
I have the impression that there were quite a few stories that ended normally with success or abruptly cut off.
I wondered if that was the case, so when I opened the image, well, this is amazing…
I understand that it’s not good because I don’t know the ingredients.
Wait a minute for the arrest!
Did you not inspect it before selling?
When it comes to brewing beer, the impression is too strong that it’s a gathering to pour beer on the ground.
The smuggling organization is so well-crafted, but it’s surprising how much the approach to depicting alcohol production varies.
I couldn’t help but laugh at the image of drowning in alcohol.
I got a job at an American company, but it was too free and threw me off, so I came back.
Selling food with unknown ingredients would violate the law…
The flow of ending the conversation this way is nice, but…
So messy…
Is it okay to create something that looks non-alcoholic in this context?
Wasn’t it enough to have a simple ending like alcohol being involved or something like that?
I have a memory of talking about creating new strawberries with Hojo and that the development funds obtained through deception were also returned, resulting in everything ending normally without any issues.
There were commercials that prioritized impact over content…
Sapporo’s Hard Beer and UCC’s Jolt Cola…
In the end, I tried to make it a twist with alcohol, but it seems like the editorial department rejected that result.
It’s possible that the idea I was thinking of using as a punchline might seriously anger the industry, so I decided to keep it shelved.
If it’s below a certain decimal point, it’s non-alcoholic, so if you mix it to the limit in that direction and then get scolded for crossing the line normally, it wouldn’t lead to this kind of situation.
Don’t put a mosaic in strange places.
When you think about it, discussing non-alcoholic beer and minors in a boys’ magazine is a really risky line to tread…
I was wondering if it was okay since they were doing things like kids’ beer and champagne.
Don’t arrest me just for the sake of it!
It feels like I’m going to die from nostalgia as characters like Totsuka naturally come together… but that moment was the punchline, and it ended without any further excitement.
Jump is the largest manga magazine and has become something that people of all ages and genders read, so there’s a need to play it safe.
It doesn’t matter! No, it’s that it doesn’t matter! That’s something that concerns me a bit.
With nearly 200 volumes, some stories ended because it was a good stopping point, but there were also limits.
It’s been terrible since the Katsushika police station took the shape of a rabbit.
The story of making a fortune with a pencil drawing created by trivia is ridiculous, right!? My argument about how abstract art is overly praised was too prominent and resembled something in the thread image.
Around the time it exceeded 100 volumes, the abrupt endings increased, and by around volume 120, the forced endings became more frequent.
In other words, the personalities and accumulated settings of the characters up until now have been too conveniently shattered.
You can’t squeeze out infinite ideas from one person’s head, so it can’t be helped.
It’s a legal high, not just alcohol.
Isn’t the background too sparse for the 6 pages?
In the past, it seems like face comics would have been mocked.
Is this how it always was…?
In the past, my assistants often participated in brainstorming sessions.
As soon as the enthusiast’s assistant disappears, the enthusiast topics suddenly stop appearing in the manga.
Speaking of which, what happened to the works after KochiKame… are they still ongoing?
Isn’t Nakagawa’s face too close in the upper left?
I somewhat feel that I made a mistake in choosing the material from the start.
Reiko’s rough expression of sympathy, saying “That’s kind of sad,” is subtly affecting.
But as we approach the end, it suddenly becomes careless.
I couldn’t help but laugh a little at the gap from the usual stories.
The facial expressions at the end stage are intense…
I understand the feeling that since it’s non-alcoholic, it should be okay to drink it more casually.
I thought that bomb drop twists might feel more stale than before, and I wonder if the author’s excitement has diminished compared to the past.
It’s true that compliance is becoming stricter year by year.
I feel that the idea has become stronger than before that if Ryō-san is only engaging in actions that aren’t out, there’s no need for punishment, right?
Not knowing the ingredients is a loss for humanity… Being caught based on emotions without any laws to regulate it means that the law is losing too, so isn’t this a complete defeat for humanity?
It’s something like a legal high drug.
Since the pieces became three levels, the hit rate has decreased.
The conversation lost its sharpness.
In the end, there were stories without any punchlines, so it must have been really at its limit.
For now, I was arrested, but quite a few people are…
“It feels like they’re thinking ‘It’s this guy again.'”
I wonder when the pot’s thread became total crap.
