I will go to the airport… rather, to the everyday life with light, but what will you do, Mutsumi?

>>2

Well… I guess it doesn’t matter anymore…

>>4

Ave Mujica disbanded!!

>>2

I hope that it’s not just Shou’s delusion…

>>14

…Shall we stop this conversation?

I had a strong core from doing ballet, but I was still getting beaten by Muko due to the physical difference…

If Shou is not here… there isn’t much reason for me to be attached to Musica…

Rather, I don’t understand why Mutsumi is performing at Musica even if I’m here…

Why is that when there is no personality…?

>>6

I dislike even the separated Mortis, but putting that aside, it felt like “Come on, Shōko-chan, move for me!”… Maybe there’s something in the composition of “Wakaba Mutsumi” that has Shō next to her or something like that…?

Well, I don’t really understand much about personality and such…

>>6

There shouldn’t be any other reason since I was already here when things became like this now.

>>6

The only memories that are certain are those of having fun with the guitar.

I don’t know if the other party is on good terms, but it seems possible that Shoko might face defeat as a band when giving it their all in the sequel.

It’s funny how, in my head, I’m full of enthusiasm for Shouko, but I can’t approach any of the three personalities, including after the integration; I’m a chicken.

Within Mutsumi-chan, there are a lot of roles.

If all of them love Shoko-chan… what then?

>>11

There is a slightly disliked personality of Mortis mixed in.

>>12

The yakko-san has disappeared…

I’m curious whether Shoko-chan knows about Mutsumi-chan’s current situation…

I have returned to the old intimacy.

>>18

Hmmmm!

That’s true…!

If anything, Shoko-chan is already at her limit, so she can accept whatever comes, but still…

What is Soyorin thinking the most?

>>20

If you could handle the fluctuations of Mutsu-mō, then you can probably take it however you want.

Since the reception with Saki was lifted and I returned to my original performance mode, I’m no longer the timid character that Shoko likes, so my interest has diminished.

Ah! Is this scene like that?! I’ve been misunderstanding it all along!

There are too many things like that in this anime…

I don’t think there’s even a decision yet about what to do concerning Mutsumi…

It feels like the bitter melon has grown a step different from before.

But golgappa has no such meaning!

There was someone who used to grow cucumbers, so maybe I’ll grow bitter melon and loofah.

When seriously considering the meaning of growing bitter melon,

There are times when I think too much about various things and get confused…

If we take April’s situation at face value, it feels like Mutsumi and Mortis coexisting with other Mutsumi’s skills being unlocked, and Shoko’s response is quite lenient.

In other words, that’s the only recent depiction.

>>28

It says “if.”

>>30

Since the details of the answer verification have been postponed to a sequel, all I can say is “if.”

Not yet.

>>30

When I start thinking about that, I get confused about which point in time the “if” refers to, whether the “if” is a lie, or if it’s just a different branch of the C route because it’s labeled as “if,” so I’ll just hold off on confirming the answer for now.

I thought the reason I could act was that my personality wasn’t solidified, so now, what can I do? I feel like I can’t find any reason at all.

>>33

I wonder if Mutsumi also has a faint sense of self, doesn’t she?

That’s why I really like the theory that the wink and salt-faced look in episode 13 are not from Mo but rather from a lost emu.

Choosing Maigo for the live emulation gives it significance.

Even if Mucchan comes back, it will just lower the performance.

From a musical perspective, I prefer the current soulless monster.

>>34

The director’s interview has various points to critique if it doesn’t define what kind of personality the director thinks exists, so I feel it’s better not to consider a lack of personality for now…

It seems that April hasn’t been able to see Mortis for a long time, and even if Mutsuki is still around, it still feels like Mortis has disappeared…

Mortis himself was the Mortis during the time when he was sleeping with someone.

>>37

(It generally rolls in a bad direction)

Do we need to defeat the gods?!

>>38

That way… Sho is happy…

>>39

Well, that’s true in a sense.

It’s true that those who play music as a hobby are definitely happier.

>>38

Sho is… fixed on the right side…

The ability to do more through absorption and integration = growth.

That’s the most straightforward way to handle it, isn’t it?

They always said they were dead and came back every time, but I wonder if this time’s death (according to the director) is for real.

I’ve heard some talk about accurately depicting DID (Dissociative Identity Disorder), but to be honest, I don’t know much about DID, and I can’t even tell if it has improved or if it’s a failure.

>>41

If I can’t act anymore, then that’s how it feels right.

I don’t know why I’m doing it.

>>41

I’m not really sure about this.

If we perceive dissociative identity disorder as an illness, the disappearance of personality is a sign of improvement.

However, it’s not necessarily correct to say that the disappearance of personality is the answer, as for some people, coexistence is also quite natural…

I don’t really understand! It will become like that.

