I think everyone’s reaction at the end, like “Who is Miharu?”, enhances the impression.
The empty feeling when you’re thrown into the sea is nice, isn’t it?
Not good.
Since the only one I know besides Kai is Amuro, whom I only caught a glimpse of in WB, it’s really cruel that no one can empathize with Kai despite him being extremely sad and lamenting.
It’s tough that I died doing spy activities to support my young brother and sister as a war orphan…
>>3
The novel published by Animage was unnecessary…
It was a necessary sacrifice for Kai’s growth.
>>4
This situation is dragging on so much that it’s not just about Kai being weak; it’s about his single-mindedness…
They have disappeared…
Miharu? Who is it?
I was an illegal immigrant.
Did you know?
I just happened to see it a little bit…
A monotonous conversation is painful.
There was a problem with the structure of the Gunperry, right?
I wonder how that is being operated…
>>9
Normally, you shoot from the cockpit…
It’s cruel that death isn’t mourned, isn’t it?
It seems like it’s in a state of not even existing in the records.
I used to think that if I had fallen into the sea as a child, I might still be alive.
>>13
I feel like it would be okay if at least one of the characters, Matilda-san, or the fiancé survived with serious injuries, but every time it’s told that they have died, it’s really painful to see…
Given the circumstances of being a spy, it was probably better that Kai was the one crying.
Director Tomino was crying while reading the script, so I wondered, “What’s it about?” and everyone who sneakily read it was crying.
I feel like they said something like that in an NHK special program.
Tomino to Yasuhiko-san! I made an amazing storyboard!
Since I barged into the animation studio.
I thought it was unusual, and when I watched the content, I couldn’t help but cry.
Anabiko said, “We were crying together, saying this is going to be a masterpiece,” and I laughed.
Indeed, it was a masterpiece.
>>16
I see… it’s the episode that made me cry the most in the Gundam series personally.
There are spies infiltrating, but they casually take down the wooden horse… that calm demeanor really feels like a military.
Due to an electrical system anomaly, I couldn’t shoot from the cockpit.
Since there was no choice but to shoot manually on the spot, Miharu did his best.
It’s strange how the scene where the first character dies is so abrupt, yet it draws me in as an anime.
When the warship arrives at the port and the soldiers disembark from the ship,
A woman comes over saying, “Please buy it for me.”
Kai was saying, “Isn’t there nothing at all?”
I really knew what they were selling.
>>21
Well, it’s either information, the lower body, or possibly both…
The commercial for “Sadness and Warriors” was this scene.
Is there no compassion?
At that time, there were still many people who had experienced the war.
It’s quite vivid in many ways, isn’t it?
>>23
It’s really vivid to see an old man among the evacuees stealing food from children…
>>28
In a way, it’s such a microcosm of the modern age that it makes me feel nauseous to watch.
If you do something reckless like the WB crew, then you’re not really part of the WB crew, so you’ll get blown away.
Miharu falling is cruel yet beautiful.
The drawing skill is amazing, isn’t it…?
It shouldn’t be recorded in either the Federation or Zeon.
Only engraved in Kai’s memory.
I feel sad when I think about the younger brothers who are left behind.
Well, the One Year War is definitely the biggest conflict in the current Universal Century works.
I went home and looked after my younger siblings.
Ah, I see…
That’s how it is, Kai.
In my mind, there’s an image of Kai class changing to Kai-san in this story.
Isn’t the payment from Zeon too good?
>>35
Char was also giving a briefcase full of money, so isn’t there a rich asteroid with gold resources around Side 3?
Strike Zeon… thoroughly.
🚴 Hello, are you in a hurry?
Well, it was famous for being a masterpiece episode.
I’ll use it in the preview.
Kai’s determination is beautiful, but isn’t it wrong to direct hate only towards Zeon in this flow?
>>40
Well, I guess it won’t lead to an anti-war movement…
>>40
It’s partly my fault, isn’t it?
