>>8

It was originally just pants, but it was too erotic to be broadcast, so I was reprimanded and showed off a skillful feat of layering with spats or a bodysuit.

Is it trendy now… or is it trendy…?

The eyes have become big again.

No, that’s cute… really cute…

Heisei

>>9

It’s trendy…

When you look closely, it starts to make you anxious.

The contour is subdued.

I wonder if the facial features from that time can be three-dimensionalized…

Was it such a lewd outfit like pants with these spats?

>>15

I was originally planning to wear just pants without the spats.

>>16

I mean, when I’m working on Gundam manga or as a storyboard artist for The Origin, I draw in a more subdued style.

I think the so-called “Kotobukitsukasa-style animation” probably requires a lot of effort in terms of animation calories.

Sushi-sensei can still go for this kind of touch, huh?

If it’s not painted, the pants are completely exposed.

It needs to have a more intense facial contour.

>>20

I thought even the episodes of that terrible anime looked pretty tough.

On the contrary, I became more lewd.

Good ultra-modern.

By wearing leggings underneath, any crazy angle and fabric area of underwear can be made safe.

Super trendy adjusted for modern times.

Is the style of painting being brought closer to the past from the midnight scene?

>>25

Mayo bread was a really troublesome one because they specified to bring out the sushi-like qualities while avoiding a Heisei design.

It’s amazing that it really has the character design from the Reiwa era.

There were also things like Charagumin.

The feeling of “why did it turn out that way” is strong in the TV version.

I feel that this is the best design for a lime drawn in recent years.

The moderate size of Popolare, its reasonable price, and its fairly good quality are a great help.

The latest design by Sushi Sensei is Mayopan, though.

I still can’t draw this.

I had the image of something like a leotard with leggings, but were the pants this outrageous?

There’s 70s robot anime-style animation.

It is possible to create artwork in the style of 90s skeletal designs.

I just realized now, but Mayopan is amazing.

It’s trendy, yet it’s definitely Kotobuki Tsukasa…

It feels like a rib.

>>36

It’s the same person who did the character design…

I feel like I’ve become Araisumi Rui as a result of emulating that era.

>>38

Well, we are probably comrades who are continuing to race through the same era.

I don’t think I’ve drawn that outline anymore, but I’m intentionally narrowing the focus with care.

I feel like the back was almost at a thong level, and without the spats, it seemed like my butt was completely exposed.

J’s rhyme is really cute.

So I was in despair when I saw JtmX.

The craftsmanship that is passed down.

There are a few people, like university students and foreigners, who tend to depict this kind of modern vibe.

Like

Girls’ anime has quite a few faces like this even in recent years.

>>46

Precure…

It feels like an amazing midnight panty…

…What about the cherry?

>>49

Poprare is a brand that specializes in creating figures mainly of licensed main characters at a low price, so if this sells well, well…

un

The figures are really helpful.

I’m just buying character groups and leaving them unattended.

This is a different matter, but Cherry also had figures released in recent years, right?

>>52

I don’t know.

That.

>>54

I’m sorry, I just looked it up but I can’t find it, so it might have been a misunderstanding… I’m sorry…

Let’s team up!

Even if I wear such an erotic outfit, to those homo aliens, I’m just like a talking bulldozer.

>>55

Is it being treated like a hero robot?

>>55

Well, until the era of R arrives, the concept of women hasn’t fully permeated yet, so it can’t be helped.

Although it’s cheaper because it’s L size for Poppare, it’s still more expensive than the normal size.

Well, it’s just under 10,000 yen, but for now…

Isn’t it around 5000 yen for the popolare?

>>57

It costs about 8800 yen for size L.

The very concept of being aroused by females has vanished.

This is the character design that created an era…

Koyasu-kun’s sense is normal, after all…

Wow, this is cute…

With such big eyes.

It’s not just about Poyoyon Rock-chan’s big brother, but also…

It is precisely because the physical strength can grasp the human body that leans towards realism.

You’re the type of person who can control deformations, right?

It’s amazing that the term “Otome Circuit” still remains.

As a brush-up that retains the atmosphere of the time.

I feel like you’ve provided the optimal solution.

Those with high self-taught artistic skills can control their style.

The thing that was out a little while ago, like a garage kit or something.

The character’s personality is present, but the chin is pulled back too much.

I just didn’t think it looked good as a figure.

It’s kind of different from how it used to be, and there’s a really strong sense of incongruity in the face.

