But when I was watching it in real-time, I enjoyed it, but it felt like an anime with a live atmosphere.
I wonder why.
This anime is well-made, isn’t it?
You were just being swept along by those around you, weren’t you?
>>2That might be true, but I don’t think that’s the case.
From a broader perspective, it’s connected, but when viewed in terms of the connection between each episode, it may seem like it makes an extreme directional change.
>>2Because everyone is clapping, it creates an atmosphere where you feel like you have to clap too.
It was the same during the Iron-Blooded era, and now it is the same with Zeke Axus.
>>10Well, the live vibe doesn’t justify the criticism, and I wasn’t criticizing because I was having fun.
That perspective is arbitrary.
I think it’s an anime where my impressions change completely after waiting a week.
Every time, I carefully fog it up, and I just want it to stop.
>>6It’s辛い that everyone is doing that clouding for the sake of the thread.
Since it was split into Season 1 and Season 2, looking at it all together, it’s quite different.
It’s a silly design without a filter, but I like the Caliburn, it’s cool.
I’ll properly collect it later, but considering that hook, the next story has a surprisingly calm development, doesn’t it?
Some episodes, like Episode 10 to 11, are immediately recaptured.
I think the impression will change significantly depending on whether you perceive this as Sleta’s story or as a Gundam work.
The story of Sutletta is being done very carefully.
>>9The production team consistently said it was a story about Suleta and Miorine, and that was true.
That increased the burden on Guell, though.
>>12To be honest, the story of Guell was just something to supplement the Gundam elements, so it was unnecessary.
Because it used the time half-heartedly, various complaints also arose.
I do like Guell itself, though.
I think there was a time when Sleta didn’t have any opportunities at all.
>>11Because it’s a father and son meeting.
The story is not about Sleta, who has no father.
>>11The reasoning that it’s no good because the protagonist Sleta doesn’t have much screen time is something I can’t empathize with at all.
It’s a double job with Miorine, right?
The story is well put together, featuring Slemmio at the center while keeping the appearances of characters like Guell, Number 5, and Paisen to a minimum.
It might be insufficient for those who want to see battles every week.
Regarding Mercury, you were thoroughly suppressing opinions on this, weren’t you?
Iron blood is different in that regard.
I feel like I wasn’t criticized much during the broadcast… it was the worst right after it ended.
>>19The latter part had a rushed development, like with Lauda and others.
>>22I have two feelings about Lauda: one is that we have to send out a robot, and the other is that the discussion about Slemio feels like an unnecessary addition.
>>40I think it would have been good if Shivalzette had supported with Guell, but I also believe that Guell’s value comes from not being in a Gundam, so that’s a difficult aspect.
>>19Once I calmed down, I felt like they didn’t really resolve what this was all about, and that seems to be a reason for the criticism.
>>26What was this all about? In terms of that part, Sleta was hardly involved, so it’s something you don’t need to worry about…
While the surrounding characters are being tossed around, Suletta grows, and in the end, various characters are saved by Suletta.
>>19It was cleverly masked by the live feeling in a good way.
It wasn’t good that Gan’e was muddled about marriage.
It’s a story about being treated politely, then used and discarded, and seeking revenge in a thin, long way.
The second season was too long.
>>20Isn’t that something completely different?!
>>20Since Srella is tearing apart the connections one by one, it’s not a repetition, and in the first place, everything was taken away in the second episode, so it’s not thin and long either.
But I had that kind of image until I looked back, so how about giving it another watch?
>>20？？？？
Mr. Guell was experiencing a series of negative events that had commonalities with both Sretta and Miorine, serving as a connection between them.
Is there a reward aspect to the fact that Felsy-chan worked hard?
I enjoyed both Mercury and Iron-Blooded normally.
Isn’t it okay to have fun?
>>23I don’t like it, so it’s no good.
That’s what it means, right?
It’s way too annoying when someone gets grumpy and starts yelling if they’re not having fun without me.
>>23No one said such a thing.
The fact that Dabsuta was almost asleep is just an excuse.
>>30I often say this, but what are you going to do when you wake up?
By episode 12, your role was almost over, right?
>>30Since it’s a story about Suleta and Miorine, if dad is awake, he would have to do something, and it wouldn’t be just about the two of them.
>>30In order for the two of them to have a happy ending, I can’t just kill Dearing, but since being alive brings various inconveniences, it felt like a desperate measure.