Intentionally leaking information about the White Base and assisting with stowaways.
>>40
I think Miharu was pulled into the battlefield with a sense of atonement.
Miharu should have just acted like she didn’t know.
>>40
When you become an adult around Z, your perspective might widen in various ways.
At that time, as a 17-year-old pilot, Kai probably thought that the only way to end the war quickly was to do his best in each battle to defeat Zeon completely.
I don’t need the depiction of Origin bumping its head.
I know I would die even without that.
The uncle who mediates spies.
“Is it really okay to use a girl like this?”
It’s nice to be confused, isn’t it?
It’s nice to talk about this kind of thing in Kaimemo, isn’t it?
It’s too perfect that even the body is blown away and doesn’t come up.
I’ve seen it before.
But after the war ended, they left the federation, and that’s probably why they haven’t been involved since then.
Younger siblings who became war orphans from the federal military protection facility.
The novel sent to the Nita Research Institute is superfluous.
In the first place, Miharu’s struggles are because the way the federation treats the poor is terrible.
Did Miharu have the ability to be a spy?
They probably succeeded in some missions before this as well, but…
I had the ability to get along with Kai.
>>52
I was sharing information about the warship I stopped by.
It seems like it was their first time doing undercover work.
>>52
Being a spy isn’t just about infiltration work.
In fact, just from telling the “buyer,” “Please come again,” “How long will you be here?” and “Please come before we set sail,” you can extract the schedule of the warship.
I decided to strike against Zeon in order to recover myself (not to determine where the responsibility lies).
It wasn’t that the unwavering sense of justice within me, triggered by Miharu’s death, shouted to destroy Zeon.
>>53
Right now, to end the war, I’m focusing on defeating Zeon, and after it’s over, I’ll probably quit the military and watch over them as a journalist, making it clear that the Federation is trash!
Kai and Miharu seem to match well because of their personalities, it’s impressive.
It’s tough…
The federal women’s military uniform looks good on you… it seems like the size was small, though.
I think Kai was emotionally on Miharu’s side up to this point in the story.
From this point onward, one could say that I became a party to the war.
This fleeting feeling of wanting to do something but not succeeding at anything…
Ugh, war is crap!
The main culprit of the One Year War is undeniably the Zabi family of Zeon, so it’s only natural to aim for peace by striking against Zeon to avenge Miharu.
After achieving peace, it is only natural to take a stance of monitoring the federation so that a large war does not occur again.
After the war, Artesia was considered missing in society.
Become a valuable journalist who successfully made contact for the first time.
Kai
Did Kai-san say “Are you going to fight the Federation next?” in the novel version?
>>64
Encounter in Space
It seems that there is still proper intelligence that checks the entry and exit of naval vessels even in modern times.
The moment I’m blown away, my hair comes undone, which is striking.
In a novel, in the end, he’s like the protagonist, so Kai is fortunate.
Hayato…
>>68
That kind of character who can express what everyone is thinking, to some extent, seems really convenient.
Perhaps it was motivation after all.
It felt like I was deflated seeing my younger siblings.
During the war in Kure, it was so loose that people were casually talking in barbershops about how next it would likely be Midway.
I wonder what the children at that time were thinking.
>>72
Amuro is a cheating liar.
>>72
Ah… is it okay for something so pitiful to happen…
“I thought so at the age of 9…”
Kai and Hayato seem pretty even, but there’s somehow a subtle line drawn between them.
From Amuro’s perspective, it might just be a margin of error.
I didn’t have any particular impression when I was a child…
Looking back now (or rather just realizing), did Amuro think that Kai was pulling in girls?
Is the depiction of Miharu’s survival from the third Super Robot Wars?
Kai, who has made up his mind saying “We have to end this war quickly!”, is becoming a journalist after the war, realizing that the fundamental issue isn’t there.
>>80
They are prioritizing ending the current war for the time being, but afterwards they will be on the side that criticizes the federal government.
The farewell between Amuro and Kai is nice too, isn’t it?
