Far from being happy, we end up starting over without completely revealing what’s in each other’s hearts.
But it wasn’t that there was absolutely nothing; at least I was able to make a connection through the band.

I feel like we’re finally coming together as a band in the last episode, even though it’s also about being lost.

Well, even though everyone still has their lingering issues, I think it’s a happy ending for now since we can all move forward in the same direction.

I wonder if I’ve moved forward…

But when the opening played at the end of episode 12
It felt kind of cool, didn’t it?

In the end, there were just a bunch of guys who didn’t really understand why they were in a band.

It seems that there are no members who absolutely insist on it being Musica or nothing…

I mishandled the pacing.

I wanted to see a black birthday in anime…!

If Muku was alive, Shoko wouldn’t be able to do Musica → That’s right, let’s erase them both, Mortis! That’s too much of a power play.

It’s not moving forward, but rather stagnant, so I’m just focusing on that moment.

As Yoshitomo wished, Mutsumi has been able to engage in entertainment activities satisfactorily.
That’s great!

I wonder why they made Mutsumi say that they want to do classics again…

The problem hasn’t been solved as much as I said…

There is no reason it has to be Musica, but the desire to do Musica is genuine.
The real thing within the temporary has certainly turned out to be as we initially talked about.

Shoko and Mutsuki say they are like halves of each other, but if either one of them has a mental breakdown, the other gets pulled down too.

Although it has been revived, it’s a situation where it wouldn’t be surprising if it collapsed again soon.

I understand that you want to do a contrast, but it didn’t particularly contribute to the story’s interest.

The basics of a story are often described as introduction, development, turn, and conclusion, but even if you say that stagnation is the motif, it makes me feel like those characters from the “Four-Dimensional Murder Method” duo.

If I were to compare, I personally would have preferred a sequel that continued in a darker tone.

When I was doing the sick baton relay, I couldn’t help but let out a bad laugh.
Incredible…! When that side recovers, this side has already fallen into darkness…!

I think it’s clear that if we thoroughly compare it with mygo, Muzika will suffer.
Is it really okay to promote it as a work supporting the band?

It was suggested that there is a personality or existence of young Mutsumi, after all.
Mutsumi and Mortis were just too incredibly charming…

The technical skill and number of personnel are at the highest level, so there’s no room for further growth, which is true.

The live show is crammed too much into the final episode and it’s not going to make it in time.

It sounds like at first it was more villain-like, so I feel that it softened up for the sake of contrast.

It’s a small detail, but I wanted you to mention that you ignored the messages from Hatsuka and Soyono.
The feeling of you asking why you don’t respond to Hatsuka is really overwhelming.

While Mortis was holed up at home, the Musica members who did nothing can’t convincingly say that we only have Musica.

The inside is basically a mess, but for now, it holds together, which is a unique position.

I understand that there are rough edges and dissatisfaction, but when someone says it’s a bad work, it makes me think, “What the hell?” to that extent, I’m really into it.

I was watching the whole thing thinking that Saki-chan is so selfish all the time!
Unavoidable circumstances and the seeds sown by herself continue to corner her.

So
Next destination for coverage is Northern Europe.
Hey!

As for Mutsumi and Mortis, the lost members are so caring that it might be too much.

What you need now is not a band.
I’m a doctor! (Squeezing) It’s true that it’s a case…

A band that sings twisted songs deserves a twisted band.

Well, it was said back then that it was Nyamuchi who first requested to leave, and even though the other members agreed and it led to the disbandment, I really don’t understand why we’re being held responsible and pressured to reunite…

A band that, as musicians, only feels emptiness and trauma at the Budokan they once dreamed of.

Although Aho’s Umine and Byoujin’s Mutsuki are a different story, the other three are too self-centered to be likable at all.

Mujika is both a cage that ties Shoko down and a protected enclosure for her, and the MV for “Kankin 12” is really well done.
The impression was turned upside down three times in the development of the anime.

It’s not surprising to be called a bad work with this kind of throwing away.

I got the impression that the emphasis on concepts like the contrast with being lost or not growing has overshadowed the individual dramas.
Especially U-chan

In the reunion, Mutsumi made the decision to have the air guitar, and while Musica is necessary, the members who can’t participate are not essential.
Is it possible to fire Muko, who couldn’t perform at the time of the disbandment? It’s amazing that we can do that now.

I don’t know anything like that…

I don’t understand where exactly there is only Musica.
They were saying something serious, but there are escape routes everywhere, right?

“It’s like saying ‘I only have a guitar!’ doesn’t make any sense.”

If Umiri was treated poorly in other bands like that, it might make me want to do Musica, but since she was properly trusted, I don’t understand the reason for her fixation after all.

It’s really frustrating that the adults like Grandpa and Minami-chan, who are the root of all evil, aren’t being condemned at all and are acting so smug.

I want you to properly love the character and create a story.
Don’t turn characters into toys just because you want to handle this kind of subject matter.

Condemnation
It feels like I’m watching a different anime…

Shoko consistently shuts out people she doesn’t know right away, rather than the opposite.

It’s the usual thing.

Don’t forget Shoko, who had been determined to ignore the grieving light all this time.

Mutsusaki hates anime.

I’m really disappointed because Shoko was my favorite character, but her personality is particularly terrible among the My Mujis.

In episode 5, I understand that Shoko feels it’s difficult to meet because she thinks it’s her fault that Mutsumi ended up like that.
By the way, it makes me wonder why we have to cut off communication in so many directions…

Mujika is honestly just maintained by its appearance, isn’t it?

