It’s also good to encourage Seabook when he seems like he’s about to give up at the very end.

The content was talking about technical matters and occult-like things, but at that time, it was definitely my mom.

I’m a workaholic who’s rarely at home, but I was really a good parent when it came to looking for Cecilia.

Then, attract it.

It’s all up to the person who uses the machine.

Since coming to Space Ark, I’ve been really concerned about Cecilia, but I wonder if we had known each other for a long time.
Is it like love at first sight?

I like works that end by showing the possibility that Newtypes are not just beings meant to fight.

It’s Cecily’s flower! I love the conversation that feels urgent and yet it’s hard to tell if it connects or not.

Relatively normal as a parent compared to those in Gundam.

When I went from being nervous trying to get the kids to forgive me to speaking in a way that felt like I was hitting Seabook’s butt, it made me realize (Ah, I’ve really become a proper mom).

Probably a fairly decent person among the main character’s parents.

I wonder if it would have become a story with parents accompanying if it had continued.

In Tomino Gundam, it’s about the stepmother of Bellri Academy.

I’m just a person who loves work too much, so I’m not a bad person or anything.

Well, what is it, ma’am?
Are you saying that it’s okay for anyone other than children to fight and die?

I love the ending of F91! There’s no need to compare it with others.

When I remembered playing with string figures and found out my son was riding in the F91, I got angry, but my love for the kids is undoubtedly strong.

I’m in shock after hearing that my child was fighting in F91.
So, if another kid was fighting, is that okay? That kind of mean retort makes me even more flustered, which is pretty typical for a parent.

I was a workaholic, but that doesn’t mean I lacked love.
I had my husband’s permission, but that doesn’t mean the children understand.
I was researching weapons, but I don’t want to kill people or wage war.

I really like that finger knitting serves as a metaphor for connecting people.
I want a contrasting Rafflesia, it’s gross.

The ending of F91 is incredibly satisfying as a standalone movie.

If the Rafflesia appears and the end roll happens, it definitely leaves a different impression.

“Who else but you can care about that child?” I like the way you say that.

Bugs are spreading baby bugs.

The camera and sensor are both broken, and even with the bio-computer and NT sense, it’s no good, so the chance of flowers flowing in unexpectedly is nice.

By the way, I wonder if there have been any interactions since I became a baker.

By the way, what happened to my little sister after the movie?

Sheebuku’s father passed away, but in the end, they were able to reconcile, so I wonder what will happen after that.

It’s probably his girlfriend, and being able to care about his well-being and encourage him skillfully must be a part of his natural personality.
It’s just that I’ve only shown it to Liz.

I like that both Dad and Mom are just ordinary good parents.
I like the vitality of Dad, who, although worried about Seabook being alone, ultimately doesn’t stop and goes together to search for Cecily.

When I was a child, the ending was boring, but after becoming an adult and having seen most of the Universal Century series, it’s frustrating that the way they used Newtype abilities in the ending was the most positive and the best.
The works that resonate with children didn’t reach me, damn it…

I think F91 has the most beautiful cohesion as a theatrical film.

Huh!? Even though I just dealt with the Iron Mask, I’m still going to fight the Crossbone Vanguard!?
Is there really a need for more military power than that?

Mr. Topichis is still being made to fight even after turning 60.
I think we can embellish Mr. Kinkedu’s story more.
Before the bakery, you know.

This is just the beginning…

The story of Sabine is also half-hearted in the movie.

Although the Rafflesia and Iron Mask have been sunk, the reinforcements from the Federation are being beaten back from the moon, so it seems the situation remains advantageous for Crossbone and the discussion is over.

When looking at the power dynamics, it hasn’t ended, but as for the story, I think the core is about how the refugees escape from such conflicts. I believe that part has been properly resolved.

Are we also planning to become bugs?! …Then at least let one refugee boat go.
I really liked Zabine, though.

Well, it seems that the refugee was also let through thanks to Zabine’s oversight…

It’s a story that can pull strong characters like the Iron Mask, and it’s true that they can bring out a boss like Gimm Ginganum in the fourth season of Turn A, so I think they can handle it any way they want.

There’s going to be an F91 screening in Fukuoka next month.
I know the story, but I’ve never seen the movie, and I’m currently living in Hakata, so I might go check it out…

By the way, I did repair the F91 after that… right?

Since they are probably being used thoroughly as the main force of the resistance movement…
If there were a spare unit at Sanary, there might be a possibility of switching, but I wonder how that would be?

Zabine is still alive up to the present, so at the time of F91, his survival is confirmed, but was he originally supposed to die as the final boss?

Looking back, it’s really impressive how Cecily and Seabook were able to completely communicate with just “kypin,” without any actual conversation.
It might be a scene where thoughts, feelings, and intentions are positively connecting through a casually precious NT sensitivity… The content is about handling the Iron Mask, though!

“Don’t lay a hand on civilians!” Dreyl Ronah was saying that at the beginning of the invasion too.

The early war scenes are intense, but honestly, is it necessary to depict them in such detail? I find the editing related to Anna Marie to be quite dizzying as well.
In the end, it’s a movie where the two are united in the middle of space, with an eternal wind flowing, and it concludes with a good atmosphere, so it’s all good!!

It was destroyed by Jupiter, but
Was that character one that would collapse under the contradictions of aristocracy while doing the main story?

I think there was a plan to transfer to F92 midway, so there’s a possibility that the switch was supposed to happen right after the movie?

I think it’s something that should rather be depicted, showing the citizens being tossed around in the early stages of F91.
I feel that the element of betrayal by the enemy was prepared to create the motivation for the actions of the resistance movement group, specifically regarding something around Anna Marie.

So, is it okay if it’s someone other than your wife or son?! The soldier pressed on, and I thought…! No! That’s not it…! It’s true that, in terms of logic and reason, that makes sense, but also from a mother’s emotions.
In some cases, it’s different when weapons are made for those who have become soldiers or pilots prepared to die, compared to a regular student son being casually sent to war.

It seems that Anna Marie either developed a desire for a sequel or lacked the determination to cut elements out.

Hey hey
It’s tough reading the F91 prequel knowing Arthur dies.

Rather, it seems like a scene that reflects the mother’s lack of confidence, as she can’t argue that it’s okay to let her son die just because he is her son.

I was taken by my parents because I wanted to see the SD Gundam that was showing at the same time.
Because, you know… it’s Arthur, right? It was a shock to my childlike heart.

It’s a super boring scene, but I like the part where they look up at the sky and crash into a scooter, falling over in a dull way.