I can live strongly even if I part ways with you.

Well then, let’s bury that recovery item somewhere.

It’s Tomorin’s fault for sticking Post-its at a level of harassment~

>>5

Well, in a sense, Akari is the only one who balances out Shoko, so that probably created a good sense of balance as well.

I wonder if it’s because I’ve been doing that sticky note attack for a pretty long time, even before my true identity was revealed.

This is the Bible.

I have parted ways, but for that matter, I won’t let go of my notes.

>>8

Even though I’m properly reflecting on the issue with Mutsubara, why does it output such interesting results, God…

Please keep the lamp with my letter for a long time…

The first time I met Akari, I went up to her house for the first time and the first thing I held in my hand was her Tempo note, which was a rhinoceros beetle…

It’s a bit too funny that the memory notebook is decorated with huge stickers of the bugs that Hatsune hates…

I thought I would set fire to the last fold of Shoko’s heart with the ED direction.

There’s nothing that can be done about it.

This is all the recovery items I have right now.

It seems that there are proper settings created for the descriptions of the plants and animals drawn in this notebook.

After the initial creation of Musica’s first flower, it’s funny how a fabricated flower is born outside of the anime.

What’s terrible is that Saki-chan is blatantly lost.

Tomorin doesn’t really care about Saki-chan.

Because I can cut things off quickly.

>>20

Because she’s a girl who can portray sound in a poem, Tomorin…

It’s a bit different from the nuance of carrying my mother’s doll around.

A notebook that looks excessively surreal due to a thief or a strange letter.

Originally, I had no intention of returning to the classics so early, Tō.

That’s why Ayane-chan struck a chord with me.

If it can’t be divided, then I won’t even start a new band.

Well, it seems like Shoko isn’t dragging it along, but in reality, she probably is the most affected by it.

Shoko, who was by the side of the lamp.

I don’t think Tomorin has completely come to terms with it; she’s able to move forward thanks to Aine-chan.

>>29

Even so, that girl who acts like I don’t need her…

At least I don’t want it from Akari! After hearing “I don’t want that!” from that person, I should say it.

>>35

I think what Riky is saying is mostly Aine’s feelings.

Not cutting ties with Soyo, who doesn’t need me, means that’s what it is, right?

The moment I completely got over it was probably during the classic farewell live.

It’s not that I’ve come to terms with it, but that’s how it is; even if you’re lost, you keep moving forward—this is the conversation on Tomosoyo’s pedestrian bridge.

Tomorin also answered “me too” to Den in MyGO episode 13.

It’s nice that the figure of “you,” who was vague during the release, becomes clear in the anime…

The classic will remain in the heart for a lifetime because it’s too golden, but Shoko was probably saying in her own way that both Tou and Shoko should create gold that rivals the classic, as expressed in her letter.

Looking back now, it’s amazing that Soyosan, who was just a perfectly ordinary scout member, was the original final boss…

The light also got lost and tried to redo the classic.

That’s why I was fixated on my entire life.

>>39

The shape is quite different, but it’s nice that Shoko was also particular about her life.

>>43

I’m glad I got a lifelong band for both!

When I tried to put in Umisuzu instead, I was pressured by Rikki, and the shock of not being chosen by Akari made me sulky…

>>40

It’s rare to see Rikkie being strongly affected by the light over there, which makes me realize that Rikkie really liked that person a lot.

>>46

Considering that Ricky doesn’t understand Tomorin’s thoughts at all,

It seems like they were really irritated that you couldn’t make a firm decision there.

Even if it was a mistake to present a choice between two options in the first place…

>>45

If you hesitate to take a step forward, those who are ahead of you will truly pass you by…

>>45

I also like the happy ending feel of the second part of the movie.

Muji is still struggling, but mygo has really come together beautifully.

>>49

Mujika hasn’t changed in that if Shouko ends up overwhelmed or unable to act again, it will collapse in one blow…

>>53

In the preview for the Nordic edition, Hatsune is already thinking that she has to protect Abemujika…

>>55

The reliability is… low…!!

>>53

Aine and Rakana weren’t scouted by Akari, but all of Muzika were scouted by Shoko.

No matter what I do, the burden that Shoko carries tends to grow larger.

>>53

Well, to be honest, I think it’s pretty much the same for mygo, both sides are intertwined.

The composition where Shoko is pulling Musika symbolizes how fragile life and eternity are, like walking on thin ice.