The old man is being restrained by Hatsune and is Shoko’s toy, and Minami-chan has resurrected as a monster, so it’s not like she can benefit from it.

It’s not Minami-chan’s fault that Mutsumi ended up like that…

Shoko has also left Mutsuki alone after episode 10.
“Even if I suddenly became able to play the guitar, it wouldn’t be surprising to think maybe I’ve returned, right?”

Mujika is not a band anime; it’s a myth.

Even though there was something like a purification, Chuchu is still in that condition.
I think Shoko will remain like this forever.

It’s fine since I don’t want to be troubled by adults taking up my time anyway.
What I wanted to see was the members confronting the problem.

Where did the difference in the quality of the story between GaruKura occur?

Maybe the director mistakenly thinks they can do it.

Watching past works in retrospect, I thought, “This definitely garnered a lot of hate back then.”

Rather, I was left feeling anticlimactic as the mystery of the Paleo was resolved so easily.

Let’s calm down by watching BanG Dream’s Gappo!
For now, I can watch Harohapi and enjoy it.

I wonder if it’s okay that I can’t bring myself to like the character of Hatsune, who is supposed to be the frontman.

While only looking at the light, Ricky denies that he couldn’t be in a band and interjects by giving a harsh admonition to Kirin.
The song by Hatsune, which only focuses on Yoshiko-chan, became a huge hit, leading to the formation of the band, so the contrast is incredibly successful.

Originally, when we were trying to do something edgy as a non-BanG Dream! project, we were thinking of Shoko in the role of an antagonist.
I thought I was able to correct the course by merging with Bandori, but in reality, I haven’t been able to modify the basic structure at all.

I thought it was interesting that there are a lot of people seriously watching a world where bears are flying in the sky.

Well, if Hatsune was with any of the other members besides Shoko, she probably wouldn’t have been able to talk about the situation.
Ultimately, it might have been better for Shouko to go alone.

It’s interesting up to a certain point… It’s interesting, but I was wondering if this is the kind of fun that a band anime has?

First, there are things we couldn’t do with the beautiful Bandori, so let’s try those.
It feels like creating something where everyone has their own ugliness, yet still sings.

Hana and Mutsumi are on the cover together, so their popularity might be about the same.

In terms of talent, Bandori tends to show quite a stark difference.

>それでもってバンド内で一番人気あるのはムツミそうなの？I think you are referring to the setting within the work.

Honestly, my feeling is that what I was expecting from mygo wasn’t delivered.

Actually, Saki-chan has big boobs too.

If I had said even a word to Mutsumi, something might have been saved, but I can’t understand the nerve to just completely ignore it.
Even if I concede 100 steps, if the sequel is set to be released in three months or if the timing for the sequel is already decided, it wouldn’t be too surprising to throw in a continuation.
There’s no way to throw like this with an undetermined sequel release date.
I’m nothing but anxious about the sequel to this staff.

The fact that Nyanmu, who has been doing whatever they please, suddenly starts saying things like “I only love Musica” makes me feel like I might have multiple personalities too.

No matter what happens, this feeling of “it’s no good” from Hoshika, who only calls Shou-chan, is strong.

I think it would have been better if the card episodes of Garupa were packed into the epilogue.

Before and during the broadcast, people were proud to say that it was popular in China, but after the broadcast, I stopped seeing that, and I’m glad about that alone.
That was annoying.

The level of attention on Mutsumi after removing the mask was so intense that it can be said it eventually led to their disbandment.

I think it’s okay to complain more about the fact that there’s nothing explained other than just saying “I’ll become a god” and then moving on to the next live performance.

I hate to say it, but it was so immersive that it reminded me of when I was watching Zeke Axus.
mygo was properly converging.

It seems like they are setting it up for a sequel, but if the characters remain unlikable until the end, the wait for the sequel will be tough.

Nyamu believes that saying it that way will make Musica bigger.
The reason for leaving was also because Shoko abandoned her role as leader.

When a sequel is mentioned in a style like Musica.
Anyway, when the sequel starts, they’ll probably just change the impression of the characters again.
Conversely, it seems like it would cause me to stumble over the same thing again.
It feels as if even the efforts made to organize everything will come to nothing.

I didn’t think a character I don’t like would appear in BanG Dream!
It strongly feels like this guy hasn’t reflected at all until the end, despite being one of the reasons for the destruction in the first half.
I hope they can make a comeback in the sequel, but I wonder how the sequel will turn out…

Personally, I would like them to implement Garupa after finishing season 3 and restoring Mutsuki, but I also have mixed feelings about wanting to avoid dragging Mutsuki’s story out until season 3.

If the anime is like this, more people will drift away, and they might be able to attend live events.
I can’t get tickets, what’s going on?

The lost children were all good in one way or another, but I simply have a bad personality.

I absolutely love Ave Mujica as a band.
The anime Ave Mujica, how should I put it… there seems to be quite a difference between the adding and subtracting methods.

Mortis was directly connected to death, so it’s understandable to say that there’s only Mujika, but I get that Nyamuchi’s lack of persuasiveness comes from just not wanting to give up on becoming an actress.

It was really creepy how the anonymous person made popularity in China a status symbol.
As soon as it became unpopular over there, I finally started to laugh.

I think it’s a waste that Nyamu has extraordinary drumming talent, yet they barely touched on that and only talked about acting.

I think it would have been easier to understand if it had been depicted that the yips can only be resolved through a collaboration with Mutsumi.

Being called a tragic heroine is really true, isn’t it? That’s not good.

I like it, but it will probably take years for the evaluation to solidify.
It’s undeniably an unconventional work.