I’m already worrying about the hidden side of Tsukihime.
>>1It’s been almost four years since the release of Tsukirime, so it’s already been a period comparable to the Olympics…
>>5I stopped due to illness halfway, including FGO, so a one-year delay was within expectations.
It seems that depictions of fresh blood will be banned, so I guess 2027 will be somehow manageable…
I guess it’s about Mahoyo 2, the extra remake, a different scenario for Tsukihime, and the continuation of DDD.
>>2un
Un
Un
Yeah…
>>2You should really just give up on this.
>>274No, if Nishio Ishin didn’t publish the sequel to the self-harm story, I would have really given up, seriously.
Well, there are people like Miyazaki who are still creating works in their 80s, so it should be fine…
>>3I was thinking that, and then Akira Toriyama passed away in his 60s.
The fans are probably around the age of having grandchildren, so it might lead to a serious discussion about whether it will last until they die.
Unlike in the past, it’s not an environment where you write everything from one to ten on your own, and since there are more writers involved with Type-Moon works, even if something happens to Kinoko, the work will continue if there’s a demand.
>>6I was too busy to supervise FGO for a while, but it collapsed immediately, so it might be difficult.
It would be a lot easier if the supervision work decreased.
It seems that I can’t completely leave it in someone else’s hands, even in derivative works.
>>8The part that the president only allows mushrooms to decide will absolutely not be touched by anything other than mushrooms.
So there is a reason why the brand can be maintained.
Extra remake… It’s set to be released this year, but the release date is still not announced…
>>10They’ll probably release some information at the upcoming anniversary.
I don’t think anyone really believes it’s going to come out this year.
>>10It seems that the scenario here is just a straightforward port, and it looks like there are delays in the game aspect.
>>15Although they say it’s a simple port, there are already things like the Shinji Tank that are hard to understand, so isn’t it essentially a rewrite since there are no major changes in the overall story…?
>>21I will definitely include additional scenarios, like mushrooms.
I got lucky with FGO and became really busy, so it’s probably impossible.
I had also made my debut as a novelist.
I would like to see a world line where the mushroom is a novelist.
In the end, I wonder why DDD stopped.
>>13The magazine has died.
I hope that writers can stay healthy because their work is prone to causing health issues.
>>16It’s just that mushroom has always seemed weak for some reason…
There hasn’t been an update to the bamboo broom since last September…
It’s so unfortunate to be told to work when you’re working so hard.
>>19Aren’t you being cared for lately?
I’m enjoying it, but I wonder when FGO will end…
>>22The president said they will do their best for the 11th anniversary…
>>26A demon…
>>22This winter, we will enter the final chapter, and it will likely end next year.
Once FGO ends, other works will probably progress too.
Since FGO will reach its final chapter this year, I can have some expectations starting next year.
Maybe
>>28The final chapter is coming (not that the final chapter will end)
>>30There is a possibility of stretching it out until next year’s 11th anniversary with the prologue, middle, and concluding parts of the final chapter.
We must hurry to develop AI mycelium…
Even if FGO continues, if Kinoko doesn’t write, it won’t take up that much of my time anyway.
I think that from next year onwards, FGO will essentially have no main story and will be only event scenarios.
>>32Even if I say it, it’s only about once every two years that I’m writing about fungi, but I still have fans following me normally.
>>37I think there would be some kind of impact if it was declared that there are no more mushrooms to write about.
>>37I’ve been writing event scenarios quite a bit, so it’s pretty much an annual routine for me.
>>50By the way, I wrote two scripts for “Mahoyo” in Dubai last year, right?
Maybe after finishing the most intense part of the fairy kingdom and Mictlan, they finally had some free time.
>>54Don’t forget the Phantasmoon event.
>>65I forgot because there wasn’t any announcement in particular.
Well, whether that’s there or not probably won’t make much of a difference…
Since I’ve ended up with more than twice the characters, the final chapter is going to take an insane amount of time…
The order for the chapter was for each writer to write it as if it were their graduation thesis, and this event seemed like a culmination of the Mita scenario, so while it’s not ending immediately next year, I think we are definitely heading towards the end.