>>81
I like the way you say that, Amuro.
>>81
Your farewell gift isn’t worth even a single yen.
As a child, I thought the security was lax.
Now that I know the position of WB, I think that’s about right.
>>82
I feel like as a child, I had the misconception that adult organizations were always solid and reliable.
Characters like Kai, who are cynical, are easy to empathize with, right?
>>86
When I first deployed in the Gun Cannon, I was tearful and fired relentlessly until I ran out of ammunition. It’s just the way it goes, right?
It’s nice that the last words came from that side! It doesn’t feel like a farewell at all.
I wasn’t thinking anything sweet like wanting to get along with Miharu back then, right?
>>89
Well, if that’s your loose thinking, it seems you wouldn’t have disembarked from the ship in the first place.
But I realize that I am just criticizing without doing anything to create, and I feel despair, right?
It felt like they were gone before I even realized it.
Sadness
The direct problem may be that the structure of the gunperry is not good…
>>94
It’s incredible that you can operate it directly.
Kai has been skeptical about organizations from the very beginning.
Even though they’re a character who makes sarcastic remarks.
I heard they were famous for being delinquents in the colony.
The origin is such a superfluous addition.
It’s tough for the people from Zeon who were in contact with Miharu… That aside, I actually like the subtle sense of distance that suggests I’m about to leave.
Getting angry at those around me who are becoming soldiers.
I have a fairly strong sense of self.
I haven’t known the original main story for many years, but I’ve seen a lot of comedy-style official fan creations and parody manga.
I knew about Gundam generally, but…
I was surprised by this episode because I don’t remember other works touching on the existence of this child.
I wondered if there were any contraceptives, so I rummaged through the basket and found a gun instead, which was a major letdown.
I didn’t really intend to actually smuggle Miharu.
Giving them a suitable achievement and then stepping back is a rational judgment, I suppose.
>>102
That strange kindness killed Miharu.
>>105
I shouldn’t have taken care of that at all, really.
Thinking about my brothers just gets me down…
It’s the Zeon that messed up the Earth, but since they pay well, Miharu doesn’t really hold a grudge; she’s resilient.
Don’t talk.
Huh?
The Zeon accent is too strong.
>>104
Hey, I wonder if there’s anyone who receives invoices?
I guess there was a feeling that I couldn’t keep up with everyone naturally fitting into the military.
>>106
When they arrived at that base, the Federation’s MS forces were gradually being organized, and everyone could have been replaced in the WB team, so it’s no wonder that Kai was like, “Huh?” when no one got off.
I couldn’t even reach Miharu’s inner self enough to turn it into a funny story.
The fact that Miharu attempted to directly launch the missile indicates that they had some rudimentary military knowledge, which might have been one part of the tragedy.
In the novel, the suffering the siblings faced after the war was too much to bear.
I’m not good with Origin, but I like the ending that was saved thanks to Seira’s guidance.
Kai is the member of WB whose perspective is closest to that of the general public, and I can empathize with what he’s saying, but at the same time, I also think that if he acts that way early on, then of course it will be corrected.
From the middle onward, everyone got used to the situation and Kai’s personality, so they pretty much ignored it.
>>111
The line that Amuro said when getting off the ship is quite an accurate assessment of Kai, isn’t it?
I remember that the parody in this cosplay adult video was incredibly high quality.
>>112
Actually, AV is a genre where a lot of freedom is allowed…
It seems that directors and actresses often roughly shoot the scenes they have to do for now, and then focus on capturing the shots they like for the rest.
>>149
The actor used to do it the best…
“I really didn’t lie when I said I wanted to see you.”
It’s not that it’s the motivation for smuggling.
>>113
In that Tomino interpretation,
I was glad to be treated as a human for the first time.
I see, but… it’s too heavy, Mr. Tomino.
Finally, when I landed on Earth and was able to reach a decent federal base, instead of protection, I ended up being treated as military personnel and forced to fight, so it’s no wonder I would defect.
