Original work by Shapira Sakaki, Illustrations by Yuitaka Hasumoto, Time Paradox Ghostwriter.
You must have been evaluated calmly over and over again.
It has become the case that trace copying is considered the same kind of learning as AI.
Everyone has always been calm about this.
I don’t remember being emotional.
It seems that the anonymous user is the least calm.
There’s no way the person using this text can stay calm.
It was never said that the junior high school dropout onahole-chan is pitiful…
>>7
At first, I thought it would be a suspenseful story where the protagonist corners the fake to prove that the real one is the middle school graduate.
I became a believer.
>>14
I thought it would be a strange buddy comic about a fraud with only experience and a genuine one rich in ideas and wit.
I became a believer.
It’s a work that doesn’t even need to be evaluated in hindsight, so delete it.
Weren’t you already pretty calm from the start?
You don’t have the intention to evaluate calmly, do you?
People who start talking about “calm evaluation” are usually…
I feel like there were only enough characters to count on both hands.
When I calmly reflect on it, wasn’t it a mistake to start the serialization in the first place?
>>13
It can be said that way too.
It can also be said that it is not so.
I think there were ways to make it interesting.
But it ended up being nothing more than excuses and a peculiar sense of ethics throughout.
Cover of the final chapter of Demon Slayer.
Chugaku-chan didn’t really need to hate the protagonist, but she definitely didn’t need to be subordinate like in the main story…
This year’s Jump seemed to have many problematic actions, such as promoting Samurai 8, authors of popular manga committing sexual crimes, and publishing thread images.
>>19
It feels like the U17 and the blood alliance were around the same time, and there was a period when editing was not functioning properly.
I think it was quite interesting compared to Hakutaku and Murakami.
I felt some meaning in trying to serialize it as an experiment.
I feel like I was just endlessly creating reasons to say “the protagonist is not at fault.”
But I want many writers to have the mindset of putting out works even if they stumble after a big hit like the final episode.
I get hit, but
Is it the person who created the 8 threads in the morning?
The scene where the editor points out the shortcomings of the first story is the most reasonable argument.
>>25
I can’t deny that there is a soul imbued in that page.
>>28
What you experience in real life is what makes manga interesting, as Mr. Rohan Kishibe also said.
It’s just that even though they’re despicable, they’re not treated that way in the story.
>>27
From the reader’s perspective, he’s just a plagiarist.
Since I can’t prove it in the story, there’s nothing I can do…
It seems like this manga is the only way to communicate with people.
Well, in reality, it’s probably just endless soliloquy.
To be honest, the main point of the story about saving the dropout girl, who died, is that everything regarding her doing the assistant work is unnecessary…
From the beginning, they are throwing in unnecessary content while ignoring the main topic, so that’s not good.
Going to a barbecue restaurant and only eating vegetables to show off my humble lifestyle.
It would be sad if the author were to be equated with the crime…
That editor who looks like they have a bad personality probably said this to the author… I can see the mysterious detail in the depiction.
>>33
Why can’t you leverage that feedback in your creation?
>>34
That’s the author who makes that edit look like a villain, right?
>>38
Which one?
The direction you want to take with the scenario comes across in the previous work.
I really don’t think the part about becoming an assistant was necessary at all since nothing significant happened because of it!
Now that AI is here, it will be appreciated, right?
What’s wrong with thread image when AI is good?
What we’re doing is the same, right?
>>37
Write a scenario.
It was nice that the editor who initially criticized me ended up praising me at the end.
>>39
From the beginning to the end, Kikuse-san was the only character who was alive.
The editors who promote the sloppy protagonist are creepy because the author’s desires are leaking out, so they really should stop that.
>>40
It’s nice that the compliments feel fluffy because I’ve never experienced being praised.
The art team should just keep drawing adult doujinshi forever.
Why don’t you stop with that trash-like thread?
They said they used a non-existent surname for the editor’s name to avoid causing any trouble, but it seems like the one to be concerned about is actually someone named Teppei Sasaki.
“Demon Slayer is ending, and other major titles will be ending soon too! It’s probably being shared within the company, so of course there’s going to be some chaos.”
