Please remake the second season.
It seems there will be a third season of One Punch Man.Just because the range of the chapter that is being redone is connected, it doesn’t mean that improving the animation will make it interesting.
Since the original work has had so many retcons and revisions, it’s understandable to think that the anime might do the same… I get it.
Anyway, it’s not like there was a strange development just because there was no impact, so doesn’t it really not matter?
>>2Isn’t it the most important?
>>9Well, it’s important, so I want them to do their best in the third season, but does it really make sense to make them redo the second season when it doesn’t change anything?
Please maintain the same quality as the Boros arc.
Even if they redo the second season, what comes next will be Zero-Pan, right?
I want them to somehow change just the ending of Garou in the third season.
I won’t ask for too much, so please make it at least the level of Mob Psycho 100!
It was great to see the excited foreigners from the first season start their live commentary for the second season with enthusiasm.
Boros is great, isn’t it?
He was truly a bad guy.
I’m looking forward to how chaotic it will get towards the end.
It seems like it’s been redrawn, but what happened to the Garou arc’s ending, which was extremely disturbing?
I would be happy if that had changed too.
>>11The rephrasing being discussed now is after that…
>>11The uncomfortable ending has been redrawn as a result…
I wonder if they’ll depict the atomic bombing.
No matter how good it is along the way, I feel like the destination is going to be something like radioactive Garou and Zeropan… When I think about that, I can’t get too excited.
Compared to the carefully crafted first season, it feels rough in the details.
I remembered I haven’t read anything since around Phoenix.
Please ensure the scenario follows the one version.
>>16Shut
Blocking
The person in charge of the artwork has gone on a long hiatus…
>>17I wish they would stop participating as animators.
>>54They might be instructing a rewrite of the anime.
>>54I’ve really been feeling the desire to become an animator for a few years now, so it’s definitely possible, right?
There was also a time when you participated in some of the key animation for the anime where you were in charge of character design, right?
I want them to start the ONE version from the beginning in the mob area.
By the way, the Garou arc hasn’t ended in the tankobon yet, right?
So it means a blast will come out…
It’s originally something like a bridge to the third season.
If Season 3 is good, isn’t there no need to remake it?
The target we were aiming for significantly missed the mark, and since it didn’t succeed, it’s not something that can be fixed with minor adjustments. That being said, I think it would be more constructive to do a third season.
It’s tough that Zero Pan became canon from the Chabudai.
Garou’s character has completely changed and he has entered the Neo Heroes.
>>28I can only think of the ONE original work as the official story… no… that’s how it should be, right?
>>28Garou’s character had already changed quite a bit before the chabudai.
I felt like, what is this? when they were complaining while fighting alongside the metal bat.
Garou is not a straightforward tsundere; he’s a clingy, sneaky guy.
>>265What a thing to say, just pretending to kill a kid that isn’t cute and only tormenting heroes weaker than yourself.
I would rather have the story of the third season follow the original work.
Is the second season up to Suiryuu?
>>30Garou was taken away, and Saitama ended it with a one-punch on the centipede.
Up until the middle of the Garou arc is fine, but the ending is seriously awful.
I don’t need anything around Zero Pan.
It’s a bit disappointing that we’re all wiped out while Saitama is just standing there…
“It’s all cleared up because I rewound it…”
I found the second season uninteresting and ended up dropping it halfway through.
It was an unexpected development, but it was simply not interesting.
I think the second season wasn’t as bad as people say; it was just overshadowed by how good the first season was.
>>35No one can deny that trying to manage everything with a cheap still image is lazy, and the action being subpar even for a manga is terrible, regardless of the first season…
The first season was definitely the best.
Although various details are being omitted…
What is Zero Pan?
>>37I wanted to draw freely using Garou, so it seems to be a means to forcibly reset and return to the main storyline in the end.
As a result, Garou lost all human growth, and Saitama became a martial arts genius surpassing Garou.
Is it okay for the anime staff to participate in an act that would trash the work of a great manga artist?
>>39The best thing to do is to ignore guys like this and just create.
Are the anime staff okay with becoming complicit in the act of trashing the work of a great manga artist?>>41If made normally, it would just turn into that thing from Village Bread Street…
>>39Since the Mob Psycho anime has become a masterpiece throughout seasons 1 to 3, that’s good enough, isn’t it?
From the way the PV looks, it seems that season 3 may not be very promising.
I can tell you’ve been working hard, but if the first season was a score of 120, then the subsequent seasons feel like they’re giving their maximum effort but only scoring around 80.
I really don’t understand why they insisted on keeping the atomic bomb setting even after rewriting it.
>>42When it comes to American comics, I think of sloppy depictions of exposure from nuclear weapons…
>>42If there was no decontamination, then there’s no point in a rollback, right?
