
It’s interesting that you can notice thematic elements like “fear,” “heart,” and “courage” sprinkled throughout various places from quite early on…
From here, nothing is born. It’s time to put an end to it. Sometimes, we won’t cut! If it’s to protect someone, we won’t let them die! If we attack, we will cut! Even when trying to protect someone, the idea of dying is scary. Your sword speaks to me with the power of fear. When it ends, we will cut, cut. What is needed in battle is not fear. Look, can’t you see? Reflected in my sword is the resolve to ‘cut you.’
Ichigo
You’ve been told off too much for relying on your friends!
Geta-boshi, since I can more or less cut and paste with this character, fight a little more, will you?
I remember there was a depiction of not being able to enter “Soul Something City.”
Perhaps when they reread it, most people will be surprised by how quickly Fujitake-san appears.
If it appears in volume 3, then even though it’s after FFX, stories from the early stages where Hideo Ishikawa interacts with Masakazu Morita on site will be coming out frequently.
Urahara used to call Ichigo “you,” didn’t he?
Urahara does not have the resolve to speak the truth.
Chanichi, you’ve been getting sermons like this from White and Dorudoni too, right?
“The struggle to protect pride and the struggle to protect life exist to protect the heart,” and the idea that “the heart is born between the two” is quite deeply intertwined with the core.
When you become aware of that, your perspective tends to change relatively significantly.
When Urahara and Tessai first appeared, their characters were not fully established, making it quite easy to understand and interesting.
Urahara is too strong for the 12th Division, isn’t he?
It’s about things like the Shattered Orb or the Vaizard, or the matter of Isshin and Masaki, or the relationship with the Ishida family; you’ve been too quiet about a lot of things.
I honestly think it’s really bad.
Endless gratitude.
Honestly speaking, I think those three themes are generally scattered throughout boy’s battle manga.
It seems like you don’t like to show love or affection, do you, master?
The master’s attempts to twist things may become messy or taper off, but what he says and the themes are quite universal.
Knowing the truth, watching Masaki Forever makes me… broken…
It’s annoying how that guy wraps up the true ending of Rivalsoul in a good way.
The fact that the performance paired with the trophy was so good makes it even more frustrating.
Since it is originally a ghost story, the thesis on fear is quite strong, isn’t it?
The battle with Ulquiorra is also entangled with fear.
Speaking of which, it was a manga that featured ghosts.
Urahara talks as if he knows everything, but in reality, that’s not the case at all…
Their words and actions are undoubtedly those of a big shot.
Bleach up to the SS arc.
Tend to end sentences with a “.”
I’ve trained intensely in the Second Division, so I’m probably in an extremely strong state even as an undercover operative, starting up the Technical Development Bureau.
This guy’s origin or the things that shape his strength, including the lawlessness of his Bankai, is structured like an original character from SS.
I think Chad, who finishes in 2 minutes despite all the talk, is the best.
Aizome has a lot of admiration for Urahara-san, considering Heiko as the only equal and respecting him greatly.
When binge-watching, it is sometimes said that Renji’s first appearance seems to have a certain vibe that suggests the author has made up their mind internally about it.
Regarding the tone, it feels like it’s part of the weekly serialization, with characters like Ulquiorra and Yamaji showing some inconsistency, especially in the first instance.
I wanted Chad to be used more strongly.
Ichigo, who is difficult to understand as a living being.
The unknown Bankai of Saraki.
Aizen, who is fused with the Hōgyoku and has an increased spiritual pressure, doesn’t quite understand why.
The mysterious monk.
Urahara is quite something to line up these guys as notable assets with his mysterious aura that makes it hard to understand what he’s thinking.
In the early stages, I think it’s a bit tough for a shonen manga when the story involves the monster side committing suicide after listening to persuasion, like in Acid Wire… but I really like it.
The line where the older brother says he’ll kill his younger sister is so cliché and great that he shouldn’t say it even if he dies!
