I wrote an original script! It was good, right!?

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What was the result of trying hard to mix Zeke and Levi?

I can’t stand it because all the collages of Town Vaa-san make me think of Gabi-yama-sensei’s smiling face.

No way Eren likes Mikasa…
The person who wrote the script doesn’t understand anything…

After knowing the background, I realize that this is what it was all about… and I’m impressed, but as a movie, it’s not interesting.

At that time, it was scary that I was being treated as a part of a work of art.

Only the teacher seems to be having fun.

Looking back now, I can understand why they mixed Zeke and Levi.
What do you mean by taking Mikasa away, Machi-Vaar?

You shared almost all the scenario information, didn’t you?
On top of that, they asked me to create it with an original scenario…

This manga artist keeps coming over to hang out no matter how many times I turn him down…

Is it fun to make your idol feel the same way as your original character?

When it was revealed that Mikasa was sleeping with Shikishima, Eren’s scream was like, “What the heck is this?” at the time, but seeing it now, it just feels like “Yeah.”

Why did you make Mikasa NTR?
Is that also Mr. Isayama’s wish?

It can only be described as the madness of the original creator.

It’s too much to have someone come to my house multiple times and, reluctantly, accept it just to have the entire Attack on Titan story poured into me and be forced to write an original ending that no one asked for.

At the time, I thought it was a story and setting that I couldn’t quite understand.
Watching it after the original work is completed gives it a profound flavor, and you can really feel the struggles that Machiva-san went through…

I wonder if it would be interesting if I watched it now.

No matter how much they are criticized, it’s actually like this… The town of Vaa-san, who didn’t say that, is consistent as a creator.

When I hear the behind-the-scenes story, it sounds pitiful, but the one who said you shouldn’t use that as an excuse is none other than Machiyama-san…

No matter how annoying Machiyama’s criticism is, I can’t get angry when I think about this wound.

Higuchi is also at fault.

Watching the episode made me realize that the director’s influence in movies is really strong.

The town of Vaar, which has had a similar experience to Eren’s.

What’s interesting about adapting the original as is, or how the circumstances on set don’t matter to those watching, it’s all a story that Matsuyama started.

Even though I’m just one of the two screenwriters and not the director, it’s a bit unfortunate that the episode is so strong that it feels like I’m shouldering all the debts of the movie.

Recently, I found out that it was the editor who incited Mr. Gabiyama to make this into an original movie in the first place.

It’s not interesting, but it deserves sympathy nonetheless.

I heard that Mr. Isayama suggested making Jean the main character.

Aside from the simple entertainment value, I sincerely admire how well this situation has been put together.

The real people are more interesting than the movie.

I only like Hange because they come from the original work.

What part of the original story was being discussed when this script was written in the first place?

Don’t mess with the setting! The parts that were criticized actually turned out to be foreshadowing, as those elements appeared later in the manga.
That being said, it is boring as a visual work.

I remember a few years ago, watching it simultaneously with the others, and by the end everyone was like, “Huh?” or filling the chat with comments about how it ended…

I wonder if Mr. Va’s movie critiques have become a bit kinder to creators.

I hope you don’t forget that the setting where the giants are much lighter than they appear was picked up, even though it wasn’t utilized in the main story.

The devil who insists on playing catch because the sky was blue.

This is the type of movie that really brings down the mood, even among bad movies.
It’s sad that Hange is so good at acting.

Even if it’s a bad work, it seems like it could be enjoyable if it’s full of funny moments…

He was originally a precarious person, but after that, I couldn’t bear to watch Town Vaa-san.
I used to like people who watch unreleased movies.

Right now, it seems like he’s getting all muscular with Trump’s reelection.

Surreal gags are even less something that critics can create…

What’s strange about Machiyama now is not this, but the political-related issues.
Rather, this becomes proper when it gets tangled.

I went through a terrible experience because of my high pride, but thanks to my high pride, I’m being sympathized with…

Every time I see the name of Shikishima from Mono, I remember.

