>>1

To be serious, I’ve been saying I don’t want to be a nuisance anymore, so even if I have the energy, I don’t think I’ll do it.

To be honest, I think it’s in a state even more grotesque than Mutsumi’s.

I already have the will to live.

I am doing well and thriving at home.

It seems like they would at least record it.

Well, since I’ve let it go…

Compared to the time of the worst motivation obligation musika, this is better.

It’s several times better, so I can still watch it with peace of mind.

I don’t want to be tied down by anyone in life! But in the end, I’m bound by my sense of responsibility to Musica.

>>9

Well, it’s a place I am for now, Muzika.

The composition is just like having a god responsible for the attacker, tank, buffs, and command, along with other knights.

It’s not my fault that the three useless members pushed the responsibility onto me.

The band Avemusica is indeed the style I want to pursue.

To be honest, I can’t really imagine having a casual conversation with Akari after the main story…

I don’t think it’s that I want to avoid it, but…

>>13

I feel like I’m not on bad terms with MyGO, but I don’t think I’ll go out of my way to meet them anymore.

It does seem fun.

>>14

I think you are enjoying it.

But there’s a resignation that it will eventually end anyway.

>>15

Cohabitation

Someday

Ending?????

It seems like she’s resisting fate, but at her core, there’s a sense of resignation that makes Shoko’s character one of a kind.

Well, since the end will come, Shoko is currently trying her best to prolong things until then.

I think only Shoko knows what we consider as the end.

Well, after causing that much trouble, it seems difficult to approach Akari myself, and even if she talks to me, I would respond, but there might be some distance between us.

The singing ability and technique are amazing, but do we really need the acting part?

>>20

In that world, it seems that that thing is popular in its own way…

>>20

If Shoko wants to do it, then it’s necessary.

I think a sequel or something in Garupa will depict growth from the current escapism.

I wanted to make it business-like, but because of that, it feels like the team waiting for instructions to do anything for Musica has no real value.

It’s better than not doing unnecessary things anymore.

Are you saying that this is escapism?

That director mygo also says that it’s not strange for them to disband at any time.

Since everything has returned to being produced by Shouko, it was completely a waste of a detour…

When Shoko let go, it immediately fell apart, which is classic, so Musika tries not to let it go, giving off a feeling of being a mismatched lid for a broken pot.

Aren’t you doing Musica out of a sense of obligation or anything… ?

Did Shoko want to perform in a play?

>>31

Although it shouldn’t be underestimated, the band clearly carries more weight.

If you say that, there isn’t a band that doesn’t have the possibility of disbanding.

Sometimes, Sang Hoh gets brought up, but they are mostly just doing something musical and hardly engage in things like theater parts.

You’re probably enjoying the music itself quite a bit, right?

I think there’s about a fifty-fifty chance that Muzika will elope with Hatsune after the explosion.

I think at least they’ll bring up the topic of returning the life they were entrusted with.

Until a little while ago, Hatsune was supposed to be a perverted stalker.

I think mygo also feels precarious.

There are aspects where it feels like motivation and drive are being shouldered by just one person.

>>42

It’s a gathering of people who want to play in a band, so isn’t there really not much to worry about?

>>42

Soryin and Riki can still explode, right?

Episode 10 is a sense of duty.

Episode 13 is doing whatever it likes, forgetting about constraints.

The troublesome situation of the Shoko thread has escalated too much, it’s funny.

>>44

It feels like she’s venting her frustrations onto Shouko in the main story.

It’s true that I’m motivated by a sense of responsibility for the members’ lives.

In a past interview, you mentioned that your motivation for music was at zero, but has that recovered since then?

>>45

The person who came to impose things is too reckless in using convenient excuses.

Well, whether it’s a few years or a few decades, it’s true that it will eventually end.

Well, in the end, I feel it’s about whether Shoko will be satisfied when it finishes.

The content isn’t in such a pessimistic situation in terms of development, but it seems the director’s mind was filled with bitter settings.

It’s a situation where it has turned into something like an incomprehensible doll and the remaining two, who lack a sense of responsibility, so I guess Shoko and Hatsune have no choice but to keep things in order moving forward.

Nyamu seems to have little interest in Shoko anymore, which is terrible for the purpose of companionship.

>>56

You weren’t interested in Shoko from the beginning, right?

I was just hooked by Minami Mori’s daughter and the super idol Hatsuka.

>>64

Well, you said something like you felt a sense of sympathy when you saw their outfit at the time of the dissolution, thinking they were someone trying to rise up just like you.

I don’t know now, but…

It’s a bit unfortunate that there is no conversation with Mutsu after episode 10…

Just having this makes it clear whether there is motivation or not.

>>57

Mutsumi herself seems to have an attitude of superiority, not going to Sayoko or even to Hatsune, who treated her poorly. Seeing her being treated as a pitiful innocent victim just feels off.

>>65

Thanks to Mortis, there seems to be a tendency for the viewers to be seen as a protected group.

>>71

Mutsu herself is pretty much the same way, though.

>>65

There are people who keep saying that they treated Hatsune badly, but they are misinterpreting that little argument there too much…

If we apologized for every little thing like that, we’d have to include a scene where everyone in Musica apologizes to each other.

>>80

That’s just like Hatsune, worrying about such things and going to apologize.

Unlike mygo, which I intend to continue until Rana-chan becomes the owner,

I don’t think they can continue in the Musica style until Muku-chan is around the same age as Minami Mori, and even though a career in entertainment for about ten years or so is still a lifetime, it feels that way to me.