If it’s common sense, it would become a choice between two options!

>>50

Whether it’s Yoku-bari or Morin, or God, it doesn’t matter which.

Don’t say annoying things, you guys! It’s wrong for doing to be the answer.

Blown by a new wind.

Every time I see this tightly hugged Atempo Note, I feel like bursting out laughing.

There’s no reason to choose Soyoden, who suddenly cut off communication, and if Rikki knows the true intention, it’s even less so…

>>57

If I knew the true intention, I would think, “Are you really going to abandon Aine and Runa by hesitating there?!”

Simply put, when it comes to seriousness towards music,

That Lana is becoming a breeze…

I wonder if the protagonist of the sequel will be Shoko or Hatsune.

>>63

There were parts where Musica itself felt like the protagonist, so it may not be a development where one person clearly takes the lead.

>>64

Everyone really wants to stand out.

>>63

I definitely want to ask for Hatsune.

Now that Shoko has overcome the arrogance of thinking she has to handle everything by herself, I want to believe that the next thing to return is the members.

>>63

If we consider who the protagonist will be, it’s probably Shoko, and she seems likely to receive a debuff right from the start and become unable to act.

There’s no reason for me to do MyGO, after all…

You can’t push it through without being willful.

Ricky initially wants to do music, so he has been dragging along the classic as a place to belong, which is different from how Moso has been positioned from the start.

>>67

In the early days of the classic era, I was more concerned about whether it would be successful, which is symbolically represented by how tough I was on Tomorin.

If I mention Soryrin’s scheme, it will cause turmoil, so I’ll keep quiet about it.

Ricky’s loose plan to keep the band going with members thrown together, even if they’re just a stopgap, is something I really like.

>>69

That area is so accurately pointed out by Aine-chan that it makes me laugh.

>>69

While it’s true that if you cut it gently you can continue the band, it doesn’t take people’s feelings into consideration at all.

>>81

From Rikki’s perspective, it can’t be helped because he was trying to move forward by somehow breaking away from the classic.

Aside from Hatsune’s situation, there’s not much material for Muzika that would lead to an immediate breakup, and it seems like it could work even with Hatsune at the center.

>>71

To be honest, the members know about Hatsune’s situation, and it seems like it’s almost resolved, so I’m not sure what will happen.

As expected, Shoko will be killed with a kiss by the assassin from Scandinavia.

I hope it will happen by the 10th-anniversary live, but it seems tough.

But now

Here it is.

I won’t let go of you no matter what happens.

I will never let you go!

Please provide updates on the sequel beyond the crossroads.

Ricky just wants to distance himself from his older sister, so he doesn’t really show any weakness.

First of all, isn’t there four quarters of GaruPapiCo…?

It feels like there might be a development where my sister’s incurable illness gets revealed and Ricky is totally heartbroken.

I would like Hatsune to be at the center of the story as a vocalist, at least in some way.

Well, I mean, in the end, it was there.

>>80

I want to see how Hatsune changes after being recognized as Hatsune and not as Shoko.

At first, I hesitated to talk about the issue with Den, but unfortunately, Umirin arrived at that moment.

Since Umirin started to return, the pursuit from An-chan reignited.

Because I was getting frustrated with Tomorin’s judgment and ended up losing my cool, it was the worst possible situation there.

At this stage, I can’t help but laugh at God’s clumsiness as it seems like I still can’t even return to a proper friendship.

Well, since they are sticking together like that right now, I can’t get any closer either way…

>>84

I wish the school would go to Hatsune’s place.

Because you need trust, you won’t get bored.

>>90

It’s going to be really tiring.

>>84

What are you going to do if you casually join the astronomy club like this…?

I can’t help but understand Rikki’s feelings when he sees Soyorin from that time and thinks that she’s already done for.

>>85

I understand why you’re scared to say this… it’s definitely risky.

I understand that proceeding unilaterally in that situation could lead to a fatal rift…

>>86

However, there is the question of who to consult in that situation…

But Riki wouldn’t be able to say something like that, right?

Mujika was revived thanks to the power of the TGW group, so if the darkness of Toyokawa gets serious, it seems like it could collapse again.

But I don’t want to see that kind of story in a girls’ band anime.

>>92

In the first place, the darkness of Toyokawa isn’t recognized because Grandpa and Dad were adopted sons…! It’s just that for Shoko to be the leader, it’s simply not acceptable at all…

>>92

There’s really no big darkness at all.