>>41If Dubusta is doing well, there’s no reason for Miorine to hustle…
>>30It’s good in the sense that even without the main culprit present, the young ones have grown and reached a conclusion.
I wanted them to provide an answer to the double standard that arose, apart from that.
I think I got the impression that the recap was unnecessarily dragging on for a long time in some parts of the story.
>>32There is that.
Especially in the second quarter, it was quite a stretch…
I get told that it’s short, but overall, I have extra length.
There’s no change in the Ashaian room, and the Derling is sleeping; it seems like there was a mistake in the timing adjustment.
About 70% of the story is filled with unnecessary content regarding Sleta.
>>35That’s not true.
The relationship between Dubstar and Mioirine is already patched up.
Was it good or bad that there was no scene where Guell could fight in perfect condition?
Well, it can’t be helped since it might eat Sleta.
It’s clear that the season crossover was just a cliffhanger.
I think it’s really just a matter of personal preference from here on out.
I really want you to review it once.
I think it will feel much more careful than when I was chasing that.
When I’m being praised, the usual flow of vague negative campaigns starts bubbling up.
Even if you regain consciousness, you can’t move your body, so there are ways to get things done, right?
The problem is that there’s no time to discuss my actions with Mioirine and Sleta at all.
>>50So that ends at episode 12, right?
Sletta is almost unrelated to the massacre.
There were some complaints about parts other than the Sleta couple, but I’m glad that things came together properly for these two.
The story of Sretta and the story of Guel are relatively polite.
Talks about Gundam, genetics, and spare parts…
The evaluation within me feels like a work I want to experience through gaming media like Super Robot Wars.
Many people get angry because it’s different from the outcome I predicted!
>>56It’s not good that people like that are becoming more noticeable, like with Sieg Axis.
>>70Just a viewer, yet unnecessarily proud.
Students can’t do anything about war sharing…
Those who criticize must be able to write excellent scripts.
Please help with the manga.
The boy is terrible.
>>58You haven’t written anything at all, have you?
What can you say to someone who hasn’t helped or hasn’t done anything?
Since there were many discussions that omitted direct depiction and asked the viewers to see, think, and infer.
After watching it once, reflecting on it, and understanding it, when I watch it again, my impression changes quite a bit.
>>61Aren’t you just feeling like you understand by reading some seemingly insightful analysis online (laughs)?
>>68It’s much better than just hitting without thinking.
>>61There seems to be an aspect of modern works where they progress with minimal descriptions, calculating for the sharing of analyses on social media.
Did they explain the reason why Dubsta made Quiet Zero in episode 12?
>>62It was Rajan, wasn’t it?
That’s pretty much an excuse, so the person shouldn’t do it.
What were you describing politely?
I thought about watching it a second time, but at the prologue stage, the elements were so overwhelming that I was left wondering what this was all about.
>>65I feel like it would be more understandable as a story if you don’t watch the prologue.
It’s packed with too many elements, even though I can’t collect everything.
Well, it’s fine because everyone has their own way of interpreting things like analysis and subtext.
I wonder why they didn’t write the reasoning part in the official guidebook’s mechanics world… At least explain it, that’s what the book is for, right?
If the father’s role ended in episode 12, wasn’t it okay to kill him?
Without leaving any hope of revival.
“It’s a thread saying ‘It was interesting’, so there’s no need to come in and say it wasn’t funny every time.”
Just write it on the back of a flyer by yourself.
I’ve watched it several times but still haven’t seen the prologue.
I’m watching because I want to see Suletta.
Why did Miorine’s mom come to hold that belief?
Why did you hide a code in the tomato?
The one thing I can’t accept about AGE, which is like a last boss that suddenly appeared, is that the two-faced father just exits without involvement in the final episode or interacting with Suremio.
The scale of the story is small for a space anime.
Same level as G Gundam.
Oh… then there’s no problem, right?
The prologue and cradle could be said to be somewhat unnecessary or more like noise.
Well, regarding the prologue, it’s definitely a part that emerged during the production of the main story, so it’s undoubtedly a result of the chaos on set.
If you don’t establish a worldview, it will just turn into doll play, so it’s fine to set it properly; however, since it’s unrelated to the main story, the descriptions can be minimal, right?
It feels like I’ve left it hanging for now, thinking that it might be useful later regarding the dealing.
When I first watched something similar like Tiger & Bunny, I thought the pacing was really sluggish and it dragged on, but when I binge-watched it the other day, it felt completely different.
If you don’t set it up properly, it will end up being an impossible Year War pattern with too much content added.
