Voi!!

Voi!!

It’s never mentioned in the story, but this protagonist doesn’t age at all…

I thought it was definitely a gag just from the title.

>>12

…Is it a gag?

Hey, Anonymous!

Come on, Anonymous!!

>>15

I just Googled it and the first result is crazy.

🫶

I can only say it’s amazing.

This is Birkin between this and Trico.

Even an anonymous person can become serious.

Oh no!

🫶🏻

The veteran’s skill is amazing, even though there is a religious creepiness that it doesn’t hint at!

The craziness of bringing this out as the opening act.

And everyone’s impressions are generally the same.

It rushed forward with tremendous momentum and ended just like that…

Probably a strange phenomenon.

I think it’s serious all the time because it doesn’t have a comedic response for a gag.

Oh no!

The protagonist is aging too slowly, and there are various points to pick at, but the intensity with which they rush forward is intense.

I love how the three of us playing on such a long keyboard makes no sense at all.

>>39

I read it again and it’s crazy that four people are playing it.

It was ordinary.

It’s hard to determine whether it’s a gag or serious…

>>41

Seriousness

The beginning is amazing, the world-building is amazing, and the ending is amazing.

Feel the AC unit.

What you are doing is a myth.

What does “yabai” mean?

Shakyamuni Buddha

>>50

So that name had that meaning…

I want to hear some kind of comment from Shimabu about this work.

>>51

I wonder if I could finally put together a short story collection with things like Maribo, this, and Takeshi’s fate.

The thing that was tried is not much different from what the director did, and John committed suicide, so it feels like “Yabai” is not entirely portrayed as correct.

I also wanted the presiding judge to become an artificial planet.

Aren’t the people left behind in a bad situation?

>>63

That’s terrible.

Yabai

YHVH

>>66

This is bad!

The impression of the Build King failure has completely dissipated.

Is it Judge John Coimbra Suzuki McCartney?

I feel like it was a bit longer.

>>68

It’s correct, but it’s Suzuki, not Suzuki.

I don’t know of any standalone story that feels this good.

I thought this was a good manga for a one-shot.

They may be assassins… but the ones who will die are…

I don’t really understand the meaning, so can someone please tell me?

>>72

Given that the fans of The Yabai are expected to die according to AI’s estimates, I think it implies the opposite.

>>72

Aren’t you talking about the people on Earth?

I can’t take you to a dangerous place.

The Earth is in a terrible state, yet humanity is still living and it’s a serious situation.

It’s nice that the people left behind are not unhappy.

There were elements of self-improvement since the days of Toriko, but…

There is a slight concern regarding the motif of collective suicide in this one-shot.

Did you read a Shimabu SF novel or something?

Build King is also going in a bad direction…

It’s completely incomprehensible how complex attribute elements are.

Hey! John!

Come on, John!

If you look closely, they have properly prepared physical artificial planets, which is amazing.

I feel like Build King doesn’t really match Shima-Bu’s style that well.

A subject that does not appeal to some instinct.

I felt a bit of Fujiko Fujio’s vibe.

I see you could draw something like that…

To be honest, I hadn’t been following any one-shots since Birkin, so I had already judged Shimabukuro’s work as over, which made it even more serious.

When you Google Mitsunobu Shimabukuro, it suggests that he’s on a crazy level.

>>91

That’s really bad.

It seems like this band has other songs besides just being amazing, and that’s awesome.

I want the young protagonist to return to Jump and hit it big one more time.

Somehow, adult protagonists like Toriko are great, but…

When it comes to depicting a boy protagonist, it’s just not appealing.

>>95

Takeshi?

>>95

You’re really good at depicting a reliable presence, aren’t you?

The lyrics are just incredible.

>>96

It’s bad because I can’t say “I love you” because I’m too embarrassed.

>>96

Oh no!

>>96

Boy! Boy!

If there is no love in your heart, you aren’t a superhero. It’s a generation where the theme of any work is intense, right? Shimabu.

An indescribable flavor of reading that can be interpreted as both despair and hope in its portrayal of the end times.

