Did I have any scenes in episode 2?

Even though he’s the main character, he’s the most mysterious one.

The beginning is kind of like episode 0.

If the script hears about Nyaan, they’ll be like, “What is this guy…?”

Nyaan is a director who only says “Nyaan.”

Understanding the motivations of characters in shows like FLCL and Tengen Toppa Gurren Lagann becomes clearer after the middle part.

Unreasonable demands stemming from an absolute trust in Tomoyo.

The early Amuro and Kamille were also incomprehensible, and that’s because they are sequel characters.

Yes, no good, do it again.

Totally unacceptable, do it over.

I wonder why? I wonder what it is? Should I stay behind?

Hmm, should we start over from the beginning?

When I was younger, I had this urge to just start running without any reason… ?

I wonder if they knew the character background during the beginning or in the first moments.

Even though there are only 12 episodes, I still don’t understand much from the advance viewing.

Is this okay?

Why is it bad to hit?

Is there a performer who has become proficient without ever being hit?

It’s quite challenging to have to face the dubbing process while not being informed about the character’s details, to the point where even the actors say there is no right answer, and they have to figure things out through trial and error…

The main members seem to be somewhat unclear…

The third episode has ended, but it really still feels like a prologue, which makes me a bit uneasy.

Marchu Marchu Marchu!

There’s also a story about how I played it without knowing it was Seabook…

I think it might be righteous indignation.

Born in a colony and raised in a colony, everything feels artificial.

Seeing real pain being trampled in the slums moves the body; that’s a Showa hero for you.

Is Machu a character that’s hard to grasp?

Aren’t they just students who are bored with their daily lives and seeking some excitement?

Well, Gundam is an anime from the Showa era.

This production is indeed carried out by the contractors of the Showa special effects revival.

Aren’t performers told the story up to the final act so they can grasp their characters and act them out?

Asran was not understood by Ishida until he did FREEDOM.

Isn’t it contradictory to be manish and coquettish? Which one takes priority?

No, it’s mannish and coquettish.

It’s surprising that something like that can happen even to someone who isn’t a newcomer.

The erotic popularity is crazy, isn’t it, Machu?

Camille is eccentric, but their words and actions are easy to understand.

Machu is sparkling, that’s all.

I would understand if you said you wouldn’t tell me things that Machu himself doesn’t know.

I’ve heard that the dubbing for the works of Oharu is quite rigorous.

I don’t know if it’s a continuous two-cour or a split two-cour.

Freedom has become significantly more dramatic and easier to understand since the enemies are the transcendent ones and the protagonists are inferior.

Because it was the opposite until now.

If you deliberately didn’t tell me because you want to capture my first reaction, I guess that’s fine, but there’s no way you haven’t actually decided how it ends, right…?

It seems that there was only an explanation that Shadique also had some painful experiences that made him somewhat of an orphan…

It’s okay, you’re doing well…

I feel a sort of anger towards the one-sided oppression, and I can only say that I really still don’t understand it well.

Aslan is always angry, isn’t he?

There are certainly some serious stories that the person doesn’t know about, but there’s knowledge and ways of thinking from their perspective, right?

I wonder if they won’t teach you that.

“Complete packages are just delivered by the time the broadcast starts; it doesn’t mean that all the animation and scripts are finished before the voice recording.”

I feel a kind of vague unease when diving into the upside-down pool.

It must be difficult for someone who immerses themselves in their character to perform a role they can’t understand.

Kira: Worries

Aslan: Hesitation

Shin: Anger

I think so.

In works where the main character’s personality drastically changes in the final act, it can become a source of acting noise.

I wonder how the Land of the Gems was.

Anime is primarily recorded with everyone gathered, so there seems to be a lot of coordination regarding information.

Since the game is recorded individually, there might be parts of the story that those who are not playing the main character won’t understand.

Macky is the same, but Sakurai saying he doesn’t understand his own character with high probability…

You are the voice for that kind of role.

The image of Sakurai’s character is that of a con artist.