I couldn’t struggle.
Don’t put this subject in a manga magazine, more than the portrayal or story.
You are Teppei.
Now, if it’s possible, you’ll take the AI-generated manga to Kikuse, right, Teppei?
I want to know what kind of manga it was supposed to be if it hadn’t been criticized by the readers.
Did you plan to succeed without any setbacks?
>>51
Since the first three or four episodes were likely written in advance, they won’t be influenced by the readers’ reactions from the beginning.
This was supposed to start with an excuse.
“If the protagonist is properly depicted as a scumbag… is something that is often said.”
The author confirms from various aspects that they do not portray the protagonist as a loser, so ultimately it’s impossible.
In one scene, the editor-in-chief sits down to read and puts pressure on their subordinate, saying, “You’re amazing—it’s clear you have talent,” which is probably the author’s greatest wish.
>>53
It’s not surprising that an amazing person would say, “You have a wonderful talent!” because that’s a desire anyone might have…
>>63
It’s not easy to turn that into a manga and praise yourself.
The flow is that Teppei is plagiarizing, and this is actually not his manga.
This is simply a case of a mistake in the way it’s expressed.
It would be funny if I were to mess it up roughly, right?
>>54
Both my master and friends were unable to see through the many holes.
Friend: “Your true character really showed!”
Master: “That was your manga.”
>>55
A white knight can be written by anyone.
The work that was canceled was something only you could write.
It’s one of the upper ones among those that end abruptly as soon as there’s room to talk.
It’s really strange why this garbage, which has no potential at all, was able to be serialized.
>>58
The work has a sense of message that feels unnecessary.
If it’s about traveling or battle-related topics, it will be allocated more pages, which reduces the amount I can talk about.
It would have been interesting if it was a story like Death Note, where Kikuse, who was expelled from her position, teams up with a junior high school graduate who had her manga taken away to corner Teppei.
The only one who understood among all the blind spots was Nakagikuse-san; I wonder if that was their intention from the very beginning…
>>64
He was indeed the person who faced Teppei the most.
>>73
It’s because I’ve been with Teppei for four years without seeing any progress, like a saint…
>>64
I can’t help but think that this ending was influenced by the criticism from readers, but I didn’t feel too bad about how it turned out.
I only like Sir Hei Kora.
Is there been no news from the author or illustrator since then?
>>67
I draw erotic manga.
>>72
When the author and the protagonist are too similar, it makes me feel a lack of variety.
>>67
The illustration was supposed to be earning through erotic doujin.
>>67
I drew a one-shot romantic comedy with this combo, but there was no reaction.
There was no response to the reboot of the past comedy one-shot from the original work either.
>>79
I seriously don’t know that information…
>>113
Rather than a reboot, it was just that I had the artist redraw a one-shot I had drawn in the past.
>>113
It’s a comedy about a hitman who inexplicably quits being a hitman because he wants to eat oden that a girl is making behind him.
It was a manga that inevitably reached the conclusion that it would end up like that.
>>133
I finished reading another one-shot.
It’s the kind of thing where a girl confesses and it explodes.
The ending stays as a flashback scene.
>>67
The illustrations were created for erotic doujinshi and became a huge hit.
If we’re talking about Death Note, there’s a level of discomfort akin to L starting to say things like “Kira is amazing! He’s doing his best for the world!”
Since there is no side pursuing evil, Tetsupei Sasaki is just asking himself questions on his own.
Is it really okay for the protagonist to act without regard for ethics…? It’s not my fault, I’m just stuck in a one-man wrestling match, which is honestly not interesting at all.
Did you really write this?
Yes!
The illustrations are very popular in erotic doujinshi, and the current magazine serialization is also well received.
It’s probably just a setting to add some flair anyway.
I wonder what they were thinking when they pulled it from the schedule for publication in Jump.
>>76
It was supposed to start just right because there was an empty slot, and I was thinking about whether to enter from the plus side or something like that, but it turned out to be this.
The part where Kikuse was the only one who properly looked at Teppei’s work until the end in the restroom was unusually well put together compared to the content up to that point.