But the first time Shimabu hit it was when he was in elementary school…

I love that the outcome of crazy guys taking everything is that the Earth is devastated by a great war, with no mercy.

>>104

If the crazy (love) is gone from the earth, then there’s nothing left but to fight.

You guys are crazy.

I love you.

Shall we read the ring too?

>>107

Overall, it’s Slam Dunk, but I quite like it.

Build King looked clearly aimed at elementary school students.

It was boring.

Also, the heroine is incomprehensible.

But it seems that the Earth after the destruction is not too bad and somewhat peaceful.

Because he’s seven years old, right? There are some suspicious parts about him being a person, like his brain moving around inside his body and his heart being located in his foot.

It’s crazy that Takeshi and Toriko are fans.

>>114

It’s crazy, right? The surviving humanity is still crazy after all.

In manga, you can’t produce sound, but if you can generate momentum like Shimabu, you can depict the excitement of music that is crazy even without sound.

The momentum of the live performance is like that of a battle manga.

One-shot stories are also a matter of impact.

I still feel that they shouldn’t have brought something like this as the first act.

Anyway, it’s a crazy story with a huge scale.

It’s been a while since I saw something like this; it’s crazy…

Even if the earth becomes a desolate place and the bad things disappear, as long as people remain, the stories of the bad will persist, including the parent-child bad.

The essence of “yabai” is immortal.

You guys are all crazy.

Not touching on the aftermath of Planet Yabai is also, well, quite something.

It may not have been a utopia.

>>124

It’s obvious that whatever happens will be crazy…

You’re effectively utilizing the polysemy of the word “yabai.”

Shimabu’s weakness is that the heroine is helpless.

I want to read it again when I forget about it, but it seems impossible to forget, which is bad.

Even without the momentum, I think the intensity of the live scenes is crazier than those band-related music mangas.

The drawing skills are high, but in this day and age, there are issues with the design sense of female characters, Shima Boo…

The suggestion was seriously a crime, even more intense than Toriko Takeshi, and it was just insane.

It’s crazy that the live performance seems to be more than just band music.

>>133

There are also backgrounds that resemble an orchestra…

Hey, Toshiaki!

Come on, Shiaki!

I think that probably during the process of it launching, thousands of people are dying…

I think I’m more skilled at writing a rough, broad world, rather than a detailed one.

Rather than just with Birkin, it’s been since Toriko that Shimabukuro’s handling of the concept of “luck” is kind of… crazy?

>>138

Hey, No Name! Come on, No Name!!

They are skilled at depicting an extraordinary scale of size.

I think it was correct for Toriko to recruit readers for wild beasts and ingredients.

I can’t do that many ideas by myself.

It’s bleeding out from Toriko too, but you really love SF, don’t you?

I think they are someone who creates their worldview quite logically, despite their style.

>>143

I guess it’s important for a person to figure out how to justify a world where anything goes.

Yabai is getting through the reasoning itself with Yabai.

At the end, I thought it was an homage to the Tree of Life from the Yokai Hunter.

>>144

I somehow feel a bit convinced.

I remember that it ended with a line like “Today it’s bug rice,” and the next day’s one-shot was also about eating bugs, which was crazy.

It’s a story that makes you imagine all kinds of scary things.

It seems that the fans who went into space have also died, and those left behind are dying in the war.

I don’t understand the meaning of “fireworks launching from a guitar” so much that it’s crazy.

I have no objection to the fact that Build King was canceled at all, but…

Based on the conclusion published later, I felt that they must have thought about various settings after the cancellation.

>>150

Shimabu’s way of showcasing large things is just too amazing and incredible.

Shakyamuni ❤ Buddha

You can’t release something this crazy as the first installment of a continuous reading project!

It was crazy and my excitement never came down, right?!

Did you do a standalone comic about clothing among the themes of food, clothing, and shelter?

>>154

No, after doing a one-shot of the prototype for “Sumika,” I serialized it and it failed, which was “Build King.”

The next one-shot is based on luck.

The seasoned veteran shouldn’t create an impact that no one can surpass right from the start!

