>>1

There’s also a commentary on Diggy-MO’’s music! It’s the kind of vibe in the image…

I was waiting for the explanation of Diggy’s song…

The two vocals and Diggy-MO’ didn’t work out.

I opened it and immediately found that diggy, who is at the bottom right with the two cast members, was no good.

I wish you could perform live, even as an opening act…

As it was already completed a long time ago, the development is very fast…

Hurry up and explain Diggy from Moana 2.

The explanation is very detailed and helpful.

Tomohatsu 😡

Bro.Hi and Shinnosuke have become quite cute.

I was the type of person who explained the songs.

It’s really weird to hear Diggy speaking Japanese, isn’t it?

It’s amazing that the inspiration for cosmic travel comes from American classical literature.

I want to hear Shinnosuke’s hard-hitting track too.

This has an incredible depth as a reading material and commentary…

I’ve heard that Diggy likes classics and seems to have a fairly good upbringing.

Oh no, I have no idea what I’m saying at all.

It’s too engaging to read…

I would like to have a demo vocal and a reading CD with explanations of diggy as a bonus.

Even so, when anonymous people write weird documents, the way they phrase things…

When you’re writing, a lot of things start to catch your attention, right?

If song explanations become a luxurious bonus for the album

What does the demo song come with?

>>29

A limited edition of the self-cover album to be released far away…

Oh no!

I can’t understand what Diggy is saying in a different sense than usual.

>>31

In the lyrics, it says “Aararaa! Pace!” and sounds like a rapper.

The incredibly difficult explanation coming from that is so easy to understand that the gap makes me catch a cold!

Wow, it’s made with such precision! Amazing!

The atmosphere changed when the thread image appeared at the beginning of page 3…

What can be achieved by mobilizing this intelligence is something like Aō or Tsutsugo.

I reserved 5000 copies, you know?

>>38

Is it still not too late… I’ll do it!

I took world history during my student days and also went through the Gothic culture influenced by the visual kei movement.

I kind of understand what they’re saying, but wow, this person is really amazing…

You’re treating faces lightly.

>>40

I was surprised because it was totally my type.

That’s probably why I got hooked personally.

>>40

Anyway, it feels like they went all out on creating entertainment that is just pleasurable to listen to.

That said, considering the story, episode 13’s Musica focuses on enjoyment, so fully committing to entertainment seems to be the right choice.

>>66

Let’s indulge in the pleasures of this evening, it suits the music perfectly.

It might be that this kind of thing really matched the person very well…

Well, the face has that kind of feeling.

It’s supposed to be an explanation, but I don’t understand what it’s saying.

The explanation of KiLLKiSS is too complicated…

There are various things written, but I can only understand about 30%.

The vocal dialogue is quite intense…

I can’t believe someone who would say “Wekapipo” and “we don’t have enough salt” is the same person…

>>49

The catchphrase of the debut song “Wekapipo” is “Where is the truth?”

Wekapipo has great lyrics that convey a positive nuance, right?

I seriously thought, wouldn’t it be nice if they included a commentary by the person in their own voice and a demo song as a bonus somewhere?

>>52

I want you to output in a language that humanity can properly understand.

Even if they can’t understand it, the fans will definitely be happy.

When you prioritize playfulness, the Diggy flavor becomes stronger.

Installing this will turn Hatsune into a genius to the point where it doesn’t make sense…

The knowledge is so vast that I have no idea what you’re talking about!

>>58

Given the person’s background, it’s understandable to address them with an honorific.

Wasn’t Diggy originally playing the piano?

>>59

Being forced to learn classical piano by my parents was Diggy’s fundamental music experience.

>>59

He’ll play it live, and it’s cool.

The lyrics are written with an unusual understanding of JoJo, even from VOODOO KINGDOM…

It feels like the face prioritizes comfort over meaning.

Bushiroad, release Diggy’s family quickly.

I really like the piano in City Route 2.

It’s surprising how the lyrics have such a profound theme and underlying concepts considered.

I wonder if they are making it more intuitive.

A worldview that is built on a foundation of basic cultural literacy…

As a side note, there was actually another concept that was ultimately abandoned partway through the creation of this song.

Originally, while creating this, I expanded the image based on the phoenix depicted in the knitting that Mary is said to have created during her time in confinement, writing from a completely different angle.

In that context, it is also connected to “Symbol I: △(Fire)” from “ELEMENTS.”

The elemental of “fire” there is Salamandra, so of course the Phoenix is unrelated, but at that time, when the theme and progression were not clearly defined yet under “ELEMENTS,” there were already notes and memos around this area. In the end, only the parts that could be consistent were included. These were slightly sublimated with “△,” and while proceeding as is, they were mixed in a diverse way with other models such as Joan of Arc from different countries and eras, and various backgrounds, to a degree that it was roughly difficult to discern. As a result, it was created as “Symbol I: △” on the concept of “ELEMENTS.”

