I’ll do anything for my daughter.

>>4

(I don’t really do it with the other daughter.)

Sletta took action because she didn’t want to become a bad witch, so she became good.

There are some people saying things like “carrying a sin” but

I thought I raised my daughter to be a yes-man.

There was a mercy to let them be free once they had used it up and their needs were fulfilled.

>>13

Well, that’s just because the person who was storing it didn’t know the specifications.

“Did you come to ask if you could bring it and ride it? You looked completely shocked when you saw the actual thing.”

>>9

Like releasing raccoons into the forests of Japan…

Delling is…

I thought it might have been good to portray a villain consumed by revenge.

>>12

I understand that the atmosphere of the public hearing starting to unveil the pursuit is captured in a moment at the end.

Not that way, but the thread image instead.

>>16

At the time of the final episode, if it’s asked whether it’s possible to pursue it since it feels somewhat like a vegetative state…

To be precise, by the time of the final battle, I was already half a wreck.

>>21

Well, there was quite a sad atmosphere, so I guess it can’t be helped…

I have one!

The entire parent generation is like that, and it’s crazy that almost all Spacians are involved in war-sharing in that world…

To be honest, being in the shaba thanks to Shadiku is just so lame…

Even if I try to hold them accountable, they’re in such a state that it’s nearly impossible.

It’s a story about how the things we’ve done can’t be forgiven, and then there’s the past leading up to that…

>>25

Thinking about the thread images brings up quite a complex mix of emotions, doesn’t it?

I understand going crazy, but there are too many sacrifices.

I can’t help but think that the soldiers of the coalition who killed recklessly like weeds weren’t someone’s sons or daughters.

Even if I approach that last half-baked, almost like a half-invalid state… it feels like there’s no point.

>>30

But there’s also the fact that the coalition in the parliament is coming to kill over there…

No, but that’s too much killing…

Using the group’s money to secretly create Kuwazero is itself daring.

It seems like they were disliked from the beginning, so criticism might have been directed at Derin.

I was surprised by the peaceful ending after going that far.

For better or worse, I wonder if I will die.

He committed a wrongdoing, but there is likely a lot of room for leniency, so Shadiku, do your best.

(The four CEOs of Pale Company have an atmosphere of being forgiven.)

>>29

I thought they would ride on the interesting four-body fusion MA…

>>34

I have a feeling that, like in Veigan Gear, I wanted the final episode to feature a battle against some amazing enemy, no matter how abrupt it might be.

>>29

If you think about it calmly, they aren’t really doing anything that bad.

I’m just paying a little to avoid running away and using a few Ashians as test subjects, so the number of victims doesn’t come close to the picture in the thread.

>>93

Well, being forced to retire and living a relatively peaceful life in seclusion seems like a reasonable outcome.

In the end, since the culprit dad didn’t say anything, everyone can only talk about vague speculation.

A character that is extremely ambiguous, not wanting to be treated as either the final boss or a victim.

The only clear things regarding the aftermath in that area are that Shaddiq seems to be trying to take on the sins of Quiet Zero, and that Miorine seems to be aware of this, along with Benelitt’s upper management discussing things with the victims’ association, so it can be said in both a good or bad way.

Since it’s somewhat forgiven, it makes me think, “Well, I guess it’s okay!”

It’s not exactly a clean translation, but a joint CEO consisting of four people: Newgen, Cal, Nebora, and Gorneri. Their blunder…

At least within the range of the screen, I think the relative best among the parent generations is pretty buggy.

It’s cruel that there’s a difference in treatment between Elict and Sleda, but I quite like such raw elements.

>>39

However, it’s quite refreshing that, with that background, Suletta is treated like a daughter.

“I don’t like that kind of realistic feeling, like ‘it’s tougher for Erict.'”

>>48

It was tough, like what often happens in families with both children who have serious illnesses and healthy children.

