Only the animation and the vulgar elements remain in my memory, and in the end, I don’t remember what the story was about.

>>3

It’s great that you can watch it all at once without worrying about the slow pace of the story.

I remember it being the type where the beginning is somewhat slow, but it builds up in the second half.

>>3

The archive for two weeks is quietly appreciated.

Are you going to match the broadcast time as well…?

Was it that early…?

I had the impression that it was around 9 o’clock.

>>6

The very first one aired after Bobobo on Saturday mornings at 10 o’clock.

The frame itself has disappeared, and it has become before Nichiasa.

During this time, I think I watched Gaiking, took a 30-minute break, then watched the Sentai, followed by Rider, and then Precure.

>>8

During the time of Gaiking, I was watching Kaiketsu Zorori at 7 o’clock.

20th anniversary…?

I liked Richard back then…

A rocket punch that doesn’t come back is nice, isn’t it?

It’s nice to be creative with anchors.

>>14

It’s nice to be able to come back…

This work… was interesting, right?

>>15

I want to hear this voice again.

It was kind of erotic, that Big Sky Dragon’s swimsuit…

I love the concept of the earth dragon and the sky dragon.

>>17

I like becoming the Great Sky Dragon by inheriting the name even more.

I had only seen it in Super Robot Wars and had never watched the anime before.

I’m happy.

>>18

The beginning might come off as somewhat dull.

I like that part too, but…

I remember it being a quite well-made work as a robot anime.

I like the various forms in the beginning.

Triple Guy King has a certain romance to it.

I’m glad there was a place to watch it on subscription.

It seems that the entry of CV Tatsuo Suzuki, who is a playboy, is creating a complicated atmosphere.

A misfortunate masterpiece that starts late on Saturday morning and shifts to early Sunday morning midway.

The protagonist with a unique naming sense, like Crab King and Squid King.

This timing, could it be… for Y…?

>>27

I want you to come because I’m just happy.

But someone inside has passed away, right…?

>>29

It’s Tomoko Kawakami, who plays the heroine role.

The animation quality is relatively rough in the early stages.

Overcoming that, 12 and 13 are strange.

Can I sleep again to that sleepy ending…

It had quite a strong element of an otherworldly adventure, didn’t it? I think.

Even at the time it was being made, there was a very cliché feeling about the protagonist voiced by Mayumi Tanaka in this super robot.

Was this slot around until Saint Seiya Omega?

Additionally, there’s also the insert song by Akira Kushida!

I thought it was my dad, but it wasn’t my dad.

Are you over there, Dad!?

Episode 13 was scolded for being like a theatrical anime.

Even though it’s not a promotional anime, I’m being scolded for constantly releasing new mechs and increasing the documentation.

Due to it being Toei, I can feel quite a bit of the Precure grammar in the development of the first episode.

I learned about it from Super Robot Wars L.

Definitely written by Sanjo Riku.

>>42

I have heard that it was written in an incredibly short period of time.

Togakushi Saburo… what on earth is Tan’i Kō?

I like Dvořák.

>>44

It’s nice that we can play the music since the license has expired…

Exciting memories with the True Dragon Hydro Blazer.

>>45

In Super Robot Wars, you can smash away vigorously.

Actually, the number of times it is showcased in the story is the same as Gaiking the Great, just 3 times.

Too luxurious…

Tomoko Kawakami… ugh…

I was wondering if the stream would come, and finally it did…

While flashy face-open or great appearance episodes often become the topic of conversation, the steadily built-up episodes outside of those are also interesting, you know.

I liked the fusion with the support machine.

OP2 is clearly different from before, what’s going on!?

I feel like the girl was cute.

When combined, everything except for the main Gaiking literally had its arms and legs torn off.

I laughed at the two flame giants.

I wonder if I should start a simultaneous viewing thread for morning activities.

But since it’s early in the morning, there might not be many people awake.

>>57

Even if I’m awake, I might be busy before going to work, so the evening might be better.

Bulking viking makes its first appearance, it’s great, right…

>>58

It’s great to fully utilize what you can do against a stronger opponent and make them eat a lot.

I like it when I hit the fake death fire in the ranking.

I thought it had been about a year (4 seasons), but…

It was episode 39, huh…

I was thinking that I don’t need a romance part… while watching it.

The script was written by Riku Sanjo, come to think of it…

The anime that made me like people with glasses.

An anime that ranks in my top 3 favorite openings.

As someone who also liked the old works, it’s a shame that the super weapon head was not included.

A face that looks the part has appeared.

From here, Professor Sanjo started to write scripts for Toei’s works one after another, eventually becoming the main writer for Kamen Rider, and now it’s interesting how he’s returning to work in manga adaptations for that Kamen Rider…

>>66

If we were able to finish three seasons’ worth of scripts in three months and get to the broadcast, we would have been an incredibly valuable talent for Toei…

I have a memory that there was some kind of cheating element.

A rare anime where Reiko Kiuchi plays a cute girl.

I remembered that a friend told me to watch until the face-off for the Northern match!!

Riku Sanjo was writing a column about behind-the-scenes stories.

Maybe I can still read it now.

I can hear the voices of bankruptcy.

At the time, I felt it was old-fashioned and ignored it, but it’s a good opportunity, so I might take a look.

I feel like there was some kind of playboy who seemed like the heroine’s ex-boyfriend.

>>74

I am a Deathfire user.

As expected from a script by Riku Sanjou, the beginning is quite sluggish.

>>75

That’s absurd! Preparing the script for a new anime in just three months!

>>78

But Ashi Pro-kun did it…

Please release the Blu-ray box…

At the beginning, the animation was terrible and the story was dull, making it a poor experience, but both aspects suddenly improved tremendously.

>>79

Since the face-open ban was lifted, the number of staff has increased, and the budget has exceeded expectations, so it’s significant that Toei has quietly covered the costs.

I have a memory of hearing something like people gathering because they want to draw.

Toei, saying they want to make an anime in three months, is the craziest of all.

Face open!

>>83

Closed face!

It’s great how you can only see the original art by Kaneda in works like Lucky Man…

>>86

Yeah, I was doing quite a bit with Square Enix’s op…

The official website is too interesting as a supplementary reader.

>>87

I like the enemy motifs and naming rules.

It’s really intriguing that Protex is labeled as armor type even though it has no armor elements at all.

I still love the final battle between Gaiking the Great and King Darius.

Including the moment of finally becoming Gaiking and finishing it off with Hydro Blazer.

>>91

Everyone, the double meaning of “burn” and the contrast between the protagonist who rages alone and fights alongside friends.

It’s great that including the supporting characters, there are 38 episodes with an all-star cast!

I’m grateful because I couldn’t see it in town.

Since I watched it sporadically in the past, I have almost no memory of it.

I was a bit curious because there was nothing of value.

Although the progress was ultimately the father’s will, it’s unusual for someone to come forward and offer cooperation to seriously stop the massacre and senseless killing.

Well, it’s seriously crazy…

Is it the boring version of Gaiking (face open)…?

The Muji face open is too much of a massacre weapon!