
漫画を買うなら楽天kobo(電子書籍)が断然オススメ!
Monster
They’re saying “it’s inhumane,” but there are many other members who are worse than that…
Honestly, I don’t know where to take the compromise.
I can’t believe it would end with the current void Shouko.
>>3
Mutsuki has come back to life! I also learned that Shonka is my sister!
I’ll do my best for my two little sisters!
Tch… I’ll resurrect Cena~
It’s certainly not a bad thing, but…
The surroundings are worse.
A playboy who continues to make women misunderstand him while he shakes his hips at Hatsuka, thinking about Tomorin.
She’s the worst, but she’s earned sympathy votes, so she’s not seen as that bad.
>>7
At first, I thought it was the result of various connections.
As the development of other characters progresses, the overwhelming influence of the crazy women around them has resulted in a situation that is worse than expected… that’s how it’s turning out.
It still looks somewhat normal since it’s showing self-punishing thoughts…
My luck in fate and in women is completely broken…
Hana is just misunderstanding things on her own and is swaying her hips alone.
It’s better if you get a purification for the trouble with women.
Well, it seems like it’s back, so if I give Mutsumi some external support, she should stabilize mentally…
There is a strong possibility that Mutsumi will suggest disbanding Mujika.
Up until episode 9, it was all about Shoko, but in episode 10, some crazy guy showed up.
It’s a state of being ready with a “Yes!” as a site cat!
Even if people say that Haruka is creepy and that’s why she’s being cold, it was Shoko who brought that creepy Haruka Musica in.
>>15
How am I supposed to predict something like that?
>>60
I should have realized when you said that it was your dream to be together with someone who memorizes every word of a message you sent long ago.
After all, Shoko has some strange specs, doesn’t she?
But I think Haruka can still make excuses about living on an island or her upbringing.
What the hell is that idiot who broke with that trust?
>>17
On the day of the live event, everyone but me is a mess, so it’s no surprise that something in my heart has broken too…
Meeting with Tomo may have been both the best and worst luck I’ve ever had.
A domestic violence woman who appears to reject others but is actually trying to control them.
I think Musica is closer to its true nature than classic.
Choosing band activities as an option to break free from the current situation was my downfall.
Maybe Muika is the one who’s the best match with Sakiko, right?
>>23
It’s not a sea bell.
In episode 10, the sense of competence when both of them started moving skillfully is amazing.
It’s not just Mutsumi that I broke because of myself.
I realized that Nyamuchi, Umitsuzu, and Hatsuka were also like that.
Shoko is too unfortunate with relationships…
Because they have a good-looking face, they are forgiven.
>>26
(Who are they…?)
(These lyrics are cringeworthy…)
It’s bad that I fried the brains of the three people I called with the intention of being mercenaries.
>>30
It’s been like that since the days of CRYCHIC.
The boastful claims that lead to misunderstandings about Hatsuha every time are really too much.
It was the same when Musica disbanded, but when the pressure exceeds a certain line, you become an emotionless insect that just moves as told by those around you.
>>33
It’s not just a certain line; if others experienced the same thing as Shoko, they would reach their limit too…
I have a habit of resetting.
>>34
So that’s why Hoshika needed to be kept confined and captured.
I have to create a song that fits those lyrics, and it’s just too interesting.
>>36
Ahh… wonderful…
There may be room for sympathy regarding the circumstances, but when it comes to individual emotions, it generally turns out to be your fault.
I wonder if I felt those creepy gazes back at the loft too… I probably did.
Regarding Hatsuka, since I relied on kindness from joining Musica to living together, I think I have to take responsibility and get married.
For now, since it was resolved that I was told to take responsibility, it’s all good.
>>42
Shoko, who has taken the most responsibility through the mime.
Instead, my motivation is zero.
The person is definitely at fault, but…
The chosen partner turned out to be a group that has nothing but problems.
A band that has only commercial success.
>>43
First of all, it’s bad that the outcome is already confirmed to be a failure with Mutsu present.
Grandpa’s natural abilities are just too high, even without doing anything.
>>45
But if your grandfather hadn’t come this time, Shoka would have taken away your chastity.
>>50
Hatsune
Go home.
Go home.
>>50
Grandpa always comes to help immediately when things get really serious…
Taking responsibility is admirable.
