It’s an interesting lineup.

Was there already a risk of unauthorized reproduction and broadcast screening around this time?

I’m curious about Akira Toriyama’s manga.

It’s January!

I don’t know, but it might be interesting if I read it.

Kojirou of Fuma has an atmosphere that seems familiar from an anime I’ve seen.

I feel a sense of foreboding that rivals the dark times we’ve experienced before…

As for the future of the people who are drawing, that’s a different story.

This is going to be discontinued soon.

It seems like a sequence of sentences that resembles a gravure by Masami Kurumada.

>>15

It existed.

I only know three manga artists…

Escape was included in Toriyama’s short story collection, but compared to other authors from the same period, Toriyama’s art skills were truly high…

>>18

It seems that Mashirito saw the post and immediately thought, “If I decide what to have this person draw, they’ll definitely become successful!” and encouraged them a lot.

It seems that Toriyama-sensei is already selling well, considering it’s featured on NHK and such.

Is this the correct answer?

I borrowed this from an individual site, but this is what the January-February 1982 issue looks like.

There were ads for items on the back cover that nobody would buy back then…

>>22

Well, this kind of shady feeling makes me feel like I’m reading a manga magazine.

>>22

Normally, it was listed for sale in erotic anime mail-order, right?

>>22

Now it’s only featured in lucky charm necklaces or pachinko magazines.

Is a special issue positioned like Akamaru Jump?

>>23

In front of the red circle are titles like Spring or Summer, and the thread image is just a little before that.

Even just in profile, the drawing is incredibly good…

Tanimura Hitoshi?!

The girls drawn by this Akira Toriyama are cute and nice.

Masami Kurumada has always dressed in a white suit like this…

I’ve only heard of Kojiro.

Aro Hiroshi was in Jump!?

There is nothing but the image of erotic manga.

>>31

I’m a main member of the monthly magazine.

>>31

It’s Monthly Shonen Jump, but Yu and Mii were quite pushed, you know.

There are only 13 volumes, yet it’s 428 pages long…

Tanishi Hitoshi from when he was still properly drawing manga.

>>35

It seems like I’m not really writing properly now…

>>40

If you compare old manga to pachinko manga, you’ll be shocked by the difference.

A manga packed with American travel, horseback riding, and shooting has recently been decided to be adapted into an anime…

>>36

It was indeed Araki-sensei for the outlaw man.

>>89

Thank you…

It feels like a lineup on the eve of a hit.

It felt like a newcomer that Teacher Saru was looking forward to.

What is this on the left page?

>>41

Until around the mid-90s, the inside cover of Jump was a mail-order page.

>>43

The lineup being sold is way too mysterious.

>>49

Is that so?

The upper half is made up of “name neko” goods, so it’s simply what’s trendy from that time.

The lower half feels very much like something aimed at otaku, like an American police officer’s badge.

>>43

It’s absolutely easy.

At this time, Araki-sensei is 22 years old.

I just graduated from a vocational school.

By the way, if you tweet about Professor Arohiroshi, your wife will notice it and like it.

done

That’s the year I was born.

It’s a relatively recent one, isn’t it?

I only know about the revival version of the Namneko (cat) but it has existed since around that time…

I thought Hitoshi Tanimura was the person who made pachinko manga… I didn’t know he had a serialized work in Jump…

That poison uncle was once a Jump writer, you know.

>>52

Isn’t that… some kind of mistake?

>>52

I thought they were a flying couple, but that was a magazine.

What are the Jump works of Poison Uncle?

I see… I guess the current people in their 20s don’t know the shady ads on the back covers of Jump anymore.

Illegal copies of Famicom… Was it the Magic Computer, the predecessor of the Magic Card? There were ads for it, right?

>>56

I have a memory of seeing modified data for the PS1 being sold, so at least in the late 90s, this advertisement was still around.

Hitoshi Tanimura said he was in charge of Mashirito.

Is it the one that has a mosaic remover machine?

Gravure Masami?

Next-gen teacher is in front of the Mechadoc.

After this, I came out to Tokyo and kept switching cars.

It’s said to be the origin of love comedy manga in boys’ magazines.

So the poison uncle has been writing since the 70s… what an incredible veteran…

>>65

Now

sara

It’s hard to imagine Itabashi Shuho as a jumper.

>>66

Whenever topics or screenshots from the ’80s Jump come up, for some reason, the name Itabashi Shuho often appears with high probability…

When it comes to Jump advertisements, it’s completely the simple Bulwarker.

Masami Kurumada is after Ring ni Kakero, but other famous authors haven’t produced hit works yet.

>>68

I think Dr. Slump was already a major hit by 1982.

Also, it was a time when the Kimen group was getting on track quite a bit.

Shuho Itabashi, who was in charge of character design for Toei Spider-Man and Battle Fever J, is here.

It’s a manga that the people of the Kimen group don’t know about…

It says that there was a top runner, but at that time, it seems like Champion, Magazine, and Sunday were selling better…

Kimiya Yanagisawa is famous as a pioneer of romantic comedy in boys’ magazines.

