A crazy guy.

Crazy guy

>>3

Just by giving a glimpse of a caricature, it adds a level of persuasiveness to the character.

When the brush flows… (When the brush flows…)

The reason this happened is…

Hwan hwan hwan~ Iyo~

65 years old, huh…

The participating voice actors are strange, and the guest appearances and collaborations are also weird.

…In other words, there were visitors from another world in the world of Kizuna Five, huh?

>>15

Well… the Isolation King was aware of the existence of other worlds and was trying to sever the ties between them…

>>21

Uragirisu summoned powers from the “alternate dimension” at this point.

It feels like it’s leading to future multiverse research, which makes me smile.

There are a lot of intense people around Motoki, aren’t there?

>>23

(The person who often appears in episodes of cooking at home is Black Condor and Kaiza Murakami.)

The thread picture has a nice face…

I’m the least memorable character in Don Brothers, the blandest of them all…

You have a fairly good-looking face, like an actor, don’t you, Toshiki?

Well, it actually comes out.

Please write the novel version of Faiz~ I thought I wouldn’t have to write it if I paid for the meal, but then the editor-in-chief descended from the sky and treated me to an expensive meal, so I had no choice but to do it! I love that story.

As the story progressed, Taro started to seem relatively sensible, but it was also a strange work that made me feel that wasn’t always the case.

>>28

I feel like the story has always been an everyday one.

The main part depicts conflict and reconciliation quite seriously, and it was really good.

“Common things in the Sentai series: Homage to a goofy guest script episode.”

Just when I thought that, I heard that the other world guy Red was doing something important, and I couldn’t handle it.

>>30

It’s way easier compared to the usual unreasonable demands.

>>30

They expanded a flashback scene that was only about 3 to 4 pages of the original work, hinting at the dark transformation and the elements of another world in a 30-minute program!

When he has time, Toshiki will write something proper.

Even if there is no time, they will manage to organize it in their own way.

>>35

Is it a handyman?

>>36

Mr. Inoue!

>>36

Mr. Inoue!!

>>37

The fact that that person I’ve known for 12,000 years has come is due to the satellite going out of control…

>>41

It was the one that was left in the warehouse.

>>43

It seems you had enough energy left to even throw infinite punches.

Bunju’s favorite word is

“A screenwriter has to write for someone. My dad wrote for Takashi Hirayama. I write for Shirakura.”

That thing

It’s a line I want to say at least once.

I hope more manga sells well.

>>47

It’s good, isn’t it?

Gundam and Kuuga

Especially, Kuuga was fortunate with its animation quality.

Certainly, they’re not going to write something like “my face is appearing here” or “historic heroes are in the background”…

“I think the staff probably said something like, ‘I want to hint at otherworldly elements and include lines that feel like it for Aquarion!'”

Even during the time of Zi-O, after reading the story at the script stage and not seeing any footage, I had a sense of mission, thinking, “Isn’t this program being made too much from a logical standpoint? If I don’t throw a stone in, who will…?!” and I approached it with that mindset…

I think it was made in accordance with the first half format, although a stone was thrown.

>>49

Isn’t it like a stone?

>>49

It’s something commonly found in old 4-season programs, or rather in tokusatsu.

It was a bottle show episode where the schedule adjustments allowed for some variation in the number of episodes without much relevance to the vertical lines.

In terms of Gundam, it’s like the Island of Cucuruz Doan.

The interview in the thread is really good.

https://booklive.jp/bviewer/?cid=10000031_538

You can read it if you buy this back issue.

I want fans of Toshiki Inoue to definitely buy this harmful magazine.

Other staff are playing around using Toshiki Inoue’s name as a shield!

If you want to talk about Toshiki, “The Biography of Katsuharu Iage” and “Men and Play” are must-reads.

>>55

The former doesn’t sell electronics, does it?

I bought the latter on Kindle.

>>59

The former is out of print, you know.

I have no choice but to borrow it from the library.

>>55

“Talking about Kuuga, Agito, and Ryuki” and “Talking about 555, Kamen Rider Hibiki” can generally cover the anecdotes of the Heisei Riders and Katsushi, but they haven’t been released in digital format.

I feel like Kamen Rider Den-O and Kiva won’t appear (lol).

>>61

Inoue-san is the original source!

>>62

It’s based on the original, but I didn’t say it!

