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Show everything you don’t want to see to Mortis.
Pushed into the invincible mode (escapism).
It just looks strong because it’s transitioning…
A monster that hands off the baton and quickly runs away as soon as it sees something like AveMujica’s Ave.
There are only classic burial supporters left, so there are only enemies…
In fact, without Shoko or Mortis, we are being overwhelmed without any guard…
There is no longer any classic.
Even if I become an invincible person, my poor speaking skills, clumsiness, and mental state won’t change, so in the end, it’s still Shoko and Mortis who take action… I guess nothing has really changed.
I internally realize that the classic is already gone.
The fact that I’m throwing the realization itself at Mortis is not a bug that allows me to get away with it…
If I hadn’t met Saki-chan, would I have been able to navigate life smoothly…?
>>7
If it weren’t for the guitar through Shoko, I might have been able to lead a decent life by distinguishing my roles…
Mortis is also the same person, so he’s selfish and subjective.
Since I’ve started throwing away even my proper senses, the critiques during karaoke are both legitimate and heartbreaking.
I don’t understand why this girl wants to do classical music.
It was surprisingly fun when everyone got together to play! Is that all there is to it?
>>10
Saki definitely wants to be in a band.
Mujina seems to not want to do it.
I feel like it’s a classic way of thinking.
From what I can see from Mortis, I don’t want to realize that classic is impossible, but I am aware of it.
>>14
In the end, is “I only have ave mujica left” becoming a curse for me?
You’re really weak, but you’re still going to try and play classic, huh? If it’s Sho, you can do it! It’s really annoying that you’re going to do it.
Shou… They say it’s classic… but it’s not like I’m taking action for the revival of classic, and I can’t completely take the initiative away from Mortis, so it’s weak.
I took Saki to karaoke…
Don’t you realize you crushed the classics?
>>16
Throw it to Mortis!
I have no good memories of Muzika…
Playing classic is more fun…
Even if we’re doing Musica, I have a strong impression of those guys…
The talent for acting that is detached from reality, and the deep darkness of the past that has been revealed, have not particularly changed either the specs or the personality of the “kind-hearted but too inarticulate cucumber fairy” we have seen.
I like Sayaka… I like Saki…
I’m doing classic.
Don’t carry around a tough guitar like a SHECTER and want to play weak music like CRYCHIC!
Mortis came out, and the thread image that was stopped midway has returned to the task of avoiding what to say, so the presentation is skillful.
It’s just too bleak that Shoko, who was pointing things out, has given in.
Throwing the impossible demand of wanting to do classical music at Shoko is actually the result of caring for her.
Isn’t it amazing?
>>27
Well, Shoko understands that too, so I think she’ll say I’ll take her place.
I’m stopping because Mortis is too unhealthy, but neither of them is seriously listening.
But this guy said classic wasn’t fun…
“Damn old man, let’s rely on the appropriate medical institution, Sayako.”
Even if there is compassion, there is no consideration at all for how one’s actions affect the other person…
>>30
It’s not just about Muku; it’s something lacking in the other four besides Shoko.
>>35
Well then, Mutsumi doesn’t need to worry!
“Sho doesn’t get hurt + Can play guitar happily = CRYCHIC”
That’s why the environment in Mujika was so terrible.
In other words, if Musica becomes a place without stress, it will be resolved!
But if that happens, Mortis will disappear…
“How much of ‘I want to do classic with Saki’ is supplemented by () is unknown, but I really hope it is supplemented.”
Classic original sheath chance
If you act now, you can receive a cucumber as a gift.
The reconciliation and co-dependence of these children is really serious…
Shoko’s reason for not doing Mujika is simply that she’s the most concerned about the thread image.
I’m scared that the former Muzyka’s bassist, who celebrated the revival of classic, is saying again that they want to do Muzyka.
I asked Mo-chan.
>>38
Mortis is being made to walk so much…
That’s funny.