>>81It’s not particularly bland.
I understand that there is a lack of description around the notebook, but is it just that my understanding is not sufficient? It’s a mystery that I keep getting poked at for things like that.
Are you doing it on purpose?
Watching in real-time and binge-watching feels different.
Knowing even a little bit about the direction of the ending makes a difference.
In real-time, you never know where you’re going…
>>91I want you to enjoy up to the point where the raccoon comes down to the village and you think, “Oh, this guy is okay,” without any spoilers.
>>91This is also the Zeke Axe, right?
Well, even without the live experience, there are times when I feel a sense of discomfort.
>>91If Sieg Ax can land interestingly without stumbling in the second half, I think Machu’s wandering will be seen as a prelude and overlooked.
It’s human psychology to feel anxious about whether the protagonist will be okay when they act thoughtlessly.
It is interesting, but right now it feels more like a different side of the protagonist.
I became interested at the start of the second season, binge-watched the first season, and then watched the second season in real-time, and it was really entertaining.
I know there are flaws, but I think there will be quite a few people who will continue to like us from now on.
>>88Didn’t I clean up?
The act is fine because it’s to protect, but the attitude isn’t good, which is an obvious conclusion.
What still puzzles me about watching Mercury is that I have no idea which faction made Noera and Sophie’s Gundams.
It feels a bit off for something that Shadique prepared.
I wonder if there are actually many Vanadis remnants that aren’t showing up much.
>>94Wasn’t the place where Prospera and Aerial blew away on the ground the secret factory of the Ox Earth remnants?
>>116That is the factory of Ox Earth where mass-produced Lubris were delivered and still remained, so the origin means it’s talking about the origin of the shell unit.
People who say the yuri elements are weak are probably those who viewed this not as a romantic story but as a buddy story.
It followed a classic and straightforward flow for a romance story.
>>95There are quite a few people saying while sober that my relationship with 4 is just about the bento, but my relationship with Miorine isn’t romantic at all! So it can’t be helped.
>>95When viewed as a buddy story, the second half is too lacking in Slameo elements…
>>105Have you not seen past episode 22?
>>109Isn’t it fair to say that it becomes somewhat thin to only start resembling that in the final stages?
>>118Do you understand what Miorine was acting for?
>>105That’s why people who were watching it as a buddy story are complaining that the Slemio part is weak, right?
>>88“From now on, please continue to be friendly → Even without being told, you probably have it all sorted out for now.”
What was that moment with Suletta just zoning out when Miorine wasn’t around in the middle of the second season?
>>97In the middle of it, they’re actually really into the duel.
In the final stage, I was properly attending classes and participating in rescue activities, doing what I could at that time.
>>97Life was boring without Miorine…
I mean, the person themselves said it in the main story, right!
>>88Since they casually glossed over the reveal of the identity of Sretta, which is a significant part of the character, the protagonist ended up being one that made me wonder what they were even created for.
No matter how many times I review it, I cannot understand Srettha’s feelings when she minced the terrorists.
If it’s in an emergency, it’s fine to have a personality that doesn’t shy away from killing.
For example, when someone like Sophie says “I’ll kill MioRine,” they hesitate to deliver the final blow, even to the point of feeling like they might get killed themselves.
It seemed that the murder of Sleta was the reason for the falling out between Mioirine and him.
They’ve made up without touching on that subject.
>>102There is a depiction of feeling hesitant about Prospera’s murder just before it happens, and I organized that it was an inevitable act driven by being pushed into a corner to protect, done while intentionally numbing emotions.
>>102I think the circumstances of meeting my mother in an emergency and becoming emotionally unstable are depicted well…
>>102You would treat people you know differently from those you don’t.
Furthermore, it’s after being disqualified by Miorine for murder…
>>146I was on the verge of breaking down, holding back tears while convincing myself that what my mother said was correct.
>>102You were awkwardly behaving as if everything was normal while having a messy time, weren’t you? You were talking properly through the door, right!?
>>102Well, it’s not surprising to see that something trying to kill your loved ones looks nothing more than garbage.
On the contrary, if Miorine hesitates to commit murder and ends up getting seriously injured, or if Delling dies, it seems like the relationship would become complicated and face criticism.
It’s normal to hesitate with a girl when you’re a stranger.
The happy ending adjustment is quite significant, after all.
I often saw Prosperra in thumbnails feeling this unbearable live atmosphere.
>>108It seems that you haven’t seen anything in this response.