Manga is good too, but…

Please write an original novel again.

The lines of the Kizuna Five, who rushed over after listening to your conversation on the comms, were surprisingly good…

>>57

Because aside from Motoki’s page, it’s really a parade of harmful content…

But it was really a good interview.

>>60

Yeah, I understand.

I understand that there are various connections.

“Men and Play” is surprising in that it only features old-fashioned men’s games that make you wonder if such men really exist in Japan today.

I want to hint at otherworldly elements… What can I use for that at home… Should I bring out Aquarion? I wonder what kind of judgment led to that decision.

A character that seems to have come out of a fictional world.

Re-decorating costumes that are lying dormant in the warehouse and presenting them as something different has a special effects vibe.

Well, in the case of Acquiri, it’s probably the pattern with the eyebrows that’s the bad one.

Let’s talk about Kuuga, Agito, and Ryuki. There are a lot of people who talk about Faiz first!

>>71

For the time being, I had set it in three parts, but I think there are quite a few people who emotionally include 555 to make it one flow.

Akiko, please write a biography of Toshiki Inoue.

Unlike my dad, you’ve probably never had to worry about money.

>>72

I want to know what kind of dishes my dad usually makes.

I wonder if they put that much effort into home cooking too.

As expected, it’s the release of Toshiki Inoue’s story…

>>75

Three generations of parent and child…!!!!

I think there’s still an archive in the Deathman members’ section, and the discussion video with Shirakura from the time of the first Ghost movie is also interesting.

>>74

“Let’s film something like Shanzelion again!” “If we did something like that now, Toei would go bankrupt!” It’s great to hear them laughing like that.

>>133

It’s emotional that more than five years have passed and the two of them are able to form Don Brothers.

I think there are many people who want to talk about Toshiki.

First, we should be able to publish one book each from Takadera, Shirakura, and Murakami.

What was impressive in the article about the thread was

In my 30s, it was more fun to play than to write scripts, but now I’m tired of playing and can focus on scriptwriting.

Let’s write characters that you’ll look forward to meeting every week.

Ways to approach other than scattering and collecting mysteries.

It was just really cool.

Sanjo and Yasuko will also talk.

>>79

Sanjo speaks about Toshiki Inoue in his own autobiography as well…

Let’s talk about Toshiki Inoue and let’s attach Toshiki’s acrylic stand as a bonus!

>>80

You were going to wrap it with a red ribbon anyway!

>>80

(Kōhei Murakami as a Toy)

When it comes to sub-scripts, the characters’ tension has been unusually different from before.

I feel that when I become a beetle, that area seems even higher than usual.

>>85

Kabuto was the one who was angry about playing with the sword too much.

In the end, of course, you have to be careful.

>>93

Kabuto has a somewhat vague handling of things other than the sword…!

>>85

Kabuto is the typical character whose episode makes everyone around him overly enthusiastic and strange.

The flying arrows and the wheel are easy to understand.

I felt a bit lonely when Donbura ended.

Everyone is so full of humanity.

>>86

It’s nice to have a connection formed at the very end, isn’t it?

>>86

I tend to trust Motoki, but I wasn’t really convinced when he said, “I think I’ll make it a tear-jerking happy ending,” so I was surprised by the final episode.

Morning Don Momotaro

Night Kiji Brother

It seems that W, OOO, and Fourze are more likely to appear than Kabuto, Den-O, or Kiva. I think Inoue might not be able to call them since he’s at the CORE level… but for now, it doesn’t seem like they’ll make it.

But Donbura vs Zenkai was not interesting.

>>92

I found it interesting, and since it was a big success for the V-Cinema Next project, well, you might just end up being an eccentric.

>>92

Because I produced results, I’ll ultimately end up in the minority anyway.

Since Donzen received it, it’s at the level where he was ordered to do Kindon, which wasn’t in the plan.

Flashman’s Toshiki episode

Even though it’s the beginning, it’s really boring.

I thought they had grown up well.

>>99

I was trained by Takao Nagoshi.

Toshiki Inoue’s… moe anime…

>>102

(Kohei Murakami appearing as a guest)

A man who roughly has a name from children’s anime from the late 1980s to the early 2000s.

>>104

Ha! It’s the episode you liked from that anime you used to watch, written by Inoue!

>>107

In fact, when streaming old anime on Damanime, this happens from time to time.

