I remembered something a little while ago and searched for it electronically.

I stopped buying because I can’t see the Chinese outfit since only the maromayu and the others are paused.

We have two unnecessary copies at home, one of the Enix version and one of the Square Enix version.

This year marks the 25th anniversary.

Roll Cake Sundae

Sandwich Monday

Rotate!

It’s the Ob of the Year.

I might have only had the impression that it was an anime I didn’t really understand…

It’s a four-panel comic that makes you think, “What a good era it was with Azumanga Daioh.”

Rabbits have a tolerance to the toxins of the nightshade family, so if you keep feeding them, toxic rabbits will be born.

The animation and design of the anime were really good, so I want to watch it again, but the vibes are quite intense considering the time period.

I am a god, nya.

>>13

It’s a masterpiece, but reading “Baka Bon” now is tough.

Macaroni Hōrensō is tough too.

High School Weird Face Group is tough too.

It can’t be helped.

It’s like the direction of the shaft has been solidified.

Actually, it’s from Tsukuyomi.

>>14

Wasn’t it around then, doing this kind of vibe until Despair Teacher and Hidamari?

I haven’t been doing much gag or everyday life stuff lately, so I’m not sure.

The design and animation in the anime were good, but I think the humor felt a bit old-fashioned, even at the time of “Pani Poni.”

Volume 1, Becky’s really big.

Another 5 years

Heppy’s manga should all connect in terms of world-building, right?

I was surprised to see Osaka in Yotsuba, Azuma, are you the same!?

The character always gives the impression of being angry.

I found out through a doujin from Touhato that the vibe is the same.

The voice actors are too extravagant!

I got into Azumanga Daioh and bought the manga as a result, but Panipo was outside the trend of the everyday-themed vibe that was popular at the time.

Watching the anime now makes me feel like I’m looking at a prototype of “Sayonara, Zetsubou-Sensei.”

The person inside said they can’t make a voice like Becky’s anymore.

I rewatched the anime during a simultaneous streaming event, and I seriously thought that Himiko was genuinely crazy.

I saw a thread that said Yotsuba&! features Azumanga Daioh’s Osaka, and this work suddenly crossed my mind.

If you buy it just for the moe-style four-panel comics, you’ll regret it…

It just keeps going on like a reader’s corner in a game magazine.

I have a memory of laughing out loud during C group’s turn.

I like it because I can read it without thinking about anything.

Except for the fact that Behoimi is normally designed to be cute but ends up looking plain with glasses.

When gag manga continues for a while, it tends to become a baffling flow.

>>35

I can’t understand anything from volume 1 because it’s surreal humor.

For some reason, the thread image suddenly inserted a long story that was serious behind the scenes.

It’s just incomprehensible.

I liked Nanjo-san because she was cute.

I liked Becky because she was sexy.

Clearly a different character, early Behoimi.

I really like the characters; everyone is cute.

I like things that haven’t become anime, like the committee headed by the class president.

Becky’s height in the thread seems to be around 170cm.

A character called Mesousa, which is a straightforward knockoff.

Now I know about umibudo.

I got into the anime and when I read the original work, it was completely different.

I still sometimes listen to the opening song.

To be blunt, I thought it was quite a rape of the original work in the anime, but since the author was happy about it, I guess it’s fine.

>>47

No.

The anime keeps insisting that it’s an anime and not based on the manga’s settings, so I guess they had some thoughts about it; I was happy, though.

>>50

I think it might just be that they wanted to say anime is anime because they originally incorporated something like parallel worlds.

Did the title have any meaning?

I was recommended an anime and checked it out, but overall it felt too old-fashioned and I couldn’t get into it.

…That’s a poisonous mushroom.

A trend of overlaying works that seem to invite no complaints, with the colors of the anime company.

It’s disappointing that the style has become influenced by Shaft since the anime adaptation.

Is the author of the thread image around 60 by now?

Closer to the original than Excel Saga.

If this were to be done exactly like this, there would be a scene change every 30 seconds, and each time it would be a completely different story.

Seeing the disastrous outcome of Negima!?, I realized that Paniponi was able to retain the essence of the original work completely.

>>59

I mean, only Negima!? completely destroys the atmosphere of the original work.

Even the despair teacher was doing alright.

There was a note on the author’s website’s bulletin board saying that it’s fine not to write anything interesting, which felt quite unusual.

I like the vibe of the semi-serious season in the second half of the original work, and since then, there have been continuous series in that style, so I’ve been reading it consistently.

I think I was better suited for Maromayu, which I was doing around the same time as Mystery Serious.

It’s great how Behoimi-chan gets really mad at the magical girl mascot…

Aren’t we just tricking magical girls and having them fight? That comment came before Madoka Magica, right?

>>64

When Kyubey showed his true nature, Skull Mask was heavily plastered.