Zeke Axe is packed with too much dialogue and lacks description, but I feel like there isn’t any setting that seems like it could have been anything.
>>113Personally, I feel like Grava is a bit… off.
In the end, regardless of Grava, they went to Earth, and while the enemy characters that appeared had their charm, there were no connections that expanded after their early exit in episode 1, nor any foreshadowing of them appearing later to help.
>>124The various loose reasons were tied to management, so it was forceful but I was able to understand it as a starting point for the conversation.
Miorine has always prioritized Sレットta.
Sletta also puts Miorine first after episode 7.
>>115The people who are repeatedly saying it’s thin probably don’t think about who is acting on what or why…
The tail is showing too soon…
This is a sample of what you get when you let Okouchi-kun depict things in a provocative manner.
Sulemi only looked like a normal friendship.
I wasn’t doing anything that people generally consider to be like a couple.
At least if we had kissed, I would understand.
>>121I’m not saying it’s the 4th or Guel, though…
Season 2 has too long a period without focusing on Suletta!
>>125You can tell just by looking, but the only thing that isn’t highlighted is the Earth spinning.
Even with a happy ending, it feels half-hearted, like they just made Sremio get married for the sake of it.
>>128If you say the ending is half-hearted, isn’t that pretty much how Gundam is?
Even in the Universal Century, the conflicts continue one after another.
Don’t just talk about it from your vague memory; first, watch it all the way through…
>>122Almost all of it is remembered incorrectly.
If they played the first season’s opening in the last episode, it would feel great! I really laughed at the fact that they actually did it.
It’s nice to see Guell proposing after losing to the thread picture… I thought it was going to be this kind of anime, but then a cool handsome guy gets incinerated, and his mother is deceiving him by saying she’s not a Gundam, and a strange old lady keeps creeping up from below, making it too painful to watch.
I can’t say it out loud, but actually, my favorite work among the Gundam series is…
No, I really like it, so I’ll say it out loud.
>>140I also struggle with the ranking, but right after watching it again, I might feel like it’s my favorite… to the extent that I really love it.
>>132I think there’s quite a bit of metaphor in that kind of entanglement.
>>141Yeah, I think so too, but there are many people who can’t understand it as a metaphor, right?
So you’re either aware of that and are going against the trend?
Miorine has been acting for Suletta’s sake since episode 1.
I think it’s tough for creators in the world because there are people who don’t even understand that.
When you look closely, despite the difficulties in production, it has been made properly.
When watching a real-time broadcast casually, there are a lot of things you miss.
I’ve always felt that it’s not right to use Guell to explain the Earth’s situation.
I think Suleta was an honest child.
In a way, it might not feel like Gundam.
>>148I felt relieved that after being abandoned by my mother, what I had to do was rummage through the refrigerator at midnight.
>>148Despite being raised by that mother, they are too light-elemental…
It gives the impression of a work that has scenes to go viral in each episode, separate from the main story, which makes it seem a bit too focused on live-action.
I feel like it was just a normal failure regarding the daring.
Recognize Shadik, who has been thinking about Miorine all along.
>>150Step forward more, you!
>>150I haven’t taken any action for Miorine despite just thinking about it, so it was meaningless.
>>133I was already willing to go without being persuaded, and then the parliamentary coalition came.
In the first place, it’s just a delay until Miorine can stop it from within Kuwa Zero, so it doesn’t matter at all whether the opponent is intent on killing or not.
I gave up normally after being persuaded by Sletta, Erict, and everyone at the Vanadis Institute.
>>151If they had actually intended to kill, there was such a difference in strength that they wouldn’t have even been able to reach them, and even if Suletta wasn’t killed, it would have been easy to take down Mioirine and the others’ ship.
Even if a ghost of Vanadis said something, I couldn’t give up on revenge. In the end, I met Elict and was purified, though.
>>180If I could have dropped you anytime, I would have had enough leeway to prevent the boarding without killing you, but that didn’t happen, did it?
If it wasn’t in a way that Sleta would approve, I wouldn’t have been able to back down no matter what Erect said.
In the first place, the reason Ellict was willing to persuade Prospera was because Sleta came.
The dawn of Fold is probably intertwined with Ox Earth.
>>152It’s a bit unclear how entangled things are…
If they’re tightly intertwined, then I don’t understand why Sophie and the others are treated like external personnel…
If Ox Earth were to change form or remain as an organization, it’s a mystery why they wouldn’t come out.