This guy is so engrossed in Stare that he’s neglecting FGO.
>>36?
Wasn’t Sonata 4 also depicting mushrooms?
>>36To put it another way, I’ve always had a somewhat detached perspective on the hit success of FGO.
In an interview, when asked, “What is the secret to FGO’s success?” I answered, “It’s just that it happened to become popular because everyone is playing it.”
I don’t think there are many people who can say this at the peak of their popularity after part 1 ends.
>>47In reality, the success of this game is not reproducible.
>>83Well, there’s no particular reason other than that social games were popular at the time.
>>83Because it can’t be imitated, for better or worse.
For better or for worse.
>>83No matter how good a work with the foundation for hitting it big is created, ultimately luck will be involved and can’t be avoided.
If FGO continues and Kinoko doesn’t write anymore, leading to the absence of the main scenario, will everyone still continue?
To be honest, I no longer have the enthusiasm to continue just for the event scenario.
>>38I think it’s fine if everyone continues or quits, but why are you so concerned about others’ actions?
>>38It has completely stopped being a topic of conversation, so I think most people are probably just going through the motions and quitting.
The number of participating circles at Comiket has drastically decreased.
>>58If you’re talking about this year’s Comiket, then the impact of not using the East Hall has drastically reduced almost all genres.
FGO won’t end, but the writers are stepping down, and Kinoko has also stopped supervising, so it seems like they’ll only occasionally write scenarios.
Why do you think this year will end when it has only been said to be the beginning of the final chapter?
They can’t end the grand event without proper battles after building it up for a year.
Once FGO is over, it seems naive to think that Kinoko will start working on a new project.
>>41I just want you to show me the other side of the moon, please, Kinoko.
Before you retire, please quickly write about the active roles of Luvius Route and the complete version of Archer Hercules.
For now, I have no complaints as long as they release the second part of Tsukihime quickly.
>>45For now, I want some information.
I want Kinoko to stop working on FGO and write sequels for Tsukihime and Mahoyo.
Actually, you’ve been writing about mushrooms the whole time.
It seems like there was a period when you were really unwell.
DDD feels simply like it’s running out of ideas.
Even if the published magazine is dead, there will still be magazines that pick it up.
The momentum of the content has calmed down quite a bit, and I can’t keep being dragged along by FGO forever.
I want you to finish the homework I have left, like Tsukihime, EXTRA, and Mahoyo.
I don’t mind if FGO continues forever, but I just want to know if other content is also being produced.
There hasn’t been a single update on Tsukihime’s behind-the-scenes, and I never expected to hear nothing about the Mahoyo movie for this long.
>>60Isn’t there something a bit off about being told by Type-Moon regarding movies?
>>66Because it’s a UFO…
There’s been no news about Genshin Impact.
>>60Even if Demon Slayer is over, UFO has other plans.
If they don’t release the second half of Tsukihime soon, they won’t be able to put Akiha in FGO.
In this event, we definitely need to check the parts where the ceremony is taking place.
There will likely be endless things to do, such as aligning that with other consistencies.
>>62I hear that you are somewhat leaving it up to Mita.
I wonder how much I’m being entrusted with.
>>70It seems that at least for the setting supervision in FGO, it hasn’t been done by anyone other than those based on Mr. Mita’s sources.
I’m really saying “really like” even about topics unrelated to Castoria.
Is that the emblem of Mito Kōmon?
Tsukihime and Mahoyo are responsibilities, so we have to do them, right?
On the contrary, it would be better for FGO to stop the line for a while.
There are priorities.
>>71It’s the president who decides that, not someone anonymous…
>>71When it comes to priority, it’s obviously FGO that makes the most money, so that’s the top priority…
>>78Money probably doesn’t matter anymore, but considering the number of players, it’s true that FGO is likely the highest priority.
I’ll delete unrelated topics.
Regarding the movie, it’s UFO’s fault for taking on other work while being fully focused on Demon Slayer.
Isn’t UFO overloaded with work and falling behind on all tasks?
