>>13

Isn’t this a robot song, not an anime song?

Shouting the special move.

Singing the names of titles, main weapons, and such directly.

Are you talking about an anime song like Kinnikuman?

The anime songs of the Heisei era are no good…

Anpanman’s March

Is it an up-tempo one in terms of imagery?

>>14

I’m saying JoJo.

I want to listen to more intense anime songs that are like freckles.

The SE must sound.

What is this?

Did you take a picture at the electronics store?

Can you become a rental hero for others?

Te-re-re-re-re!

Kill Me Baby!!!!

Yuriko Tiger was erotic in this.

It’s great to use a composition that was created completely independently, without even reading the original work, for a tie-in.

>>23

There was a time when that was all I could think about.

It’s just unreasonable to bring a song with the lyrics “I even started to like soccer” in the ending of a basketball anime!

I like the opening of Onimai.

If you sprinkle in some terms that appear in the work here and there, otaku will be happy…

Well, as long as it’s sung by an anime song singer, the melody can be anything.

It’s great that the person who sang the game version is singing a new opening for the anime adaptation of eroge around 2010!

I love both the freckles in Rurouni Kenshin and 1/2 as well.

>>30

Isn’t it a bit too much?

>>33

The pure feelings of 1/2 and 1/3 are different!

I like stylish but different from regular J-POP anime songs.

The ending of “Humanity has Declined” and the ending of “Flip Flappers.”

I absolutely love moe-style endings where all the girl characters in the story sing together joyfully…

>>34

Do you also like to start activities as a voice acting unit just as it is?

>>39

It’s becoming more of an artist activity as a voice actor rather than as a character, which is a bit… a troublesome otaku!

Children’s anime still has that vibe to some extent, so I think it’s a good kind of diversity.

I’ve come to prefer tie-up songs where the understanding of the work is off the charts, like those by Tatsuya Kitani or Sakanaction’s Kaiju.

Of course, I love anime songs that are very much like anime songs.

>>37

When it comes to Sakanaction,

Making anime songs was fun and I want to do more, but right now the anime song scene is dominated too much by Aniplex, or rather, Sony.

I might miss the deadline, but I said to give me more work, and it didn’t go well.

>>38

The image of gag anime is that songs from the visual kei genre play.

Let the voice actors sing, damn it!

Recently, what I heard was amazing.

Burn burn burn bang

Burn, bang, babababang!

>>43

Bling-Bang-Bang-Born

>>58

Isn’t that pretty close to the content?

Other elements are too strong, but…

>>43

Stop putting things like guitars, emails, and lyrics that don’t exist in another world.

It feels quite luxurious to arrive at a mindset like the one in the thread image, amidst the flow of stylish songs that appeal to the general public and seamlessly blend in with the content of the anime.

>>44

Rather, I realized at Braveran that that luxurious experience tends to stick in my mind more.

Well, when you include things like that in the lyrics, the otaku will start saying it’s lame or old-fashioned, just as they please.

Pretty Cure

Shouting the special move feels like an anime song.

I want the rider’s opening to be stylish, but I want them to sing the title of the work more passionately.

Super Ultra Hyper Miracle Romantic

Nowadays, there are fewer theme songs that do not touch upon the content of the work at all.

>>51

Perhaps having a foundational story makes it easier for composers to expand upon it…

>>59

Well, when it comes to songs, they have to start with a theme; otherwise, there’s not much that can be done…

AKIBAPOP

In the new Gag Manga Biyori, I think you’ll be able to hear a song by Yuji Ueda that sounds like Gag Manga Biyori.

Shana’s first season opening!

It’s fine with Bravern, just Bravern.

Pegasus Fantasy

With a refrain, a title call, sound effects, and a bold background music, it will become an anime song that feels like an anime song.

I liked Bakumatsu rap, you see.

When trying to sing at karaoke, the image of anime songs from the 2010s is that they don’t get exciting at all.

Watanabe Chuumei’s thing.

The Cruel Angel’s Thesis

From the perspective of instilling in the general public, the song serves as promotion, and the current direction is probably very good.

HEART OF SWORD, isn’t it cool!

The theme song tends to choose the work quite a bit.

You have to include a title or the robot’s name…

Recently, the opening of Isekai Red was really good.

Please notice my love.

Brayburn and skeleton knights are clearly shown in the thread image.

Pies!?

>>79

Radio songs have their own unique culture.

Well… I’m not sure if that really fits into the category of a radio song…

Songs composed by people who work on anime music really sound like anime songs.

>>80

Is it okay that FLOW is considered an anime song band…?

>>96

It’s a band that is responsible for anime songs, but it walks the fine line of not being an anime song.

I want you to mention the robot’s name.

Electro songs are still coming out every now and then…

Invasion! Invasion! Invasion! Invasion! Invasion! Invasion! Squid Girl☆(Kyu!)

I think SWORD SUMMIT is a great anime song, but which one is it in this case?

Since major artists have started to write songs specifically for anime, have the number of artists like anime song artists decreased somewhat?

