A very scary Shinsen-gumi, but also a good-natured brother, the mysterious Okita-san.

I think he is kinder compared to other fictional portrayals of Souji Okita.

It looks like a useless dog, but it’s completely a wolf.

It’s a good thing that they are scary but also incredibly delicate young people.

“The wolf’s belly is lean” was so cool…

But there is respect for the enemy.

I wish I could read more!!

It seems that this person’s enemy has decided to quit today… I also like that person.

The character is too good, it’s a waste to use them in the guards.
Musashi too

Sasshi, Souji, and Lord Momotaro shone too brightly.

From now on, it’s fine to live peacefully here until my daughter dies.
I was already there.

The Okinata chapter of the Imperial Guard is exceptionally well done.

The Okita arc was cool with Tani-san as well…

I think the Okita arc is a masterpiece.
Since becoming an adult, I’ve never felt as excited reading manga as I did then.

It was a manga that made me think there are many people who probably can’t live well in a peaceful world.
Mr. Okita seems like he can live reasonably well without any character breakdown, whether in chaotic times or in peaceful times.

I want to emulate the spirit of answering important matters immediately.

I won’t do that~ Hahaha.

I like the feeling of young people getting excited over talks about Hijikata and their favorite swordsmen.

I feel like my writing is flowing better in the demon part.

While desperately trying to save face and escape the situation, I can’t help but love this “Ah, damn it, this is my defeat!” too much.

You copied it, Toshizo Hijikata.

But you know,
I’m not cutting down bad people.
The Shinsengumi is

The鬼 part is also quite funny.
The talk about Musashi and Okita kind of jumped out.

What’s going on with you, Hijikata-san? You’re in first-person, Toshi.

I just want you to endlessly draw short stories about demons and demon sword masters, ignoring the main storyline altogether.

It was bad that the sparrow messed up.

I think the character of Jissoji is in this lineage, which was not present in previous teachers.

I like all the creative portrayals of Okita Souji, but this one might be my favorite.

The balance of heat, briskness, and sadness is just right, especially in the Sasshi and Okita editions.

I heard that Musashi would fight until one of them dies after that, so I felt relieved that it didn’t have to be depicted that far.

I’m really pissed off that I can’t read what happens to Okita afterwards!!

It’s a double suicide! The scene with Tani Eisei is really too cool!

The thread image is also a battle with the mob, but it was extremely tough… and that’s what makes it great.

Since I watched Baki Dou, I feel that everything else in Creative Musashi has become too ordinary…

I preferred it when humans were working hard rather than when demons were fighting with superpowers…

I can’t quite put it into words, but I really think this Okita is a character with a great balance.

I personally think that the Okita chapter is one of the standout episodes in Young Sensei’s works.

The old man from Yagyu is also amusing.

Me too, Tani-san.
I like the expressions we have around here.

Squid Girl?

u
ze
|
na

Don’t blink.

Ero

Musashi, Okita, Momotaro, and Yagyu are all cool and have taken down the demons.
It’s a bit cruel that the heroes loved in Japan for a long time had a higher power as heroes than the one that the young teacher coughed up blood to search for.

A comic with the same composition as the representative.

In the end, why did I time slip again?

Even though he was the enemy of the dojo’s daughter, he started being called Mr. Tani halfway through, it’s just…

It’s a story about people who have been oppressed by power and turned into demons, but the swordsmen are getting all the excitement…

Musashi → I thought it was interesting to come at Brocken from a different direction~
The depiction of discrimination in the Brocken arc is incredibly bleak.
I was healed by the subsequent Okita arc.

It’s great that someone with this look is also super strong in hand-to-hand combat.

It’s definitely interesting to see a swordsman fight against an otherworldly demon.

Aha, so this invincible nation is the final boss, huh?

I also liked Hijikata’s character.
I know you as the first person…

It’s safe.

I like the line “It’s not that I’m killing bad guys.”
I am aware that I tend to lean towards being bad.

I think it’s too regrettable that the Japanese powered suit was treated as just an extra element for the vengeful ninja.

Sasshi’s Zamatara is really hot there…

It’s a bug that humans are more appealing than demons.

It’s more of a beard than I thought!

We’ve managed to coexist! Yay!
Lord Momotaro is sitting down.

I would have liked to see the bottle-breaking and the first sword interpreted by the young teacher…
Musashi’s appearance ended up being just a small part, not much at all.

I think there are not many authors who can allow a sudden development where Okita from the Bakumatsu period time slips into a parallel world Edo!

Sasshi is learning how to pilot, which makes me laugh.

The people who were oppressed by power became demons, and those demons wielded their power against the common folks just trying to live.

I wonder if Okita is enjoying a lot of sparring with the Demon Crying Swordsman after the final episode.

I like to draw past episodes until all the characters gather, so Young Sensei does.

Hanzō’s heart is fluttering with excitement.

(My thrust didn’t get through!!!)

The momentum of Tani-san’s performance was truly impressive; it felt like a clash.
It’s cool how even the same swordsman has a different way of fighting.

It’s definitely more exciting that the techniques refined by humans can defeat supernatural demons…

It feels like they are trying to pursue what a hero is through a dramatic light.