>>79They’re just pouring all their resources into Demon Slayer and neglecting everything else.
That judgment itself is not wrong, but stop taking on new work.
The president is seriously all about mushroom first principles.
It’s not unusual to have a schedule packed for about 10 years.
It’s fine to use FGO as a stage to write whatever story I like, even if the main plot ends in two parts.
I mean, Dubai was pretty much like that.
In the end, I think FGO has the most viewers and is just the right place.
He is a man who sold his private assets and bet on his talent for writing about mushrooms; his determination is different.
I have a desire for FGO to beautifully conclude in Part 2, to end as a legendary title while being regrettably missed during the grand finale.
>>86I think that’s a nihilism stemming from blaming FGO for not being able to read the continuation I want.
>>86It’s unlikely because it’s become a major money-maker for Aniplex…
There was certainly a foundation of fun, but the timing of its breakout is kind of hard to grasp.
Was it that there was some buzz with Dangerous Beast and then it exploded in the first part of the final chapter…?
>>92It’s clearly a partial conclusion, right?
2017 was the year that felt the trend the most!
>>92I remember that social games were highly praised at the time when they reached their endings.
These guys have so much money that they’re building strange office buildings and feeding kids in Chiba…
>>93The latter is incredibly amazing…
>>105I remembered the momentum of the day when No Name learned that they were building a building and a foundation.
>>146As expected, it was the one that made me say “Just go to sleep already!!”
>>149It’s crazy that a thread is still going even though there’s no new information.
>>153Because… I wanted to talk… was it 20 threads?
>>195If there were a place to seriously talk about Type-Moon, it’s honestly abnormal that long-time fans who can speak with that much passion are still following along.
Stop wanting to hit on the “has-been” so frequently!
You’re not hiding it.
To be honest, there are probably more people saying they want you to write FGO rather than Mahoyo or Tsukihime.
Isn’t Mita-san strictly in charge of organizing the settings related to magicians?
I guess they also provide support for the setting verification when creating scenarios.
>>100That’s the job of Mr. Miwa and Mr. Mori, right?
Mr. Mita has been receiving that kind of support from Mr. Miwa since the time of Rental Magica, let alone being a second generation.
>>108It might be true that gathering real materials is like that, but it seems like Mr. Seta might be the one organizing the Type-Moon settings.
>>113First of all, I’m neither an employee nor a regular writer for FGO, so it’s impossible.
There seems to be a growing story about how the mushroom casually mentioned an important setting and shared it with other writers.
Can we say that fan art is popular now…? Well, I won’t say it’s not, but still.
Well, no matter how you think about it, they will probably wrap it up in the second part.
3 years from Part 1 to Part 1.5
It took over 7 years in Part 2.
If it’s in three parts, how many years will it take to finish?
The app is already too outdated.
>>104Part 2 is so long!?
From what I’ve seen of Melty Blood, it doesn’t seem like it would sell well unless it’s tied to FGO.
I think it’s crazy that the Fate content is completely stagnant due to the postponement festival of the Mahoyo movie, Fake anime, and EXTRA remake, but I wonder if Type-Moon is okay with that since they don’t seem motivated anymore.
>>109If that’s causing issues with cash flow, then it would be serious, but if not, what exactly is the problem?
>>109The thing is, delays in the Type-Moon related stuff are so common that I don’t really care about it.
You always postpone it, don’t you?
I want to believe that they won’t make a third season, but for Aniplex, it’s a money-making tree…
>>110Whether FGO continues or not, I think it’s about time Kinoko gives up on Chapter 3.
In other words, if the third part starts, I feel like it’s a declaration that I’ll be writing FGO for the rest of my life.
That’s crazy!
I felt that Lilith has been drawn in a lot of fan art after a long time.
I want to read a sexy story about mushrooms right now!
It’s not like the currently popular content has a ton of illustrations sprouting out, but it has enough popularity to satisfy the desire for secondary creations after clearing the main scenario, so I’m not really that bothered by it…
In the end, I’m playing not to see the fan creations, but to read the story of the original work…
If we’re going to continue, it would probably be in the direction of FGO2.