Even though I was abandoned just because I was going to Jaburo even in Luna II.
Kai is the person who represents what everyone wants to say to the upper echelons of the Federation.
>>119
I love the scene where Bright gets confrontational during the briefing before fighting against the pointed hat in the movie.
Kai said that everyone living on Earth is an elite.
Did you realize that it’s not really like that?
If I go to Earth, things will work out somehow.
I’m going to the town where my dad was born…
All that remained of the town was a large hole…
I also like that story…
>>121
If it was the Zions who burned the city, then it was also a Zion soldier who saved that parent and child… It’s really hard to put into words.
Even Amuro would have preferred not to shoot it down if possible, and since he survived by good fortune, he would likely end up fighting with the WB again.
>>121
I wonder how the people who got off at the village around that lake will get food…
>>139
They were explaining that there is a refugee camp.
My mother refused and insisted on going to her husband’s hometown.
Kai’s lines in Jaburo are really good again.
I wonder if no one will tell Miharu’s younger brother that Miharu is dead, and he will just keep waiting.
I might have called out to Zeon.
Hmm, well, it’s war, so it can’t be helped, right? It should have been fine.
Are you still a man, you weakling!
Stop talking like a delinquent!
Kai getting slapped by Seira is quite tough.
>>125
There are aspects where it’s inevitable to be told that, but it’s also abnormal for Ms. Seira to seriously express the right opinion in that situation.
The original’s ruthless sense of war is great, isn’t it?
On the contrary, Origin is strangely too warm, especially towards the end.
Kai, who doesn’t want to be a soldier, flexibly pilots a Guntank to fight against Z’gok.
>>127
If we don’t fight, the White Base will be destroyed.
The federation has no obligation, but there are comrades there.
>>131
Knowing that Zeon will attack, I still leak the information.
>>133
That is where humanity is not simple, and it is also Kai’s sweetness.
It’s an anime where robots are warmly punching each other.
The atmosphere during wartime is really vivid…
I am physically healthy.
It says there are no abnormalities in the mind…
Hello, are you busy?
After Kaito Z, his face looks really suspicious.
Ma’am, this is the place where St. Ange used to be until a year ago.
It would be better for your wife to return to her friends at the lake.
Origin’s
“This is St. Ange.”
Just is also nice.
When I was a child, I was frustrated that despite Miharu dying, that guy Zion didn’t suffer at all.
>>138
If that’s the case, it means the root cause is Char.
It might be a convenience of storytelling, but I wondered what was going on with Belfast’s defense where the WB, which was being heavily attacked by several MS while resupplying, had no choice but to fend them off.
The battlefield is a masterpiece, even in the wilderness.
I like scenes where Amuro realizes and thinks he doesn’t want to kill.
The preview of the tragic warrior is nice, too.
How long will humanity continue to repeat the history of killing each other? Is human innovation just a dream?
It’s amazing that Boon returns from WB and catches up with WB, even in the underwater environment.
Is Grabro amazing?
>>145
Because I’m pulling the Z’gok with the Grabro, the Grabro is pretty amazing.
Most people who finish watching First end up liking Kai.
Time, stop.
It was supposed to be a mission, so I set the bomb, but…
I also like the Zeon soldiers who support Amuro.
>>148
It’s a vivid depiction that there are many ordinary people just killing each other because it’s a war after all.
The human-like qualities of the Zeon soldier in “Time, Stop” are really nice, aren’t they?
Wasn’t it Gundam that was clearly broken down into parts by Grabro for the first time?
There are seriously only masterpiece episodes from when they land on Earth to when they go back to space.
“Time, stop! Everyone on the White Base is acting strange.”
It’s good that there are proper assholes in the federation too.
The one who was sleeping with Amuro’s mom.
>>155
It’s terrible that when Amuro went back to his family home, it was taken over by unknown Federation soldiers who were having a drinking party.
>>160
It’s wartime, so there are things like that.