I have been struggling with revenge and my daughter, ultimately choosing my daughter, but even after that, I wonder if this was truly the right choice…

First of all, regarding the prologue matter,

I suppose they are just a pitiable person throughout.

I thought that mask was a brainwashing device.

It was interesting that we were just able to communicate and understand each other deeply through our Newtype abilities.

Well, I may have gone a bit overboard, but that’s what Gundam characters are like, right?

I wanted OX Earth, who has made mistakes in the past, to take responsibility properly.

Wouldn’t it have been better to achieve Quiet Zero?

>>44

But it’s a world ruled by double standards.

Absolute judgment error.

The situation where the damn father had too little screen time in the second season ended up inadvertently leading to a lack of hate directed towards him, which is quite terrible.

Pale was involved in things that resembled human experimentation, but they didn’t engage in terrorism or massacres…

So worthless that I can’t even defend it with a sad past.

>>47

If you think about it within the work, there are a lot of crazier guys than this, so I guess it’s a loss if you worry about it…

It’s the fact that you went out of your way to come to school…

Evil… I guess I’m bad…

It feels just like a real-life company that gets away with its mistakes…

It’s a world right in the middle of a cesspool called war sharing.

I don’t mean to speak ill, but there is a faint atmosphere that suggests, “Well, who cares about the lives of background characters!”

>>55

Well, that’s true, but if it’s too blatant, it becomes hard to say anything.

I think it would have been a disaster if Sleta and Miorine hadn’t gotten together.

It was the one thing that was done properly, so I thought, well, I’m kind of confused about various things, but it’s okay!

>>56

So I’m going to do a Sremio Academy parody…

It appears that everything couldn’t have been done entirely through calculation, which somehow feels quite real.

>>57

Prospera… Shaddiq is doing something, and while it’s not particularly recognized, there are significant disruptions in the plan.

Shadique… Prospera is doing something and I haven’t particularly noticed, but there are significant disruptions in the plan.

I think it could have been managed as just a bad person if it hadn’t been for the confusing mass slaughter towards the end.

I understand that you wanted to create a character with a complex side, not just a bad girl used for revenge…

It’s not that the style doesn’t clearly define good and evil.

There are also those who bear all the sins alone.

What happened to the daughters equipped with the bit…?

>>62

Elict is saying “us,” so I think everything is in the keychain.

>>62

It’s stuffed tightly inside Mr. Hotz.

Speaking of which, it was in Char’s slot, huh?

It’s not like we resolved anything, after all.

The ones who succeeded are still exploiting everyone except Mio Rine.

>>64

I feel like Sarius said something during the exchange with Shaddiq.

“We can only improve little by little because we cannot change it drastically.”

The trial seems to have become a real mess.

It’s not as bad as Iron-Blood, but I do feel a sense of indigestion.

>>68

Compared to Iron Blood, it seems easier to make a sequel.

>>68

While it’s uncertain whether Iron-Blooded Orphans can come to terms with Mika and Orga’s fate regarding the prohibition of human debris and Mars’ autonomy, they are certainly going through the events.

It seems difficult to respond because it doesn’t appear that they left a fire behind just because they want to make a sequel.

If there’s no sequel, it would be frustrating, so I wished they would have gotten rid of the characters and the unresolved issues all at once.

It’s fine for things to become a bit casual, but I wonder what the person who created the story was thinking when they made it so that children, even if they are closer to adults than others, have to bear that weight.

So, there are two seasons, and it seems the parents’ generation will continue to clean up after us. Is that the end?

In the end, it was like, “Let’s just force it down with a toast!” Regardless of that atmosphere, I felt like, is it really okay for Gundam to disappear in a way that seems to crush the possibility of a sequel?

>>75

Since Gundam is fundamentally just a bad luck story, I think it’s difficult to make a sequel even if it doesn’t disappear.

>>75

There are still Gundams left…

Well, if that way of disappearing is okay, then it wouldn’t be a problem if Gundam suddenly appeared in reality, right?

