feeling of the mysterious character’s grade increasing after episode 10.

Let’s watch the interesting daily life of lost kids on YouTube.

I caught up with the anime halfway through, and Sayorin’s voice is lower now, which is interesting.

The mysterious girl from Haneoka is always amazing on the ground.

I thought she was quite a problematic girl, but it wasn’t that extreme, so I got drawn in at that time.

On the contrary, she is quite assertive and really cute.

The band members have all been caught.

Tomorin has become strong in grip strength so that nobody will ever leave her again…

It’s nice to see the true nature of the scheming girl come out.

But still, that friend is great, right?

The more you chew it, the more flavor it has.

You should reaffirm Aine’s spadari charm in Mujika.

>>25

It’s cool, but what they’re doing hasn’t changed since the MyGO days.

Aine’s role is to connect with someone just out of reach, even when the light extends its hand.

>>29

I believe the greatest weapon is the trust from the members.

Are you listening, someone!

I thought it was a character from Shoka’s past works…

(Referring to Aine and Rakuna) It’s finally come to the point where I can say that neither of them belongs in classical music.

How should I say it, there is a negative catharsis, right?

It’s good to watch Abemujika soon.

Whew! This, this! It’s happening!

>>28

Will it happen…?

>>47

Continuing that story poses a risk of spoilers for those without a thread name!

I see, so that’s what “pick” means.

I didn’t know because I haven’t seen the previous work.

In the MyGO edition, Harohapi talks about the bear bread from Yamabuki Bakery in episode 11.

The grandmother who has accomplished everything is quite lenient with her grandchildren.

I just finished watching Mygo!!!!!, and this thread is timely for me.

In the beginning, it progressed at a relatively slow tempo, giving a feeling of tension and something being off, so I couldn’t really get into it and binge-watch it easily. However, after the live performance in episode 7, I was drawn in significantly, and by episode 9, I was like, “What is going to happen…” and I cried in episode 10, watching all the way to the finale.

When episode 13 ended with a completely different band taking over, I was like, huh!?

>>33

That’s great! You can watch the continuation right now without having to wait a year.

Watch it quickly.

>>33

It happened just about three hours ago.

Even though the story as mygo essentially ended at episode 12, the buildup was amazing, but seeing the broadcast dates makes me surprised at how much the viewers from that time were able to endure…

>>42

Well, there were movies and live shows, so there was a decent supply.

The culture of strange documents didn’t exist yet.

>>33

It seems that everything was almost resolved in episode 10… There’s nothing we can do about it, so in the remaining 2 episodes, we’ll talk about the live performance and its preparations, and in the end, maybe we’ll discuss Musica episode 0.

Rakuna is a child whose perspective changes when she watches movies.

>>37

Um… the software release and distribution of the movie…

>>37

Why is there no stream!!! Everyone is sad, you know????

>>43

This reminded me of the part where Sayoko was told by Soyo in the thread image, “It’s all about you, isn’t it?” After watching the first episode of Mujika, it seems that only Mutsumi-chan knows the detailed circumstances, and Mujika’s operations appear to be almost unilateral. Even though there are circumstances, I thought that the actions being taken might not be so different from Soyo’s.

I’m starting to understand the feeling of wanting to watch the second week, and I feel like there are a lot of jokes that I haven’t noticed yet.

>>71

What Shoko is doing is basically a boomerang, so well…

Trying to continue with Mujika feels overwhelming with too much information.

I think it would be more enjoyable to watch the second round of mygo and check the members of Musica.

Anon-chan, who no longer suffers from feelings of inferiority or alienation, is strong, or rather, has no vulnerabilities.

Looking back, the year and a half spent waiting for Muzica after getting lost was actually a good thing.

We talk about various things here and get excited again while watching reruns.

Well, it’s not so much about endurance, but mygo had already ended, after all.

I’ve started from the beginning with MyMuji and am rewatching mygo, and I just now realized that Kasumi and Saya were in RiNG, which really moved me.

It’s too cool that you can dash with all your might carrying a guitar for the sake of the lights.

Having that slim figure and those athletic skills… it really makes for some fun lewd fantasies, doesn’t it?

Regarding the songs, I personally didn’t feel much of a connection with Ichireikuu, Kasukage, or the song from episode 5, but the two songs from the live in episode 12 really hit me hard. I’ll buy the songs.

I bawled my eyes out watching the ending’s music video on YouTube.