It was Metal Knight, not Saitama, who saved me.
If the radiation exposure surroundings are really bad, then it would just change to expressions like poison or something like that…
I thought the dialogue between Bang and Garou at the end of the Garou arc was important, but it seems it wasn’t considered that way since it got cut.
I didn’t read enough.
The story of the character design village bread is fine as the ONE version.
>>50I would be happy if you could do that for me.
On the contrary, the ONE version has imported Suiryuu back, so I hope the anime takes the best from both.
>>50I really want you to try doing it that way from the third season.
The mob is the exception among exceptions…
Are they going to reach Zeropan in this anime?
The Garou arc is really long, isn’t it?
>>53How many years did we do that? Eight years?
I thought that all the embellishments on Garou were depictions meant to connect to Saitama’s observations.
Completely different.
In other words, the idea of all the heroes being wiped out by radioactive contamination is not something that a sane person would come up with.
At the very least, enemies who do such things should be killed.
>>57Even though he acts like a monster, the indecisiveness of not being able to actually kill is supposed to be the essence of the character Garou.
>>68Saitama is allowed to not take action actively because he sees through that.
If we are wiped out, Saitama will become useless as well.
>>68It’s God’s fault ~ It’s God’s fault ~
If you’re going to do the second half of the Monster Association arc based on the ONE version, I’ll allow it…
The Garou arc is not about being a hero! You can’t just aim to be a monster with compromises like that.
I was watching the second season normally, but I didn’t really understand what was wrong and just watched it normally.
>>60Stop watching anime already!
>>60You want to disrupt with contrarian comments, but the bait is too big.
The staff’s motivation seems to be quite difficult.
It seems that the first season had that level of quality because fans gathered.
I liked that Garou was superior in martial arts but was overwhelmed only by physical abilities, so I wished for the mode Saitama to stop.
To stretch a 12-page name into 120 pages is quite something; if it were an anime, it would mean that Feniman would be taken for about three episodes.
The ending of Garou’s ONE version is also questionable…
>>70Huh!?
>>70There were various comments about the serialization frequency, but reading it all together again, it wasn’t so bad after all.
>>70If you say that, the correct answer only exists within you.
Are you saying that the best development I’ve come up with is correct?
>>70It was sluggish while it was being serialized, but looking at it all together, it’s not bad.
I just can’t tell if that’s as One Punch Man or in comparison to Murata’s version of the Garou arc…
I have memories of the time space being rewound multiple times during the battle with the Phoenix man.
In the first season, we overspent the budget, so the second season ended up being cheap.
Thank the JC who took on the losing battle.
>>77Huh? It’s safe because it was able to recoup its costs through pachinko adaptation, right?
>>77I see, so it was indeed a junior high school student.
…It’s the end for JC in the 3rd season, huh?
>>92It’s still JC in the third season.
There was a rumor for a while that “the third season is MAPPA,” but it was just nonsense.
>>99It’s surprising where such rumors come from, considering MAPPA is already busy with other projects.
One Punch Man Season 1 was amazing.
It’s common to see that an adaptation into anime is different from a comic adaptation in other works, so it’s fine to stick to the original source.
The original Garou only has complaints about the update frequency.
It’s good to finish properly, and the subsequent depiction is nice too.
I really like Garou.
The original story is about “Garou, who aimed to become a monster by compromising, being broken and starting over to aim for being a hero,” so the depiction of Garou acting overconfident until the climax and being broken by Saitama all carries significance.
The Murata version has turned into “a story about Garou, who has such incredible talent that even when he tries to be a monster, he ends up becoming a hero,” and it has completely disconnected from the previous developments, resulting in an incomprehensible story.
I once again realized how amazing the quality of the first season was…
The second season of the anime was that bad…
>>84It’s a normal anime that can be watched.
“Only from an amateur’s perspective…”
>>84The animation itself wasn’t bad.
The production is rough.
>>93I let out a sigh during the showdown between Dogman and Garou, and that’s when I stopped watching. 😮💨
>>84It’s not that it’s terrible or anything, but the first season was so good that expecting the same will lead to disappointment.
I do want to see the scene where the disaster-level dragon monster from the ONE version is rampaging.
Too many unnecessary original elements like Orochi, Feniman, and Nyaan.
“I never thought they would alter ‘The kids are over there’ in such a ridiculous way.”
What is that thinking?
>>87It’s terrible that the kid ended up dead because Saitama didn’t stop it quickly.
It seems that the Monster Association arc will end extremely abruptly in one season.
So, please spare me from having to wait several more years again.
Where do you think we should draw the line as an anime work?
Shall we compile it as a movie?
During the serialization, the update frequency was low and there was a lot of frustration because the bald guy didn’t fight much.
It feels like once it’s over.
The quality of Mob Psycho was amazing throughout.
