You can use original characters as you like.

It’s not an original anime!?!

This is a postcard requesting that the robot police box be preserved.

And this is the postcard to destroy the robot police box!!

Dame Taro is not an anime original…

Something about the appearance looks like an original anime.

It was only for that occasion for Number 1 to 3, wasn’t it?

I prefer the anger flame over the intervention.

I wondered if my impression would be different if I watched it later instead of in real-time…

In the original work, there was something written in the story about how the survey for the robot police station wasn’t very good, so they seemed to have given up halfway through.

The people who say they got strange after going to the sushi restaurant mostly forget about these guys.

There was a time when Nakagawa suddenly went back to his original hairstyle after changing it.
“Did that really happen?” I pretended it didn’t.

Kochikame is regularly strange, isn’t it?

It’s been odd since the beginning.

I don’t dislike Honda and Professor Ezaki, but during the time they were excessively featured, reading them all at once can feel a bit overwhelming.

It seemed like they were having a line about building another structure next to it.
I wonder if they really intended to do more than just the robot police station.

Wasn’t there an Osaka gang next to the police box?

I didn’t think Osaka was particularly bad, to be honest.
The first appearance of Kochikame in Osaka was quite boring overall.

Because I started with the anime, I thought Maria had a penis in the original work, and I thought Ezaki spoke in a strange way.

The Osaka business trip police station must have received a fair number of complaints, yet they don’t break things in a funny way.

There was a story where Ryotsu goes to the world of episode 1 with a time machine and gets shot at repeatedly by his past self.
“Don’t you think you were more hot-blooded in the past?!” said the one who was startled.

At one point, it wasn’t Director Ohara, but rather the Deputy Director who became my boss, and he was so indecisive that Ryotsu ended up working a lot.

For some reason, as the series approached its conclusion, Terai’s status declined while Hojo, who had changed names, made a comeback from being a one-off guest character…
It felt like they took Honda’s position away.

The only one who has been there from the beginning to the end, aside from the members of the police box, is Honda, right?

There are probably people who became strange since DokiMemo.

The volumes in the 70s are not that interesting, but the detail in the background is amazing.

It’s not just them, but new characters that the author is fond of tend to stick around for a while.
I think it must be tough for those who didn’t get along from the first appearance.
It would be better if there was a way to create more semi-regular appearances.

The star escaped and disappeared, huh?

No matter how many characters are added, it’s overwhelmingly easier to create stories with the strange old man.
Professor Ezaki, the Honda-like father, and Colonel Bakuryu, have proven it.

I’m not good at having new characters take on roles that could have been done by existing characters by getting rid of the existing ones.
Specifically, trivia.

Actually, the land behind and beside the police box is regularly renovated.
It can turn into a pool or a convenience store…

It’s understandable that Nakagawa is always a regular because he’s just too convenient.

The electrode father and son have become semi-regulars as handy technicians.

It’s similar to Crayon Shin-chan, but as time goes on, new characters tend to become somewhat specialized in one skill, which is hard to describe.

When you watch it through things like anime or selected masterpieces, it gives off the usual “Kochikame” vibe with all sorts of variety.
When reading in order through the paperback, you can see that there is quite a change in the style.

Terai and Hojou, who were renamed in a very rough manner.

During the time of the Robot Police Station, other stories were more interesting.

I might not have liked the sushi restaurant because the regulars’ appearances reduced, and the sushi place would become their base over there.

The Special Investigations Unit was really used a lot in anime, but that’s probably because it’s anime…

There are various discussions about the name change, but the chief has already changed it a long time ago.

Convenient for doing something at the sea, a two-pole setup.

Terai had value just by being in the property search series alone…

But I haven’t seen many people who really dislike thread images.
So there is a difference in temperature compared to the story.

There was an episode where a bunch of characters who disappeared without any explanation suddenly appeared, even though it was a standard episode.
It seems like an episode where we play a real life game of Sugoroku using the Yamanote Line.

When the special detective with shogi and cosplay came out, I thought, “What the hell is this guy doing?” but it seems like most detectives are into cosplay…

The strong character of the master of the houseboat who has adapted wildly to Ryotsu Nitteku Volvo Sakon-ji.

It’s not particularly interesting, but it doesn’t really get in the way either; that’s the impression I have of the Robot Police Station.

The one that was like the original GI Joe was the most interesting.
I’m feeling good today, lung cancer from smoking!

Looking back now, it was like a detective in a Sailor Moon costume.
It’s nothing but an extreme bad vibe, yet it was accepted, right?

Sometimes it’s nice to change the flavor, but if the flavor change continues, it actually becomes hard to handle.

A long time ago, while reading a random story, I ended up with the title “If I run out of ideas, I’ll just add a new character!”
I have a memory of being taught that gag manga is just like that.

Isn’t it just that it was considered unpopular and removed because the story didn’t progress much?
I used to see Honda-la Ojisan and Colonel Bakuryu quite often, but before I knew it, I stopped seeing them.