If it weren’t for the war criminal who handed over the guitar, I could have reigned as the strongest performer, skilled at navigating society.
Due to the guitar I randomly picked up, the introverted doll ended up becoming the main character.
>>39
I wonder who it is.
I kind of figured it out around the part where Mottis’ Mutsu-chan was made, but I wonder who it is…
>>39
I’m glad I encountered the guitar because the strongest actor with multiple personalities who only responds through reflection doesn’t seem healthy at all.
I can’t even understand which Musica the guys who really want to do it now actually want to do.
It’s about those who just go with the flow and cater to the Mortis line, or think that it doesn’t have to be a band…
It’s so sad that Mo-chan becomes a pitiful child in the classic multiple personality story…
The room of Umirin… it’s smaller than my house’s studio…
It’s not just a means to escape unreasonable stress; I’ve started using it to avoid the “unpleasant reality,” which is why things are the way they are now.
“The range and frequency of ‘escaping from unpleasant things’ have increased too much.”
It feels somewhat surprising that I have the academic ability to advance to high school.
>>46
It’s not Mortis.
Since I have been the same personality since meeting the guitar, if I encountered the guitar at around 6 years old, my mental age could be around 9 to 11 years old…
“I have to say that I don’t want to do music.”
It’s even avoiding that, so it’s taking a roundabout method of switching with those who want to do Musica one by one.
If I respond, the situation will worsen… Mortis’s role…
Since being gentle won’t help, I guess it’s time for a harsh treatment.
I can’t do it, but…
The relationship between Shoko and Mutsumi seems obviously like they are cousins or have some blood relation, but they are deliberately downplayed and introduced simply as childhood friends. Why is that? Are they hiding something? I was wondering about it, but it turns out it’s a simple story; Shoko is playing the role of her childhood friend Mutsumi-chan that she created.
>>52
I think Shoko only had interactions with the personality of the “friend role” for probably 2 or 3 years.
I think the funeral is just a depiction of “Mutsumi knowing that Shoko’s mother has passed away.”
If Mortis becomes skilled enough to make the guitar sing, could he devour Mutsu?
Or is it a bug fixed by the guitar, so no matter what is done now, it’s impossible to erase it like another personality?
>>53
Mutsumi’s identity includes guitar, but it probably weighs heavily on the connection to Sachiko…
The mental age of individuals with developmental disabilities corresponds to two-thirds of their physical age.
Is this a problem that can be solved with a band anime…?
>>57
It’s a girl who has been able to become human thanks to the guitar.
>>57
Regarding the thread image, it’s like we’re talking about instruments the most…
The character’s scale is excessively large, and the story ends up focusing solely on Mutsuki’s inner self.
I couldn’t play the guitar well, so it wasn’t fun.
So, is it that you had fun because you played well this time…?
Bun-chan, can you properly solve the national language test?
Isn’t it at a level where you have to start over from the elementary and middle school range rather than math?
Actually, the setting is that Minami-chan gave birth on the island where Hanaka was born and raised…
>>62
Don’t start with the legendary story.
>>72
Even though there’s already a biographical-like setting with just one person, if an additional biographical heroine appears, the burden on Umiko, who is in charge of the band anime, would become overwhelming.
>>62
Are they being replaced or something…?
Since Gita-chan is no longer part of the performance, it is likely that Shoko-chan, who handed the guitar to Mutsuki-chan, has influenced about 90% of her personality formation.
This is a half body.
“The personality of a child who is like a perfect doll to live in the Wakaba family → Encountering a guitar → Transitioning from the role of ‘Mutsumi’ to having the consciousness of ‘Mutsumi’ → To the main personality.”
Since that’s how it goes, if Shoko was playing the role of “the perfect doll for living at home,” then it’s safe.
>>67
In Minami-chan’s recollection, Mucchan was serious while playing with dolls with Shoko, so there is a slim possibility of that.
