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Only I know that this world will eventually perish. 1 Only I know this is the world that will perish SHONEN MAGAZINE COMICS
It seems that they have caught up with the original work, but I think this kind of looping story is just fine.
Oh, it’s finished?
I was reading it up to a certain point, but even though the protagonist struggles a lot to become stronger, new enemies that are several levels stronger keep appearing, and it’s a constant struggle just to barely win, so it got tiring to read…
Mental is super strong!
8: Japan Otaku Reviews
You’ve caught up, or rather, you’ve overtaken them, haven’t you?
The one that ended up being “No, that’s not it” after battling for a long time.
I was overtaken…
I love promoting standalone books.
The one where the protagonist is attacked by a comic book.
Basically
A boss enemy that resembles a disaster appears → The protagonist is killed without being able to fight back.
Returned to a specific point in time.
Only the protagonist inherits memories (later grants this ability to companions as well).
The protagonist trains and levels up.
And once you defeat the boss, the next development awaits…
Repetition
Well, I read all of it without missing a single episode from the first one.
The shopping mall edition ended quite swiftly, didn’t it?
The artwork is so incredible for a weekly publication that I could even read it as a regular “reset to death” genre.
Even after the conclusion, it can still be adapted into an anime.
I want the comic adaptation to be turned into an anime.
The action scenes seem tough, but…
The original work stopped at the Siren, huh…
I thought I was going to do a manga outing.
It’s basically just fighting, and there’s almost no eroticism.
The characters don’t seem to be particularly popular, so it might be difficult.
It feels like it ended as a last resort.
It was interesting up to the Minotaur.
Since the fundamental discussion isn’t progressing, there’s really nothing that can be done.
I was able to read thanks to the power of the manga artist.
I wasn’t really interested in the original work.
70% of the scene is combat.
It feels like interactions with characters and heroines make up about 30%.
Oh, I just learned about it for the first time, but it’s actually quite a famous thing.
>>23
No
>>23
Yeah, not really…
Well, it’s a manga that only people who know it are aware of.
>>26
Sometimes when I read one episode, it became eligible for 5 points.
…
It’s about the feeling of reading it when I open Magapoke and see it.
It was a manga that stood out when I was looking for loop-themed stories in serialized works.
Conversely, you might not realize it unless you investigate the death-restart loop genre.
Since the success of “Tensei Shitara Slime Datta Ken,” I’ve been seeing a lot of NaNoWriMo adaptations trying to manage with this kind of animation power.
When you create a thread
There are a few people who say, “Ah, I’m reading that too,” about this manga.
I became more fond of the manga artist than the original work.
Every time, the enemies are too strong…
I realized the impact of this kind of restart story in Re:Zero.
I have a feeling that the drama that will be reset will end up being pointless anyway.
I end up skimming it.
>>35
That’s why I give the ability to inherit the protagonist’s memories to my companions.
It would be too cumbersome to have only the protagonist in the story.
Getting busy with book publishing and comic adaptations leads to delays in the original work → Low update frequency makes it hard to rank, causing a sudden drop in views → Update pace slows down or leads to discontinuation.
There are too many things like this.
>>36
In the same Magapoke, the bad skills were outstandingly messy.
Since the original work isn’t progressing, the illustration team went ahead and started a new project on their own.
>>50
I can’t believe that happens…
>>50
I thought it was on hiatus for some reason, but that was the case…
>>50
The original author, who has made almost all of their works stagnate regardless of such issues, is the reason why the editor chose this for comic adaptation is problematic.
>>83
Why did you choose such a work? It’s just too much…
>>86
Maybe it’s because the web version has been completed or has a clear timeline for completion, and the top-ranked works are being comicized by other companies.
It’s almost a miracle that places that relatively publish book versions were able to pick up works like “That Time I Got Reincarnated as a Slime,” which didn’t have a comic adaptation, and “Shanfan,” which didn’t have a book version.