At first glance, it can be hard to distinguish between drinking and driving, and if those enforcing the law say it’s a hassle, I can understand that point of view.
In the latter part, Ryo-tsu sometimes seemed to go back to being fond of alcohol, but usually he didn’t drink much.
I don’t remember reading it. Which volume is the thread image included in?
I think it’s enough to just pour it from the beer can into another container…
Well, it’s Ryo-san who’s arrested, so it’s fine…
It’s a punchline that can only happen because the reader thinks so.
Kochikame was on the same level as Waratte Iitomo in my mind.
It’s unnatural how the conversation suddenly switched from non-alcoholic drinks to energy drinks at the end.
The punchline is too careless…
Was it around 120? There’s a development where the chief and Nakagawa forcibly impose punishment on Ryotsu, who is still just greedy and hasn’t committed any crimes yet.
As a reaction to that, Ryotsu has been continuously succeeding, resulting in stories that especially have no punchline…
It seems there was a demand for a transparent juice that looks like water in the office.
Isn’t there a demand for non-alcoholic drinks that don’t look like beer?
https://shueisha.online/articles/comic/253766
The episode is just out, and it’s magnificent.
>https://shueisha.online/articles/comic/253766
Success! It’s seriously funny how we’re naturally transitioning to massive production from that.
You know… really…
It’s funny that Nakagawa is also diligently investigating and solidifying the evidence.
In the latter half of Kochikame, there were times when the pillow-related parts felt too lengthy, making it seem as if the episodes were splitting apart.
I really like stories from the time when personal computers started to become popular…
It seems that I couldn’t make a story about the danger of getting drunk on a new type of alcohol mimic that doesn’t trigger alcohol tests.
“Arresting someone for now is amazing…!”
For now, is there such a thing as an arrest or something like that?
I think caffeinated drinks are doing well.
You forced me to wrap it up, huh…
It’s not something you drink for the flavor.
If it’s really delicious, kids should be willingly drinking non-alcoholic drinks.
Coffee and alcohol, in the end, feel good because they’re associated with dependence…
I can’t sell it in the first place…
It’s just a bad image, so to be honest, I understand.
But I heard that non-alcoholic drinks can actually have a little bit of alcohol legally mixed in, and that makes it really annoying.
It can’t be helped since it’s such a ridiculous thing that it seems you can represent it as 0 if it’s below a certain percentage.
It’s better to understand it through the analogy of a Japanese sword and a toy sword.
A few years ago, when a convenience store tried to sell beer using a beer tap like they did with coffee, they faced opposition and it fell through; that really was a ridiculous event.
It was claimed that it encourages drunk driving and drinking on the street, but those who want to do that are just buying canned beer and drinking it normally.
It really is interesting, the meeting where we spill beer on the ground…
It’s actually enough to make the product look more like a soft drink rather than beer, just like ginger ale does.
>https://shueisha.online/articles/comic/253766
There are people who have made sake from California rice! The actual ancestor variety was brought over and is Japanese rice.
This is something that is grown in Japan for sake, so of course it can be done.
If it were a story about handguns, it might have been easier to understand.
>https://shueisha.online/articles/comic/253766
I feel the times when throwing away blended rice.
I was disliked, wasn’t I?
I think the part about the moonshine is honestly a bit weak, but everything leading up to it is interesting.
>https://shueisha.online/articles/comic/253766
I can’t see.
It’s pretty vague, but it seems like I’ll get drunk anyway.
If it is said that there is a problem before the item, then that’s true.
It’s not good to be intoxicated by some kind of chemical substance.
I guess the sword with the circle on the second page is also no good…
It’s amazing how they brought the twist in on the last two pages.
Were you planning to drink it all until you made 2 tons?
It’s non-alcoholic, but it brings the feeling of being drunk; it was brought to the forefront with Honda’s mistake of including a drug that shouldn’t have been there…
It was a story that seemed like it was about stopping with just a little bit of medication.
It’s not non-alcoholic, but rather a legal alcohol…
Being recognized by the department head as a liquor… it’s quite a bummer…
There is also interaction with actual editing.
I think it ended up being a confusing conclusion of “not knowing the ingredients at all” instead of alcohol.
The design of the non-alcoholic beer can is also meant for the feeling of “drinking.”
If you sell this in a can with a design like juice, the contents will be non-alcoholic beer! But…
I wonder if children will feel good drinking it too.