It might be a problem if the old man loses his position using Hatsune as an excuse.

>>103

When it comes to whether Shoko and Hatsune did something bad in the group, they actually didn’t do anything.

In fact, there is no reason to be threatened in the first place.

>>92

“Will they emerge? The third band vows revenge on Muzika.”

>>105

A band with such a negative purpose is a bit…

Well, there may be some people involved who hold a grudge against Shoko…

>>130

When asked if the first Muzika is positive or negative,

>>130

It seems like I am being avoided more than before from the office.

First of all, we could no longer band together because Soy hasn’t come.

The Nordic part might end unexpectedly quickly.

I remembered the stars I saw with Hatsune and Tou, and when I went to the astronomy club, Tou and Ainon-san appeared and the god ran away.

The so-called interview is actually a staff relaxation trip…

>>99

Do you really want to go to Scandinavia?

Right now, Shoko feels that she has no choice but to take responsibility for the four people who have been affected because of her, so she thinks she must do Mujika again…

I guess the theme of the sequel with Shoko is whether one can come to like Mujika from there.

It seems unlikely I’ll get used to it.

>>100

Given that Shoko’s hobbies are 100% incorporated into the world view, I feel like I could really come to love it.

>>104

Wasn’t it the same at first?

>>107

The circumstances of how we handle things are completely different from back then.

At least we call each other by our first names.

>>114

Ah, I thought I was only talking about the part that was 100% for my hobbies.

>>100

Then we could start the sequel from the point where Shoko is satisfied with Musica and has been purified…

I want to see Shoko confront her destiny, not just maintain the status quo.

They said that without the bassist, the band couldn’t continue during the Soyono Riot, but is it really that essential to have one?

From what I can see, it’s clear that they’re enjoying this as it is…

If it’s about episode 10, it’s only natural to say it’s a duty motivation in the baby boomer generation, but…

>>109

Things are not black or white, and emotions must be intricately intertwined with various thoughts.

In the midst of all that, there are still endless troubles and worries, but the latest Shoko intends to move forward as positively as possible.

After the live performance of episode 10, I was more excited than I had imagined about the high level of completion of the live show, and it must have been one of the factors that made Musica more positive.

Hatsune said that she would protect this miniature garden, so it seems certain that a crisis for its survival is approaching…

>>110

This time, will the limits of the body come to Shoko…?

>>110

Instead of Shoko, it is Umirisu who is in trouble!

After watching the final live, I think it’s likely that Shoko will also come to like Abemujika, so I don’t think there will be any worries about that.

>>111

Unlike the general high school girl band that constantly mixes personal feelings into their live performances

Whether I have motivation or not, I will complete the work perfectly because I am a professional, so that is irrelevant.

If you didn’t like it, then you wouldn’t have been so shocked when Musica broke!

>>112

Isn’t that a flashback to the classic breakup?

I think Shoko is really enjoying Mujica right now.

But I think that both the escape with Hatsune and the music will eventually come to an end!

I don’t know how much time has passed by the time of the final episode…

There is also a theory that it has been a year since the birth of God.

>>117

The fact that the final episode live is in October makes me go “wait a minute!?” but considering it’s been a year, I guess it’s not unreasonable.

>>117

You can tell by looking at the day of the week, but the theory that a year has passed is certainly not the case.

Based on the script that Yutenji was doing in episode 12, it seems like they’ve done at least one live performance in between.

Even after watching the last episode of episode 12, it wouldn’t be interpreted that Shoko remains as the obligation Muzika…

>>119

I thought so, but I understand from the interview that I’m still doing it out of a sense of responsibility.

If it’s a duty, then it can be broken, right?

It’s become a goal that I want to protect for a lifetime…

Episode 13 should feel different since they have steeled themselves and accepted the situation, unlike before.

Because I am now in a drowsy state.

Returning to reality in the sequel.

>>126

I dislike it.

I like music and enjoy doing it.

I have come to dislike my family since the first episode.

It’s still true that it’s an obligation.

Use money and power to enjoy life to the fullest in a fun and entertaining way.

“Just by being set together.”

I will laminate it…

It’s getting too complicated if we go beyond the third band, so let’s stop!

>>134

It would be good to place Shoko in Char’s position and have someone like Haman appear…

Although Abemujika is a band that seems to harbor resentment towards MyGO!!!!!, which casts a shadow over Kasuga, it shouldn’t lead to a chain of revenge.