I probably won’t be able to experience the joy of being in a band ever again.
>>46
It’s a story about how it’s great that we could do CRYCHIC (Youth) again.
From now on, it’s time for AveMujica (business).
Yoshi and Mutsu are one in heart and soul, without any pretense…
If Nyamu isn’t around, no one points out his flaws directly, so it seems like they dislike each other, but there’s a sense that they both need each other.
>>49
Nyamu is the only one who gives me critiques in a meaningful way, and I hope that once we resolve things, we can have a relationship where we can talk to each other.
It hasn’t returned to its initial state, but on the surface, it has returned.
From the outside, it can be said that it’s a returned sheath.
There is trust in Ave Mujica…!
>>53
Die already…
At first, there were some clashes with Shoko and the others, but now we are relatively united, and since Shoko doesn’t assert herself as much, the band is better off than it was in the beginning.
I don’t know about Shoko’s mental state.
If anything, it’s terrible that we merged despite seeing the individual issues, making it still better than the initial Muzika except for Shoko’s motivation.
Does it seem like we are united with this…?
Shoko and Hatsuka are just being carried and supported by the band.
Killing emotions and taking responsibility leads to a successful live performance.
Expressing emotions causes the band to disband.
What will you do, Shoko?
>>61
“I’m wearing a mask to hide my emotions~”
Hoshika writes the lyrics, and Shou-chan sets them to music.
It’s the best band…
Including scummy dads, confiding in classic ways without dissolving right away is the best option, huh?
The direction has become “only Mujica!” so we are more united compared to the beginning.
Shoko is driven by a sense of responsibility and inertia, but she handles everything perfectly, so there are no problems.
>>65
Since you are properly contracted and Yutenji is resigned to the fact that there is only Mujina.
Well, I think it’s weird that it won’t turn out as terrible as it did in the early days this time.
It’s terrible that only the performance capability is high.
I feel like it’s become clear that it’s enough just to have Shoko and Hatsuka.
With no mother, and a father who has left and is drowning in alcohol, feeling frustrated and desperately wanting a soulmate, after one failed attempt and having to rely on my grandfather for money, Muku is already a mess yet somehow manages to not completely shut herself off and create that heavy love song to perform live…
>>69
Well, it’s about that time to do a live event at the very least in an anime context, but I can’t say that Shoko’s mental strength is strong!
Seeing how they seem to have lost their commitment to the world view, even with things like the chandelier and the sound source, it seriously feels like they are just doing it out of obligation…
>>71
It’s inevitable because the scale is different, but the simplicity of this stage is something else.
>>71
Even if you get caught up in that, in the end, it’s just Shuka’s messy sexual desire song…
During the Classical era, there were miraculous periods of good mood that continued.
It doesn’t seem possible to resolve this seriously in the remaining episodes of the third season.
>>74
Mutsumi → Is it resolved through fusion this time?
Umizuri → Original sheath, Yosh!
Namu → I’ve resolved to face Mutsumi to overcome my yips, and if Mutsumi makes a comeback, things will somehow work out eventually.
So all that’s left is to somehow handle Uisaki, right?
>>87
I’m going to move forward as a lost child.
It seems that Muzika has reunited only to head towards destruction…
>>74
Shoko’s motivation can be handled depending on Mutsuki… Get out of the way, Ichika! I’m the aunt here!! Just that alone leaves it unclear whether it has anything to do with the main issue…
I want to see my parent’s face.
It might be more competent for Saki-chan to work in a task-oriented and administrative manner without expressing her desires clumsily.
See the sticky note.
Reflections on my own statements.
(This is something that must be done…)
>>77
This week’s most distressing moment was when the boomerang was simply too powerful, and I couldn’t help but laugh a little.
Before leaving the room, I was probably already thinking a little about this person when they asked, “Is it okay if I’m with you?”—it was just that my feelings of inadequacy were strong.
I was excited to keep piling up contempt points towards Hatsuka since this week’s Ring.
That lyric, “in times of sickness and in health,” is completely an answer to that, right?
>>81
Hatsune, get on.
The situation where the lamp’s sticky note has become a recovery item is too pitiable.
I thought they stopped being cold to Mutsuki, but now they’re being cold to Hatsuka. What’s going on?