With my level of education, I can’t understand the meaning that Diggy put into it…

I’ve read several interviews, and every time I do, I think that diggy is the most reliable behind Ave Mujica. I can’t understand all of the content, but…

The concentrated Diggy is probably something like Trome or Gossan.

When reading the commentary, I exert a tremendous amount of energy due to being overwhelmed by such extensive education and knowledge.

I would be happy if there are young people who start listening to SOUL’d OUT from Musica.

Confinement is inspired by the character Shuka, and the lyrics are direct, so you must get it, right?

I looked up and read unfamiliar words and terms, but I still don’t understand them.

I’m really curious about what kind of things are written in Diggy’s notebook or memos.

It doesn’t matter, but I’m really thinking like a JoJo character…

The level of conversation is higher than I expected… ?

It’s well-known that S.O was dissed by rappers at the time for not being hip-hop, and yeah, that’s understandable.

There’s no way someone like this can be confined to the framework of hip hop.

>>86

I can’t tell if it’s rhyming or not.

>>86

R-Shitei with a satisfied expression.

>>103

It’s not that rare for an artist with a classical background, but for it to result in something like this is truly exceptional.

>>86

Thanks to that, there still hasn’t been a group like S.O that has emerged…

>>118

Its uniqueness is so strong that it has become irreplaceable.

>>86

If it’s hip-hop and rock, then it’s SOUL’d OUT Cru!

It’s SOUL’d OUT Cru in Pop and Rock!

>>86

I know it sounds strange to say this, but…

In the first place, the legitimacy of hip-hop in the context of the Japanese language is zero…

It feels like the two songs marked with X and XII are remnants of a certain idea.

The foundational knowledge within diggy that creates this worldview is astonishing.

The face is really pleasant to listen to, but isn’t it quite difficult for the one singing?

>>91

Ave Mujica, it’s all songs at this difficulty!!

Reading this explanation makes me realize again how amazing Bro.Hi and Shinnosuke are.

>>98

Without Shinnosuke’s hard-hitting track, it becomes quite elevated or difficult, doesn’t it?

>>98

The concentrated version of Diggy is quite high-context, isn’t it?

It’s interesting over here too, so give it a read!

https://natalie.mu/music/pp/avemujica02

I want you to do a music cover.

I was convinced by the song “Kao” that vocalist SO can definitely sing…

>>95

If you come to Garupa, you’ll probably have cover songs added regularly.

I wonder if I won’t do it…

Although it’s already out, VOODOO KINGDOM is truly perfect as a Dio song…

Diggy’s explanation is a bit poetic too.

I feel like you need a certain level of reading comprehension or inference ability to grasp Diggy’s intentions on the reader’s side.

The face has a melody that’s just too good.

I have such a lack of culture that I don’t understand what diggy is saying at all.

I am stupid.

Isn’t the explanation of the poem in itself becoming a poem?

I mean, it’s also probably not interesting because it suddenly appeared without any connection to King Ghidorah or that sort of context and sold somewhat well.

To be honest, it’s on a completely different level from those who wrote hip-hop lyrics with a pun mentality.

Musica seems to have a high level of difficulty in performance, and everything is just too high-level…

If you’re going to provide such detailed explanations, I want to hear your song explanations from the SOUL’d OUT era too…

Is there a chance if the interviewer secretly sneaks in?

Shinnosuke is like a marine in electricity.

Aimi Kusakari from Sakanaction.

There are one-sentence explanations from the members, including diggy, about SOUL’d OUT’s songs that are still left on an old SME page.

Diggy’s first album and Gyaralan BAM are catchy, so it feels like he is doing what he likes privately with his more niche musical style.

The person being interviewed has become a space cat, right?

>>119

You can tell from the ELEMENTS explanation interview that the interviewer is quite smart as well.

She was a daughter from a good family.

>>120

Huh?

It seems like we could do something in the world of Musica around Singin’ My Lu.

It’s fine to have an unbalanced style like a dolphin with Hatsune and a mature vibe with Shoko! 💛

I’m just starting to learn a lot of things by opening this thread.

Do you have any recommended songs that you can feel Diggy from the Bandori anime?

>>123

For now, go watch the final episode of Ave Mujica that aired yesterday.

>>123

Listening to the “face” that was played in the final episode.

>>123

The final episode of Abemujika, which can be watched for free right now, is a whole live animation, and all the songs by the gothic band are written by Diggy.

As expected, it’s amazing… Sankaku Hatsuka!

Not just those from the hip-hop scene, but also those who experienced the music scene at that time.

I had a sense that something crazy was coming out with SOUL’d OUT.