>>136

I didn’t make it to inconvenience lost people, did I?

I ended up causing trouble, though.

You can check the date and day of the week on the posters for Mygo Episode 13 and Musica Episode 13, but it’s the same year.

>>137

I’m stumbling over boring things like managing timelines…

It’s true that I’m acting with 100% sense of responsibility.

If you’re going to take the words from the interview at face value…

>>145

It’s different because it’s after the final episode.

>>138

Well, the classic youth is still clear even now, and as for Hatsune, I’m the one who broke it, so it’s a sense of duty. Musica is also done out of duty, but that doesn’t mean it’s a reason not to enjoy it.

>>138

It’s not that you can’t balance it with just enjoying yourself.

Rather, it was the initial failure caused by mixing up my sense of responsibility and my desires.

I’m trying to take responsibility for having forced my selfishness onto others.

I think I’ve reached a point where I can enjoy it as it is.

Is that thing called “Myutai” that is currently active involved?

Living together with Hatsune (my cousin’s aunt) seems to carry a significant weight of responsibility.

That area really feels like Shou-chan’s personality.

>>146

Until I boldly went to welcome her on the island, I was treating Hatsune at a level that would make her angry if it weren’t for her personality…

>>152

I understand the situation, so I’m being lenient, but I think if I were to hear a non-delivery comment, I would probably get pretty annoyed.

>>146

You have a husband-like personality…

I don’t think the circumstances have been conveyed, but it wouldn’t be strange for a character to hold a grudge against Hatsune and Urin.

>>148

The mob character who was sandwiched in is going crazy and is going to stab Rikki.

>>151

Well, that seat order might drive you crazy…

I feel lighter now that I’ve stopped shouldering things that aren’t my fault.

Eww… that feels disgusting…

In the interview right after episode 10, I said that Moomutsu has merged, but I no longer understand.

>>154

That’s the voice actor’s impression, isn’t it?

>>163

There should have been a note from the director as well.

>>163

No, it’s important! The interpretation of the performer too!

>>172

As expected, compared to the director or series composition, the weight of their statements is completely different…

>>184

In anime, it’s common for the direction to change due to the actor’s interpretation and the performance that comes from it, so I prioritize that.

>>154

Aren’t the statements from X’s associates and the voice actors’ perceptions going through a game of telephone?

By the way, it seems there were quite a few bands that suddenly got stuck when Umiko abruptly quit.

Some children were conveniently sent to the guillotine.

In the post-final episode interview, it is written that Musica was revived out of atonement and a sense of responsibility, but it wasn’t specified whether this was referring to the time point of episode 10 or episode 13.

I want Sachiko to feel the responsibility of not having Mo-mutsugai.

>>160

I heard that Mortis died, and it feels like I’m about to break a little.

>>168

When you said to live as Mutsumi, it was like you killed me already.

I think I’ve already made peace with that.

>>177

If it’s not causing a ruckus like a moose, then it’s fine! Maybe I’ve distanced myself from such treatment…

>>160

It’s a mystery whether they have really disappeared.

There were things like the call center that I was able to hear even after April.

Tomosaki, both of us are special to each other.

The option to intersect has now become impossible for both of us.

The explanation is full of contradictions, saying that standing still or the live performance is perfectly packaged and that the inner self doesn’t come out.

I hope you don’t forget to contact U-chan.

It’s because of trauma.

Believe in the music that you believe in.

The complete lack of musical motivation was a story from the 10th episode.

Even at the 13th episode, it’s the sense of responsibility that drives me, but that’s just the reduction in pay from the interview.

As seen at the beginning of episode 12, “acting out of a sense of responsibility” is not a tragedy or anything for Shoko.

What truly constitutes tragedy is the inability to succeed due to being swallowed by fate.

Regarding the double suicide of Mo and Mutsu as a result of internal conflict, Shoko is an outsider…

It’s one thing if they are just voice actors, but they are collaborating with a real band…

So I decided to forget everything.

A workaholic state where one forgets their troubles through heavy work.

>>181

In the end, I couldn’t forget, and I’m the only one who won’t forget; isn’t that the final episode?

>>182

Well, since the burden is still concentrated solely on Shoko, it seems that a limit will eventually come.

That aside, in terms of composition and interviews, etc.

There were just elements that could grab attention, right?