>>49

The first song of episode 12, “Meisai no Koe,” is actually the very first song from Real MyGO!!!!!.

You could say it’s a key track…

However, MujiKa has ended, and from here, a new anime development for Lost MujiKa is coming.

That aside, I’ve heard that the final episode of this series is usually an all-live format.

Walking along the path is good…

It’s that Tō, who has continued to struggle with feeling different from others, is writing that he wants to warm someone with his poetry…

>>54

In contrast to the laziness of the first part, it really feels like a weight has been lifted, doesn’t it?

For now, I think there is too much information if I continue watching Musica.

>>57

Thanks to the viewers who have been digesting MyGO!!!!! during the interval, their level of understanding is high.

I feel like they said something along the lines of having read it deeply in the staff commentary.

It’s like a split 2-cour, but the Musica broadcast was quite late, wasn’t it?

>>58

Wasn’t it so late that they hadn’t done a rerun like five times?

I am prepared to wait about three years for the next story of Musica Mygo.

It’s frustrating that if I get hooked now, I won’t be able to see just the recap movie about Kanako-chan.

Well, if you play Garupa, you’ll understand the story at least…

What is Mutsu thinking…? They were talking about it a lot…

>>61

Back in the days when I was still a cucumber fairy…

In the last episode, Shou-chan’s “I’m home, you jerk…” really made me go “Seriously…”

It’s true that I won’t feel satisfied unless I reveal Shoko’s secret.

It’s one of the most important points regarding why the classic disbanded.

I heard they were linked to a real band, but I didn’t know they had done 5 or 6 live performances before the Abemusika anime.

>>66

A memorable experience was the excitement during the preview of the first episode at the 4th live just before the anime.

Soyou is also making a big splash in the Abe Mujika arc!

It’s a nice memory that when the main story was fully discussed, the topic of Mucchan would come up and the thread would pick up speed.

A cucumber fairy that really doesn’t talk.

Personally, I think MyGO’s first album is a masterpiece, so I definitely want you to listen to it.

For the second round, I think it would be good to pay attention to the members of Muzika.

Avermuzika develops quickly, you know.

I saw it the other day too, but I heard it’s tense, so my heart is like “boom,” and I cautiously watched it little by little.

Although Aine-chan intends to use Tomorin well in the beginning, she still answers her worries seriously and takes care of various things, making her actions too virtuous…

Since starting the band, we’ve had quite a few conflicts, but surprisingly, it felt smooth to watch.

I love the school chase with Rikki as a mid-game healing moment.

Even the rumored Kasukabe was like, “This is what spring is all about!”

Actually, I watched it with quite a few spoilers, but I was thinking that I didn’t see many scenes that I usually see in thumbnails, and then they wrapped all that up in episode 10, which surprised me.

The pace of this story is too fast!

>>75

MyGO has a well-structured story in episodes 5 and 6, so there’s no need to dwell on it.

It feels like after various things settled down, starting from episode 7.

Knowing the feelings towards Yoshiko and Classic, the song “Otoichi” is just too good, but was this a track before the anime…? I was surprised!

It’s a waste to just go around once…

An amazing anime that offers new insights no matter how many times you watch it.

The character’s motivations and thoughts are well-developed.

>>77

That’s why Musica has a sense of being aimless…

>>99

I think it took me multiple viewings of MyGO to finally process it, and I feel the same might be true for Mujika.

I haven’t really had a chance to look back at it much yet.

I would have been happy if Abemujika had dropped a lot of short anime on YouTube.

>>78

I really want to see Musica’s everyday life episodes…

>>81

The gag potential is higher than being lost, right everyone from Musica?

This anime progresses the story through expressions and fan interactions during the live shows.

I can’t finish it in one time.

>>80

At first, I thought it was amazing that even though it’s anime, the live scene is not just the first one but a full-length one. However, during the scene with Kasuga, everyone is expressing their excitement, saying “This is it! Live is the best!” Meanwhile, Soyosan, who is hardly visible on screen and has a downcast expression when she is, ends up trudging back late, which not only showcases the live scene but also uses it incredibly well for advancing the storyline and expressing emotions. I thought that was really impressive.

It was no surprise that it turned out like that in the scene from the thread.

Aine-chan may seem calculating, but she’s actually incredibly kind-hearted…

I feel like I was able to review and get some extra insight since I finished watching it before the joint live with Poppin’Party last year, and then there were the two-part theater version afterward.