>>75

Well, if we’re making a sequel, it would be fine if someone from the former Vanadis Organization gets kidnapped and creates a Gundam.

If anything, I would forcefully eliminate Gundam as a result.

Quiet Zero gives the impression that it wasn’t really bad, as I almost slept through it and when I woke up, most of it was already over.

I have always thought that not allowing Derling to talk about the massacre is a terrible way to avoid the issue.

The parliamentary coalition that couldn’t go beyond the stage set…

First, those who created weapons are resented by those who are being persecuted by them.

It’s strange that those who buy and use weapons aren’t involved at all!

Well, I think it’s still better than Iron-Blooded Orphans, where the main characters ended up dying after the story became all muddled.

>>85

Is it okay for the comparison target to be at that level… ?

>>88

That’s also the level of the previous work…

>>92

Well… if you can be satisfied with it being better than a work that didn’t end properly, then that’s fine, isn’t it?

>>98

It’s strange that you’re satisfied just by saying “machine,” and I can’t quite understand you…

>>108

It’s definitely better than abruptly saying “it’s better than Iron-Blooded Orphans!” which doesn’t make much sense.

>>112

If that’s all you wanted to say, you could have just said it from the beginning. I don’t know what to do if you get angry after that confusing way of approaching me…

Everything about the dealing is terrible, so it doesn’t matter which is which…

In the end, there should be a bit more to the prologue being the source of confusion!

>>87

It seems like “Blessing” was inspired by this and the cradle, so it’s a classic tune, but it’s slightly off.

It’s not so much running away, but just spreading out all the chaos of the Earth and completely throwing everything away.

It’s great how much it resembles Sleta from her younger days.

When I think calmly, I’m throwing various things around.

Well, it was interesting, so that’s fine.

It feels like this.

>>95

There are some points I’m concerned about, but it was also interesting.

If you only look at the interesting parts, it feels like you’ve seen something good…

If I focus on the points I’m concerned about and think calmly, isn’t it that those issues aren’t really resolved…? There are surprisingly many of those.

>>95

It was an incredibly interesting work to watch in real time with a scenario that has cliffhangers that become a topic of discussion on social media.

I don’t think I’ll look back on it.

Because for this person, the daughter refers to Ellie, and Suleta is just a tool created to save the daughter.

>>96

That aside, I’m treating Sletter as a daughter too.

In the case of Mercury, the setting’s unfolding is not even properly done, making it unclear, so isn’t it below a level of improper digestion?

It’s not a character I dislike, but…

I think some of the harsh criticism would not have existed if Mom had properly played the final boss.

The professional still understands the motive and purpose, but what did the double standard old man want to do?

>>100

Just like Mom said to Miorine in the explanation about Quattro Zero.

I tried to implement a method that has reached the peak of arrogance to eliminate conflicts from the world.

There is a more vivid unpleasantness in someone who, after taking measures for their own safety, apologizes to a guinea pig.

The inability to present easily understandable villains may become a persistent issue in future creations.

The main character dies, but the world heads in a good direction; it somehow conveys a sense that the change from the initially unclear and unpopular “Kekkai” is intentional.

In the second season, due to the mysterious restriction that Sleta must not defeat any named characters, the mecha action aspect became extremely vague, and it’s honestly less than Iron-Blooded.

The problem with Derling and the others is not really resolved, is it?

Compared to Mercury, Iron Blood has done a good job of summarizing the story.

>>111

The world-building is well put together, but in “Iron Blood,” the main character was neglected, while in “Mercury,” it’s the opposite pattern, so isn’t it more or less the same overall?

What happened with Mercury in the end? There are too many abandoned elements.

I wish I could have seen Mom become a vengeful spirit.

The ending is good, but the buildup to it takes way too long…

I was really expecting a story full of blessings.

While I’m fencing or looking at Cecily’s flowers, I can’t help but be bothered by the fact that the furoshiki isn’t quite folded properly!