The appearance of the capable female master that was eagerly anticipated had a significant impact when it turned out to be a disappointment.
The middle school graduate onahole-chan is called in such an excessive way.
It felt like a quick fall into it, and that was just how it was.
In the first episode, it got criticized a lot, but I was saying, “Let’s see how Teppei reacts when he realizes he was caught stealing in the second episode.”
I regretted watching episode 2.
>>82
If we’re going to make him the protagonist, Tetsupei is going to try to come out and end it.
I think it’s a common pattern to be threatened by someone you shared a secret with and feel like you can’t escape.
No one realizes that the manga was drawn by Teppei, so seriously, aside from Kikuse-san, no one is taking it seriously.
A remarkable manga where every character except for the dull, chubby, unshaven little old man is unpleasant.
The artwork was good, and the person who did the Narou comic adaptation will sell better.
I thought that without a character that fits the role of “someone to share secrets with,” it’s impossible to create a story like this.
>>86
Was it not okay for Kikuse to be in that position?
>>94
Ordinary people would just blame the protagonist without sharing any secrets, so it’s impossible for Kikuse-san.
>>94
To put it bluntly, it’s a story about Teppei’s mental world.
I think having an accomplice outside would just be noise.
It seems like I’m becoming constricted by having too fixed an idea of what I want to draw.
Until episode 1, there is a sense of expectancy about what will happen next.
In the second episode, it broke that expectation and continued to betray it until the very end.
When evaluated calmly
It will always be an amazing work that falls short of expectations.
>>92
Future Thunder was way more interesting than I expected!
If it were introduced with the spirit of Mirai Itsuki asking me to take away the White Knight because if it continues like this, I’ll suffer from overwork and make my parents sad, I think my perspective would change considerably.
(A guy named Teppei is thought to do exactly that if I send a future jump to him…)
Isn’t the order of things a bit off…?
>>96
Before the rules explanation starts, a man named Teppei begins a death game on his own.
What kind of youkai old man is hoarding so many manga magazines that he needs a truck to transfer them?
>>97
Moreover, I don’t understand the reason for being fixated on someone with a junior high school education, and the threatening remark that if she dies, the world will stop is quite baffling. It’s probably even more troublesome because she could actually make it happen.
A story that is too restricted, in which problems occur and are resolved only within Teppei’s mind.
Do I have to draw the White Knight from now on?!
From that shitty pull
Next time will go even further down, where it seems like I’m just drawing normally.
>>100
It’s like a monkey wandering in front of the feed button.
At the end, a god or something was praising, “You are self-punishing and admirable, you are not at fault, rather you are amazing,” which was the funniest part.
What does it mean to say it’s great to be in debt without touching White Knight money?
Words of praise
Interesting! It’s really interesting!
Your personality is shining through!
It’s all just a bunch of fluffy discordant things, you know…
Kikuse is funny, but it’s not your manga. Where did you steal it from? While sharing secrets like a villain, I might have caught you off guard.
I think it was an amazing manga in the sense of being a “page-turner.”
I wonder what would have happened if that content where Teppei was just blaming himself continued on and on.
I don’t want to buy the paperback.
If you don’t come up with a conclusion better than the classic Yesterday, it’s a no-go for plagiarism.
If the future jump really comes, I’ll be looking for ways to make money with other information rather than just stealing ideas.
A single issue of Jump has more impact than a future paperback.
Since Tetsuhira only makes excuses and doesn’t take action, there has to be someone to push him, and if not, he should at least be greasy enough to say, “I’ll plagiarize and become a blockbuster author!”
But it was quite enjoyable, wasn’t it?
The story had some decent pacing.
The point of comparison is only at the level of Polo or Murakami.
I am a sinful person, so I only eat cabbage at the barbecue restaurant…!
There’s no reason for me to risk my life to save a middle school dropout like her…
I thought there might be some unavoidable fate, but “somehow, a dropout ends up dying from overwork” is also terrible.
What’s with the constant developments that have flaws in a bad way…?
Jump Grandpa is really incomprehensible.
Isn’t the setting of being a genius at manga but also being crazy not enough?