Is there a limit on the number of times you can come back to life?
If you don’t defeat the boss, you can’t progress, but when you defeat the boss, it feels like the world’s erosion advances and the enemies become even stronger, right?
>>38
Erosion slows down, but the mastermind who wants to advance the erosion sends in more strong individuals.
It somehow comes across that they probably haven’t thought about the mystery or the original author’s intentions.
Mr. Karube, who was mysteriously popular in the Magapoke comment section.
I’m sure they’ll do well in the next round…
In the beginning, every time the protagonist came back to life, he had to explain everything again to the heroine he had encountered multiple times, and then he would get killed again…
There’s no way I’ll do it in the second round digest…
The protagonist is leveling up in a loop, so that’s something.
For some reason, monsters are getting stronger and stronger at an incredible pace for the vast majority of people.
If there’s a second round, I already know the strategy, so it will probably turn into an RTA.
I personally became void around the part where Lilithra is strong but not interesting.
>>47
I guess they wanted to make it a wall, but it didn’t quite work out.
It feels like the original work might just be abandoned like this.
For now, the balance between making the enemies too strong and the catharsis of defeating them is off.
It’s okay to be weaker…
When adapting from Narou, I thought it would be better to at least confirm whether they properly consider how to wrap up the story and resolve the mysteries presented to the readers.
The end
The population of this world is probably less than one-tenth.
What will happen to the reconstruction?
I didn’t realize it was the final episode…
I’m curious about how things will progress from next time.
Did the reincarnated heavy knight also surpass the original work?
I think it was a good way to conclude by going back to the beginning and saying it’s been a while since the Minotaur…
I’m looking forward to your next work because your drawing skills are excellent.
Even if it becomes a mode where good illustrations are produced in the comic adaptation and it starts selling, I honestly can’t expect much anymore if the original work can’t continue.
It’s an opportunity for motivation recovery like no other.
>>60
When I run out of ideas, I can’t write anymore…
If you’re the type to plot everything out until the end, you might somehow find a way to finish even when you’re out of ideas.
If you’re the type to write on a whim, you often struggle to know how to finish your work, resulting in it remaining unfinished.
>>73
In works based on Narou or Kakuyomu, there are too many of these, and even if they are interesting, I’ve started to feel a sense of caution in my heart.
>>76
It’s been like that for 30 years, you know, with web novels.
In other words, even a regular novel doesn’t have a conclusion…
Writing a novel as an amateur is probably only difficult in the beginning…
I was surprised that it ended since it had been ongoing and I read it every time there was a new update.
I didn’t know that it was the kind of final boss where defeating it would save the world.
Maybe it’s because I was skimming.
>>63
No, it was sudden.
I feel like there was a story that if you defeated Ifrit, you could cross the wall, but somehow after defeating it, world peace was achieved.
Well, I heard that Ifrit itself is an important starting point, but I don’t think it was something that would solve everything…
It became a masterpiece because it was able to retrieve the title in the final episode.
In that world, it would be impossible without the death-reversal skill.
Or an ultra-high-performance appraisal magic.
The cult group Lilith Lira, the invaders from another world, was dealt with quite digestibly… I didn’t know the original work, so I thought that was the final battle…
Finishing a story is really tough, isn’t it…?
Well, in extreme terms, it’s okay not to use all the settings the author came up with as long as the immediate crisis is resolved.
I think the author has a high level of manga artistry, so I’m looking forward to what they will draw next.
Loop-based stories tend to fall apart, don’t they?
I left when my junior was killed in seconds, but it ended properly.
So this was a comic adaptation.
I have a tendency to only read this type of comic adaptation for free on the web because I can’t trust that the original work will properly conclude.
Re:Zero is using various gimmicks to change the story, so isn’t loop-based storytelling difficult?
>>80
If it continues to drag on, then it can be considered trial and error, as it can also be an endless repetition and prolongation of the same thing.