The third season also really focused on the episodes with Ekubo and the aliens.
Season 1 is by Madhouse, you know.
Season 2 and Season 3 are JC.
Someone said anonymously that there was a person who got scolded for spending too much money unexpectedly in the first season.
>>98The budget itself was probably no different from other anime.
The passion of the staff was amazing.
>>98Different.
The budget for the first season was ordinary, but it became high quality because they gathered skilled animators through the director’s connections.
Since it hit, I negotiated for an increased budget, but it was rejected, so the main staff for the first season stepped down.
The production studio has changed from Madhouse to JC.
You can find sources for this information by searching, so please Google it.
>>113Hearing just that, it feels like an idiot who turned down a work that seems guaranteed to be a hit.
>>129The fact that something becomes a pop topic and whether it turns a profit as a commercial work are separate matters.
>>98Oh really?
The credibility has completely disappeared all at once…
Consumers didn’t care about budgets or adult matters; what they wanted to see was the first season’s animation of the Monster Association arc.
It’s now a thing of the past to say that if it’s Madhouse, it’s reassuring.
>>101Well, it’s more fatal to say that it’s unavoidable because it’s just a junior high school girl…
As a result of the modifications, I was puzzled that Saitama became an abnormal person who thinks of lava as a bath.
It’s unclear what the intention is when Saitama, who has a meta role as an observer, allows Garou to wreak havoc as a servant of God, leading to events where ultimately everyone dies.
There are only two options: the original and the remake.
Both being subtle is just a matter of personal sensitivity.
The original Garou arc may have its supporters and detractors, but it’s not a broken story lacking consistency like Murata’s version.
You probably don’t feel like putting effort into a work that isn’t interesting.
You want to see Saitama return to Earth with the same level of quality as the first season, through a fart.
It’s amusing how the character design of Kurobikari is subtly thoughtful.
I heard that they didn’t spend any money during the first phase, but a lot of highly motivated people gathered together to make it happen.
Isn’t it about four years since the original Garou arc?
The Murata version has that ending in 8 years…
The anime staff probably doesn’t want to do Village Bread either.
I want to see Blast in the anime.
I wish you would properly use the chabudai…
The ONE version of the Garou arc isn’t terrible upon rewatch, but I felt it was bogged down by the Monster Association and Garou’s story, and the themes are inherently difficult.
That said, if they’re going to make an anime, I want it to be based on the ONE version.
>>120The frustration of Garou, who was bullied, towards society and the battles with actual monsters and professional heroes don’t quite align, you know?
It was funny that they erased Kurobikari’s lips with a politically correct stick.
I wasn’t expecting much from the start, so it didn’t lead to anger.
>>121What is this?
>>126If I searched as is, it hit.
>>121That guy was a pale beanpole before training, and he’s not even Black…
I don’t understand the meaning of Saitama treating Garou, who normally kills people in Murata’s version, like a human and keeping him alive.
Crush it to bits.
To be honest, Murata’s version of Garou only looks like evil to me.
I don’t even understand why it is being tolerated.
In other words, various histories have proven that it’s worth watching with the staff gathered here more than at an anime studio…
>>124Well, it’s been nearly 4 months until the broadcast of One Punch Man Season 3, and not even the director has been announced yet.
>>124In recent years, studios have been consolidating animators in order to achieve high quality aimed at the distribution market.
You can make some judgments in the studio as well.
I want everything, including rewriting it to make it seem like it never happened, to be done in the anime.
In any case, I wonder if the anime will continue until the Garou arc ends.
The production team at Madhouse had “passion.”
“Without ‘love,’ high-quality anime works cannot be created.”
The voice actor for Blast is unfortunate.
Speaking of which, looking at the cast list again makes me laugh because it’s so luxurious.
What is this lineup that looks like a list of voice actors’ names I know in order?
The feeling of despair that for the quality of the first season to be revived, it is a condition that there are creators with the same level of passion for the future development of Village Bread.
I think it would be better to keep the story closer to the original when summarizing it as an anime.
In the Murata version, it’s simply long.
I became a fan of Garou because of the series of developments in the ONE version.
Losing that and being left as a brat who relies on the old man was really tough.
>>138I knew it, I have to start over from scratch and diligently work part-time!
The Boros arc was too interesting.
The rest is superfluous.
>>139I think the variety of characters has increased and the fun level has gone up since Fubuki King was released.
It’s about the original story.
>>141I think the Saitama individual episode came to a conclusion with the Boros arc.
>>147You’re digging into S-class achievements and growth to explore Saitama’s strength, aren’t you, you fool?
>>177Class S is quite reckless too, you know.
I thought that after finishing that, a stronger blast would come out, as if it were on another level.
