It’s not related to the technique.

It’s not a technique to win at pachinko.

If someone who wins a lot at pachinko can be used, they’re just strong.

What is this guy’s luck?

I thought that a naturally super lucky person would lose at least once due to misfortune.
…somehow… the fundamentals are solid and they’re just strong.

“It’s amazing that I’ve been immersed in Uramume Pachinko all this time.”

If someone who never loses at gambling uses a technique that makes them invincible when they win at gambling, they’ll be incredibly strong!

By the way, I wonder how they healed the severed arm.
I probably won’t be able to seal the stamp.

In other words, does that mean I became gay because my luck with women is the worst…?

If I were to put it bluntly, since the attack is triggered by the scale, if I don’t keep attacking, I can’t spin the gacha, so if I get heavily avoided, it becomes disadvantageous.
Well, it’s a field that is strong in development and pushing, so you can’t just run away easily.

It seems that a temporary change of the palm print could be possible in the weighing class.

I’m definitely going to hit the jackpot, this is ridiculous.

I want to be asked by Sukuna, “Can you change the platform?”

If there is overflowing cursed energy, it’s easy to use advanced techniques to fix the brain as it breaks!

I feel so sorry for Ume, who is relentlessly flooded with garbage-like information in her brain…

In the first place, during Domain Expansion, there are both a domain buff and a technique.
When facing a strong opponent, we start with one hit already landed in advance, so there is also a chance bonus attached to that.

I will soar with my overflowing magical power…!

When forcibly injecting the rules into the opponent’s brain, does the disclosure of the technique become established and somehow provide a buff?

It’s interesting how the operation makes full use of the rules of the domain and binding, contrary to the technique.

It’s frustrating how high the level of completion is because it has no lethality, making it strong in domain clashes!

It might be my favorite scene in the work.

If one button had been fastened incorrectly, it might have been possible for the three of us—Sukkun, Urami, and Hakari—to line up at the pachinko parlor in the future.

The reaction when it first came out was terrible, wasn’t it?

Turn up the volume! It’s a funeral while still alive! It’s one of my top three favorite scenes.

If I had to say, it’s because the attack is triggered by the scales, so if I don’t continue attacking, I can’t spin the gacha, which puts me at a disadvantage if I get completely avoided.
Well, since it’s a region that’s strong in pushing and developing, it’s not something you can easily escape from.

There is a guarantee that you will hit the jackpot, so that’s a lie.

Oh, a cursed spirit has come! 🧂

But I’m weak to her revolving credit payments.

Bobaba!

Luck isn’t a technique, but speaking of that, isn’t this guy some sort of special constitution that boosts luck separately, like Gojo’s Six Eyes or something?

In the past, I wonder if it was Chinchiro or Hanafuda…

I like the depiction of little tricks like moving the coordinates of the area.

Pachinko
Underage gambling
Copyright infringement
3 outs

It seems that it is possible to temporarily change the palm print in a scale class.

Are you saying that someone is a pachinko addict from the moment they are born?

It may have happened that Nakkun, Umeharu, and one of the buttons ended up lining up at a pachinko parlor.

A setting that wasn’t particularly utilized, where the curse energy feels rough.

It makes me realize that there was quite a strong teacher-student relationship, especially since Gojo is the only teacher who can use the domain and Hakari is unusually grateful.

Maybe it was chinchiro or hanafuda in the old days…

Pushing the cursed energy out through my nose… Safe!
I thought, “That’s possible…”

“I understand what ‘it was a hidden jackpot’ means, but…”
Considering this guy’s luck, it doesn’t matter if it’s a sudden change or a 1/239 time-limited support, he can probably hit it in just one spin.
I think that every time.

I want you to ask Sukuna, “Could you change the table for me?”

Despite seeking hot gambling, is the technique a quick-time trigger loop?

The characters who fought against the manga artist Shikuun Ume are all connected in spirit, and aside from their poor technique, they are too much like the protagonist.

I’m so excited to see which company’s sound effects will be used when it becomes an anime…

You’re not strong, you just happened to be lucky. He replies coolly as if it’s a consolation, and gracefully wraps things up.

It was interesting, but it felt like a one-time type of joke ability.
The Uraume match has also been cut.

Maybe because I was continuously playing in a row, I ended up getting a bit close with Uraume at the end, which was not good.

This guy just has weird effects added to a super simple technique where self-enhancement occurs with a certain probability.

It has no killing power, so it’s strong in territorial disputes, but it’s too perfect and annoying!

In the first place, domain expansion completes the domain by pouring a technique into the inherent domain, so the scenery can be quite manipulated.

P Shinbure seems to have a terrible compatibility.

I wonder if this guy doesn’t get bored just playing the 75% jackpot loop.

It makes me think that there are many established patterns in Kashimo’s battles.

Just really lucky.

I think it’s just an explanation that suggests that, like the black flash, there is another distinct category of super concentration or a state of trance, where cursed energy also has its own qualities.

I found it funny that you were concerned about the mistakes with the Mahjong tiles.

The way of speaking to the manga artist seems rough but is consistently gentle.

“Turn up the volume! It’s a funeral!” is one of my top 3 favorite scenes; I absolutely won’t forgive anyone who’s not a conservative!

The excitement of the pull in the thread image ranks high even in the case of a lethal migration.