>>88
Basically, when Shoko’s mental state gets bad, she takes it out on others…
>>88
I think Hatsuka is just feeling a normal sense of danger, rather than being concerned about salt.
>>102
No, the first act at RING was not about that.
>>102
Since Shou-chan is targeted with arrows of sexuality like no one else in the girls’ band anime.
If you take away the Musica activities or the dealing with the useless dad or Mutsumi-chan from the broken-hearted Shoko-chan,
I feel it would be better to seriously force someone to have tasks given, as they will really end up doing nothing else but sitting in a chair.
>>89
It would be better to just let them read.
In reality, if we can somehow manage Shoko’s motivation, the rest is just a matter of minor discrepancies.
>>90
The question is whether it’s possible to prove that the guy who might ruin the band again with the same tantrum has changed.
The current Shoko has become a puppet of Abemuzika, taking responsibility for the past rather than having a passion for music.
If Shoko can think that doing music, even if it’s based on a sense of obligation, isn’t a bad thing, that would be good.
It seems like the situation is getting tense with a bomb showing up, and Hana’s so cowardly that it feels like she might actually have to go home.
It’s sad that the music I wanted to create is already ruined after the first episode…
>>96
What I really wanted to do was classic music, so it’s already falling apart before the story begins.
During the classic performance, I played the keyboard with a smile, but this time at the live concert, I laughed with a serious face.
It’s funny that the ones who worked hard for the reunion have low motivation.
Only Umizuzu and Hatsuka are breathing good air.
>>100
I wonder if I should do my best…
>>105
It was decided to do it gradually, but effort is still effort…
>>100
I think it’s terrible to have them doing composition and production.
>>100
It felt like the atmosphere of a band that Kaoru boycotted, and it didn’t work out.
Could it be that the only good things about you are your looks, your body, and your family background?
I feel sorry for Umirin, who thinks her efforts have paid off and that she has reached the reunion.
>>104
Look around a little more…
>>104
Well, it was the trigger for Yutenji to take action.
So, it’s about 100% thanks to Yutenji that we succeeded in convincing them…
>>120
This is quite different too…
>>120
That drive was felt as Musica’s love sound.
It was an episode where I had trouble figuring out where to direct my emotions, in a different way than MyGO.
It’s easy to understand, but no one has moved forward.
Seen immediately
Instant stamp
It’s not that I want to do it! I’m just sulking about it.
Even though my motivation is low, my new song and performance are serious, aren’t they…?
>>116
The specs are superhumanly high.
It’s just a femme fatale quality that leads to everyone’s destruction.
Oh my.
This is also the result of trust.
>>117
Just manage the schedule, okay?
Depending on the past of Hatsuka, Shoko can still dance.
Hana is moved by the obligatory words and doesn’t see Shoko’s inner self, so I’m starting to feel that Uisaki is not good.
>>119
Of course, I’m going to watch it from now on.
I think it’s a black birthday.
>>121
I’m glad.
The lyricist is trying to share their sexual desires as well.
>>121
Poor thing…
I can think of countless bands that have the worst relationships yet produce the best output…
>>125
On the contrary, it’s realistic, isn’t it?
Moreover, since it’s metal, it makes it even more common.
I feel like I can drink some delicious ginger ale today.
Rather, it’s terrible to think that the performance is successful precisely because there is no trust.
I’m low on motivation, but I’m headbanging like that.
Right now, Shoko is normally driven by anger, so it’s clear that she will stop functioning again eventually.
Right now, the happiest person is Umiri.
The only one who can articulate things properly and confront them is Nyamushi!
>>135
It’s a bit ironic coming from me, but it’s really necessary to have a character who can verbalize things that need to be said.
>>141
It’s true that the only one who seems to catch on to the forced soulmate plan is Yutenji.
Because they are too bold, I sometimes wish Shoko would fight back.
>>135
I can’t act that out either, but I’m keeping quiet because I’m facing the real thing, so it’s pretty intense.
Not aligning the narrative context with the performance is the exact opposite of being lost.
So it’s natural that these guys weren’t close at the time when they were doing the best at Budokan.
Nyanmu is all tangled up with jealousy, envy, and a desire for success.
Yes, let’s talk! Stop ending the conversation by saying you won’t hate me for it!
Nyanmu, make sure to witness the conversation until the end!