I want to see more of the early phase of the ghost elimination route.
I loved the scene where Pepe-sama gives a speech about love, but I was very sad that it was cut from the anime.
There’s no way Pepe-sama’s scene will be cut…!
Originally, they were probably planning to slowly work on the Hollow extermination arc, but it feels like they had to abruptly change to the Soul Society arc because it wasn’t very popular…
However, it’s no surprise that it doesn’t become popular, given that all the incidents caused by the initial void are disgusting.
The master’s bad habit is showing too much.
The setting where memories of love remain was definitely created just to bully Hisaki.
The geta hat is not a bad person… but it’s not entirely true either.
For now, I’m on Ichigo’s side, so I’m worried too.
That’s just the way it is.
Don’t you want to see a development where Hisaki unexpectedly remembers Pepe-sama and recovers when he’s in a tough spot or about to give up?
I think Hisaki-kun is the top character who gets teased as the vice captain of the squad.
There are times when having such an attitude can significantly leave a negative impression on others.
Stop using normal language only when you’re genuinely apologizing or genuinely angry.
Can’t you see it reflected in my sword?
The determination to take advantage of your guilt.
Winning in a close match against Askin is seriously impressive.
A man who does his job properly, whether behind the scenes or stepping into the spotlight to engage in cutting and stitching.
The reality is that, rather than being a strange person, they are actually quite serious.
The training to raise the power of the Grim Reaper with the first life at stake had no ecological meaning for Chan I.
I wonder if the people behind the scenes were doing something to become stronger…
Although I am apologizing, it doesn’t change the fact that I have half-deceived good students and pushed them into the world of killing each other.
Even if one understands the individual’s circumstances or the structure of the world, the impression still isn’t very good.
It’s bad that I can’t feel sincerity because you’re secretive even towards your allies.
What is your stance on the plan to make Chanichi the new pillar?
Only Kiruge had the possibility to kill this guy.
I’m really glad that GJJJ took down Kiruge-san.
The type that consciously uses allies as a distraction to shake off the mark on themselves and prepares behind the scenes, so they are useful but always give a feeling of dissatisfaction.
When I think about the fear surrounding it
It seems quite important to hear a story like Tōsen Kisaki’s, where someone who doesn’t even know the fear of their own sword shouldn’t be wielding it, right?
It’s an ally, you know! 100%!
The place of the heart is consistent, isn’t it?
A character that makes you want to be hit by allies about five more times, along with Mayuri, in a different vector.
It’s somewhat better than Mayuri.
Although they are an ally, I feel that they often avoid their own responsibilities and throw the blame for attacks directed at themselves onto other allies, which makes it hard to sense their sincerity, and I think that’s mostly a bad thing.
It may look like this, but when it comes to it, I do what I need to do and I’m working, you know, with my geta and hat.
Those who are intoxicated by their own pride basically don’t get any victories.
Urahara, who was one of the parties involved but did not know the true nature of the masked army, went along with the conversation without revealing anything.
It feels like if I use Bankai even once, they’ll come up with countermeasures next time, so I don’t really want to use it. It’s similar to Mayuri-sama, who changes the specifications every time after you’ve used it once.
Since it’s not necessarily within the realm of common sense from each perspective, it’s true that the truth isn’t always spoken from the characters’ mouths.
In terms of manga, it’s easier and less likely to get caught up when the guy who acts like he knows it all actually provides the true information.
Aizen, who always speaks loosely, actually knew about Ichigo’s birth.
Looking back now, there are only famous quotes.
I can tell you’re working hard to recreate the story, but it still has a strong mannequin feel to it.
I can’t help but compare him to Kakarot and Naruto.
Looking at the thread illustration now, I realize I couldn’t hold this resolve until the very end, Chanichi.
It’s too chocolaty.
Reading it again, I wonder if my sensibility has changed? Was it this interesting?
There is frustration in the prolonging when you don’t know what lies ahead.
The area around Noitra is seriously terrible for getting blown away.