I think the author isn’t thinking about anything.

This is the work that made me feel the most that the officials are just saying whatever they want.

>タルミナはスタルキッドの記憶とかを元にムジュラの仮面が作り出した世界でクリア後消滅したってことらしいけどWho said this again?

It’s just the official saying it on their own…
Well, I think it’s unreasonable to be able to build that world when you only live in Kokiri Forest.

Then what’s the story with the dead butler’s son?

First of all, the moon doesn’t have that kind of face, Hyrule.
Even if it disappeared, it’s still a different world.

This setting really hasn’t thought anything through, so it’s pointless to think seriously about it.

It’s good that it’s an alternate world, but what bothers me is that it was created by Star Kid, not a parallel world.

Adults are Stalfos.

In some setting book, it is written that the parallel world was created as a result of the three goddesses giving birth to Hyrule.

I wonder if there’s really a need for a timeline in the Zelda series.
It’s like FF.

It means that it seems like the power was about the same as that of a Wind Fish in Stalkid and Majora’s Mask.

The official is saying something, but I’m getting cozy with Crimea and Romani.

Where is Navi anyway?

If it’s Starlkid’s delusion, then why isn’t Saria there?

If it’s by itself, it’s okay, but when looking at the series, it feels like a second helping of Dream Island, so it’s a no.

Since this setting suddenly emerged from the book, there is a possibility that it might disappear eventually.

You probably wrote it knowing only a little about the dream setting of the Soulcalibur II collaboration.

If the path to another world was opened by the power of Majora’s Mask and Stalkid, I could understand that.

This thread feels kind of stinky…

It disappeared after that.

The minister’s son is clearly decaying outside of Tarmina.

The settings can be inconsistent even in official materials.

I wish I had settled permanently in Talmina.

Well, if it’s not a world of delusion, then it’s hard to believe the legend with the giants…

I have seen the speculation that the child and adult versions of Carfei and Anju are Saria and adult Link.

It feels like the official knows nothing about Majora.

If they’ve thought about all that human history and setting, then Stalkid is amazing.

Maybe it’s because I wanted to add some flavor when writing the section on Majora in the book…

It seems the butler’s son was chased by a dog and ended up inside the clock tower, how sad.

Despite Stalkid not leaving the forest, there are way too many varieties of characters.
You probably won’t have the opportunity to see Gerudo.

There are precedents for islands that show dreams, and since the strangeness of Talmienia was presented from the beginning, it didn’t feel out of place.
I was quite surprised that many people dislike it.

The Triforce is engraved on the platforms at the Ikanah entrance and the Rockville entrance, so it was clearly depicted as a parallel world.

The official setting is that the Stalkid is the result of a child who got lost in the Lost Woods and died.

From the very beginning, it feels like if you go through the forest, you’d end up in a world right at the center of the city with a clock tower.

I think what is stuck is the part about the memory of the Stalkid.

I wondered if ancient heroes could really have such settings too.

The one on the moon is a mask shop, and it doesn’t necessarily consist only of Stalkid.

There was no story that seemed like the delusions of Stalkid anywhere.

It’s quite impressive how the official statement just says whatever it wants.

As mentioned above, the Kokiri tribe, including Saria, is not present.

Is it the memory of the Stalkid?
I just assumed I had read it in Memories of Link.

Because it’s a sudden setting that doesn’t have any foreshadowing in the main story at all.
I mean, if suddenly a Tarlmina appeared with masked power, Chat would definitely notice…

Shut up.
I just want to be with the Romani sisters.

I don’t like the setting where Talimina is the delusion of Stalkid, and I also don’t like the setup where everything is connected and put into a timeline across various works.

Giants are a metaphor for various things, so they are not just the Kokiri tribe or anything like that.

Farm is nice, there are chickens and dogs too.

If you connect too much, making games will become restrictive like in Metroid.

Can Stalkids even live outside of the Lost Woods?

The timeline feels like it’s just connected because the fans are being noisy about it!
I don’t really like it because it also relates to the setting of the work itself.

