Minami-chan really loves Nyamu too much, doesn’t she?

A woman who usually skips work for her daughter’s birthday.

Yutenji Wakamugi’s birthday.
Day 5

(According to Aoi Yutenji, the other four besides Umiko all have family-related landmines, so we have no choice but to accept this…)

(Since Muuko seems to be having fun, I guess it’s fine…)

(It seems fun… right…?)

Do you have matcha?

Den might also be coming as Mutsu-chan’s friend.

(Umiko is excitedly interacting with others while Wiko looks a bit troubled.)

I feel the harshness of the industry as I watch Fukurokouji-san desperately perform at the party.

At the end of the anime, it really seems like Hatusaki is participating out of duty.

Shoko came to pick me up and we restarted our cohabitation, and it turned out well, but I really did some terrible things to Hatsune.

It’s a bit hard to grasp the emotions suited for Hatsune.
So, I guess you really are the caring type after all.

For some reason, she is consistently prickly yet caring only towards Shoko.
When I drove Umisuzu out of the room, it was also Umisuzu’s fault for being vague about how she invited Mutsu.

Actually, I have both the older sister and younger sister traits.

Shoko acknowledges that Nyamu has a troublesome personality and is an egoist who clearly states opinions and doesn’t bend.

The severity towards Shoko seemed to stem from the attitude that it was just a game for those with money and talent.
I have neither talent nor the leisure to play around!

The rejection by Umineko is so shocking that it shows on her face, as she is really fond of it.

Ah… setting aside money, it’s talent…
It seems I will be made to understand it by the time of the fastest Budokan.

Minami’s room, sometimes Nyamu is made to sleep beside her.
Mutsumi’s room, where Soyu occasionally comes to cuddle.

I want to become an actress, but I am aware that I have no talent, so I started playing the drums during my time in a girl band to make a name for myself, and it turned out to be my calling.

In the long run, it’s not unusual for a band member to become an actor.
It’s not a plan you have when you’re young…

It’s hard to believe the official setting that Nyamu has no acting talent and that CRYCHIC was just an ordinary band that was only romanticized in memory.

The Musica characters are not only strong but also have extremely powerful connections.
As a nyamuchi, I’m doing my best to desperately cling to this opportunity.
I think it feels like you don’t like it when someone acts arrogantly by squandering opportunities just because they aren’t in trouble.

I’ve been inside Hatsune’s house because I had promised to go play in episode 13 of the lost child.

Even if it falls short of Muku, I wonder if she is still better at acting than Dorothy Mob during the skit.

It is said that Nyamu is superior to Mana-chan as an actress… It seems more like an effort power rather than talent.

Classic is, well… just a middle school playband…

The concept of acting ability feels too vague compared to something like performance, and I just can’t quite grasp it.
From what I can see, Hatsuka feels the highest…

So far, I haven’t had any connections with the same drummer, Tatsuki, but I also didn’t have much interaction with the kids from other bands like Paleo and Hiromachi.

It’s unfortunate that there were many appearances that didn’t leave a good impression.
Since the implementation is still undecided, it makes it even more difficult.

Hirocho is deepening its connection with Harimirin, but talking more about horror movies than the base!

I think that being able to discern the changes in Mutsumi is probably a reflection of Nyamu’s considerable acting skills.

Did you really go to a junior high school in Kumamoto until last year?

The episode with Riko Sasaki and Koko Hayashi is a bit too much like a manga, you know?

There is quite a variance in the acting ability of anonymous performers.

The character called “Triangle Hatsune” has zero depictions in the work, and the only convincing factor is that Diggy and Riko Sasaki are inside it.