>>211It’s one step up, but somehow…
I just found out that there was an OVA for season 1…
It was too much of a risk to reveal the depths of my ability after producing an enigmatic S-rank first place.
The Monster Association arc in the ONE version is boring, but the Neo Heroes arc is really interesting, so I give it a three out of ten.
As a result of trimming various aspects of the Murata version to fit into one cour, there is a possibility that it will become a really good story.
Zero bread might disappear.
The original work is incredibly interesting right now, so I hope the update frequency increases a bit more…
Murata’s version of Garou feels too childish, and the way others treat him is like he’s in elementary or middle school, which I dislike.
>>150He’s a bit of a mischievous troublemaker, isn’t he…?
I want the storyline of Zero Pan and the ending where Garou ends up as a weak punk to be changed to original animation.
It’s the opposite.
It’s nothing more than a gag that just defeats enemies with one punch until the Boros arc.
One Punch Man becomes interesting from the point where it starts to properly depict the hero genre afterward.
To be extravagant, my ideal would be an anime adaptation of the original version with the cast of Mob Psycho, aside from the JC version.
>>154What will you do about the voice actor?
Can we go as we are?
The reason I can accept the ONE version of Garou is because of the depiction that follows.
Either way, it can’t be compared to Zeropan & Moto Saya.
I want to see Saitama vs. Cosmic Fear Mode Garou with ultra animation like in the Boros battle.
I can only think it’s seriously annoying that Garou is just hanging around Bang’s place without any real setbacks or reflections. But for Murata, it seems like it’s a favorite punchline or something…
I think it’s terrible that the script for the Garou arc, which ONE was supposed to have redone, has vanished into darkness.
Personally, I think it’s not good if there’s someone who can withstand Saitama’s one-punch…
>>159I really don’t need any mysterious explanations about strength.
>>159There is already Boros…
>>180Is it enough that we were finally able to have a conversation?
>>189I had taken several hits before that, but I quickly regenerated.
It’s not serious, but…
>>199Aren’t you figuring out the answers for yourself?
As Boros said, there was someone in the universe in the same situation, so I just went easy on him.
When you apply it to Murata’s narrow, shallow, and subtle drawer, it really gives off a strong template feel when creating a character’s inner world.
It’s just an ordinary budget, but honestly, I’m not a fan of those claims of doing our best with passion and dedication.
Well, it ends up being like, “Then put in the same effort for all your works.”
>>161Too nitpicky…
All of Murata’s characters seem superficial or just on the surface.
It’s辛い that everyone is just being childish and acting tough…
It’s crazy that they’re presenting that as a cool character.
Does that mean a blast will come out?
Who benefits from animating something like the Murata version other than Murata himself?
But it was popular enough to be made into a third season, right?
>>166Well, I think if they can deliver animation on the level of BULRO Season 2, at the very least, One Punch Man Season 3 will sell.
The expectations and disappointments are just the backlash from how amazing Season 1 was.
I’m looking forward to Blast, who is active with amazing animation.
>>170In Season 3, even if there’s a role, it’ll just be one cut!
>>170The association edition is just an old man struggling against Garou…
I want the Mob Psycho staff to animate the ONE version…
The Boros arc was the best story as an entertainment piece.
I think you’ve summarized it well.
Isn’t it true that Garou’s ending doesn’t connect to the Amami arc unless it’s the ONE version?
>>173As long as you significantly change the Ama’i chapter as before, there will be no problem.
>>186The starting point of the ideal hero image in Amai is already Blast.
Isn’t it amazing?
Sometimes there are anime adaptations of manga that end up following the original storyline.
It may be a long way off, but I think they will also make an anime version of the original work.
>>175If we’re going to do it, it would probably be after we finish this.
I dislike both because I dislike Garou himself in the Garou arc.
You passed (CV Rikiya Koyama)
>>178Isn’t that the Deep Sea King?!
I was really impressed by the “chabudai” sermon back then…
>>179Either way, even though it was off the mark, I feel like if it had converged to the “chabudai” ending there, it wouldn’t have been met with such a storm of harsh criticism now…
In the original work, even the awakened Garou is no match in close combat, so Saitama is truly in a class of his own.
Is there any point in adapting a manga with poor artwork into an anime if you haven’t read the original?
>>187If you don’t understand, just keep quiet…
>>187That’s precisely why Mob Psycho has a minimalist art style, but it’s highly regarded for its focus on action.
>>187Since Mob Psycho is an example of ONE’s design being adapted into an anime, you might want to take a look at it.
>>187Recently, it seems to be a trend to put a lot of effort into animating battle scenes for original works with rather mediocre artwork, doesn’t it?
I want to see the protein shaker part in the anime!
>>188In the anime, there is a future where I can be changed into Captain Mizuki.
You seem to like tough delinquents.
What’s going on with the spoiled brat that’s coming out?
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