If it’s just superficial interaction, Mutsumi can handle it without any slip of the tongue and can use an unlimited number of faces, so it’s not surprising that Sororin doesn’t notice.

>>42

Basically, it’s hard to understand from the outside, not just limited to Soy.

Just by looking, you can tell that there are two of them or that one has disappeared. That’s why the stray cat Nyamu is such a unique presence.

First of all, the director hasn’t said he’s dead.

They say it has disappeared.

Anyway, once Garupa comes out… that setting will be treated as if it never existed…

In the interview, I never said “dead” in the first place.

As Mutsumi and Mortis grew large enough to become the main personalities, they wanted to disappear to the bottom.

>>50

I sometimes see people saying this, but in the anime, Mutsuki-chan died!

So I think it’s probably not that off the mark.

>>63

After saying that, Mortis jumped after him, so at that point he wasn’t dead yet…

>>69

After that, Mo disappears into the abyss, so it’s like… that kind of feeling, I guess.

I don’t think it’s a topic that should be said with such strong certainty as “it’s absolutely impossible!”

The director treats what Mortis does as mimicry, while Mortis is treated as a bundle of talent, so I don’t think a satisfactory answer will emerge…

>>52

I mean, the director probably doesn’t understand it well either…

By the way, changing your character depending on the situation is something anyone does, so right now, Mutsumi just has extraordinary talent but is still a normal human.

>>59

If you had a personality, you might have been able to say you were a normal person.

But that’s why it’s a monster, right?

>>61

What does it mean to not have a personality in the first place…?

>>52

It’s expressing a highly sophisticated imitation, so it doesn’t contradict itself, does it?

>>52

Mortis is also said to not be utilizing his abilities properly…

What Shou really wants to do, as mentioned in that interview, is a band like Classic or MyGO…

>>55

From a thorough doll hobby perspective, it really feels like, “Really?”

>>58

Since the trigger was Morfonica, I initially wanted to focus purely on that and was searching for members, but I happened to be drawn to Tou’s talent and shifted direction.

As a result of being mentally broken by MyGO Kasukage, my mindset changed and I started going down the current Musica route.

There are various interviews with the director, but the way they spoke during the Mega Magazine interview was so different that there are definitely parts that don’t align with the others.

I completely understand the ability to master numerous roles, but the current setting of having no personality just seems implausible…

>>62

Isn’t it just a concept in your head that’s not reflected at all? I feel like things like that are coming up here and there…

>>62

It seems that even in childhood, there was no personality…

If I start to think about whether a person without personality can exist, it becomes completely confusing.

>>62

I think it’s less that they lack a personality and more that their personality is weak based on their childhood experiences.

From the perspective of the setting that was thought up to maintain the pure body

Whenever something happens, I automatically assign a role and just go with the flow accordingly…

I think it will take on a somewhat interpretive meaning…

But I want to see it.

The sight of Rara trembling, saying “There’s no one here…!” upon seeing a monster.

Well, they’ll probably answer it in the sequel.

I have to wait for a year, but…

I don’t quite understand that it’s different from the old intimacy.

Unlike a lost child, it seemed like Muzika was perfect on stage and didn’t bring any personal matters into it, but during the few live performances, they contradicted that completely, so now I don’t understand anything.

>>73

It may just be that Shoko has some kind of ability that allows her to accurately script information about the members that I am unaware of…

Isn’t the premise of a person without a personality just unrealistic?

If it were a dead person, that’s one thing.

The doll hobby has also become a thing of the past, as I have shifted from my mother’s dolls to a more divine and knightly path, although I haven’t completely dedicated myself to it.

>>75

The opening of the octagram dance is directly a puppet, so it doesn’t particularly mean it has to stop.

What does it mean for all personalities to die…?

But what does it mean that it’s still moving…?

Whether personality (mind) can truly be observed objectively is

That’s a theme that has been poked at in classic sci-fi…

I think it means that (the current Mutsumi doesn’t have a personality that can be called main because they rely on acting in the moment). I’ve read it several times.

Since the persona of Mutsumi and the general meaning of personality are intertwined and not distinguishable, it’s hard to tell which one it is.

In the past, I was acting with Guitar Mutsumi as the main personality and Mortis as the secondary personality, adapting to the situation.

It seems that there is something without a main or sub personality that is acting according to the situation…

>>81

If you start saying that, even the nameless ones act depending on the situation, so that means they have a personality, right…?

>>81

This is also somewhat different from the main story about Mortis…

I understand the childhood when there were many roles and they changed frequently.

From there, you can see the state of the two people with dual personalities.

I don’t understand a state without personality…

It’s just God’s hobby, the worldview of Musica.