What’s going on in this bizarre outside landscape? I’m telling you to explain it, but this old man is saying, “This is the last Getter!” It’s like we’re not even speaking the same language!

It seems like I’m possessed by something strange.

>>3

That’s right!

Well, I can’t help but feel that I wasn’t really focused in the first half.

Well, if you watch until the end, you’ll be able to understand everything to some extent.

Even those who are making anime didn’t really understand, so there’s no way I could know.

“What is that! Explain it! → Very well! This is it!”

Is it okay to be honest at the beginning when Benkei-senpai was eaten and parasitized by the invaders?

I understood the Giant Robo mostly by the end, so I wonder if it would have come together reasonably well even if it had continued under Director Imagawa.

Yes!! This is it!!!!

I laughed at how much easier to understand the briefing part of ACE3 was compared to the main content.

Creating Gold Clone and Brine Clone as sub-pilots for True Dragon is simply incomprehensible, I guess…

>>14

Those guys attacked us, and wasn’t the contents of the capsules other than Gou messed with by the invaders?

>>20

I felt that in the end, a clone doll without a place for memories or memories of the soul was no good.

>>14

I think it’s acceptable in terms of Getter Rays after watching Ark.

At this point, I feel like it doesn’t have to be cohesive anymore; I just want to see the cool scenes from Imagawa’s works.

I finally reached a state of being somewhat sane thanks to Stoner Sunshine.

The early battle scenes are really cool.

Since the world collapsed, even the true Getter has weakened and is weak…

>>17

The performance changes depending on the pilot’s ability, you know. Getter.

In other words, if a different person writes the script and only Imagawa directs, it could become a good work.

>>19

It’s a budget issue…

All the Getters that Ryoma rides are cool because they’re all wild…

I feel like if we had continued under Director Imagawa, it might have turned into something like Mazinger, so it might have been a good thing that the staff changed in the end.

>>22

Isn’t it okay to just throw it and leave it?

>>23

I wonder if Master Ken Ishikawa will allow it!?

In the end, there’s a trend of saying something that sounds about right and then throwing it away in Getter Robo.

The scene where it transforms into Shin Getter 2 while entering the atmosphere is really cool.

As for missile interception…

Although Ark was thrown away, wasn’t the end of VS, Shin, and New good?!

It seems that if we left it alone, Cohen and Stinger would somehow take care of the missile…

>>29

I wonder if it wouldn’t have been covered in Getter rays if that hadn’t happened…

If it’s your first time, it’s good to watch everything for now, but if you plan to rewatch, I think just the first and last three episodes are enough.

I actually prefer the real G after Dr. Saotome exits.

The arc is originally due to magazine circumstances and not the teacher’s issue…

Well, that became my last piece.

The arc was originally put on hold and left unfinished after Ken-chan passed away, but the previous volume is completed.

>>35

I feel like I have only seen neatly folded works like this.

>>36

The first Getter has also ended beautifully.

The ending where Uzarara carries the Hundred Demon Fortress Island to the edge of the universe is beautiful.

>>36

I’m just folding the furoshiki once and then spreading it out again with a “wow!” to finish it…

I feel like “Reincarnation of the Demon World” has ended nicely.

>>41

It’s strange that it can’t end beautifully with the original work…

>>36

In the afterword of the bunkobon edition of Shin Getter Robo, I was self-deprecating…

>>35

Because the editor makes me write…

>>37

Editor: “What is the true Getter?”

I like Gurren Lagann, so while this is an homage… it’s still fun.

Reference to Kacchoyii Pose Getter 2 or something.

The battles after going to space are all fought in such a ridiculously stupid way by everyone, it’s really the best.

It seemed like Jubei’s death was abrupt, but I haven’t read the original work, so I don’t really know how it is.

Well, of course, things like Ultraman Taro and other children’s magazines.

Yakuza weapons and such have also come to an end.

>>46

A rare example added to deliberately finish it.

I have a memory that Musashi’s story was beautifully concluded…

Get passionate.

I think that’s a good ending for Rebirth of the Demon World.

If I continue any longer, it will be tedious.

From episode 4 onward, it feels like the movements of things like Getter were clearly energy-saving, as if there wasn’t enough time.

>>51

Didn’t they use up most of the budget by the second episode?

>>51

It is widely said that because Director Imagawa went overboard and exhausted the budget by the third episode, they had no choice but to change staff starting from the fourth episode, but the truth of this is not certain.

You should understand that there was an interruption during the explanation when you saw it.

The reason Imagawa was removed from directing in episode 3 was because he had exceeded the budget up to that point.

I’m pretty sure the music changes completely from episode 4.

It’s not something to say lightly, like talking about a budget.

Since volume 3, I’ve been releasing it monthly, so I obviously didn’t have much time to spare.

I think the term “traffic control” used in the context of anime director handover has only been seen in the case of “Shin Getter Robo” both before and after.

It’s only until episode 7, before the Black Getter appears, that it’s boring, so it’s not an extremely long period!

Did you have some budget flexibility around the Metal Beast Dragon?

In terms of the budget, it was clear that Ark is doing its best.

It seems that it was originally a project that was intended to be made on a low budget per episode as an OVA.

I gave it my all from the very beginning.

>>62

Isn’t the cheap price of the OVA its selling point?

I heard that if it’s the case, the beginning of episode 3 was brought to the end of episode 2, even though I wasn’t informed about using it.

It was subjected to a lot of teasing.

Among the Getter works around here, I think Shin Getter VS Neo Getter is definitely the masterpiece.

>>66

It takes time to release the Kaiser, so please request something short.

That is the skill of Director Kawagoe to bring that out.

It seems that what Banjyu was aiming for was a monthly publication at the quality level of a TV series, but perhaps Director Imamura was not satisfied with that.

The manga version of G-Robo wasn’t that interesting.

The OVAG robot was probably interesting because it was hitting us over the head with the lavishness of the visuals rather than the script.

Well, maybe it was a predetermined path that they needed to set the stage first, or else the OVA wouldn’t sell.

The new Getter is dull and not often talked about.

Doing something like this will have more impact.

I wish they would adapt other works by Ken Ishikawa into film as well.