If I hadn’t met the guitar, I wouldn’t have been human at all…
>>68
Before meeting the guitar, Mutsumi-chan was a void, merely playing the roles that were expected of her. Now, after discovering the guitar, Mutsumi-chan has given birth to “awareness” from “role,” and that is probably the true Wakaba Mutsumi.
Mutsumi’s life seems to have begun when she met the guitar.
Because of their perspective, they seem strong and are indeed strong, but they’re just one human being, so I can’t help but feel that things will somehow work out.
In other words, if Saki-chan was the reason I encountered the guitar, then it’s a no-go, right?
>>70
Shoko is said to be the one who created the current Mutsu, while also shedding tears, so it seems they will never be apart for life…
>>70
But Minami-chan didn’t seem interested that my daughter plays the guitar, and as for where she got the guitar…
>>78
It was Sanma who wanted the studio, so there’s also a possibility it could be Sanma.
I feel like it would be more natural for someone less involved than a father who wants a studio to hand over a seven-string guitar to his daughter, but I have no idea who that could be…
I feel it would be more beautiful to throw away all my talents once I completely become human.
It’s only natural that childhood friends influence personality development.
The fact that this ratio is larger than that of parents is the parent’s responsibility for not interfering.
If we can make Musica a fun band, things might settle down (but Mortis, without a role, seems likely to disappear).
I wonder if the remaining three can do something like that…
>>76
In the early stages, they are emphasized as useless, but they are quite interesting characters on their own.
If the air is good, we might even be getting along quite well…
>>79
Except for Shoko at the beginning of episode 4, the atmosphere was good.
Meeting the guitar is progressing the construction of my ego…
My daughter is so gross~~~
It feels like a monster was spoken of as if it became human, but honestly, it’s nothing more than “I became aware of things through the guitar.”
>>85
When I think only about acting, I end up unnecessarily doubting others.
>>85
Seeing Sakiko crying in her mad one-woman show
I think it is not that they became human, but rather that the direction of the monster has changed.
>>91
Mutsumi-chan right now is just a “person escaping reality with a split personality,” so she’s been downgraded from a monster to a mentally ill person.
I often can’t remember my personality from the past, and I think it’s quite a difficult discussion about when one’s self is established.
Shoko needs to clearly say from the front that the classic is already over, but I wonder if she can say it…
>>87
Shoko is unable to say it because she has nothing but lingering feelings.
Mortis cried.
If by next week I’m back to being a total loser again, I’m going to beat you up, you bitch.
Even if Shoko pulled the trigger.
It’s the result of Minami-chan running away.
Maybe the reason I can’t make the guitar sing is because I have the assumption that my guitar playing is an act.
>>94
I’m confident about cucumbers, and it’s not about acting or anything.
>>94
Regarding that, it’s hard to say because there might have been singing in episode 7.
>>94
I think there is an illusion of lack of sincerity.
In the past, there were rumors that my old man had another woman give birth to a child.
Nowadays, I have an interesting memory of the theory that my crappy dad was actually the one being cuckolded.
Everyone says goodbye to the classic in their hearts, but no one voices it…
It’s tough because the guitar isn’t shared, yet the charisma suited for showbiz activates automatically.
Isn’t it silly that Umirin, who was thought to finally reveal her true nature and cause a big ruckus, is acting like a fool?
>>101
I think it was good because it was not chaotic but simply interesting.
>>101
It was probably a cute object with its true nature exposed!!!!
In other words, it seems that even with just Hoshika, it might be possible to manage somehow.
>>105
I think it’s impossible.
Because Shoko will protect Muku.
>>113
Are you going to do both of them at once…?
I was entrusted with handling the media a lot, but I wonder if I was really doing my job properly…
>>106
From the conversations in Mobrez, it seems that the relationship with Mutsuhito Continued, and it left a good impression among the members, so isn’t that good?
Unless Mutsumi goes to a place she doesn’t usually visit, it won’t turn into a big fuss, and doesn’t she lack even that charisma anymore?