…I’m endlessly worried about whether I can keep up with the technology level of recent social games.
It seems like there are too many Servants for the related spin-off works of FGO, making things quite difficult.
I feel like there are more streamers lately, but is it just to tie in with the 10th anniversary and ride the wave of discussion?
>>119Is it simply because the distribution restrictions have been lifted?
>>129If there’s no longer any streaming restrictions, as someone without a name said, I wonder if the streaming will not increase for a game that’s on the decline.
>>136I would be troubled if it were summed up as someone unnamed says.
This thread is obviously just a bunch of idiots whining about their decline.
When the service ends, at least one era will have come to an end.
Recently, mobile games cost more to develop than poorly made console games.
Genshin Impact and so on.
There is no choice but to create either Mecha Nasu Kinoko, AI Nasu Kinoko, or Heroic Spirit Nasu Kinoko.
Feeling like it’s finally about to end after being stretched out for too long, despite being regrettable as we approach the grand finale.
I’ve already done all the inflation I can do in Fate with Beast on the Grand.
It seems like just having the main story completed and an event scenario would be enough.
Even though there are a lot of fan creations on X, isn’t it just that the timeline construction has failed?
The president is here, so don’t let the mushrooms create the settings unexpectedly.
The main story has ended in part 2, and from now on, it seems like there will be casual event scenarios with writers other than Kinoshita.
Why is the Summer Pockets anime airing all of a sudden?
I do think that erotic doujinshi has definitely decreased, but that’s really about it.
I can only say that it is still as popular as ever.
>>137It maintained a certain level of popularity, but the fact that it jumped again in the Fairy Kingdom is probably significant.
Well, the treatment of media mix will definitely improve at that level.
>>144Mictlan also has popular characters, you know.
Actually, every time the main is updated, people come back properly, so there’s no sense of anxiety at all.
Upon reconsideration, the completeness of the Fate servant system is incredibly high; it is truly an invention in creation.
Real-life great figures and fictional characters can be fought on the same stage, and since they are just aspects of the person manifesting by class, it is fine to broaden the interpretations in various ways.
Just creating and expanding the Servant system alone is enough to be remembered in the history of creation.
>>139I heard a story here where Urobuchi kept saying how amazing it was, but the mushroom person themselves didn’t quite get it.
Upon careful consideration, it’s also a topic of discussion why erotic content is so popular.
I wonder if it will be possible to play it as an all-in-one app offline once it’s complete.
It seems like there will be some kind of Fate derivative even after about 10 years.
It gives the impression that in the end, only the hardcore Type-Moon fans are left.
I want them to start collaborations with external works once the main story is complete.
>>147It feels like that since around last year.
To be honest, if we could allocate the resources from the main scenario to the events, we could probably produce really good stuff… The collaboration with Mahoyo was incredibly great.
>>147I wonder if they’ll do Thunderbolt Fantasy~
>>147I want to see collaborations with Sambor, Ayakashi Bito, Sharlnoz, Nanabashi, C-Cube, and Rental Magica.
>>156I don’t think Nanahashi is possible…
I would like to recommend Serenaria over Sharnos.
Clearly, the amount of erotic content has decreased, but if the number of genres that are friendly to otaku has increased, then of course…
I was waiting for the Proto Saber to catch up to Beast VI, but the second part is almost over.
That guy made his first appearance in 2017, so he has been left alone for 8 years.
>>154The blue and silver has been left for so long that it’s already rusting…
>>158Too awful.
Protosaber, what the heck did you come here for…
>>181What is even more unclear is Protocoo Fuhlin.
That guy has been around since pretty early on, but he doesn’t even show up at events. What’s up with that?
>>154Eight years have passed, and now Airi from AZO has made a reappearance, so we can do it!
Last year’s collaboration festival felt like we were trying to do everything we could while we still had the chance to be involved.
>>157I just feel like there isn’t really any time to do that kind of thing this year.
I was thinking that it has now practically become a Zero, or rather an adventure collaboration, hasn’t it?