Rather than saying it’s terrible, that’s just how it is for foot soldiers.
>>168
We are protecting you.
And there are also cases of civilian rape happening normally… the military.
>>155
You’re a civilian, right?
It’s true he’s an adulterer, but there’s no depiction of him sleeping either.
>>162
Weren’t you wearing a federal army uniform?
>>169
That over there at Amuro’s house is a Federal soldier guarding the area.
It’s rough because we’re isolated in the ZION-occupied area and don’t have proper supplies.
The description of wiping sweat from above the helmet really stands out in my memory.
Woohoo!
Well, do your best!
…It’s those guys.
…Yes
The ending of “Time, Stop” is also the best…
If the direct control missile didn’t listen to Kai and didn’t fire in rapid succession, it would have been fine, right?
Upon re-evaluating, the control panel is closer than I remembered…
Time, stop! The performance of the plastic bomb is too good.
What kind of power can break a Gundam’s shield in one hit?
>>163
The small bombs in that world seem to be quite dangerous.
Char’s unit also used it when they infiltrated Jaburo.
>>163
“It’s dangerous, let’s leave the bomb removal to Amuro.”
💥
Dede
The passage about Saint Ange is good because the behavior of the Zeon soldiers is commendable.
Called a nemesis by Iserina → Mental state is affected but forced to go out → Not understood by my mother → Deactivating a time bomb → The fate of a soldier who killed a child’s parent, whether desired or not → Fireball Seira’s massive explosion
Amuro’s mental state is shattered.
>>165
In the early stages, they really take their time and carefully break down Amuro, it’s impressive.
What am I supposed to do with a shield that doesn’t break even when hit by a Zaku’s bazooka?! That’s what the early Char would say.
Char thinks of a way to shift the blame onto Garma.
>>170
😎(If you can’t win with this, you are incompetent.)
>>183
Hehehe… I’m showing my incompetence… (What should I do against enemies I can’t defeat with that…?)
>>183
It feels like this statement applies to Char himself, who ultimately couldn’t win.
It’s interesting that Amuro changes not through persuading the WB members, but through his encounter with the enemy soldier (Ramba Ral).
>>171
I think it was important to meet Lalah, but I wonder how Amuro didn’t go crazy.
It’s too reckless to face a Z’Gok with a Gunperi…
>>176
I did it!!!
Miharu!! You did it!!!
Personally, I felt relieved when the arrogant Zeon soldier was depicted during the Solar Ray construction.
It’s not that I want them to be the evil Zeon aliens, but there are a lot of respectable Zeon soldiers, and because of that, they somehow lacked human warmth…
I think the conversation with Amuro’s mother depicts a tragic misunderstanding between parent and child, and it’s a masterpiece, but it’s a bit disappointing that it usually ends with the conversation being about how the mother is a terrible woman in cases like this!
>>178
Isn’t it a bit sad to call someone a damn woman?
They’re just a little lacking in imagination.
Are you talking about the Federation soldier who was with Amuro?
What does the part about the mother sleeping mean?
Isn’t it a story about the last man?
The person rumored to be Kamaria’s lover came to pick her up in a car.
It’s a person in a suit, right?
Amuro’s gaze swaying towards the man is such a great direction…
If there is a bridge occupation by evacuees from the witnessed theft, then it would make sense to refuse to pilot the Gundam.
You managed to keep your composure well in the early stages, didn’t you?
If Frau and Hayato weren’t there, I definitely would have given in.
If Ganperry isn’t back, then that’s how it is with Miharu…
Please do it without getting angry.
He misunderstands that when men and women sleep together, it just means taking a nap in bed.
I don’t think Temurei is a bad person.
I’m curious about how sane I was when I was in Side 6.
When I was a child, I only felt sorry for Amuro, but as an adult, I came to understand Kamaria’s feelings.
I can’t help but be shaken when I see a cute child I haven’t seen in years, dressed in military uniform and boarding a warship, shooting enemy soldiers right in front of me.
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