If it’s something like Sailor Moon, that’s one thing, but when it comes to Space Dancing Detective, it’s completely just the author’s hobby.

Multiple emails come in asking to destroy the robot police station → In an episode based on that, I say, “I’ll destroy it if I get 50 complaints” → Less than a month later, almost 150 complaints arrive.

The Kimen Group was strong because they brought in various parodies from within Shueisha.

Since it’s a follow-up, it can be accepted as one of the many episodes.
If I had read Jump in real time back then, I can understand why there would be resistance.

I think Maria wasn’t using it much anymore in the sense that it was already used up, and now I wonder if that was the reason she became a woman.

It was quite a while after that Maria completely became a woman, right?

There were multiple complaints about the disappearance of the downtown atmosphere, and while some say, “It wasn’t really there to begin with,” I think there was still quite a bit of that ambiance around the time of volumes 50 to 60.

Personally, I started to wonder a bit around the time the woman from kyudo appeared.
I think there might have been people wondering about the electrode parents and children.

When did Totsuka disappear?

I think I quite like Professor Ezaki since I only see him occasionally.

Totsuka wrote that it overlaps with Ryotsu.
Even after a long time, there was nothing to talk about.

Honestly, I thought it was just a one-off joke, but it kept going, and even ended up being treated as semi-regulars for a while, so they appeared in episodes where they weren’t the main focus, which felt really out of place…

The swimsuit detective that appears every time we do a one-hour special is the problem.

I think Totsuka was quite a unique character in the role of a tsukkomi, able to occasionally join Ryotsu in some reckless fun.
The position of being dragged into Ryotsu’s misdeeds has increasingly fallen on Honda, but more than anything, it feels like Honda is just getting caught up in it.

Those who only watch the Kochikame anime may not know that Terai became Maruichi Young Building.

It’s amazing how Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo casually discusses meta circumstances within the story.

Modifying the model version 002 and studying circuit design to improve the electronic circuit design of version 003.
Learning from these guys to hack the payroll system and mastering microcontrollers is the first step to the high-tech image of Ryotsu, so it’s super important—more important than being able to make sushi.

When I see the early version of Ryo-san, I’m really surprised at how he’s just an incredibly ordinary good-for-nothing policeman.

I don’t really know the rules of baseball.

It was probably a good idea to bring back the original character Komachi and another character from the anime.

This guy was convenient for expanding the conversation, but…
The one that catches fire when you spill gasoline was not interesting.

The character in the thread is one of them, but there seem to be at least ten characters in the position behind Ryotsu saying “Ehh!” and such.

When the pattern of overusing a semi-regular character occurs, they will disappear if Akimoto or the readers get bored.

The original anime police officer is because Saotome and others don’t appear…

This guy is a Terai variant, and the intensity of anger is a Totsuka variant.
It has only changed in appearance and there is nothing new about it.

I don’t know when the disappointing character came out.

I feel that after the middle term, Volvo and Sakoji were the convenient options.

I didn’t particularly dislike it, and I felt that the mecha settings of Dametaro were used quite conveniently.
For some reason, there were many passionate anti-fans in a time without the internet, and it got erased…

It’s usually fine to have someone like Honda as the surprising sidekick.

In the end, Totsuka suddenly has many nostalgic characters appear, bringing back the atmosphere of the early days.
They are fortunate because they have beautifully excelled in the role of a hook.

I believe the ending of the final chapter of KochiKame in Jump was about Hoshinodata.

I thought it was a character that appeared out of nowhere, but unfortunately, it turns out it existed even before I was born…

I feel like the current character of Ryo-san was solidified around volumes 80 to 90.

In the early days, if I had to choose my words carefully, I’d say that Ryo-san was just a complete lunatic…

“Towards the end, they released a weak version of the final boss that resembled a Volvo.”
It’s like taking Honda and Hojo (what a pity), adding them together, dividing by three, and then sprinkling a bit of Itai-ke’s character design to make their personality worse, producing some trivia.
Mr. Akimoto has a tendency to regularly want to introduce sub-characters that are like “Isn’t that fine as an existing character?”
At its worst, the sub-character gets overwritten, and the old character is sent to a monkey space.

It feels like Hojou suddenly reappeared after disappearing right away.

Volvo and Sakonji can be used not only for everyday gags but also in serious situations and events, which is a big advantage.

I dislike Sakonji because it’s sometimes creepy to the point that I can’t laugh.

There was a child written for Vocaloid topics, right?

The role of Dame Taro could have easily been fulfilled by Hojo, who appeared about 10 volumes earlier than that…

Other than Dame Taro and Flame’s aide, the robot cops are not impressive.

A robot with a cheat that guarantees accurate horse racing predictions.

I tend to take on the role of explaining the relatively new otaku culture to Ryou-san.
Honda is increasingly becoming a diverse otaku…

It was easy to use, like Koro-sama.

Ditto Pikachu is obviously a character meant for one-off jokes.
The teacher liked the design, so the background police officer appears multiple times within the department.