>>107

Toshiki Inoue and Yasuko Kobayashi, who have done various things even with original works.

>>111

The image of Death Note and the Toei version of Yu-Gi-Oh is strong.

The latter had no awareness of such things at all.

>>104

Everyone’s favorite Goku beats up Vegeta with the Kaio-ken.

Toshiki Inoue

Director Sakamoto has never teamed up with Toshiki Inoue, but he has had a meal together with him at the invitation of Director Yokoyama.

The role of the site supervisor in 555 suits you too well.

I thought it was a discussion about Kizuna Five and Don Brothers, but it turned out to be a thread against political correctness.

I had this image of the face, but it turned out to be so aged.

>>113

What do you think, this is a photo from decades ago?

Recently, there have been many Takatera…

Is Inoue’s original source Takadera?

>>117

The magazine listed above is also included.

The love that supported Toei heroes spanning two generations of the Inoue family has me in tears, talking about Kamen Rider 555 and Kamen Rider Hibiki.

It may sound like I’m screaming, but I think it seems more like I’m crying as if I’m trying to squeeze something out in terms of writing.

>>121

Because of replies that seem like they’re screaming, when it gets added that someone is crying as if they’re being squeezed out, all I can think of is Nonomura’s press conference.

>>129

Actually, when I responded with that kind of image, it became normal, and now I’m confused.

http://blog.koheimurakami.com/?page=42&cid=5#gsc.tab=0

That image is also over ten years old…

In the case of the anime great master, the City Hunter episode with Makimura’s death surpasses the original with its sharp and cheesy lines, right?

Precure Akiko

Gav

Sentai Akiko

Nichiasa is the privatization of the Inou family.

If it were Dragon Ball Z, it seems like Motoki could write a script in 30 minutes.

“Ah… Aaaaaaa…”

>>127

Actually, I’m writing quite impactful original anime content.

Bring out Kizuna Red and the screenwriter Arts.

The biggest mystery is that when this person gets involved, other people start spouting words like Inoue’s scripts.

>>131

The young staff member I worked with for a year ultimately became completely devoted to a character as intense as Toshiki.

Check out the Donbura staff blog! At first, it felt like they were just messing around, but in the end, they were completely absorbed!

I didn’t know that the outfits of the Yakuza depicted in anime are exactly like the ones in the thread.

If you personify Toshiki Inoue, you can create Tendou, Moyashi, and Mabe-chan.

The Kizuna Five part is the same, but Lady Terutina’s “Don’t you understand, Roji?! It’s a woman’s heart!” is also a line with a distinctly Inoue flavor.

Inoue and Shirakura, who completed Donbura, entrusted the production to their daughter and apprentice.

Tazaki will continue in his position.

Director Ryuta Tajiki recently mentioned that his daughter also inherits the ability to create stories that don’t fear collapse from the great master, raising expectations for this season’s Nichaasa.

Aren’t you a bit too fearless about various things…?

>>140

At first, I was so afraid that I didn’t mention his name because I thought my father was being resented.

It was more advantageous to reveal the name, so I decided to do so.

>>141

“My dad says, ‘I guess I had popularity after all (laughs).'”

>>143

Well, having a super-fast writer is like a godsend for the scene, isn’t it?

It doesn’t get much attention, but I think the manga version of Kuuga is also really on fire.

When considering Toshiki’s achievements at Toei, I can’t help but feel a deep sense of respect…

They’re working on Gundam even in the sequel, but I guess it’s understandable for this person…

Also, Marina has a nice visual, doesn’t she?

When it comes down to it, the yakuza will say “I mostly got it” and quickly finish the script.

It’s a really nice portrait, even after looking at it again…

Is the person from Sonza the recent lover you got?

I’ve also written lyrics for Yamcha’s character song, you know, Yakuza.

A movie called “Kamen Rider No. 1” that abundantly incorporates the ideas of Hiroshi Fujioka, who is said to have struggled against such yakuza.

>>154

I like the rawness of Takeru, who can score with a high school girl in a purikura, which you can’t see in the main story.

During the conversation between Shirakura and Inoue in issue 1, when one of them took a bathroom break, the remaining one started praising the other by saying that “that guy is great at 〇〇.”

It was a terrifying project where I was endlessly shown the cutesy antics of two old guys with white hair.