>>87

Before that, it was an era where voice actors were made to sing, so I think it has already decreased quite a bit by that point.

When they say it’s a rich anime song, it is certainly an anime song, but…

I feel like it’s mostly robot anime or tokusatsu anime songs.

When I think back to what I was watching, I can only imagine that it sounds like something written by Aki Hata, which might be considered intense…

Are you really that conscious of the works when it comes to Conan’s songs?

>>90

I’m relatively aware of Mai Kuraki and BREAKERZ.

I want you to include a preface before the song begins.

It’s sad that programs like anime song rankings usually only feature old anime songs or the latest anime songs.

I’ve never seen something like “only my railgun.”

>>92

In the 2000s, it was a generation of valleys that only otaku saw…

But recently, people in their 30s around here have started to appear in the programs.

>>92

The latest things also end up fading away without leaving an impression, so types that are super memorable like striking thread images are indeed effective.

Koi Taro! Top of boyfriends!

Ambiguous 3cm

>>95

I was thrilled by the playful spirit of bringing in Komuro and connecting the end of the song to the beginning of Char’s Counterattack…

This time, it’s not about the content but the theme song that pays homage to CCA…

The Chambara

For a while, it was all about Aki Hata everywhere.

Bravern has that aspect as a topic as well.

I think Transformers, Shinkalion, and Precure are appropriate examples.

TF Earth Spark was an easy-to-understand anime song by Psychic Lovers.

In an era where musicians are passing through manga and anime as the norm, it’s natural that the understanding of tie-up songs has increased compared to the past.

>>101

Compared to the past, there is also a proper way of throwing now.

In the past, it was common to have tight deadlines without even knowing what kind of work it was.

There are indeed very few songs that are not only aligned with the work but also have no other use elsewhere.

Alright, the camera pans up from below and the title logo appears with a bang.

A song sung by Ichirou Mizuki.

Brother’s Song

Abbreviated

Woohoo!

A song with lyrics that were properly aligned with the content, but received a negative response.

The camera zooms in, quickly pans, and then the title logo appears with a bang.

I do think that a song specifically for this anime is a good standard for anime songs.

The next era for singers in the anime song division of the label is the start of artist collaborations, right?

Cat’s Eye, City Hunter, and Fist of the North Star are not anime song artists.

Change key in the last refrain.

I like animes that have multiple OPs or EDs with the vibe of character songs!

Specifically, it’s a part of the shaft animation!

>>116

It’s easy to understand that they even made a proper video for it, right?

Chainsaw Man is luxurious, but it’s a waste to only use it for one episode.

I feel like there were songs sung by voice actors who weren’t in that work.

>>117

It’s just that the tie-up artist is a voice actor.

If you make an anime song that feels like a true anime song, it seems like it will eventually turn into a theme song for a superhero team.

>>118

The theme song of that ranger series comes from an anime song that exists first.

Chiki Chiki Machine Mō Race

G’s Raycon Gister

It might be easy to understand that things that could be used for something other than that anime are not acceptable.

>>122

That would probably render quite a few old songs useless as well.

There are quite a few cases where unrelated tracks were picked up randomly from a pile of demo tapes.

I want you to nod just once.

I want you to reach out like a mirror.

>>124

I really appreciate that you wrote it specifically for me.

It’s a song that can be used even outside of karakuri…

Dyeing the destiny of the blinking universe.

It’s the one where the voice actor sings in their character’s voice!!

Doesn’t that end up being almost the same as shouting the title?

I like COLORS, but I also like O2 equally.

If anything, I can totally accept something incomprehensible as an anime song.

For a time, rap was hated like a snake or scorpion, but it has been accepted by otaku; however, death metal is still quite tough.

>>130

Creepy Nuts is just too good, so it’s still okay if LiSA’s rap is missing.

>>130

It seems that it was already accepted around the time of Eureka’s boy Heart and Gundam Force’s Kokoro Odoru.

>>130

Whether it’s a guttural voice or a growl, it probably won’t appeal to everyone from the moment it becomes a growling sound…

There seem to be many people who don’t mind, but when it comes to death metal, the content of the lyrics shouldn’t necessarily be accepted by everyone…

I liked that all the openings of Beyblade Burst sing about Beyblades and Bladers.

After all, anime songs are best suited for Slam Dunk.

>>134

Both the opening and ending themes are unrelated to the work, but they’re classics so it’s forgiven!

If the Cruel Angel’s Thesis were to be released in this era, would it be considered a fashionable anime song… It doesn’t have a title or special moves called out, there’s no sound effects, and there are no unique proper nouns in the work.

“When I got sleepy, going to sleep showed a surprisingly high level of understanding of the work.”

>

Yeah… that wouldn’t be good, would it?

>

This is a pattern where the lyrics need to be understandable, but the song itself also needs to be fitting.

>>140

I like the song itself and the lyrics quite a bit, but when this is used as the theme song for Tonegawa, it makes me go “hmm…”

I spent my childhood in the 90s, and I really like tie-ups.