I was really surprised at first when I saw, “Wow, Tō-chan’s voice is so low!?”

I love the story of how the anime staff got friendly (probably) and when they put the guitar and bass side by side, the viewers immediately figured it out.

I like piercings that are not like ordinary lamps.

After

Clink

Soyou is…getting confused…

Bang

I was confused by a sudden and unexpectedly incomprehensible scene.

It’s so exciting to see Shoko gathering members for Abemuzika…

>>91

The place where I am recruiting Nyamuchi.

“I was told something like, ‘How out of place you look in this luxurious hotel…'”

I was surprised because I thought it was a typical elegant lady-like neat fashion…

>>112

It’s just that it looks beautiful because it’s anime, but in reality it might be dirty; I couldn’t tell if that was considered fashionable like Mizuhara among real high school girls for an old man like me…

It might be hard to understand, but in the character introduction for Garupa, it says that Rkana likes people with strong egos, which means “an interesting girl.”

>>92

It felt like a reveal of a joke in BanG Dream! Girls Band Party casually.

The director mentioned it briefly in the interview, if I remember correctly.

Aine-chan tries to do something sneaky, but…

It seems like she has a character that prioritizes kindness, like when she works hard for Tou-chan when she’s sad…

Mucchan always doesn’t make any sense.

…Good day.

I was surprised that the voice actress for An-chan has a voice that sounds just like An-chan’s voice.

I haven’t seen Ave Mujica yet, but I couldn’t help but think that Shoko-chan is quite harsh, isn’t she…?

Well, it’s not good for Sayorin to be a menhera stalker either.

Mujika was left in a state of suspense every week with each episode…

It might be interesting to watch if you think that way.

It’s like that every week with the roller coaster.

It’s a bit unfortunate that you can’t tell just from watching MyGO that Raku-na was also lost in search of a place to belong.

>>102

In the compilation, Raku’s character image changes quite a bit…

If you don’t want to get hurt, don’t make your life a mere saying.

I want to make it a lifelong home, so if that’s not the case, I’ll leave, Raku.

It’s interesting that not only the clearly calculative Ato Sotoyaki, but also the five lost individuals operate based on their own calculations.

>>103

Regarding Soyoshi’s Aine-chan and Karuna-chan, there’s Rikki who is piling on with “the worst! the worst!”

With the same sword, I return it.

Even Riki-chan, right? Because as long as there’s Akari-chan, that’s all that matters, right?

I really love it when you get at a loss for words when you say that!

Even though it’s the era of big girl bands, isn’t it tough to carry your guitar to school every day? I think so.

I think it’s thanks to the Bandori series continuing that we could experience the chaotic nature of our first live performance alongside Aoten.

Soyo is really the worst as a person, so there’s nothing that can be done about it.

>>109

But I think that’s what makes it a really good anime; the charm lies in the fact that all the characters have great personalities.

When I think about it carefully, my favorite in Garupa when I was playing was Chisato, so I might just like girls like her.

It’s true for Anim Musica as well, but there’s no main character in these two works without flaws…

Well, it’s true that Sho-chan is terrible…

After going to the aquarium, Aine-chan is just too nice.

Even now, I still hear it sometimes.

Nyamuchi looks too much like a middle schooler, including their appearance…

>>116

That girl is streaming on YouTube, and with her appearance and vibe, I somehow thought she was over 20, but she’s actually a high school student…?

>>116

Because of that, there’s one person in the creative work before the Musica broadcast who is drinking and driving.

It was an adult older sister character.

I realized I was a high school student, and there were times when it would disappear, and I thought I didn’t need to erase it…

It’s nice that it’s a story where everyone hurts each other and carries their wounds, isn’t it, Mimeji?

That situation is somewhat like an accidental incident…

Speaking of which, I was surprised to find that the scene where Shou-chan finds the band members in the beginning has such a fast response and is so flexible.

What on earth…

>>122

The theory that Aine landed a critical hit.

There is a theory that I was hoping you might become a member of Tō’s band because I had seen you with Tō in advance.

>>122

Because he was unrelated to the classic.

>>122

I waited to speak until Aine’s Shoko finished playing the piano for the first time.

There is a theory that the action of praising the piano after playing is the same as that of my late mother.

The emotional instability commonly experienced during adolescence is unbearable when seen from adulthood.

Being young is great, isn’t it…

Maimuji tends to reuse clothes and locations quite a bit, so there’s not much that can be done about it.