It’s a strange thing that doesn’t force the opponent to gamble, but rather just has the scale gambling on its own, and is almost not even a gamble in terms of its settings, being a self-enhancement ability.

“You were strong, but it’s not like that. You completely shut me down; you’re strong too.”

It’s amazing that you’re so hooked on “Ura Ume Pachinko” for such a long time!
Well, it seems that pachinko has been a kind of gambling since before the invention of the scale.

Honestly, it’s my favorite in the work.

This guy is strong regardless of technique.

It seems that P-Symbre really has no compatibility.

It was amazing when out of nowhere, an unknown manga artist appeared with a color illustration right at the moment when it was getting exciting, and the thread showed “To be continued next week.”
I laughed out loud the following week.

Isn’t the Tokyo Technical College layer remarkably thick?

Although it’s supposed to have infinite curse power, it leans too much towards auto-recovery, so I feel like there might still be room for growth if there are more means to be used for attacks.

Even though it’s infinite curse power, the output is finite, so the firepower is disappointingly weaker than the image.
If it weren’t for this scale’s great fortune, it would just be a not very strong technique that gets easily overcome during its invincibility time.

Given Rika-chan’s nature, it’s understandable that if Okkotsu, who is weak at stalling for time, gets caught up, he would be considered stronger than himself.

It’s really frustrating that the recipient can’t do anything in particular.
I’m just standing back and watching others win big with my arms crossed.

It seems like P Shinbure doesn’t get along well at all.
You can also perform mystery attacks that match the stage’s performance!

The rule of pachinko is brutally unfair, as you just slam it into your opponent’s head without any explanation.

I’m just being shown videos of practicing pachinko in this area.

This technique really has crappy information…

There were many voices saying that.
The way of speaking to the manga artist seems rough, yet is gentle throughout.

I thought there might be a turn of events where luck would abandon me, but I was fortunate until the end.

The Gojo who’s raising this guy and Itadori is just outstanding, isn’t he?

The Uramume is continuously shown the performance of the neighboring machine that keeps triggering the jackpot.

I don’t like my ex who automatically uses revolving payments.

It had a name that came up alongside Itadori, but it was just a boring character that was only invincible due to luck…

Even against a stronger opponent that cannot be overpowered by infinite cursed energy, there is always a reliable strategy of running out of cursed energy to secure victory.

If this scene were in an anime, it would probably do something like a real-life prank by pulling out a pachinko machine.

Given Rika-chan’s nature, it’s understandable that it would make sense to say that Okkotsu, who is weak against time-wasting, is stronger than themselves if he gets caught up in it.

Kashimo’s battle is too interesting, so I want to see it in the anime soon.

I’ll soar with my overflowing magical power…!

What you guys won was just good luck! I like to end with a reply like that being a compliment for me.

So many foreshadowings were laid out, and when it finally made its appearance, I couldn’t help but laugh because all the foreshadowings were satisfactorily resolved.

Is that so!?
If I had to say, it’s because the attack is triggered by the scale, so if I stop attacking, I can’t spin the gacha, so if I get heavily evaded, I would be at a disadvantage.

When he’s in the zone, he’s generally stronger than me…

I think it’s a character that’s surprisingly hard to imagine who will voice.

It’s just that I have incredible luck.
I like to conclude by responding with a compliment regarding the fact that Kyoto is a singing diva.

Is it fun to play pachinko that has a low number of spins and definitely hits, like a pachinkas?

Babebebe (Raise it up)
Boo-baba (that’s right)

During the match, this gambler was overly defensive.

I don’t think that even if Okkotsu copies this technique, he can use it strongly, so I guess that’s part of the evaluation as well.

Nails are irrelevant and strong.

Did you figure out the reason why I was injured during the match?

The reaction when it first came out was terrible, wasn’t it?

It seems that Tokyo School has a feeling of making students solidify their basics even though Gojo has that ability and personality.

It might have turned out that one of the buttons was mismatched, leading Nakukun, Umebari, and the three of them to line up at the pachinko parlor.

Limited express rapid reach!

The cursed energy is jingling.

Please! Come back, dream!!

In the first place, during Domain Expansion, there are both the domain buff and the technique.
When facing a strong opponent, you start with one hit already landed beforehand, so there is also a chance bonus attached to that.

The reason why Maki-senpai said that he isn’t stronger than Okkotsu is…
Could it be that Paisen Maki has good luck with gambling?

The speed of domain expansion is incredibly fast, and the ability to push back is strong, making it a killer performance that is also laughable.

I have a vague image of it being voiced by Yasuyuki Kase.
He’s pretty old, but since Tomokazu Seki also plays a student role, it should be fine…

Isn’t it possible for the enemies to attack if there are rules explaining it here?

If this guy and Okkotsu are the standard, then I can understand Gojo’s comment about wanting you to be able to take down a volcano.

The anime might be most exciting for the Manga Artist War and the Kashimo War.

This guy has a strange effect on a super simple calculation that adds a buff to itself with a certain probability.

I really hate that the song “Your Back Hair is Thick” keeps playing in the waiting room.

Are you looking for exciting gambling? But is your technique definitely a time-saving loop that hits?

This was the peak of the extinction migration.

Is it fun for a pachinko addict to play on a pachinko machine with low spins and guaranteed wins?

The artist Shika Shiun Ume, who fought with those who all resonate with each other, is too much of a protagonist despite having a technique that is trash.