I like the timeline from Ocarina of Time’s adult world to The Wind Waker.
That flashy Ganon has turned into such a withered old man… I can feel the melancholy.

If you’re going to do it that way with Link from Ocarina of Time, at least make a final chapter where we can find out if he could reunite with Navi.

But I actually like that somewhat forced chronological chart…

In reality, Dream Island and the Acorn have switched places.
It’s fine to just watch in a daze.

I want to play Zelda where UFOs come attacking.

Saria will become a sage along the way, and once Ganon is gone, the Kokiri tribe will be able to leave the forest.
It could also be that the giant who left Stalkid’s origin is Kokiri.

Personally, I think it’s the ugliest that the timelines of the four swords and four swords+ are extremely separated.

Setting a timeline too easily makes it difficult to cater to fans of past works.

In the manga version, didn’t they make a mask from some corpse?

I’m outside at the end of Ocarina of Time.

Of course, you can’t create a new work in just a year and a half…

I like Termina because the mysterious waterways of Great Bay and the culture of Ikana and the downstream Woodfall have a unique and strong otherworldly feel.

They probably didn’t expect that there would be serious thinkers like this in the official context.

The Kokiri tribe is basically Hylian people adapted to the forest.
When I go outside, I’m probably referring to the Starlbaby or monsters that will kill me.

Oh right, why was it not allowed for the Kokiri tribe to leave the forest?

Before the main story of Ocarina of Time, there was a serious war going on, so if soldiers had found them, they probably would have been wiped out under the pretext of ethnic unification.

I think the story about the Kokiri tribe going out is a lie made up by the Great Deku Tree.

It seems that after leaving the forest, one is no longer immortal.
Also, I can’t simply get out of the forest because of Ganon.

I wonder if they’ll release a fully remade Ocarina of Time with a fleshed-out story soon…

“I’m going to dig a grave—I’m going to dig a grave—”

What the heck are those Hylian people who ultimately transform into Koroks or Shadow Residents?

Is there such a relationship between the dragon boss in the volcano and Link…!?

To ride the wave of the trend of superhero origin stories in American comics.
I don’t like the timeline of the series because it feels like a retroactive setup.
The setting of Majora is, like the dream island, something that makes sense thematically for the work.

The history and formation of the relationship between the giants and the Stalkid is all jumbled up in the timeline, as well as the direction when they fell into Termina.
Even if it’s said to be a fantasy world, it feels like that’s the case… but surprisingly, it doesn’t seem to be so.

Hyrule looks like a pathetic race that deserves to be destroyed, considering the dark temple.

During the day it’s a Peehat, at night it’s a Stalbaby.
If this comes out of the forest, it will die.

What could those huge claw marks carved into the tree by Hyrule Lake be?

There are too many lookalikes and mysteries.
There are even theories that Link, unable to find Navi and filled with regret, wandered into the netherworld to fulfill his lifespan.

How can you return to the first day with the song of time?

Even if it disappears afterwards in the world of fantasy, that’s fine by me.
It’s just that the memory of Stalkid has changed somehow.

I think the fact that Time’s Ocarina’s victorious Link can only go to the bad end is some kind of bug.

It’s wicked to have an execution site underground in a village not far from the castle.

It was a setting that made you wonder why now, before even talking about likes and dislikes…

The Deku Shield is common enough that you can buy it in stores, you know, Kokiri tribe.
The sword is a one-of-a-kind item, but

I don’t think it’s malicious, but there was a sense of “too late” about it.

There’s no way to come up with a complicated love triangle involving Stalkid and Angel Crimea Calfey.

It depends on how you interpret it, but I really disliked the fact that the world we struggled so hard to save is now being erased.

I think the Zelda timeline is something to enjoy among familiar fans while coming up with various justifications… but I realize there are more hardcore timeline fans than I expected.

I think it’s understandable to be repelled, but are there really that many people who are being repelled in chronological order?

Ah, the water connects the castle and the execution ground…

I came up with it! The hero of time fights alongside Twilight Princess Link to defeat Ganon!