>>157Honestly, the collaboration rush wasn’t that great.
Well, if you wanted to do it here before the second part concludes, I guess it can’t be helped… that’s the feeling.
>>157I wonder if Akiba Kohaku and Jade Shiki will be released…
>>169Somehow, I feel like they won’t show the glasses.
>>169It seems like the Tsukihime collaboration will happen after the second part ends.
Maybe the announcement will be made around there as well.
I heard that after the second part is over, everything that happened in the second part will be considered as if it never happened, so it seems like continuing would make the scenario creation quite troublesome.
Even if people get tired of the combat system in FGO, the scenario is interesting almost every time, so if the main story is updated, they will come back.
M-kun has completely stopped drawing, and the erotic fan art is in a state of devastation now.
For the first one, let’s collaborate with the Urban Legend Deconstruction Center.
Since it’s a money-making tree, it’s impossible for it to end, but I keep seeing people who think it can end beautifully… I wonder why that is…
Well, is it most likely that it continues in a form that doesn’t involve mushrooms?
>>164Whether the game FGO will continue or not is another story, but if we’re talking about whether Kinoko will write the third part, it’s probably less likely that he won’t write it.
>>164It’s unthinkable to suddenly end things after the second part, but it’s clear from the trends since the prelude that they are gradually winding down…
>>179I feel like instead of end-of-life activities, I’m transitioning into a zombie-like perpetual mode.
I don’t mean it in a bad way.
>>184I wonder if they will hold a revival festival for events that I missed because I was retired for a while.
You’ll probably conveniently do it around the time I retire.
It seems like there are quite a few people like me who returned to participate in the 10th anniversary and the end-of-year finale festival.
Mushrooms feel the era but don’t feel the age, you know?
>>170Isn’t that just age…?
>>173That’s true.
I feel like there aren’t many stories like “If I were younger, I couldn’t have written this story,” right?
>>185I felt that Archetype Inception has aged quite a bit.
>>188The content itself is just directly presenting the answer that has been stated by mushrooms in the Type-Moon world since long ago.
>>185I think that if I were younger, I wouldn’t have written something like this every time a new mushroom appears.
It’s not that I couldn’t write, but rather that I didn’t write.
>>170The glue has been old since then…
I wonder if no one stopped the super extension of the performance chapter + rank battle after all.
>>171At this point, no matter what you do, users will follow.
>>171The performance was interesting one way or another, so it’s fine.
The ranked battles may be drawn out, but it’s not like that’s the only thing I’m doing.
If there are three parts, I want to go on an adventure with everyone from Team A.
Now it’s a long text pretending to be an excessive believer…
“I have the feeling that even at the end, I want to see a conclusion.”
I also have the feeling that I want FGO to continue as a platform where topics are supplied on a weekly and monthly basis.
If it couldn’t end in part 1, then there’s no way it could end in part 2…
>>186The second part was conceived from the beginning, so that’s not correct.
>>192After the first part ended, many things were discovered that made us wonder what that was all about…
I can’t believe that the tutorial’s Fuyuki was a foreshadowing for the second part.
>>205There are a lot of people who want to say “the second part is an afterthought!” but there are so many unresolved elements if it’s just the first part.
Holmes and others had a lot of foreshadowing.
>>186Part 2 is a story that has been planned from the beginning.
It was just set up so that if it didn’t go well, it could end in the first part.
I mean, it’s obvious that there are too many elements from Part 1 set up for Part 2, right?
>>186It is undoubtedly true that the plot was initially conceived with the possibility of a two-part system, tracing back to the establishment of Chaldea and Caldea.
>>204In other words, it was clearly stated a long time ago that the story up to part 2 was originally what was planned.
Conversely, if we are going to do a third part, we have to create something from nothing.
Just release the second part of Tsukihime.
The first part is like those old PS games that had four discs, and you would only have the first two discs included.
The in-game flowchart is also left unfinished and is a completely incomplete product.
>>189It seems that the mushroom’s work is already finished…
Please release Proto-Gill quickly…
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