I remember that when we had a simultaneous viewing of the unnamed characters in line with the Amazon Prime release, we were repeatedly told by those who had already watched it to not do it, but we went ahead anyway and, as expected, we were flooded with replies saying it was tough to watch.

I think the original author can be held accountable for some kind of crime.

What is that white space…?

It is quite unfortunate if a creator is forced to create works that others do not desire, and as a result, they receive low ratings from the public and their reputation declines.

The original author rejected the script that followed the original work (the worst).
Mr. Machiyama brought a script that follows the original work (the worst).

It seems like the victim, but it’s completely a case of their own doing.
I can no longer critique movies.

When I realized I had heard the plot unfold well in advance, it became clear that it wasn’t even an original story from Machiyama.
In the end, I think it’s just a bad story that’s close to merely following the original work.

No matter how many times I refuse the offer, Isayama keeps coming with important people from Kodansha to plead, which has a horror feel to it that I like.

You’re a straight-up psycho, huh…

But you still have a good relationship with Mr. Vaar in town, right, teacher?

Looking at the underlying circumstances, the enjoyment becomes more about confirming answers, but that doesn’t necessarily make the movie interesting…

The script before Higuchi and the others messed it up on set was probably much better.
But Mr. Machiyama believes that such behind-the-scenes circumstances are not an excuse, which is commendable.
On the other hand, Higuchi, who acted freely, hit the jackpot with Shin Godzilla and got away with it.

Hitler’s paintings may be ordinary, but when considering his life, they seem to have a certain charm.

In the first place, Town Va is not a creator.
…Why am I being made to make a movie?

It’s funny from the outside that I got dragged in after talking big from a safe place.

The original author suddenly wants to ask an amateur for a screenplay in a huge project like a movie.
People involved will seriously think you’re out of your mind.

It’s just that the readers at the time didn’t know, but it was based on the original work rather than the script.
Isn’t the part that Higuchi added freely on-site more original?

Even if you tell me to make something based on your vague criticism,
If you can leave it to me, I can make it, and normally one can escape from that.

It has been revealed that many of the points of criticism were based on elements from the original work, so there has been a significant reduction in overt backlash.

If there had been even a fragment of malice in Isayama, the story would have been different.
I had 100 million percent goodwill…

That being said, I don’t think even if it were made with a script that follows the original work, it would have become that interesting.

I heard that naming them after the sister ship of Mikasa serves as a foreshadowing of their blood relationship.

Only Hange-san showed up in person.

I can only say that you are really Hanji-san.

When you actually take on the script yourself, there are all sorts of interruptions and accidents.
It’s interesting to experience things not going as I thought they would.

Isn’t it cruel to make someone create something new after they’ve been told a spoiler?

Well, honestly, I don’t know how a live-action adaptation of Attack on Titan with only a Japanese cast would have turned out to be the right answer…

What are you doing now that you’ve quit being a film critic?

I understand that there are various developments beyond the original story, but there are still plenty of things like the fat guy throwing giants that don’t make any sense…

When I looked up the box office revenue, it turns out it made 5 billion yen in total.

I want to create a huge hit original work and then push the limits during the live-action adaptation to create a masterpiece!

It’s nice to check the answers, isn’t it…

Eren having virgin-like feelings for Mikasa is a misinterpretation!
There’s no way I’m thinking something so weak-minded!

Isn’t it terrible that almost all elements of a globally popular manga are being spoiled?

It’s terrible that I got a retake after writing something that was initially a rough reconstruction by an amateur.

At the very least, they must have been told that Eren and Mikasa would not be together.

I pushed through until I accepted the crazy demands of the original creator.
It didn’t become interesting.

Sipping champagne in a room that feels like coordinates is quite a Sieg… That aside, it’s not interesting.

Well, about 80% of the content is a result of the original creator’s requests.

I thought Shikishima would appear in the original work.

It’s pretty terrible that when you look back at the entire manga after it’s over, you can mostly accept it like it’s part of the main story…

Despite denying the scenario that leaned towards the original work, the final product is probably filled with elements from the original work due to Isayama’s specifications.