>>126

Embarrassingly, my first S.O was “Yaki Tate Ja Pan,” and it has been stuck in my ears ever since…

This interview is interesting because the interviewer can also be someone from here.

>https://natalie.mu/music/pp/avemujica02

I realized that there are still people who are captivated by S.O…

In the latter part of SO, there were many songs with a jazz or classical vibe, and I feel that this is the direction Diggy really wanted to pursue.

>>130

A person with this much knowledge and a range of experiences cannot just limit themselves to creating music in the same patterns.

Please hurry and get me into the subscription…

After all, if the interviewer doesn’t have any knowledge, they can’t draw out responses like this.

I mistakenly thought Diggy was a returnee, but it’s actually Bro.Hi.

So, Bro. Hi was teaching Diggy English at a family restaurant.

>>139

Is Diggy a native Japanese speaker?

The opening lyrics are really nice and amazing.

Just because it heavily contains elements of rap, saying that S.O’s songs aren’t HIPHOP is really true.

I don’t know anything about that time, but it doesn’t seem to have a nuance of criticism; it really means that it’s a different genre, and I don’t think it was particularly disliked by the HIPHOP community, right?

>>142

No…

>>142

Back then, there was a trend that just singing popular songs was considered uncool, so it really existed.

>>146

I feel that the catchiness of something like “cozmic travel” is still being rejected by the hip-hop community.

>>142

K-Dub was really trashing it.

They even released a song for that.

I only know Shakespeare by name…

https://abema.tv/video/episode/283-26_s1_p13

It’s been on since just past the 10-minute mark of the final episode, so please watch it!

I feel like a song featuring Christopher Columbus in a spacesuit is so innovative that it probably won’t come out again.

>>138

There are cases where a line from Tempest is used in a song for an anime content about a beautiful girl band.

Ah Oh Ah Oh Ah Oh

Ah Ah Ah Oh

Ah ah ah ah ah ah

Aoh Aowwa

I’m surprised by the deep analysis that doesn’t seem to match the person who wrote the lyrics above.

Why don’t you call me MO?

>>155

Believers of Time

>>155

It’s the same as not calling Bro.hi “hi.”

Can you understand the current anime just by watching Abemujika?

>>156

It might be a bit tough if you haven’t seen the previous work, Mygo.

>>163

It seems like it’s more of a spin-off or a side story of a rival unit based on a quick investigation.

>>156

If it’s about guessing the song, isn’t it okay if the story is somewhat vague?

>>156

It feels like it’s set with MyGO!!!!! for two cours.

I remember laughing because it was quite an intense song when I provided a track for Hypmic.

I thought the same during the interview for the last album, but it’s just overflowing with intelligence, and it’s intimidating.

In the past, I couldn’t even use a flip phone properly, but now I’m able to use Twitter…

If I were in a position to have Diggy handle sound production, I’d just throw in one word and say, “Please feel free to do as you like!!”

I’m too excited to see what will come out!

I couldn’t concentrate because I was feeling like, “Why can Diggy sing with that Timoketsu and penetrate through?”

Did I also participate in composing all three songs this time?

Diggy has a language processor, so words come out quickly.

During the MV shooting for Cozmic Travel, I was turning the steering wheel like crazy, but it was just a scene where I was going straight, so I’m naturally a bit clumsy, you know?

The fact that the former mask band is releasing the song “Face” in the final episode is great, not just because of the feeling it brings.

Also, the “loser” makes it feel like a member of the Musica who has been through a lot of hardships.

If there is a demo song from the person, I seriously want to listen to it.

It wasn’t someone who would just throw it at you as if to say “you should understand.”

The work is different, but if gyaRan BAM has a demo song, I want to hear it…

How was Sasaki-san’s state of mind when they received the message saying, “This is the source of the face sound”?

It was funny how everyone was saying, “That’s Diggy!” just by looking at his face.

Even though I shouldn’t know it, the feeling of the chorus makes me feel like I’ve heard it before.

You understand, right?

No, I don’t understand at all…

Considering the band’s sound and concept, it’s normal to hire someone from the visual kei field, isn’t it?

What should I do to try requesting Diggy-MO’?

>>182

You understand, right?

>>182

Was there an S.O fan among the staff or what? Ah.

I wonder which one of us said, “Let’s click our tongues here on the face.”

I never thought I would have such a long relationship with someone from a song I didn’t really understand in Japan.

Hatsune, you had installed such a crazy amount of knowledge!

I feel like the awkwardness of S.O’s jacket was also done intentionally…

>>188

I think that’s the real thing…

I still feel that the era hasn’t caught up with S.O. yet.

Hatsune is a genius, isn’t she…

This rapper is quite an impressive philosopher.

>>193

Peace

Stop it! It’ll become difficult to get through in the first flower!

It’s been years since Cru became an executive…