In a way, the Attack on Titan’s Eren was like that too.

Hiiro is always like, “I’m going to kill you every time there’s an event,” so that’s why it’s getting exciting… that’s Griliba for you…

It seems that during the audition phase for Fosu-kun, I was set to play Fosu, but I was wondering which of the gathered people would play which roles.

At the moment, I can only say it has the impression of a Gainax-style Gundam.

It seems that when you become a veteran, you can find a way of acting that works no matter how things go.

Well, Machu has intense emotional ups and downs, so it seems difficult to grasp their character.

Even though they have a sense of common sense, like being concerned about their mother or curfews, there are also reckless and thoughtless aspects, like getting involved with the military police.

It seems like the character Amiya from Arknights has also made comments suggesting that she has grasped quite a bit through the anime.

If it’s a long-term series that runs for several seasons, it’s one thing not to understand the personality yet, but I do wonder what they plan to do about the mysteries given that it’s currently only 12 episodes.

I guess they will delve deeper into what kind of character it is from now on.

It might not happen.

Even if you’re grabbing the character, you’re still a Newtype, huh?

Shuuji is also a mystery, and Nyaan is Chikawa, so I don’t get it at all!

The simplicity of the Zeon side makes the main group feel even more like “What is this?”

Director Tsurumaki himself is making a TV anime with 12 episodes for the first time in his animator career, so I really have no idea how it will turn out.

They’ve only made a maximum of 6 episodes as an OVA.

For the viewer, since it’s an NT girl, it can be seen as eccentric and that’s just how it is… but from the perspective of the one acting, it becomes completely incomprehensible…

Unlike Zeon, which has an original source, Machuside is completely original, so…

Perhaps Shuji is also thinking, “What is he saying…?”

It seems that even a great veteran like Toshihiko Seki can’t find a foothold if he can’t understand a character’s thoughts or feelings, so it can’t be helped.

It seems that it was Muzan-sama who couldn’t understand.

I’m trying to fit in with a modern perspective as much as possible, but I’m an eccentric girl.

The voice actor for Eva was probably thinking the same thing, so it’s safe!

There are protagonists in anime and games who don’t really know what they want to say, right?

I understand the desire to see the power of Tomoyo Kurosawa when she gets into the zone.

(I don’t really understand, but I heard Gundam is saying this…)

An anime that seems like it will come to an end pushed through with momentum and enthusiasm.

Aren’t we just attracted to something that releases us from the moratorium of adolescence?

I’m really an actor.

They’ll probably do the recording from episode 1.

Shuuji is probably thinking, “What the hell am I saying…?”

As expected, I’ve received an explanation about the relationship between Shuji and Char.

I like the appearance of Machu, but I don’t know anything about their character for now.

A girl from a wealthy family, unaware of hardship, is currently playing around in the slums, complicating her moratorium while thinking this is not where she truly belongs.

I don’t really understand Sasuke, but I understand the work NARUTO, so I think it’s quite unusual that Sugiyama-san was called to the studio even during times when he didn’t have any scenes.

Ishikawa-san was holding his head in frustration, saying he couldn’t grasp the character of Itachi until he died!

Because I’ve seen it many times in movies, it no longer feels strange.

It looks stronger over there! In the clan battle, it’s like, what is this guy saying?

You can understand it intuitively and act on it, but the performer is not a Newtype…

I wonder if it can be wrapped up in 12 episodes…

It feels like I’m just kind of going with the flow for now.

It is true to say that it is age-appropriate, but…

Aren’t there many Gundam protagonists who make you think, “Who is this guy!? What does he want!?” throughout the story?

I understand that you are seeking the extraordinary.

Deviating from everyday life to gamble is really risky…

I’m saying that I want you to apologize persistently for breaking my smartphone, but when I dropped all of Shuji’s possessions, there wasn’t even a single “sorry,” so I guess that’s just the kind of character he is.

Is your head a Bren Powered?

Veterans just need to perform as usual to please the audience.

