Maybe the story won’t progress, but it feels like the inner thoughts of Umitsuzu, who has no monologue, will finally be revealed or something like that.

I will teach you as well.

The reason for Umiri’s obsession with the band.

>>2

The way it starts, in the end, leaves me without understanding the reason for my attachment.

I (Taki) felt a strong attraction to that Umirisu (her overwhelming desire for the band and her loneliness), and I have a feeling this will turn into a bizarre document.

I was jealous.

Let’s go back to our original state.

It’s not a story that can be easily created.

I don’t think Shouko, who has had her will trampled on numerous times, would allow herself to be moved by others in such a situation anymore.

It’s beautiful.

Why am I not like that?

I don’t think that’s the case, mercenary.

The problem is that Musica exists at the opposite end of a typical band that is simply tied together by ordinary bonds…

>>7

You’re a pro, after all…

>>7

Since I collected it for business, there’s really no reason to do it with anyone other than Mutsumi.

Hana didn’t understand the world view of sumimi and Musica.

We support Musica with Toyokawa-san and Wakaba-san.

In a way, it’s the strongest.

>>8

Isn’t that the one where no one is supporting the sequel and they’re disbanding?

After having an open and frank discussion with the old classic members, the fact that Umirina still came along with her usual indirect phrasing as if hiding something feels like a brilliant touch to the script, which already looks obviously flawed.

>>9

I want a place like that.

I don’t know how to make it.

Good luck.

That’s the part of the business band where human relationships are the thinnest, you know.

It’s good to seek bonds, but…

Unlike student bands that gather for the sake of their love for music

Isn’t it difficult for Umirin to be in a commercial band with so many constraints?

The world also hopes for our revival.

The music that society demands isn’t the music that Shoko wants to create.

>>15

If Shoko’s Muzika isn’t a big hit, there’s no way I could even go to the Budokan, so that’s not going to happen.

>>16

That’s true, but the current mob’s voice is not like that…

>>15

From a societal perspective, it’s the Wakaba Mutsu band.

You might not even know that Shoko is producing it.

>>15

In other words, the musica that Umirin wants to do is probably different from what society expects.

If it becomes the performance line of Mortis, the atmosphere is good, but it feels like fireworks before they burn out… I want to be a Musica that can properly perform.

Well, it definitely would have changed if I had said something, but I didn’t.

>>21

I might have been a little annoyed when I was told to perform Mortis on the show…

>>15

Even if the world view falls apart, it’s quietly terrible that society is praising it.

It’s understandable since it’s seen as Mutsu’s one-man band.

>>32

Because it is thought that improvised performances are a continuation of the production.

There are some mobs crying because they can’t listen to the song, so it’s not everyone.

Having a place to belong and musicality are separate; it’s not about saying let’s go have a youth experience now.

At the time of the invitation, I must have wanted to get on the Muzika route, but I ended up denying that.

The mobs in that world live on a whim, so there’s no need to think too deeply about it.

Until I can say clearly what I want to say, I don’t feel like I can accomplish anything.

>>22

Even with everyone involved in classic putting their bodies on the line, it finally attained peace.

I can do it too!!!

Even stray cats don’t talk much, but when they perform live, they’re directly expressing their simple feelings.

>>26

Come to practice.

I wanted a place to belong, but the attitude of the person who wanted to do Muzyka like crazy was too much.

I don’t feel like it will be communicated at all, but I guess the first punch of throwing out what I want to do comes from the original source.

I don’t feel like it gets through at all, but…

>>31

Is it the original sheath?

Yeah.

There are quite a few funny moments.

It feels like the self-defense moves to avoid getting hurt even when broken are ingrained in me.

The reason why Rikki, who always feels like an outsider no matter how far he goes, got angry… probably still doesn’t realize it.

>>33

Aren’t you trying to go back to the way things were because you have a vague understanding?

Those who are bad at speaking can only express themselves through music, but awkwardly speaking is making them stray further from this path.

>>35

It’s evident from the current forecast range that they’re trying to meddle with clumsy tricks.

There are occasional depictions of irritation, but Mizuki hasn’t directly mentioned it until now.

I might have wanted to become a comedian.

Words are no longer necessary, as we understand each other even more deeply.

Sayoko, well…

Is your hobby to gather women who are quiet and step on landmines?

>>42

Rude.

I can talk a lot unnecessarily, but I’ve also drawn in Nyamu, who loves trampling on other people’s landmines.

>>44

Since I failed before, I tried bringing in a different approach.

>>42

“Weren’t you unconsciously collecting alternative dolls to classical ones?”

But my feelings for classical music have been transformed…

It’s always indirect, after all.

It’s as if someone said they don’t want Ave Mujica’s music.

>>43

Well, I’m in this band to play music, you know?

A woman who can’t say that.

In simple terms, it’s always someone else’s problem.

>>45

Ricky, Wakaba is still broken, you know (like it’s someone else’s problem), and she’s fully immersed in non-delivery.

>>52

I think part of it was that I was pretty irritated with Mortis.

>>55

To be honest, it’s all pretty much broken because of Mutsumi, so it’s natural to be annoyed at Mutsumi.

“My go was bound by a bond hidden behind calculations.”

The badger is bound by desire without hiding calculation.

>>46

Is it that Shoko is the main receiver in a 5-person setup?