>>169It seems that the headquarters was also attacked during the Vanadise raid, so I think we can consider the organization to be annihilated.
I think the remaining forces have become a terrorist group.
>>187They said it’s impossible to make an aerial alone at Bell, so I think there are still some remnants of Vanadis and Ox Earth left.
If there are still remnants of the Oxearth side, I think it’s strange that they don’t appear on screen because, from Prospera’s perspective, those are the very ones she would want to destroy as her targets for revenge.
I feel that the way the spare issue is portrayed is incorrect, as it disrupts the main story and feels unnecessary.
Please focus on topics related to the academy and companies around Slemio.
In the final act, poor Aunt Belmiria.
>>156The balance of pity and this guy… is superb.
It would be better to die, but I am absolutely necessary in this world.
>>156It’s a bit much to create strong characters with “it can’t be helped” as the catchphrase…
In the second half, there weren’t really any good events with ReMio, so I thought this yuri element was added later…
>>159Even though I got rejected, I don’t dislike them at all; rather, I’ve realized that it’s boring to fill the list without being together, and there were two pillows and various other delicious things…
Shadique is way too decisive when it comes to the girl he likes, even though he’s just a coward!
Die, Spacian! It feels like I’ve been taken a bit too much by the shouting kid.
Even so, they weren’t a very substantial character.
>>163Their digging has nothing to do with Slata at all.
The men of the Three Houses say that Guel is Company No. 4, and Company Shadik is a revolution.
The highest priority is that it’s there, so that’s why it becomes a forum topic.
You made it dirty.
>>167Gross
Although male characters are popular, this work is quite harsh on men, isn’t it?
>>171It’s not that great, like number five.
Shadique has achieved his goals, except for standing next to Mioirine.
If we focus on Sretta’s story, I think it could have been done in one cour.
>>172It seems a bit tough to cut around Guell and still make it in one season…
Prospera as a mother is quite a light.
Once you have a biased perspective, it’s clear that you can no longer view the content calmly and honestly.
It’s scary how people who criticize Mercury seem to understand nothing of the original work’s depiction, relying only on knowledge they’ve gained from the internet.
It was dangerous that I casually got on the Caliburn.
>>178It wasn’t plain at all! It wasn’t plain at all!
>>178It was really crazy!
Sletta is fighting while suffering a lot!
It was a tight production that involved a lot of compilation, so it’s a bit much, but it would have been better if we could have reinforced the storyline around Shadik more.
The less important branches are oddly thick and extend too far, and if I get distracted by those, I feel like I’m losing my way.
It is undeniable that whether or not you know the final resolution significantly changes your impression of the work.
It’s not about Suleta killing people and being calm about it.
The reason why Sleta, who seems to be the most unsettled, can remain so calm is that MioRine’s awareness is directed toward whose education is responsible for that.
As a result, there are often viewers who have a misunderstanding.
>>186The speed at which they go straight to Prospera after talking to Thretta is great, isn’t it?
>>186Miorine is overlooking the fact that Suletta was acting this way because she was agitated.
Rather, for Yuri, there are many delicious depictions in the school festival, episode 17, episode 22, and the epilogue in the second season.
Since the grammar of the maiden genre is being used quite consciously.
People who are not usually familiar with otome games might not realize that unless they pay attention to that.
The spare issue hardly gets resolved and can only be seen as an element that exists solely to disrupt the conversation.
>>191In the first place, it’s not a problem that Sremlio has to solve.
Many viewers misunderstand this.
After just one ride, I ended up with aftereffects that left my body unable to move freely…
>>192Well, from Suleta’s perspective, it’s easy to die.
Even though opinions vary from person to person, I wondered how one could interpret it as the adults getting away or the children being pushed into a narrow world…
>>193It’s scary how far you go with such a malicious interpretation.
>>205Some people really think that Miorine forced Suleta into submission through violence and ultimately turned her into a disabled person…
>>193One theme to consider is how to resolve the sins of the parent generation becoming a burden on the children.
It seems like Shaddiq is taking on what Dariling and Prospera did, and it’s convenient to push it onto him to make it look like a solution.
There’s no way to solve something like that in episode 24.
>>194Are people who say “let’s solve it” implying that the conflict between Earthlings and Space Residents hasn’t been resolved in any of the works, so it’s meaningless?
The tomato incident is largely due to the differences in the environments in which Slethta and Miorine grew up.
One side is an environment where people die quickly, while the other side is a sheltered girl.
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