The issues at home remain unresolved, and if things go wrong, there are still enemies out there, like the revenge band targeting us…

We were at the same school, but I feel like we will quietly go our separate ways until graduation without getting involved with each other.

It began by claiming to be God.

There are some bad parts in the main story where I want to have the four members set as knights and let them act freely with masculine speech.

Due to a lack of Tomosaki, the Shoko within my heart has started to rampage.

It seems that the setting of being good at valuing people, like Nyamu, is falling apart, and I can’t recognize at all how the Musica in front of me is being formed; it’s really bad.

>>70

I felt like Nyamu could become a better character…

In episode 10, Gimu Jika, I think that Shoko really doesn’t have any reason to resume things no matter what is said, but it comes to the realization that she’s the type to take responsibility and end up resuming them anyway.

Mygo will end when Aine explodes.

Normally, being left on read or not having someone go along with my suggestions builds up stress.

Even though I ignored Hatsune, when I’m ignored, I complain.

People say that Mutsuki is treated poorly, but I definitely think that Shoko is the one treated the worst.

Let them shine more honestly.

>>78

On the contrary, I wanted to be bullied even more.

But it feels like it broke down because it was bullied too much along the way.

Hello, meow meow~ You’re so noisy!

I was a bit put off by how thoroughly the later half’s depiction of the characters was omitted.

Hatsune thought it was only natural to be treated somewhat carelessly due to her honestly excessive non-delivery comments.

>>86

Looking back, it’s understandable, but from Shoko’s perspective, she’s only making moves that can’t be trusted, which is impressive.

There are also descriptions of someone looking with a “What is this?” expression.

>>92

Because the first flower in my memory is like a different person, it makes me think that I wasn’t like that before, too.

Even now, it wouldn’t be strange for Shoko to think that Mutsumi is still continuing to act as Mortis, given that there is no interaction or reaction at all.

I don’t really feel attracted to Hatsuzaki.

In other words, it wasn’t a development that could be felt.

So far, Musica is only in a one-sided relationship where flags get broken.

Thank you, since the lost child has been concluded, the lost child chapter ends with Musica, and the sequel is not the conclusion of Musica.

>>102

Both are never complete.

>>102

You can’t just throw everything away because there’s a sequel.

I wonder if they have any intention of implementing it in Garupa.

>>104

Mutsu is too much of a neck…

Since there’s a movie, I can’t just let you do whatever you want with the games.

Nyamu didn’t experience any painful events, but it was material that would have been successful if it hadn’t been involved with Musica. As a YouTuber, it’s considered over, and as an actress, there’s no potential. “Yuutenji Nyamu,” who is not Amoris, is on a straight path to being over, so it’s a pretty rough bad ending.

>>106

Nyamu is just on a decline without Muzika.

>>106

I thought so, but it turns out I was cured of the yips quite easily.

It’s fine if it gets messy in the final episode because it’s annoying anyway…

So, does that mean the lamp that’s been sticking Post-its since before the main story is a perverted stalker?

Since it’s a TGW-sponsored event with a lot of excitement, there is no sense of tragedy at all.

The local poor band has much more of a sense of tragedy.

And since the first episode was packed with sponsors, it doesn’t feel like anything has changed from the start.

>>112

There is no way to explain something that is not depicted.

If the conversation on April Fool’s is considered official history, we might have been able to return to a good relationship.

>>112

It seems that the members have discussed the content of episode 13’s play among themselves at least once.

It feels like we’ve returned to the old intimacy… I think that’s how it ends.

I don’t think anyone expected that the sequel would be about a lost story.

I have nothing to do.

>>118

Mygo feels like it has completely switched over to autumn already.

It’s tough that the feelings I’ve carried since being lost can only be expressed through guesses.

>>119

Not only is it impossible to talk about the relationship with Mutsusaki, but everything regarding it can only be discussed in speculation!

>>119

I don’t remember doing anything worthwhile during my lost days…

>>127

If Mutsumi-chan hadn’t been there, Tou wouldn’t have been able to pick up Soryrin…

Before the sequel, there will probably be the implementation of Garupa, so I think they’ll do it then.

If they’re going to make a sequel, they should at least include a bit of the MyGO story since it’s popular.

I think it’s easier to interact on a regular everyday basis rather than in a Nordic setting.

At least I’m enjoying the final episode band, so I may not be perfect, but I’m recovering.

It would be easy to turn a lost child situation into a crisis if one wanted to.

Like the senior app developers.

Upon reflection, I regretted that I could only watch as Shoko cried and left during the farewell, and yet I didn’t even chase after her in the shadows of spring. Mutsu is just an ordinary, really messed up person.

Because it’s Northern Europe, it feels more like a movie than a one-season sequel.

>>134

The definition of location scouting is collapsing…

It looks like the sequel will also follow the monster route based on the recent interviews and how the music videos are being handled.

Nyamu is going to stop the channel that just revived due to a new trauma from Mucchan.

If you’re not doing it for convenience and are directing the live script, you must understand that both Guitar Muku and Mortis are dead.

Shoko’s emotions are completely cut off, making it seem like she has no personality.

A lost child wouldn’t go to Scandinavia, right?

When I think about how to use the Nordic region, the only thing that comes to mind is the location for the Musica skit.

>>143

I really think that’s what background materials are like.

If it’s that kind of musica, it feels like going to Scandinavia…

If Tou wants to go, then I’ll go.

If Akari doesn’t go, I definitely won’t go.

>>145

If the Shoko God struggles greatly, it will be possible.

Muzika World Tour Edition