>>124

Thinking about that, I’m surprised by the variety of models for each character in GaruKura…

>>130

That’s a result of Toei spending a lot of money and time to the point where if it falls, various people’s heads will blow off, so it’s crazy.

>>139

Why would you take such a gamble?

>>147

It can’t be helped that it’s still gambling, I guess.

Wasn’t there also a purpose of gaining experience and conducting experimental projects as an investment in the future…?

>>159

Does it also have a meaning of fostering 3D technology?

>>159

It started off like that, and as we created it, the excitement of the production team kept rising, and before we knew it, it had cost an unbelievable amount of money.

There may be the model’s circumstances, but Shou-chan’s casual clothes are probably almost just that, so they are likely worn out.

It was mentioned that the director has a sense for making things look neat and tidy at first glance.

High school student is not a term that indicates age, nya.

I am a high school student.

I’m not saying that I’m still a minor.

The look on Aine-chan’s face when she instantly understands that she’s not needed and cools off is just too good.

>>132

I didn’t expect it to be such a painful scene since it was a face I’ve seen often in thumbnails!

It seems that changing 3D costumes is more difficult than I expected…

After getting into MyMuzik, I realized that when watching BanG Dream! in Garupa, other bands are just as intense and competitive…

>>134

I can’t read all the scenarios, but I think it’s because Afro was getting tense in this direction that I was able to smile when Mocha-chan came into the dressing room and said various things…

Ricky really cherishes Akari…

Of course, it’s not that the other members aren’t important.

The words being output are getting garbled.

I love it too much when Rikki rarely raises his voice at Akari.

>>136

Soyoka

Those two.

Which one will you choose?

Is it something like that?

>>136

Even if I’m frozen and can’t sing, I’ll ignore it and try again and again! I like that buggy Ricky over there, but it’s hard to watch.

>>136

It was very wrong to try to keep the band going with makeshift members while hastily deciding things and overlooking Tou’s feelings…

>>168

I’m sorry for reading Umisuzu on my own, but from Ricky’s perspective, there’s no way he can talk about Soy’s schemes and various other things…!

>>136

I also love the part where it’s just the worst.

It was said that Nanyamu has matured into an older sister-like appearance that takes on the role of getting involved with Shoko.

Because of that, there was a light commotion about how that character was a junior in the Musica arc!

Check out the official YouTube Nyamuchi channel!

However, please be careful as there are also short thumbnails with spoilers available now.

The part with the face and the numbers is

Yutenji saw right through the Shimamura fashion that was just dressed up to look like a lady.

You can’t tell it’s cheap by appearance.

The band story tends to become particularly tense, doesn’t it…

Due to 3D circumstances, Soyoka had enormous breasts by the time she was in first year of middle school…

>>148

Everything except for the latest song is included in that album, so yeah.

>>150

Thanks

It seems there’s a back cover as well, so I’ll give that a listen too.

>>148

Yeah

>>148

Since many releases are available early on music subscription services, it’s best to simply subscribe to one.

Ricky thinks that Akari is the most important, but the best match is Aine, right?

>>149

Did you forget someone?

>>149

I think it’s delicious that Ahn-chan can interact with anyone and get good reactions just by tapping her.

>>149

I really love the scene where Rikki is bad at apologizing but has a gentle heart, and Aine feels and accepts those feelings.

I brought Umitsuki to protect Aine, but in the end, Rikki ended up hurting both Aine and Umitsuki; he’s so clumsy, but I like him.

If you want to keep good memories, it’s better not to watch Abe Mujika.

>>154

But if I don’t see it, I won’t feel satisfied with the situation regarding Shoko, damn it!

Behind the scenes of episode 10, where the lesbian stroke was about to be removed.

I was shocked to see a post saying that the person in charge of character design for MyGO just graduated from university this spring.

You started working around the time you were in high school, huh…

You can listen to the classic version of Kasuga Kage if you buy the lost disc!

What is this “lesbian stroke”…?

>>165

I sigh.

I want you to see Abemujika too.

The live performance of the lost child in the final episode is really great.

When you see a lost child for the first time, it lingers in your mind for weeks.

From an anonymous perspective, Episode 10 is just full of highlights in terms of content…

Aine and Riki went from a terrible first meeting to becoming friends and recognizing each other’s good qualities, which is a plot straight out of a shoujo manga.

Also, Sanjigen is doing an explanation.

Lost and now doing Musica.

The bulletin board is the second largest Mimeji fan board in the world.