Yu-Gi-Oh! often incorporates duel terminology.

Kita-ni Tatsuya, the prodigy of BLEACH.

Are they creating extremely high comprehension songs in other anime too!?

>>146

What are the opening and ending of the original drawing exhibition…?

>>146

The blue sanctuary is amazing too.

When I listen to the radio, I often think, “Wow, they’re really chatty, the upbeat type.”

Darling?

>>150

Kyun kyun

I like Golden Time Lover and tie-ups too…

Tonegawa was already being poorly received in its original source before the adaptation, so it was treated as if it were irrelevant…

In robot anime, there’s a tradition of repeating the title of the work, but Gundam has been different since Z.

>>153

Even with Macross, that was the case by the time of II.

The lyrics don’t fit the content at all, and it’s not a song written for the anime, but it can sometimes turn out to be the best choice.

Regarding Matsuken Samba, you know…

Even if the understanding of the poem is high and the tone is good, does that mean this is a song exclusive to this anime?

That being said, there are quite a few things that seem generally usable but are difficult to call anime songs.

Fullmetal Alchemist manages to push through with a blatant tie-up just through its atmosphere, which is impressive.

Nden den den de w nya w n de w

I’m going to make a new anime!

The OP is someone who has a schedule lined up with CreepyNuts, YOASOBI, Kenshi Yonezu, or Mrs. GREEN APPLE!

I’m getting a bit tired of Nanoha.

>>160

Don’t forget about ado.

>>160

Well, it can’t be helped, it’s like a gift-wrapping envelope for summer gifts.

For now, it gives a sense of luxury.

>>160

Well then, it’s Takanori Nishikawa!!

>>160

Aside from Mrs. GREEN APPLE, this is all under Sony, but I wonder if Aniplex is leading the current trend.

>>186

As mentioned above, Aniplex is really strong.

Basically, there are also cases where they invest and hold popular anime.

>>160

It’s this lineup for commercial films outside of anime too!

The production speed is really fast, isn’t it?

>>160

It seems like no one will be appearing at Animelo Summer Live.

Recently, I felt that it was an anime song that sounds like an anime song, and that would be Sukurin!

I still want a title or character name.

Because I know the era when Being was strong, there is a part of me that feels satisfied as long as the visuals match, even if the song has no relation to the work.

Recently, the OP for 100 Kano can only be used for 100 Kano.

>>165

I don’t think so.

Today’s ED feels like it can’t be used since we bought it.

If you can perform at Anime Song Festival, then it’s fine with anime songs.

Those who decline are collaborations.

>>166

Even if it’s performed at Animelo Summer Live, something that might be usable outside of that anime probably makes it difficult to be judged as an anime song.

YOASOBI is supposed to be like the pinnacle of songs specifically for anime, yet I don’t think it feels that much like an anime song.

>>169

That’s exactly why it can also become an ordinary song…

I believe that the current era, where singers think seriously about their work while also singing catchy pop songs that become popular, is the most optimal.

For now, I can definitely feel the strong intention to make sure everyone remembers the name of the main robot, Gaogaigar!

>>172

In a show long ago

It was praised as the revolutionary old.

Flapping invisible wings

I will continue to protect you.

Creepy Nuts doesn’t really do anime songs, does it?

>>175

Aren’t you calling out the title repeatedly?

Dandadandandandandandan.

“Limit Break Survivor is great, isn’t it…”

>>178

I believe that people who are in genres like enka or ballads are more suited for anime songs.

The dream you envisioned gathers in HEAVEN.

Proud Synchron Summon.

I feel like idols are very much anime songs.

>>183

No, not really…

Then I’ll have the idol group that the publisher is pushing take care of it.

It’s not particularly recent or anything, but I thought that “Guren no Yumiya” can only be described as a dedicated song.

Aaiieee!!

In recent years, there have been significant changes, but I feel like I haven’t heard opinions like “I want more anime songs!” surprisingly enough.

>>189

There is also resignation.

There are quite a few anime songs like that too.

There should be a separate concept of a song with an anime-like melody, distinct from the idea of an anime song in the sense of being suitable for anime.

You can just keep listening to the Dragon Ball Daima songs!

I thought the thing from FREEDOM didn’t really match the battle scenes when I first heard it.

When I listened carefully at the beginning, during the atmospheric entry, it matched quite well, so I realized that it was just a matter of using it differently.

The opening is surprisingly well-matched, even though it’s clearly a tie-up.

I want to see it after a long time.

The blood stream of the combat current is good, isn’t it?

Even though I didn’t say JoJo, it’s nothing but JoJo.

Oishi Masayoshi is valued for creating flashy anime songs with a modern sound.

I haven’t seen it, but isn’t Conan still completely tied up with tie-ins?

Please make the OP and ED of the moe anime character songs performed by the main voice actors.

>>206

Is it okay with Nana Mizuki?

“I have loved you for 12,000 years.”