Puff puff

Not really angry…

Is it really okay to push someone away aggressively while being angry about the assassination?

Well, if I were really that angry, I would probably put it in an easier position to protect.

If we don’t deal with MasterNao over there, there’s a chance he might come back…
Like Go-Daigo.

I didn’t do anything, but an intruder just died on their own! God!

It feels like even though I didn’t wish to be a target for purging at that time, it somehow came true.

This guy.
Terrible.

Is it really okay for the image of Yoshisada to get more and more creepy, even though everyone is doing various things like true heroes?

Well, alongside Go-Daigo, it was Yoshimitsu who was the most chaotic individual in Japanese history.

There is no reason to spare the top of the house that has come to eliminate Yoshi and is now targeting me, as it is becoming a revival of the Hojo family.

If we don’t bring down the enemy, our allies won’t rise.

There’s only a bad ending route, but I wonder how it will end.

My allies aren’t doing well either…

I was full of excuses and couldn’t get any responses to the survey.
If you’re not a history buff, it’s probably more popular this way, so it can’t be helped.

It’s not really a problem if a person’s image becomes creepy, well…

I think the interpretation is that the rise of Tokiyuki is primarily due to a strong sense of obligation to Suwa and that seeking revenge for Suwa is his main goal.
Setting aside Go-Daigo and Nitta, the reason for surrendering and aiming for Takauji is quite unreasonable.

It seems like making this guy the protagonist would make the story more interesting.

Historically, the image of Yoshisada has always been pretty creepy…

I feel like there are probably more people reading this manga without knowing the history, so it’s understandable that the protagonist’s part receives more votes.

Among Niki, Shiba, and Hosokawa, only Shiba stands out as exceptional.

It’s just that the only readers of the jump are fujoshi, so the ratings for Yoshitsune’s return are dropping and it’s finished.

I love historical topics like this song and the mounted warrior statue.

Since there are more depictions that feel like the plot has warped when it’s the main character, Yoshimitsu…

A decade of actions not coming forth without any particular reason…

I only dislike one of my sons.

To be honest, making Takauji the protagonist means we have to compete with existing masterpieces, which makes it even more challenging.
All things considered, Taiheiki is renowned as a masterpiece, and there are many other historical novels featuring Yoshisada as the main character, so it’s a tough road.

I find myself more excited about the theory of Ashikaga Takauji being Antonio Inoki, which some unnamed people occasionally grumble about, rather than reading about the runaways.

The character of Ashikaga Takauji in “Taiheiki” has an impressive figure that resembles a traditional protagonist, as he accomplishes everything he did in “Taiheiki”.
In the final episode, the depth of understanding towards Yoshitsune, who reflects on all the people he has killed and says, “Now, there are no enemies or allies, we all lived together,” is amazing.

Recently, protagonists who are completely outrageous are in vogue, so the concept of “Escape Young” feels somewhat outdated.

The only charm I feel for Waka is that she is cute.

I thought that the combination of the Northern and Southern Dynasties theme and a pure-hearted child hero is a bad match.

It’s going to be canceled soon anyway.

Will we end up teaming up with the thread image? I would really like that.

I think it’s a bit questionable to portray Yoshitsune’s greatness as some kind of divine power.
I want it to feel like it’s still amazing even without divine power.

The original has no charm or elegance at all.
A person who irritated Yoshimitsu with their earthy persistence.

Portraying someone who was originally a supporting character in history as the protagonist and depicting the era is something that has been done in large historical dramas as well.

Well, the Takara brothers did the Goshomaki after all…

Those who like Neuro enjoy the Nobuhiro part.
Those who like Assassination Classroom love the protagonist’s parts.

Honestly, I prefer when Waka is being pushed by Yoshitsune.

To be frank, it seems like Yoshimitsu has started to look like a human sacrifice to maintain the era of the gods lately.

Well, I don’t think the author is very interested in creating a shota protagonist that they personally prefer, named after Hojo Tokiyuki.

It’s already been 20 volumes… It doesn’t feel like it at all.