It’s a sad scene where Hanzo gets killed, feeling like they’re definitely coming to kill him.

Even if Iori takes over the world, we’ll just go back to the Warring States period…

I really like Sassy vs. Justo, I sometimes rewatch it…

Now that you mention it, it’s strange that Okita is here…

When I couldn’t land a hit to the heart.
I don’t want to!
I strangely like it.

Is it okay for demons to take from the weak and live happily? That’s a question I have.

The great Lord Momotaro, who brought change to the naturally strongest young master, is truly remarkable.
You’re a specialist in demon slaying, aren’t you?

But it was truly a relief when Genosuki was freed from the cage of his social status…

It’s nice how you can sense that the ninja will come to kill you later…

I love the Shinsengumi with a vibe like a college club.

When Soji and Munenori faced off, Munenori seemed stronger, but against the demon, he looked like he would normally lose.
I thought that, but Souji fought Tan’i Eisei without using his demon powers, relying only on swordsmanship.

Mibu-sar’s Wolf

The shogunate is really terrible…
But it is beneficial for society…

Even Sannomiya struggles a lot against Kin Taro’s juvenile form, so I think it’s a bit off to wonder if demons are really that strong in the battle between the swordmaster and the demons.

Isn’t the powerful side not that bad? They don’t seem like enemies.

It’s rare that Young Sensei portrays the justice of the establishment.

Isn’t it rare, but don’t you empathize? Are you okay with that?
It wasn’t okay.

Somehow or other, I really like the story from the demon side, but when it comes to battles, the swordmaster side is just too interesting.
Sōkaku also fell just short, but the helmet-splitting is super cool.

I can understand the reasoning behind mercilessly disposing of the women who are the source of the illness, but turning them into fireworks, what even is that?

Because those in power also kill innocent people indiscriminately…

Isn’t this the taste of a human?
I can kill you normally.

The theory of Lord Momotarō is really inconsistent, yet it has an incredible persuasive power; it’s just unfair.

It’s safe.

It’s horrible to say that everyone who watched sumo should be killed…

Even though sumo may be on a smaller scale, it is still an act that makes you wonder if they would go that far.

The lord of Sunpu was terrible too, wasn’t he…?
The discriminated class exists just to relieve frustrations, so that’s fine.

It’s just that Okita’s story is about whether the Sengoku period was good for the common people.

Okita has a good balance in acknowledging that he understands the arguments from both the establishment and the anti-establishment sides, while also recognizing that both have their unreasonable aspects.

When they came to visit, they brought a dog they had killed and said it would have been better if it were the Domyoji instead, and it seems like they get along well with the other soldiers, which is nice.

There is certainly a feeling of wanting to see Okita and the support he receives from Hattori in the background.

In Young Sensei’s works, the swordsman has such an oversized ego that they tend to refer to themselves by name like a carefree high school girl.

The fairy tale of Urashima Taro being about human trafficking and getting canceled is…
I wanted you to finish writing it.

If you’re worried about face and sending someone to apologize at Lake Suwa makes them anxious, I can’t help but think you should do it in a way that aligns with the other person’s culture.

Without a doubt, they are among the strongest on humanity’s side, yet they complain before battling demons and enjoy watching hero shows.
Munenori is quite an interesting character to watch, isn’t he?

GONZO-kun, who is being killed along with discriminated people, is extremely gut-wrenching.
It was good that the village idiots were completely wiped out by the Brocken.

I still think this gal-like Okita was innovative.

I’m not knowledgeable about history, only knowing about Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu, and my ability to write in kanji is questionable, but the characters were so memorable that I ended up remembering their names and it was really interesting.
I really liked the person from Yagyu with a name like “kotatsu.”

I will stop for today.

It’s amazing how cool it is that the finale involves a gun instead of a sword.

Well, if you’re going to include Munenori in a legend, it’s a great opportunity to show how interesting you can make it…

The memory of the reasoning behind spitting blood was interesting.

It is only natural that a demon slayer who can defeat demons with a human body appears attractive.

I think it’s somewhat leaning towards a legend.

I became a fan of Tani-san after seeing his incredibly bold way of cutting, somehow through the earthen wall.

I was thinking how crazy it is to say that Sasshi is at least somewhat strong.
It was more unfathomable than I imagined.

The test situation seems to be too detailed, and it looks like Mr. Tani has probably done a lot of them.

I can’t help but think that since I like this Okita the most among all creations, I wish they would make a main work about this.
Gekikou Kamen is also incredibly interesting!

Well, I can’t just ignore the homeless prostitutes living on the riverbank…
Let’s keep Edo clean.

For now, I can only hope that the Dramatic Mask finishes beautifully without any troubles…

I want to read about the big meeting between Oki and Sasshi!

I feel that it resembles Otowa Workshop a little when I read it now.
If he’s been killing people, maybe that’s how he is.

I like being admired by my students.

I love Okita’s communication skills, as he blends in well even in the time slip destination.

I’ve never seen a work where Souji Okita is weak…

Did you really drink the blood of the opponent you cut down at Ikedaya!?

There’s something really sexy about this Okita, isn’t there?

I’m sorry to hear that Hattori-kun has passed away.

What Ieyasu did is pretty much the same as the Tokugawa planet.