Sorry, I don’t remember.

Aslan is really easy to understand, right?

I wonder if the confusion in “Seed of Death” made them anxious, as they are stating it as an answer.

It’s the same as how hippies get hooked on LSD and Machu gets hooked on sparkles.

Aslan is somewhat understandable, but the output is strange.

Sakurai was thinking about McGillis enough to divert from the topic on the radio.

There are various types of actors.

Types that load settings and have frequent meetings with the sound director, or wait for characters to come to mind, or explore characters by counting steps while walking down the street.

In the next interaction with the Earth’s witch, if something doesn’t become clear… I really won’t understand.

It’s the same even with regular movies.

The director wants the performance that he thinks is good to be delivered.

The sense of achievement for the actors doesn’t matter.

The psychological background depiction is weak for it to be called a moratorium of adolescence.

What will happen? Well, I think it’ll turn out somewhat like FLCL.

Tomoyo seems to be more lively when she is acting with other characters.

Anxious information keeps coming out.

Was that information listed somewhere?

The dubbing started last year and it seems to be finished after once a month, so whether they do a second season or not, I think it will be quite a while.

The split second season of Gundam is only for Mercury, so I don’t know if there will be any advance notice.

I’m too worried to let the director handle two cours.

It’s a bad habit to make others act without any explanation.

It’s funny that they’re already thinking about the second season while still not knowing how this one will end successfully.

I remember hearing a story about how the person behind Kycilia in the original Gundam cried during the recording when she was younger…

To me, she just looks like a cute, unclear girl with a nickname and a blank stare, so show me the rest quickly.

Well, it’s still the third episode, but I feel like they should focus more on developing the characters of Zieg Aexus rather than just dealing with Char and what-if scenarios from the First era, which has been a sentiment I’ve had since the Beginning.

I thought Sleta had some mysteries, but in reality, she has a pretty ordinary personality and is the type where the setting around her is overly elaborated but not particularly useful.

I only did 00 and Mercury for the split cool, but both of those were decided in advance to be done as split, so that’s a different story.

It seems like you might be the type of actor who understands things through logic, and maybe you’re just not suited for this character in a simple way.

We won’t know what will happen in the future unless we wait and see.

There is also the issue of Mercury fading out like the way Suletta interacts with her mother, and this anime might end without addressing the internal conflicts of Zeon at all.

It’s still only episode 3, but a quarter of it is already over.

In the first place, children themselves do not understand themselves.

Please make it feel like Cyberpunk 2077.

There are times when FLCL is regarded as eccentric.

The story is incredibly well-structured like a perfect student.

It’s the type that definitely scores above 90, but won’t get 120.

Right now, my biggest concern is how to involve Nyaan from here on out.

In terms of personality and context, that guy is already in a position where he can say goodbye and end things after having settled the payment.

It is possible to add some sort of acting just based on the atmosphere of the place.

If you’re not careful, there will be discrepancies in the continuation of the story.

The flow and context are important when performing.

The movie part is over; now the real show begins.

But is it really okay?

The way to call someone “Tomoyo-sama” is really creepy. Where did that come from?

Doesn’t it feel kind of like that with Iron-Blooded Orphans and Mercury?

Child actors, unlike those in the snack industry, tend to be quite strict about their output.

Wanting to go to Earth is still a very vague goal at this point, and it seems like it will solidify by episodes 4 or 5… It will solidify, right?

If it’s four cours, that’s one thing, but not being able to present an acting plan that can be explained in advance in just one cour is quite something.

If there are episodes where actors are genuinely surprised and reaction shots are taken, like in Hollywood movies…

“So that’s why it’s so realistic,” which leads to a positive reaction.

Why do you want to approach the conversation from an actor’s perspective when it comes to voice acting?

I’m an uncle, so I don’t quite relate to this protagonist right now.

I wonder if young people can empathize.

Machu and Nyaan from the ED are too cute, but I can’t imagine the main story having that kind of atmosphere.