The relationship between Hylia and the Gerudo tribe and the darkness, I wouldn’t say this is what reality is.
I think Taarmina is surprisingly compact.
It’s probably just because the system was built in three days with a limited deadline.

I want to enjoy the new work as a new setting, so I honestly don’t need elements from past works there.

The official story says one thing, but inside me, Link from Ocarina of Time is busy bringing back Navi after Majora’s Mask and happily cutting Cuccos at the ranch.

I really like the theory that Tokioka and Maron ended up together.
Because it makes me think that there was a girl who waited for me no matter what.

Regarding why this world was created, putting that aside, once you clear it, the world kind of disappears, or rather, you can no longer go to that location in this series.

The connection is already.
Wow, really? Let’s think of it like that!

No way! I’m going to marry Princess Ruto!!
It says that in Mipha’s diary too!!!!

Even if Termina is a fictional world, Majora’s Mask exists in reality.

Adult Zelda, you know…
Don’t blame it on your husband without returning the link to the past!

>>144Really? Are you sure you’re not secretly doing something with my sister, grasshopper-kun?

If it had just been set in a typical isekai, no one would have complained.

If the official is wrong and I don’t draw my bow, then how that world exists in my mind is up to my own freedom.

What I thought while playing Majora is that the feeling of a daytime drama might be similar to Majora’s own past experiences.
The Mask of Majora seems to be feminine, and the demon mask has a moon motif.
I got the impression that it’s a tag or hide-and-seek game of regrets about not being able to get married.

There was an overseas site speculating that Rockville still had some settings.

In my world, Romani is being impregnated by aliens.

I think it’s become that kind of story because dark fantasy and bad endings have been trending lately.

So, is the lack of a door on the ryokan’s toilet, the way the cross-dressing uncle wants to fluff around, and the little girl being abducted by a UFO and becoming a wreck all a part of Majora’s kink…?

Face reality, the hero of time.
My partner fairy is gone, and all the masks that were symbols of friendship have already disappeared.

In my world, Romani and Crimea are getting along and running a ranch with Link.

A couple that can’t even get married without a mask and a mask that is just a handmade amateur one.
It’s rather absurd for a thief to try to escape using such a large hideout as a decoy.

It seems like there might be some connection between the purple alien from the ranch and the design of Majora, along with the rock building in the sky.

I want to play the new time travel-themed Zelda.
If I get caught in a BOW format map, just moving around will take time, and it seems like it could take years to cover all the human relationships.

The Majora that is in development was shaped like the sun, not just a heart mark.

The fact that there are many people with strong feelings about it is also evidence that it faces resistance.

I feel like the couple event and the Majora battle are really synchronized.

Regarding the timeline, there might be disappointment like, “Why would they do something that tarnishes such an enjoyable work…?”

Of course, if you mention that in a popular series’ well-known work, everything in that world disappears after clearing it, there will definitely be backlash…

Ocarina of Time Link was able to have a family like everyone else, and since his descendants cleared his regrets, I don’t think it was such a bad life after all.

A super random world where a tribe with the same name appears.

Anju and Karfei have welcomed tomorrow. The end!

They call it a love triangle, but judging by the last conversation at the event, it seems like she’s been into Ange♥Kafey since she was a little kid.

I was disappointed to find that the drive-in, which had a creepy atmosphere in Breath of the Wild’s dark zone, was just a Zonau civilization ruin in Tears of the Kingdom…

When I put on the chairman’s mask and get hugged, won’t it be like I’m still looking like the chairman? I’ve never worn it before, but what happens?

Maybe, but I suspect this setting is something that the anti-Tinkle crowd slipped in.
Applying this setting will automatically cause Tingle to disappear from the world of Zelda as well.

I can sense a strong will that they won’t let me be united with Princess Zelda.

It seems like a world with quite a lot of giants, doesn’t it, Majora?
It seems that it was worshipped enough to be adorned with masks at events like Odoruwa or festivals.

Anju believes in Car Fate Crimea, but my mom…