
First of all, the director changes twice in one season.
Transformers Super Ninka
It’s becoming something amazing!
I never thought the background of how it transformed from my legend would be explained at all.
>>3
It seems they made it with the intention of being a sequel, but not really a sequel, so it might be considerate of those who wanted it to end with My Story.
>>3
Overseas gallery rep: “Is there a problem?”
I didn’t like that it went from hand-drawn to low-quality CG back then.
I was part of a generation that had developed a discerning eye for CGI from beasts and Zoids.
I thought the domestic version of Gal is big and good.
It’s fine that their appearance has changed, but I wish they would have touched on the fact that the comrades who are gone are no longer around…
>>6
Rodimus and Hot Shot were treated as a master and apprentice, but it turned out to be different for Devastator…
I like it as a standalone work.
I really want you to refrain from connecting it to the Micron legend.
>>8
I really like the friendship between Kicker and Roadbuster.
Ironhide’s fate is sad…
Although it’s a sequel, we are not conscious of it being a sequel as we create it.
It feels like I can understand it, yet I can’t really say for sure.
>>7
You really worked hard, didn’t you…?
>>10
There were only two screenwriters from start to finish, so we worked incredibly hard!
I really don’t want that worn-out convoy to head back to the front lines again.
Kawagoe-san is the person who created the storyboard for the opening and ending, so I think this person probably originally intended to stick with it until the end, but there aren’t any details about that in the interview.
It is close to the relationship between G1 and Asuspah.
It feels very much like a close multiverse, especially in relation to Primus later on.
I wanted to see more of the background of the combined warriors and Omega.
The race and Culture Day special is nice, isn’t it?
The cat ears holding a microphone from Pichi Pichi Pitch are cute.
Doscovoy can sometimes be hard to watch because he carries too much as a commander when viewed seriously.
If I had cut down on the space for the lighting, would I have ended up with an anime figure shape?
A work that feels the gap with the culture that emphasizes connections between works abroad.
>>23
It seems that even though Megatron → Galvatron has been repeated three times with color change power-ups and changes across different works, it still threw them into confusion.
I wanted to see characters like Tulein and others that seem interesting.
The first cour is slow-paced because of that… it takes until episode 6 for Galvatron to finally appear.
The character known as Sparring Megazarak is the most pitiful character in the Transformers world.
I hate that they turned Ironhide into something like that; it’s just too awful.
The story of being at the mercy of the marks from each faction was long.
Especially after watching last year’s Rampage.
This anime makes you wonder, “What do they want to achieve with this?” from start to finish.
>>31
It began with Energon and ended with the Energon sun.
Human girls are cute, you know…
Mr. Kawagoe, were you handling the absence of the director even in a place like this?
>>34
Since Kawagoe joined from the first story, it’s more like a case to be thrown to the later directors.
There is also the relationship with the home country, and the person who took over the remaining three seasons must have had a tough time.
It feels like a one-man stage show by Gal-sama.
I quite liked it.
>>35
I feel that the evaluation will vary depending on whether or not you can come to like this anime’s Garu-sama.
In the beginning, the kicker said this battle is a festival, but it feels like everything.
It’s impressive that they are putting in a lot of effort to create a climax and final goal for each season and successfully accomplishing it.
As a result of finishing the 4-cour series in that state, the vertical axis became all wobbly, and it ultimately turned into a question of what this battle was all about…
Even though it was cut off midway, I had prepared myself to be able to end it there, so it feels like I somehow managed to finish, but the truth is unclear.
The character design is good.
It’s a shame that the chaos of the story is so good.
It’s an anime that enjoys Garu’s reckless demands while appreciating the bond between the humans of Kicker and Rodoba and the Transformers.
The scorpion, which ends up having a terrible time, seems to resonate strongly with some people.
I thought it makes sense that adaptations of sweeps show individuality.
There are those who have flown away from their personality.
It’s not just Gal, but because Destron has a small, elite group, the characters stand out, right? Nicek is so much of a yes-man.
Cyberon has a character that is overly exaggerated and there aren’t many that stand out properly.
There are those who are memorable due to their distinctive way of speaking.
>>42
Is it sake and pickled vegetables…?
It would have been better if it was a different person instead of reincarnation, Destron faction.
The one where Rodimus Convoy shows up later is just… great.
I didn’t understand the story well!
It’s mysterious how the Japanese-made Beast was able to end so beautifully.
>>48
It may have been good that they didn’t create a complicated storyline and kept it as a standalone episode.
>>52
It’s true that each episode is self-contained, but isn’t it a bit too much to defeat Unicron and have the Autobots and Decepticons reconcile in that way!?
>>57
Unlike this, there were quite a few participating screenwriters for Beast, and I think it was because the main writer Takakumi had time to think about a serious feature-length story.
I like how you cause all sorts of trouble and then take responsibility by charging into the sun, Gal-sama.
Galafor isn’t connected in Japan, so…
“Doesn’t the CGI look lame compared to Beast Wars…?” Memories from when I was a kid looking at it.
People who have seen the Micron Legend all say it’s a masterpiece, but I wonder if that’s really the case…
How was the Galaxy Force that came after this?
>>51
The bank is extremely long.
>>51
My story gets pretty dull until Starscream enters Cybertron for the first time.
Galafor is interesting, but the racing episodes took more than one cour.
>>54
I thought to myself, are they still racing even as a follow-up? It seemed like it would be tough during the actual broadcast…
>>61
Moreover, we’re also talking about animatronics, so it’s going to be long, long.
It definitely started about 10 episodes ago, but it ended in the 20s, right?
>>51
The beginning is dull, but there are many points to note, like the road movie feel of encountering various planets’ Transformers and the surprise of Stas’ betrayal after a long time.
GF seems to have quite a divided opinion, but I like it.
From my transmission, Salin can be understood.
It’s hard to believe that the deputy commander would turn into a dreadlock in Galafor…
It’s sad that Grand Convoy’s combination is the worst.
The early stages, where strange animals ravage Energon, are boring.
I think that, aside from Neo, Second had a story and ending that felt rushed until the very end.
It seems like that happened because a sequel was decided.
I like the ending that speaks to the viewers.
Who was Rodimus Convoy?
>>65
A long time ago, the meaningless battle between Autobots and Decepticons was ridiculous, right? Let’s go on an adventure to another universe! And the one who created the ancestors of Omnicron.
I wanted the enhanced versions of landmines and overdrives to be sold in Japan.
>>67
Landmine is a masterpiece.
I think the conversation about the kicker is consistently good.
I love how it challenges Alpha Q to fight Unicron, but then it gets responded to with “Are you fighting your father?” showing growth.
>>68
As expected of the protagonist, the story about the kicker is done carefully.
It’s somewhat unavoidable due to the times, or rather, because it’s the dawn of 3DCG proliferation, but the robot’s mouth movement is reminiscent of Ikokudou.
Ah, I see, that thing about Ayhan Haido and Sandstorm was a sweep.