>>73

It changes depending on the time period or which anime you use as a reference, so there’s no point in worrying too much about it.

>>73

They are probably just reproducing what they saw in the past.

Isn’t it too perverted to only wear pants over spats?

>>74

But it impressed me with its SF sexaroid feel, in the sense that it’s a look that humans would never normally adopt.

I feel like you said you were making a new anime, but what happened?

I also want cherry and floral shapes…

Well, there probably aren’t many people looking for the art style from volume 1.

The designs of sneakers and geta are amazing.

Well, even in anime, this type of face is from the second season, but that one has a more squished shape, so I don’t recognize it.

I feel like it’s sexier without the paint…

It’s not a complete reproduction of that time; it’s an original modern illustration, you know?

>>84

Well? Even if you say that, it’s a figure I don’t even remember, and it’s not a modern balance, so I wonder if there’s a demand for a strange face? That’s all.

What is often requested when Kotobuki Tsukasa draws characters from the past is

“It seems that they want it drawn in a ‘kotobukitsukasap’ style…”

>>85

It would be difficult if no specific era is mentioned.

There were quite a few people who were concerned about the way the face got squashed in the second season, even back then…

I think I’ve achieved a good balance, and the figure’s prototype is also quite impressive.

The original illustration used as an icon for sushi was genuinely cute, so I find it even more unclear if there is any meaning behind this half-hearted approach.

Nendoroid Lime is too rare… I’m buying it!

I was just thinking, did something come from Poppare?

Reiwa is Heisei…?

>>91

Well, I’ve been doing business with Showa characters throughout the Heisei era, so it’s too late now!

Even if you talk for so long about something that doesn’t really convince me, it’s just that I don’t like it.

The sushi designs have been updated quite a bit, huh?

>>94

It’s not just an update; since it’s a meter, it can be written broadly from the beginning.

Figures basically only come out in lime.

>>95

I murmured that I wanted to bring out the other kids too.

I think it’s inevitable that they aren’t selling well enough to have three people.

I can’t tell which is trendy and which is super trendy.

Since there is quite a gap in time, I change things up every time I draw.

The voice…

>>101

I’m still very much active even now…

When I look at reports by Kai Shiden, I can’t help but wonder if the person who drew this really did… ?

Marbet was also drawing with quite a bit of energy.

>>102

Rather, the debut work (the Gato Gelgoog with a ridiculously large beam rifle) was based on Kai Shiden’s report…

Finally, it feels like they are going to do a new anime production.

Bradbury – Clearly not popular considering the number of parts, and can’t be made into three dimensions.

It’s frustrating that it can’t reach the popularity of Cherry.

I feel like it would be really awkward if the two of us stopped.

Whose voice was that? Was it Hayashibara?

When the professional sushi master said he would adjust the style according to the client’s preferences when he drew a new marionette character for the social game.

>>107

Well, it’s been said many times, but as an animator, adjusting the art style is part of the job itself.

A professional job that maintains the style of the past while fitting into lines that seem acceptable in the present era.

It was a work from a time when there was still a bit of the Showa era left, even in the Heisei period.

>>109

It seems that this type of art style hasn’t been as popular as the eras of Heisei or Showa, and was more of a localized thing…

The drawing I posted around this time last year was more in line with the style of that time.

>>111

Isn’t Aki Den more dangerous?

>>112

Huh!? A virgin!?

>>117

I thought it was amazing.

He was the animation director for Gundam Origin…

They might be thinking about how to balance the painting style while also being suitable for figures.

Because it’s someone who can also do three-dimensional work.

I’m glad that the artist who first burned their brain is still active.

JtoX is collapsing and has a frog-like vibe, but if you ask if it’s not cute, I think it’s really cute, so it’s a great balance.

Looking at it this way, it seems like animators with unique designs that could serve as business cards are becoming an endangered species.

>>121

If I show my individuality, they say the artwork has collapsed.

Recently? When Dungeon Meal tried to give off a trigger-like vibe, I was really told not to ruin the image, so I got completely scolded.

Kotobuki Tsukasa and Arai Izumi Rui’s talent.

Slayers was really popular, huh…

Megumi Hayashibara…

Kotobuki Tsukasa is so bad at drawing that it even looks like a Kotobuki Tsukasa-style drawing.

I think it’s nice and has a modern feel.

Being an animator doesn’t make much money, so titles like designer, illustrator, or manga artist are better.

It might not be necessary to become a strong animator with such a style since it’s well-known and can earn money.

I’ll try saying something with strong prejudice.