It was surprisingly enjoyable to do it without any constraints~ and the emotional finale of Ave Mujica.
It’s unrelated to Yoshiko that you’re experiencing the yips.
I can’t really understand why Shoko is blaming for only having Musica.
>>144
I think it’s still depicted only as a mass of selfish desires.
>>147
Well, that’s true.
>>144
I need to be with Muzika so that I don’t have to escape from Mutsuki.
>>144
I’m not blaming you for making me develop the yips.
>>157
“Being trapped by Muzika because of Shoko” is a story other than Yutenji.
It’s complicated because the point is that “there’s only Musica left” in Yutenji.
>>144
No, that’s why it sounds like “I only have Musica,” so it’s forcing it with ego from the very beginning.
The point being questioned is that the other guys are getting messed up because of Muzina.
Well, I’m using it as a club.
It doesn’t seem like there’s much left in this flow.
>>145
Well, it’s impossible for Shoko to go right now.
If I were to answer seriously, there’s no way I wouldn’t.
The reliability of Umi-suzume increases with each episode that gets butchered.
Lyrics filled with lust VS Tō’s lyrics
>>152
Hibana’s poem is the cry from the groin, isn’t it…
Although they’re very estranged, the output they produce is really impressive, reminding me of bands like Slipknot.
I can’t act, so I knew there wouldn’t be that script, right?
I mean, it feels like you’re looking at me with such a cold gaze…
It’s such an incredibly distorted situation that it’s actually interesting.
So, Mutsuki has returned, but does Mutsuki want to do the current Musica?
>>158
The live performance was quite lively and energetic.
I wondered if Nyamu’s acting was okay, but somehow they managed to pull it off.
>>161
I can feel that the performance has become shaky compared to how sharp it was in the beginning.
>>161
I can’t read it properly…
It’s the same as during the hard landing audition.
>>161
I laugh at Shoko, who is silently staring as if to say “Show me that guy over there.”
The intonation of the last “unloved” seemed to show signs of overcoming the yips.
Nyamu, what face do you have to say to me that you only have Musica?
>>168
This face is cute.
>>168
Well, it is a fact.
The situation is complicated because both Umirin and Mortis ended up like that after the disbandment.
>>168
You already know that they would do anything for their purpose, no matter what face they put on.
>>168
I can’t do acting or streaming anymore, I can only live through Muzica…
Ah, this…
It’s more like Muzika, almost Mutsu.
Well, Yutenji is just being strict, but please, help me…
They say everyone went crazy because of Musika, but it’s terrible that everyone’s madness isn’t directly related to Musika.
Ahh~!
It was great to see the feeling of a discarded and broken doll, Yutenji-san 👏👏
>>178
It’s too much like the sea…
Only Uimutsu is trapped in the music, while the other two just threw away their belongings.
A woman who is stitching her heart’s wounds not with a band-aid but with a stapler.
No matter what happened, the reformation of Musica shouldn’t have happened in the current situation.
>>181
As a result, Mutsumi-chan has come back, so that’s good!
>>181
Why?
A woman who destroys others’ lives and ends up destroying herself.
>>182
Please don’t do anything anymore.
>>185
This time, I didn’t feel like doing anything.
Someone around me started saying, “Do something!”
>>182
I feel like when I break down, I also pull others down with me.
It seems that only the pairing of Umi and Taki will remain in the end for this anime.
>>184
It seems like there’s nothing that can beat the gentle breeze anymore…
It seems like Shoko is waiting for the old man to tell her that she shouldn’t play Musica.
If someone who paid the compensation says it, it becomes an excuse that I can’t continue.
For now, I’ll go to apologize at Hatsuka’s office.
I sympathize with my acquaintance who grew up on an island and was an extraordinary gay person.
>>192
If that’s the case, then it’s goodbye because I like Saki-chan.
Isn’t umitaki already about to die?
I don’t really understand why we shouldn’t reunite.
It’s not resolved yet, but if we don’t reunite, nothing will progress.
>>194
When Hoshika said she wanted to do it again, she was stopped by the higher-ups, right?
“At least Tomo is safe.”
If it’s said that someone else will do it, there’s no choice, is there?
There is a waterfall.
The treatment of the two initially cool-looking beautiful girls has changed.
When I act, things get worse, but everyone keeps saying “do it! do it!” and my past statements come back to hit me…