To put it clearly, I think Calibur’s performance as the final main robot in the robot anime is in the category of trash; it just defeated some weak enemies.

>>119

It’s just an aircraft without the old model limiter.

In other words, there are fewer problems that are resolved.

Shadik is somehow taking all of that on himself and dealing with it lightly.

I think it’s completely opposite in many ways compared to Kyoukai no Kanata.

It’s funny that the 4BBA and Mr. Bell, who look really bad, have only killed a few people in the story.

The number killed by characters like Sarius and Shadik in the thread is off by two or three digits.

It feels like Okouchi has a large variation in quality, and if the director doesn’t keep a firm grip on the reins, it won’t work out?

>>125

In the genre of robots and school stories as well.

This and Geass and VVVV.

>>125

Wasn’t it the director who flipped the script over that was created with the idea of making it a school-themed story first?

Every time a Gundam is produced, there are always complications.

Mercury does not appear in this anime at all.

>>127

It’s like Satoshi from Masara Town.

I wish they had delved deeper into the topic of prosthetics and similar subjects.

The disabled person who listened to the annoying chant connected during the coolness is crying.

As a result of the consideration that it would be sad to have a criminal come from the families of Sleta and Mioirine, who are being brought together, Shadik ended up taking the blame for everything.

Basically, it’s either Mercury, which threw everything away and just dressed up the atmosphere for a happy ending, or Iron-Blooded Orphans, which wrapped up the story properly but ended with the unwanted destruction of Tekkadan.

>>136

That said, I’m a little concerned if I was able to write everything properly even though I had enough space… There might be a bit of that, so it’s not enough! Perhaps it’s better now that I can be consistent with that.

>>136

I see opinions like “if we remove that production…”

Honestly, having episodes 1 and 2 secured doesn’t seem like it’s going to work out.

I wanted one more cour.

>>136

Well… I really went off on a tangent there…

>>136

In the second half, finally getting around to things like Earth and war sharing, it’s hard to believe it can all be wrapped up, right?

>>136

Academy, power struggles, past tragedies, and the devastation of Earth.

I felt that there were too many elements to pick up, so at least one of them should have been cut.

>>136

If we talk about the story of Sremio, it ends in no time, so we were wasting time with side characters for a long while in the middle…

I think at first they probably planned to make it more of a villainous move.

The ending was one that as a viewer I couldn’t accept, but it was one that made sense for the characters’ fates.

I saw what I was hoping for at the beginning in the end, but there wasn’t enough explanation for the other areas of concern, leaving me wondering why it was summarized like this.

I think the story of “Iron-Blooded” is put together better.

I’m an easygoing otaku, so just having the final battle take place on Mercury feels a bit different to me.

For now, I like the vibe of getting through it by taking off my arm and maintaining a sensitive atmosphere.

It’s fine that Shaddiq is prepared like that, but everyone is saying it’s more convenient for them.

I really think it’s terrible that no one pays attention to the thread image.

>>146

It’s cruel to seek that in the thread image, isn’t it?

It’s like dying in a wheelchair…

I think the first cours is tight, but the second cour really had a lot of unnecessary padding in the isolation room.

It’s probably not a matter of the number of episodes.

I was too all over the place.

The time when I built up my stock was the most promising.

There were never any scenes of actual fighting between the Aasians, even with the setup for war sharing and everything.

It was good that the next story after the impactful cliffhanger was lightly brushed over after a week off, as the excitement had cooled somewhat, but binge-watching that would have been tough with the continuous buildup.

How am I supposed to put this together?! Just when I was about to reach my limit, Quiet Zero came out and if I can manage this, everything will be solved!

The atmosphere at that moment was incredible in many ways.

It’s not that there aren’t enough episodes, but if we stick to the main story, it’s just about the separation from mom and sister and then riding Caliburn to face off, so the stuff about Earth and Guell’s generation in between is unnecessary.

If anything, stocks aren’t really essential either.

Couldn’t something be done about Falact and Schwarze’s inability to manage?