It’s rare to be able to properly maintain consistency and conclude something.
Since it’s a story that should be done with an ending in mind, it is more suited for being completed in a single volume or as a game.
Commercial manga sometimes has an ending that feels like a cancellation…
Commercial novels also often have 40% of sequels that are never published and just disappear.
The same heavy knight that caught up is still continuing, so it’s a mystery.
>>84
Isn’t it the result of discussions between the original work, editing, and illustration? Of course, there will be a difference.
>>85
Well, I couldn’t become a novelist, but I guess I became a comic book author.
>>84
There might be various factors, such as sales and the motivation of the original creators.
It seems that the thread image was only strong in in-app purchases, so I don’t know how much revenue it generated.
>>84
I was looking forward to it, so honestly, it’s a relief.
I want it to be properly concluded.
I like works where the modern world is infiltrated by another world, but I haven’t read this one yet.
>>87
Infinite level up is the best.
>>87
How is the fun modern dungeon life of an average explorer? The manga adaptation has only just started.
>>91
Thank you for telling me something that seems good.
>>87
Adventures with a pet dog are fun.
Finally, return to the new game, keeping only the memories from the save point system, and that’s the end.
It wasn’t particularly interesting, but the battle animation was amazing.
With Magapoke, the automatic features have caught up, so the update pace has suddenly dropped.
They are already working on a different art style, and it seems like the original work is focused mainly on the curse tool maker…
Well, in magazine series, there’s only about a 2% chance that a large-scale mystery set up in a survival story will be properly resolved by the end.
The story isn’t particularly interesting, but the manga was easy to read and well done.
It’s not from Magapoke, but I was a bit surprised to see that the ugly guy who was said to have ended because the original story wasn’t progressing in Big Gan Gan has recently made a comeback.
>>101
I suddenly think of a work, but I believe it was already decided to be animated, so I think this reunion is due to that.
>>103
I didn’t know it had been adapted into an anime.
I think I remember seeing promotional materials on the pages before and after the manga, but they didn’t register in my brain.
Alphapolis has a poor route for removing the web version and for anime adaptation, which does not have a good reputation among web version readers, but the comic adaptation has a high success rate.
The path that leads to the kingdom is completed, and the manga is being serialized seriously, which is amazing.
I wish this person would get a good original work.
On the contrary, there are cases where the original work has an overwhelming amount of content, and the manga seems unlikely to catch up given its current pace.
>>107
That’s the same with DUO on Magapoke.
>>107
There is also the method of changing the author for each chapter and serializing them in parallel.
>>110
If I fall, it will be disastrous, so I need a lot of determination.
>>110
I’ve only read the manga version, and when I read the later chapters, it feels like it might spoil things, so I’m avoiding those chapters.
The quest-type loop seemed to be really well-received.
There are too many stories that DUO doesn’t know!
>>113
If the modern part ends just like this, I’m going to be a little angry.
The thread image gave a good impression as it properly established itself in the loop survival genre.
The heroine was also charming, but the scenes where she showcases her strength in brief moments while desperately fighting to survive really resonate.
It seems that the audience primarily enjoying it doesn’t really want any suggestive elements, which I find quite difficult.
The enhanced animation made the Minotaur look too strong compared to the first episode, and it was no good.
My favorite work is being adapted into a manga, and while the original is complete, it has the equivalent of 28 volumes in tankobon.
For works with a long original text, let’s serialize it in the Higurashi format.
It’s quite risky to have long breaks from serialization for various reasons…
Magapoke has been stopped because the original work has been put on hiatus and it has caught up, so it’s been discontinued. Sorry, I think it’s too much.
This work was quite interesting because the enemies were saying things like “Oh, I’ve read your memory and you’re looping, huh… I’ll let my allies know,” “The best countermeasure against you looping is to ensure our information doesn’t leak,” “We’ll just catch you so you don’t die,” and “That looping ability originally comes from our world’s power.”