You are the only one who found me.

I’m fed up with bands!

>>56

This plain tone is amazing, I’m laughing so much.

>>56

No matter how hard we struggle, in the end, we’ll reunite and continue the band days, so I’m looking forward to seeing what happens to lead us there.

During the argument, I guess the fact that I didn’t hold back on the performance technique while following up on the practice amount at Yutenji was probably viewed positively.

It’s just a correlation diagram.

Why do I have such a vague memory of the name of the classic?

I think it’s unfortunate that the thread image is often criticized when the others aren’t much better.

>>61

It may be strange to say this, but it’s okay because others are being criticized much more harshly.

>>61

It’s always someone else’s problem, huh… Well, I suppose it’s unavoidable if it’s a mercenary move…

Since I’ve said that I want to return to where I’ve been swept away until now, there’s a backlash.

>>61

Of course, Urara is trying to move now.

It seems like there wasn’t much emotional attachment to that music, so why does it lead to feelings of jealousy and ambition?

I’m looking forward to how Mutsukawa’s 14-light stress will be avoided.

Mortis was a mess, so it goes without saying.

I don’t believe in Muku’s split personality and I think they didn’t perform because they were selfish.

If we had connected at Mutsumi’s show, we wouldn’t have disbanded, but Sayoko said it wasn’t a band.

>>68

It was certainly the case that everyone else was thinking that it was unusual not to have the main guitar.

>>71

I think I could manage with Mortis next time and from then on, I could go for solo popularity with Hikari.

It may not be a band…

>>68

Umizuru suggested calling for help, but Shoko just gave in…

>>73

If I think about it calmly, even if I call for help tomorrow during the actual event, will it really make a difference?

>>73

Well, I’ve been ignoring the band leader’s policy up until now.

I feel like it might have been better to just ignore it there…

>>84

They ignore it, but they can’t create anything themselves.

>>84

I don’t think Amiri is ignoring Shoko’s policies.

I wasn’t supporting it either.

It sounds like you’re confirming irritation, but there’s a high possibility that it’s completely different.

I haven’t done anything bad, but if you ask me if I can be trusted, it’s a balance that leans towards impossible.

>>72

It’s a move that only seems to think of me as a dry mercenary, so if they start closing in and asking if I can trust them while approaching like that, it would seriously scare me.

I thought I was looking at a kindred spirit in Rikkie, but then it turned into NTR… maybe I wanted to imitate it after realizing it was different.

Fukuoka is already in a state where Shoko has been cornered by others to the point that simply surpassing that place won’t be enough to manage.

It might be a bit interesting if it were Kurumi getting yelled at by Initial Flower after things get complicated.

>>76

You made her into a tool to corner Shou-chan, huh? That kind of outburst feels relatively understandable.

This anime really surprises me with its unpredictability.

“I’m quite excited now that ‘jealousy’ has been stated clearly.”

Human desires generally start from jealousy and envy.

I messed up, but I’m forgotten… After all, reviewing super spicy ramen in the middle of the night is quite a topic.

They say it’s someone else’s business or that I’m being dry, but I think managing is quite an element of involvement.

>>86

It seems that other bands in support probably wouldn’t go that far either.

I feel like it would be better to purify the notebook that has “Kasuga no Kage” written in it at least once.

In the first place, this time it’s the regular members, and the others are mercenaries, right?

Did you really do ave mujica?

I expect all the nonchalant Muzik members here to perform well enough to be thrown into hell.

>>92

It only looks like it’s going to fall.

That’s the one who was the most carefree.

If we assume Hatsuka is the boss, the next might be a gag episode.

If asked to return to my original position, I would politely decline while looking apologetic.

If I’m pressured to return to my former state, I’ll get angry and ask which mouth is saying that.

When Ummiri presses me for the reason, I’m left confused.

That’s how it is.

>>95

Regarding this, I feel a sense of responsibility for having scouted them myself for their looks and numbers, so no matter how I feel, I’m uncertain about whether I should be angry.

>>107

I wonder if I feel guilty because I’m playing the role of a stepping stone…?

Whether or not one feels the need to take responsibility for the subsequent flight behavior.

Even though it was the driest, if suddenly told it was back to the original state, I’d wonder what happened!?

It seems like you’re the type who actually faces the band and music properly.

It feels surprisingly fitting to say that I want to do music with Mujika.

It doesn’t seem like there’s a deep attachment to Musica that makes one want to rekindle the relationship as if returning to the original state, so first, make sure to appeal to that point.

If anything, I was in the most unrelated zone, so everyone else would probably think, “Why do you want to go back to your original state…?”

>>99

The viewers are thinking the same to some extent.

I realized that my lack of commitment was a bad aspect.

From here on, I will be dedicated to my energetic original activities, so please support me everyone.

It’s hard to see you facing me, so you must have said that line…

>>101

I think you like music because your arms are amazing.

Only doubt can be seen in one’s existence.

I wonder what would happen if Mortis were pressured by the original sheath.

From a god’s perspective, you can finally see a glimpse of the true intentions, but it’s still pretty hard to understand within the story.

I’m curious about what kind of conversation Umirin and Mortis were having.

But when I think back, this guy always had the line, “What?”

I would be troubled to see Shouko flinching at Nyamu’s words from now on…