On the contrary, it would have been more interesting if it had gone all the way like Death Note, but it couldn’t do that either.
It was a manga whose content I couldn’t imagine at all if it had released about 5 volumes without being canceled.
In Death Note, Ryuk says, “I’m just watching,” yet he comments on Light’s unconscious malice with “This is interesting,” making him a great character.
This manga needed a character that points out “this guy is a loser.”
I think it’s double standards to say that the thread image is bad but AI is good.
>>124
It’s not the same as just copying a scenario and drawing by imitating the art.
>>129
In the end, online debates become unproductive because they are mixed with people who have a poor understanding, regardless of which side is right.
>>124
I think it would have been better if the thread image was drawn as a heel.
>>124
Just by looking at this thread, it’s a bit funny how it has shifted to saying that copying scenarios is not good.
>>124
It’s not just the artwork; the scenario is completely copied, and the paneling is the same, so we can’t be grouped together.
Aren’t you just saying things without having read it?
The pattern of trying to serialize knowing that the Kikusae made from cola is plagiarized sounds really interesting.
>>125
I think this pattern can lead to expanding the conversation as much as you want, and I’d love to read it.
There’s no way we can publish a story knowing that the person in charge committed plagiarism…
>>156
It’s an utterly hopeless structure that steals from manga itself using the medium of manga.
But if we understand and proceed as accomplices, then I can still understand.
It’s impossible… The assumption that Tetsupei had no other choice was treating him like a good person…!
I thought there was still a chance it could become a picaresque story from the first episode.
I’m glad the illustrations sold well.
It’s not about wanting to save a precious middle school graduate from overwork death who I’ve known for a long time, but rather the flow of the conversation about saving a middle school graduate whose identity I don’t even know isn’t connecting at all.
>>128
Taking a life from someone who plagiarized is a bit much.
In the end, it was just a manga for Teppei’s self-satisfaction…
There are no people to point out or understand Teppei, which doesn’t even amount to atonement.
You’re just thinking you were forgiven on your own.
The official suddenly started to get obsessed with abbreviations.
I don’t like minor routes…!
>>135
It’s amazing that at this point, there’s no intention to draw a manga that entertains everyone.
The protagonist crying over fan letters on an emotional level is something I can’t accept physiologically.
How much does the original author dislike “the individuality of that author”?
People talking about AI.
I feel like I could get along well with the original author.
>>138
Stop suddenly crossing the line with insults.
Transparent Void Readthrough
>>139
I’m clearly aware of the serialization! Please support me! It’s just too obvious in the way it’s made.
Channel that passion into something interesting.
There are people talking as if unauthorized commercial use of AI is allowed amidst the chaos.
You’ve hit the nail on the head, haven’t you?
What kind of defense is it to compare it to AI?
In the case of this work
“Damn it, even though I’m imitating AI, it still feels like a fake!”
I like the story about the early reveal of the ID in Future Thunder.
There was a dice thread for this…
>>149
You are Teppei Sasaki.
>>154
Are you picking a fight?
>>154
Don’t casually cross the line.
>>154
What’s terrible is that, even though it’s a dice game, only a Tetsuhira that’s better than the main story was born.
>>154
It seems like there was a lawyer named Teppei Sasaki in real life…
I copied White Knight and my ranking has fallen below the original.
I love how Teppei gets mad after that middle school graduate dies; it’s hilarious.
If I’m ignoring you, don’t touch me…
As long as the protagonist’s sense of doing good deeds doesn’t change, there’s nothing that can be done about this.
Well, to be honest, it’s about the same level, this AI and so on.
If I had emerged into the world a little later, I probably would have become an even greater spark.
In fact, it was a world so kind to the protagonist that one could believe it if someone said they were held captive by Tamakin and their family.
Should we direct the motive for stealing from the beginning towards avoiding the death of the dropout girl?
If that’s not the case, I would have liked to read a suspense story where she is depicted as a villain and has a conflict with a high school dropout.
>>160
Even if the person explains their reasons, it ends up sounding like just an excuse, and ultimately it seems like self-preservation is the priority…
In situations like this, if it’s a time leap story, you take that method → fail → become unable to do it.