If you’re saying that the serious historical part didn’t get a reaction, that’s one thing, but if it’s clearly drawn in a strange way and still doesn’t get a reaction, then that’s to be expected…

It’s disappointing that, despite the anime being incredibly well-made, the sales of the manga didn’t increase.

Compared to Kingdom, I think the fleeing young prince is more in line with historical facts.

While there is a supervising teacher involved, to be honest, I don’t really want to introduce “Nige Waka” as a historical manga to people.

You have to go back to around the Showa period to find masterpieces from the Nanboku-chō period.

The Annals of the Yoshino Era features Masayoshi Kusunoki as the main character.

Isn’t it that there are no masterpieces depicting this era in manga?

Kensho Kitahara has written many during this era.

Isn’t it harder to find works from the Northern and Southern Courts that the Jump readership has read?

It feels like the online otaku would be happier with Hojo Tokiyuki, who continuously clings to Yoshitsune, but I’m not sure if it would lead to a hit.
It’s difficult to handle protagonists who are the “bad guy” type.

Without gaining any significant popularity, what was this manga doing for 200 episodes?

It feels like Takauji played the lead role in the chaotic stage set by Go-Daigo.

The grown young person lacks charm.

It feels like there’s not enough strength to portray the winning side as the villain in a historical story.

I don’t know about the historical records, but there are hardly any characters left on Tokiyuki’s side, and since concrete discussions about the subjugation of Tokiyuki are likely to come out next week, is this almost the final chapter?

The contrast between the first episode, which beautifully depicts the chaos of the late Kamakura period, and the second episode, where the wild boar battle begins, was honestly quite terrible.
I thought this manga would become an unparalleled masterpiece when I saw it with my uncle at the Godaikin.

Isn’t it a typical Jump mid-tier manga?
The fact that circulation numbers are not increasing is not limited to the fleeing youth.

It’s a manga with high defensive power that the author himself mentioned in the past; its content is stable, so it’s the type that won’t be canceled.

A useless being that only fills the same promotional space as Andera.
An entity that hinders the metabolism of serialization.

I don’t know the original story, but in the end, who wins between Tokiyuki and Yoshimitsu?

Divine power is just too weak as a hook for historical stories.
It’s okay to have a normal affection for Suwa and hatred for Ashikaga, who destroyed Suwa.

It’s a bit tough to get excited and blush at the sight of their grown-up self.

The reason why Waka is attached to Yoshimitsu is that even if they say it’s a “divine power that will destroy the world,” I can’t really get on board with that.

It would have been a masterpiece if it had been made into a unique character instead of using divine power.

The portrayal of Go-Daigo by Takao Kataoka in the historical drama “Taiga” is so cool that it’s understandable that Ashikaga Takauji admires him.
The traitor who never betrays, Judge-sama, brings healing.

I think opinions that something isn’t selling or isn’t popular are off the mark, as they raise the standards for what it means to sell or be popular too high.
That being said, compared to the excitement of expecting great works from the writer Yusei Matsui, such as the incredible first and second chapters, I can’t shake the feeling that the current situation has settled into a somewhat plain state.
It’s really amazing that they managed to depict the Northern and Southern Dynasties in Jump and make it a solid hit.

There was a sense of godly monstrosity that was still incomprehensible during the time of brainwashing with saliva.

Even Neuro had 4.5 million copies sold in volume 23, so you can consider that it has roughly the same level of popularity as Neuro.

It’s being drawn poorly! It’s rushed, but…
Even the historical Kusunoki Masashige was an asshole who betrayed the Kamakura Shogunate and Emperor Go-Daigo, plunging the world into war.

Recently, what I’ve been thinking about Matsui-sensei is that the cup Gekka ramen is delicious, I get it…something like that.

I think Matsui Yusei is an amazing writer.
It’s not normal to keep getting serialized after avoiding cancellation three times in a row in Jump.
So after retiring, I want them to publish a book again about life hacks to avoid being canceled in Jump.

Time really flies; am I already in my thirties?