I never thought I would see a story like Umineko EP7 in a band anime…
Make sure to go to the doctor, okay? It’s not a joke.
Revealing a past like a band anime while moving towards a band reunion is quite beneficial for this anime, Kurimi.
>>111
All I can see is failure…
I dislike the idea that someone might be so shrewd as to just create a personality for doctor visits and leave it at that.
>>112
I think right now, we can only throw it to Mortis.
>>112
Mortis has never grown any more than it already has.
>>121
Isn’t that because Mortis was enough?
Rather, since Mortis has grown, it wouldn’t be strange to think that something else could grow as well.
Well, both are possible.
>>121
As long as Mortis can endure stress, there’s no need to grow it…
If Mortis breaks, I’ll definitely grow a new one.
Umizuru was much more amusing than I expected, and Nyamuko was working hard in the entertainment industry more than I thought.
Shou… hurry up and play CRYCHIC.
It’s your role, isn’t it?
Umiko is like Sayoko…
>>120
Even that person was able to realize in the end that they didn’t need anyone but themselves…
I keep repeating my mistakes, but
Did you leave meeting Umika-chan to Mortis because you didn’t have any good memories with Muzika?
>>122
I don’t know… it might have been Mortis until now, but it might have been Mune when I was looking at the Classic page.
Having a “self” but changing your response (acting) depending on people and situations is just a normal thing.
Before encountering the guitar, Mutsu-chan probably didn’t even have that “true self” and everything was an act, which made her a monster.
I finally discovered my identity when I encountered the guitar.
>>123
The reason Minami-chan was scared was probably because of this↑.
I understand the feeling of being scared if there is no genuine self and everything is just acting.
It seems I have to talk about my sad past…
I thought I was doing well in the band, but at that time I got canceled by all the members.
>>124
I think it’s quite sad that I didn’t quit playing the instrument despite the sudden cancellation at that timing.
>>124
Is that story going to be long?
>>124
Hmm.
Poor thing.
>>124
🙂🙁😃☹️😔
>>136
I initially thought these faces were promotional material for Musica.
Currently, Wakaba Mutsumi’s acting is just an imitation of others through the Mortis personality.
If there is no meaning of existence, personality will disappear.
Mortis has survived because he has secured a significant and frequently used role in “escaping from unpleasant things (in a broad sense),” so he can’t afford to develop a personality over trivial matters.
Strictly speaking, Mortis didn’t grow, but rather survived…
>>134
“The personality that played the role of a sociable celebrity’s daughter.”
“I survived by taking on the role of ‘protecting Mutsumi-chan.'”
It seems like you’ve been around since you were 3 years old, so you’re quite an old-timer.
>>139
And also
It feels like the personality that played the role of the family-oriented Mutsumi became the current Wakaba Mutsumi after gaining a guitar (and Shoko).
I realized that being too controlling is the cause.
>>135
So I thought I would take a step back and become the unsung hero behind the scenes.
Ricky, you know…
At that time, I must have misunderstood that we were good friends, and I probably could only see the sound of the performance, right, Umiri?
As for the other four besides Mirin, they probably get along well.
Before debuting, there were also collaborations that continued.
It’s coordinated to cancel on the day of the debut.
>>140
It’s true that when factions form within a band, it’s often the beginning of the end.
How could this guy be left behind all alone?!
>>140
Having a common enemy brings people closer together.
>>140
Actually, the four who betrayed us are my classmates and Anon-chan’s…
This is the result of only being able to see dreams!
Well, I understand that you were struggling a lot at Abemujika and just wanted to watch the dazzling classic.
Episode 8 has a strange content where someone seems to be saying something impressive without being aware that they are just exaggerating common things.
>>143
It’s so common to change your attitude depending on others or the environment.
Well, it probably looked like the nuance of a play, so Minami-chan was surprised.
>>143
Well, don’t you think everyone has that side to them to some extent? That’s how it is.