I can do something like that.
>>160
Honestly, I think a conflicting relationship is also difficult.
From the outside, it’s the high school dropout and Teppei who are making a fuss about having their unpublished manga stolen.
The junior high school graduate is at such a disadvantage that it’s like an aluminum foil case.
Even if I put all the money I made from manga in front of the middle school dropout’s house.
Didn’t you have a sense that there was just the smell of the incident?
It’s not a story of evil, but a story of bearing sin.
That sin is not just a story of general plagiarism.
The masterpiece that should have existed disappears due to the obsessive thought, and because of the dilemma and compassion stemming from the fact that it is not the manga that Teppei himself wants to draw.
I love it because it feels like a manga that only the author could create, so I can’t help but keep talking about it!
If you mix Steins;Gate and Bakuman!
It’s definitely going to sell!
>>164
Don’t leave a mysterious router without a smartphone or PC; at least provide a reason for it.
The reason is that I got involved in the plagiarism of manga in a burned manga magazine.
I wonder how it would have been if it were a completely different genre.
A tragic issue with the final episode of Demon Slayer, plus the start of this manga’s serialization and the cover.
I would like to see some flat opinions about “transparent manga.”
Matsui’s theory on manga has some defensive aspects to it.
It feels like it’s 0 attack and 100 defense.
Let’s give up on the life of the middle school dropout-chan; she’ll just die on her own anyway…
Putting aside plagiarism, it’s not interesting because it’s only Teppei who’s running the conversation.
I’m just doing a solo sumo on my own, and besides, the art and story were already resolved by the next chapter, so what was I even trying to achieve?
It’s so foolish that there have been instances where an ID appeared in the introduction sentence of a dice thread, making me laugh.
>>170
It gives the impression that just starting a thread about the Taipakusamu 8 Witch Blood Alliance will result in an ID appearing.
If you want to portray Teppei Sasaki as a good person character,
Teppei, who is feeling like he can’t just copy from Future Jump, is being pressured by Kikuse to “just copy it.”
As I was enjoying being the only reader of Future Jump, I received a Future Thunder message that said, “Steal to change the future,” while knowing about the death of someone who graduated junior high…
I think it should flow in a way that reflects that kind of conversation…
It’s trash how you’re stealing things on your own, justifying it on your own, and becoming self-punishing on your own, Teppei from the main story.
The original work is amazing in that everything from the debut work to the underground, the thread art, and the subsequent one-shots is like that.
It’s amazing that I have to come up with the story.
Why can I draw such a worthless guy?
If you desperately try to cover up the plagiarism and just want to become great and be pampered, then you could have made it.
Like in the manga version of “Zeni Geba.”
>>179
In reality, that kind of thing has increased all at once…
>>179
It seems like it’s going to turn out like Kochikame.
>>179
Whether or not it was well-received by the public is another matter, but it’s true that it could have worked as a manga where a worthless person struggles.
Remember every time you watch the final episode of Demon Slayer.
There was a manga about a person who becomes a popular manga artist after a soul swap between an established manga artist and a rookie.
Do I have to come up with the whole story too…?
The phrase “a styrofoam cross” feels just right.
No matter how you think about it, it’s just too unbearable having a boss who only eats cabbage at a yakiniku restaurant.
>>189
I don’t think it makes me feel sorry for them.
I wonder what the intention was behind writing this.
In early leaks, it was said that the craziest person is the real one, and it was no good.
Despite that, I couldn’t help but burst out laughing when the ID came out during Future Thunder because it was just too crazy.
The illustration is fine because I’m currently serializing in Young Jump.
I don’t want to call them by name and I don’t want to call them the protagonist either.
The struggle of whether or not to be caught by the person in charge or the assistant.
Response when it stops being sent.
The reason for who is sending it and for what purpose.
The person who drew it appears.
I think the main points of stories that readers are interested in are like this, but I remember that all of that was rather random.
The flower language of cabbage is “profit.”
When you watch the first episode of Death Note, the change from “Shibutaku wasn’t someone who deserved to be killed” to “I must do this as the god of the new world” is very skillfully done, isn’t it?
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