When it comes to loli characters and Becky, it has completely turned into Rockbell over here.

Gag manga often have jokes that might not make sense unless you know the trends of the time, even if they don’t rely on current events.

If I had to say if I like it or not, I like it, and if I had to say if it’s interesting or not, Becky’s cute.

I liked the manga about a manga artist and a blonde little girl (not Becky).

I dislike the thread image, but for some reason, I liked Maromayu.

Heppkey’s art style has changed quite a bit, huh?

Now I am a toothless alchemist!

This year marks the 20th anniversary of the anime, so there should be some developments.

I’m still 50, you know.

When the explosion sound occurred in Paniponi.

It seems like a loud noise came from Maromayu.

I secretly liked the crossover.

Babys

I think the first episode of the anime was incredibly detailed, probably because I’ve watched a ton of stuff like that girl Jai-chan.

I think the sense of using pink or light purple under the blonde hair is wonderful.

>>80

It was said to be revolutionary as an expression of blonde hair at the time.

Bring back Jaiko-chan!

For some reason, I liked the city of Nembutsu.

～～～～～Gundam～～～～～～～

I like all the OPEDs.

Rock-paper-scissors!

🦀🖐

For some reason, I was re-reading Behoimi-chan too.

I think the manga is bad when I read it now… on top of that.

I felt that the sense of humor itself hasn’t become outdated.

Perhaps the original fans never thought that it would become that popular just because it was adapted into an anime.

Huh? What? I can’t hear you.

>>89

I thought it was a tease, but it was actually a scene where I couldn’t hear anything.

I liked the Kashiwagi sisters because they were erotic.

>>90

I liked the friendship between high-spec men and women without any romantic elements involving Momoze’s brother.

I’m currently working on a serialization that, like Candy Pop Nightmare, is basically set in the same world and I love it.

I can’t remember anything about the manga, but the change in voice when Serizawa cosplayed as Becky in the anime is something I still clearly remember.

I wonder what teacher Becky is doing now.

Actually, I thought there was still a story being serialized or something.

>>95

Most of the works I draw are connected in terms of their worldview, so it might not be entirely incorrect to say that.

I loved anime.

I found a well-made Lora, so I’ve been having a lot of fun with number 6 lately and it resulted in a lot.

I feel like during the doujin era, I was also doing crossovers between Leaf and Persona.

When I saw the illustration of Watanuki drawn in the original colors, I seriously thought (Who is this…?) because the anime’s gray-brown color has left such an impression of the character.

Light blue, huh?

The latest series is interesting.

Unlike before, the level of drawing big-chested girls has improved.

>>100

It’s great to have big-breasted protagonists like CPN and Hanaori-san, and the big-breasted manga artist stories are nice too…

>>100

I never thought I would end up drawing romantic comedies…

Tell me your favorite character, Anonymous-chan!

I am Mr. Watanuki!

>>101

Serizawa!

>>101

Number 6! Jaiko!

>>101

Becky!

>>101

The girl with big breasts in the neighboring group!

>>101

Miyata!

>>101

Kashiwagi sisters!

>>101

Suzune Chop!

Only Jige Yosan was properly doing a romantic comedy, right?

The drastic change of the character in the anime version of Jige yo, followed by a return to the original in the OVA, is the source of confusion.

Somehow the original work is interesting, and I now realize there are a lot of parodies.

I still have the final volume of the original work bought and unopened without reading it.

I really liked the Pani Poni radio, I wonder if that gets across…

Basically, maids and magical girls are strong.

I just checked what series I’m currently serialized in, and it’s so nostalgic, just like the same vibe.

Still has a strange charm, but not very good at it!

>>116

I’ve been moving around various magazines, but my serialization hasn’t been interrupted at all.

>>124

The brush gives the impression of being fast.

>>125

The busiest times were when I had four simultaneous series running.

Well, one of them is Jaiko-chan.

Basically, I want to read them all together because the worldviews are connected.

There is Tsukuyomi before this, which is a strong anime in terms of production.

>>119

Keijiro Maeda has arrived.

>>117

When I tried to see if I could turn off the function, I was lied to even more and ended up crying.

I still don’t understand why Penel was appearing frequently in the anime version.

I really hated it when Rei seriously started lecturing Becky in the anime.

The angry voice of Satsuki Yukino is scary.

Panic Pony has a strong presence of Shinbo, or rather, Ohnuma’s direction.

It seems that the flow of the new Soul Taker direction is based on Madoka Magica.

If I were to do a manga about streamers or disaster preparedness again, it seems like it would be a hit.

Originally, from the doujin days, Hekki’s style was to do gags while having serious themes in the background.

I just thought, “So this is how it turned out” when that happened in the long version of Paniponi.

Serizawa is nice, isn’t she…?

What is Obji Year?

No good♪

I love Jaiko-chan’s silly jokes.

I used to love the radio.