The theme of the clothes is most important because it reflects the person’s fashion sense…

People who have gone to space are definitely not alive, right?

>>159

If you’re alive, it would be crazy, right?

>>161

But… you brought some dangerous people, right?

>>167

It’s crazy that even though it’s unreasonable as a theory, it’s correct in this manga.

Right after it was posted, the thread was filled with comments like “What is this?” and “This is just crazy.”

It seems there are characters like Toriko in the mob, but I don’t know where they are, and it’s bad.

It’s amazing that I remember the faces and names of all the fans and people I’ve met so far…

>>168

Including the times we’ve met a little, it’s in the hundreds of millions.

Dangerous

What they’re doing is crazy, the world view is crazy, and the aftertaste is intense.

If a star with a huge gravitational pull remembers me, I know it will follow me for a lifetime!

>>171

I remember, and it’s not just lip service; I really remember, so it’s crazy.

>>187

When

Where?

What?

What’s wrong?

I have a certainty that I can say everything fluently without hesitation.

>>187

When you were a child, you were really excited, but as an adult, you think, “Oh, there were those times too.”

Decades later, if the name John Coinbra Suzuki McCartney, which is hard to remember, is presented along with the sign of the exchange we had back then… never again…

The satellite is definitely dangerous since it has been there for a long time, so it must be really serious.

The awkwardness of the character design had surprisingly turned into a flavor.

You guys have so many fans that the world is essentially under your control, which is honestly not impossible and it’s crazy.

In reality, there aren’t any people who are that incredibly popular on a global scale, so it’s safe.

>>177

In reality, just by saying “go die,” everyone would commit suicide, and that’s not as absurd as it sounds…

>>180

It seems that becoming a star has practically turned out to be just that.

>>178

I guess John is not here… I’ve been thinking about that for a while.

>>178

The fact that you will always remember me is the most amazing thing…

Even after death, being forever crazy is the best farewell gift.

The structure is logical for just being driven by momentum.

>>179

Acting on momentum calculated in advance.

When they were imprisoned and brought to trial, they calculated that they would only be allowed one last live performance, and there they would execute planet building, just like something crazy.

That’s bad.

It could be a story about a successful migration to an ideal land or a tragic mass suicide.

What is this… what is this… were people saying, but then they got pumped up with “Hey! John! Come on!” It’s crazy.

If it’s the Shakyamuni ❤️ Buddha route, then taking me to paradise would be the ultimate madness…

It was really just pure momentum, but it felt good because it was interesting without adding any unnecessary elements.

There’s someone in the crowd making a heart by themselves.

You’re going to tell that guy later too, right?

That’s bad.

For better or worse, I can only say that the impressions are crazy.

It’s amazing how veterans can produce works that you can only do in a one-shot.

Did everyone who went to the dangerous planet die?

They have too much musical talent, don’t seem to age, can remember the names of millions of people, and are so amazing that it makes you wonder if becoming a satellite is also a possibility… there’s a persuasive quality to it.

This grip is just too perfect, don’t you think?

>>202

Grabbed and my tension skyrockets, not coming back.

I reread it for the first time in a while, but this, without realizing it, has been further brushed up in terms of structure.

Is a new panel added that I don’t know about!?

I felt like I was going to be shaken off, but I read until the end.

>>205

It’s because it’s not ordinary…

On the contrary, I’m curious about what kind of works you usually read…

I like how it goes from “Yabai” to “Yavai” to “Yavoi” and finally to “Voi! Voi!”

Oh no!

The evaluation of masterpieces, garbage, and something outrageous may differ from person to person, but it’s hard to call it just mediocre.

There is nothing so ordinary.

The reason why the attention and hurdle for Jump Reader’s one-shots have suddenly increased.

Looking at the thread picture, it seems that my uncle, who had quite a fortune, left all his assets to a nice young man from the neighborhood.

I recall the story of a nameless father and relatives who protested with all their might.

I wonder if it will get made into an anime…

It’s a momentum that can only exist in a one-shot manga, for better or worse.

If a newcomer submitted this, I think it would go straight to the editorial meeting regardless of any edits.