But a great actress is different!
Playing in a band with you is suffocating.
Since I found out that Umirin and Nyamuchi are quite cheerful, I thought that if we do bright music, it would really become bright music.
Isn’t it better if we just divide into classic and alclassic?
>>151
Mujika cannot survive if it is not an environment that causes stress to Mutsumi-chan…
It’s interesting to think that Mortis, with his underdeveloped childish personality, and Minami Mori, who couldn’t be a mother, are exaggeratedly expressing the process of a child’s ego formation.
>>152
It would be nice if it developed into a situation where I could properly face my daughter, but there’s no way a side character in a band anime would get that kind of screen time…
It’s impossible to keep going with that guy until the debut… so there are those who run away.
Well, even if I quit, I’d still like to at least have a debut… that’s what I think.
Not having either of them is quite a coordinated play.
>>155
I feel a sense of solidarity to thoroughly finish it off.
And while it’s crossing the line, I really feel more pity for the mob characters… which is even worse.
>>162
Isn’t it amazing that I’ve done what I’ve done, yet I still don’t have trust or sympathy?
I can’t help but feel that there are quite a few parts of Mutsumi’s self-formation that don’t resonate with the original target audience, which is around the age of 10.
>>156
Well, it’s clearly a biased viewpoint ×2, emphasizing Mutsumi’s mysteriousness, so it’s okay to interpret that Mutsumi is in a bad situation right now.
I didn’t enjoy the guitar in Musica, but I had fun with the guitar in Shin Classic.
So I thought it was more like wanting to do something classical, but is it different?
>>157
I think it’s also because if they are there, Sho can play in the band without getting hurt and with a smile.
I think it would be scary because my young daughter is acting out various things and I can’t tell which is her true self.
Mutsumi-chan, who was just an empty puppet playing the role that was expected of her, met the guitar (what she wanted to do) and was able to shift from “role” to “awareness,” establishing her own self.
Episode 8, which expresses a story like a horror tale in an exaggerated manner.
I thought the mob was getting their brains fried by the thread image, but isn’t the production crew the ones getting fried?
>>165
The darkness of Mutsusaki is nice, isn’t it? by the production team
It’s a common story that children pretend to be sweet, cry to get attention, or act like good kids to gain affection.
That’s the level of acting that makes even a great actress feel she can’t win.
The depiction of switching personalities has already been presented, so I can somewhat understand why Minami-chan is scared.
Everyone has the ability to switch between such imitations, performances, or roles, but there must be a limit to what can be considered normal.
Hatsuka will give it her all next time!
It is precisely because Shoko has become unfortunate again that Hika has the chance to make a comeback.
>>172
Depending on the perspective, it seems like someone is trying to take advantage of another person’s weakness.
Uhyohhyoh!
I’m in a band!
You’ll definitely get hooked!
Umiko lives with a vibe like this…
It’s not a misunderstanding that Minami-chan, who understands all of Nyamuchi’s performances, is just really scary.
>>174
I think it’s correct up to a point.
Since you started playing the guitar, you probably don’t know anything else.
>>174
Minami-chan looked scared.
Perhaps the theater world is a place where everyone fears good portrayals.
I think children’s performances usually fall into the category of child’s play.
In Mutsumi-chan’s case, she perfectly portrayed the nuances of standing and sitting, right?
I think it’s scary.
Wasn’t Mortis’ personality one that imposed unpleasant things in episodes 3 to 4? Isn’t it different now?
I was teasing the members of the enjoyment squad, but I felt a gap and ended up being the only one to leave, just like Saya.
I want to see the interactions of Umirine, who had goodness but didn’t realize she was disliked to the point of being bullied by a group.
There may be something interesting about the switching between Soyorin’s high and low modes.
There is a theory that Shoko’s mother watched Mutsumi more than Minami-chan did.
It’s tough being with a monster… I think I’ll just stay home…