It was a jump long ago.

I’m also curious about the Sunday Champion magazine from the same period.

I think Sunday made a rapid comeback, but in the end, it didn’t overtake, right?

>>78

Is it because of Rumiko Takahashi…?

Is it the time for Aoi Honoo?

I remember reading something by Motoki Niizawa, so I think it was included in a short story collection.

It seems like it’s all one-shots…

>>80

I thought it was because it’s a special edition.

Excuse me.

Is it all read?

It seems that the issue featuring Fuma no Kojiro was included as a prologue before the serialization.

Considering the current GIGA’s predecessor, isn’t it strong that there are still authors who can be recognized?

That’s amazing, I don’t know a single one.

More than half of them are easily still active as writers.

>>86

Tori, you left us too soon…

It seems that Mr. Niizawa can no longer walk without a cane.

>>90

It’s terrifying that the injury to my waist from when I wrestled with friends in high school later became a ticking time bomb…

By 1982, the Arare-chan anime had already been made.

>>87

Well, the fact that they’re talking about NHK shows that it stands out that much.

Toshiyuki…

I remember reading Escape at the ◯ theater.

I feel like I read Fuma in a paperback.

Others know the author, but not the manga.

It’s been a little over 40 years since I said that, so at that time, the young people were around 60 years old.

Mr. Kurumada is over 70.

Are there still special issues like this in the magazine?

Has it been replaced by Jump Plus or Rookie?

I didn’t remember the escape, but when I looked it up, I remembered.

It’s the story where a girl, after desperately fleeing from a giant beast in a serious tone, finds out it was just a game of tag.

Even in this era, I was able to become a manga artist living in Fukuoka.

>>98

Wasn’t the person from City Hunter like that?

>>100

My hometown friend and Professor Tsugihara also said that.

>>98

If anything, Araki-sensei is probably still living in Sendai these days.

>>102

Mr. Akira Toriyama also resides in Nagoya.

Mashirito threatened, “If you miss even one issue, you’ll have to move to Tokyo,” and apparently they never missed a single one.

>>105

That said, when I occasionally come to Tokyo, I play at the arcade all night with Sakuma and others.

When I return to my hometown, there are no game centers like this!

>>108

It’s such a relaxed era for the Entertainment Business Control Law.

>>111

I remember that around 1987, regulations were imposed, and a writer from Beep Magazine related to arcades was outraged, saying, “The Entertainment Business Control Law is a bad law!”

>>117

I understand how you feel, but since the kids are always hanging around, it’s only natural that it would be considered a bad thing.

>>105

But it’s not often mentioned, but it seems that I can’t draw more than 12 to 13 pages per episode.

The Dragon Ball volumes always had a larger number of episodes included.

>>98

Long before this, Yoshinori Kobayashi also lived in Fukuoka for about six years while serializing in “Tōdai Icchokusen” since his debut.

It used to be released on Tuesdays…

I only know one person these days who would probably allow a 61-page feature in a weekly magazine.

I’ve heard the names of the ramen shop magazine, the manga club’s Sunday, and the overhead rack’s Jump; is this from that time?

There was also a drama version, so not knowing about Kazukoji is pretty typical for middle and high school students.

>>106

Dramas that are not from a key broadcasting station seem to have low recognition…

If you drop it, I’ll call Tokyo! Toriyama-san, who was threatened by Mashirito, never dropped it for life.

When it comes to Sunday, I have the impression of romantic comedies and fantasy stories.

It’s only Kurumada-sensei.

Could it be that this is the generation in the gap?

It seems that back then, Tori used to send manuscripts to Tokyo by airplane.

There are quite a few unpublished works by Toriyama-sensei…

Escape is in volume 2 of ◯ work.

Mashirito was reportedly famous among drivers because he took a taxi to the airport every week to pick up manuscripts.

The self-portrait of Mr. Saru doesn’t look much different from the real thing!

It’s a good era now that we can instantly deliver documents from anywhere in the world, not just domestically.

Although there was a fax, it is said that Dr. Toriyama refused to purchase it for a long time.

I heard that Cooking Papa has been drawn in Fukuoka for a long time.

Toriyama and Kurumada are not to be mentioned in addition to Niizawa, Tsukihara, Itabashi, Shuho, Arohiroshi, and Hirohiko, and there is no doubt that there are prominent authors among the majority.

It’s all manga that famous writers don’t know.

>>124

Let’s include Hitoshi Tanimura too! He’s famous for bad reasons, though!

I want to try reading “Kumagari”…

I actually haven’t read any of Araki-sensei’s one-shots before Ailin.

I wonder if it’s interesting.

Perhaps it’s because it started with a similar gag (comedy) manga feel as Dr. Slump.

Dragon Ball itself has slightly fewer pages each week compared to other serialized works.

Why has it been serialized for over 10 years but only fits into 42 volumes?

Nishimajin’s manga “Kumamoto Ken” seems to have been canceled and no collected volumes have been published.

The others are people who have published some sort of book.