What the hell is up with the fact that there is no footage of the factions buying MS from the group and fighting?

Iron Blood carefully incorporates depictions of the Iron Flower Corps being cornered from various directions.

The means basically rely on Ioku.

When I see the reactions and product developments after the final episode, I always think that this work is being saved only by the character Sremio.

>>161

Isn’t this work centered around Slymeo from start to finish?

>>166

If you want to make a work centered around Sremio, the gap between the two seasons has been too long.

It was a work that was stuffed with too many elements, and in the end, I didn’t understand what it wanted to achieve.

>>166

Guell’s unnecessary appearance is…

To be honest, I think it’s fine to just cut out the talk about Earth and eliminate the commotion around the Asean, and just say they’re exploiting it with war sharing.

The main character dies, but the world moves in a positive direction. Just because Tekketsu is unpopular doesn’t mean they have to do everything in reverse, I think…

Was it not possible for the world to find hope through the survival of the main character?

If it is said that it is not the main point, then so be it.

It was a bit disappointing that there wasn’t much effort or trial and error in the direction of peaceful use of Gundam prosthetics (though it wasn’t completely absent).

Looking back later, it’s just a bunch of thrown-together elements, and I’m already giving up in the prologue…

Everything is soft and fluffy anime.

It’s good that Derling is dead, or rather, that kind of character is meant to die.

>>169

If anything, it’s better that I died in the first cour than slept through around 10 episodes in the second cour!

>>176

Die in the first season → Learn the true feelings of the worthless father through some record → Miorine resolutely decides.

I can’t help but think that it was good to have a classic development like that.

>>169

Is it really okay to end up starting a company and returning like that…?

Iron Blood simply has people who are either ridiculously extreme, like the Dynaslave, or those who seemed dead but ended up being roughly killed.

It’s just frustrating because, unlike the first part, the ending was a result of nothing but confusion after confusion, and it doesn’t really matter what the storyline is.

The rate at which characters increase is too slow compared to the rate at which they decrease.

I don’t like the phrase “to decrease,” but Gundam has that kind of aspect to it.

What was all that nonsense caused by Nika’s betrayal and Martin’s regrets?

Is there really anyone interested in Martin, other than Nika?

Since the main character, Suletta, is not involved in the side story, it’s really unnecessary.

Even though I was in a great position called the Earth Dorm.

Space colonies don’t even appear, so where are the Spacians living?

When trying to point out the good aspects, it usually becomes a discussion about the first season.

The second season is a bit hard to defend.

At least speak a little more during the final battle.

It feels like it’s all come together just with the duel at the school, without any talk of war or anything.

It felt like a modern anime where everyone enjoys a lively atmosphere together, so the wrinkles in the improvised scenario seem to have become unmanageable.

This person was acting with the simple motive of wanting to save their daughter, but…

The other parts of Mercury seem to have tried to tackle issues like inequality and exploitation structures, but it looks like they didn’t know how to proceed and just gave up.

I wonder if it would actually be interesting to have a story focusing solely on Slemmio and revenge by taking a detour.

It’s not like it will become like Gun Sword.

>>182

So I was just stretching things out with some random talk…

There’s not enough episodes! I’m thinking if there were any more, I wouldn’t be able to cover it up with momentum!

I think it was interesting and that they handled it well.

It feels like all the hate and issues were handled by Shadique.

It implies that it is because I am part Aesian (and half something else).

“I never said ‘I am an Arsian’ nor did I intend to, so in the end, I only use my own kind.”

I didn’t really understand what Shadiku wanted in the end, so I don’t think it’s unfair treatment that no one is protecting him…

Evil No Tomamiko

That’s why I wanted to be the final boss that gets defeated by Mom.

In the case of the Gundam series, it’s problematic that there are precedents like G and W where things were resolved through improvisation.

I was thinking at the time that there must be something going on with the old man and his friends whom Chuchu was having a video call with.