I want them to cover and stream some popular songs from Bandori.

I thought sumimi was strong after watching the joint live.

With this, having a personality similar to Ayane-chan and being able to smartly assist a partner is just too strong.

If you think about it calmly.

A fierce competitor who has won consecutive championships in the singing contest.

I wonder where Hatsune’s singing ability, which is on par with others, was developed…?

>>7

Besides not being mentioned, their skills in theater are also high, right?

I want to be seen as a threat by the members of Paspare.

Isn’t it unfair that, despite being a hidden child, I’ve been raised with care and have a good-looking face, a great body, and musical talent?

Treated as a top idol in the story.

It was just as you said.

Hey, isn’t Sumimi’s success just a misunderstanding by Hatsune due to that annoying old man’s pushiness…?

>>14

I paired up the excellent Mana-chan for a push and sold them as a set, but it feels like Hatsune had an absurd amount of talent.

Moreover, he’s handsome…

In the director’s interview, although they mentioned receiving support, they also said that such success wouldn’t happen without considerable talent.

>>20

There is a limit to talent.

I like the way you call me “Ui-chan.”

Even if it’s Hatsune, it’s still Hatsu-chan.

Isn’t it amazing to win a karaoke contest in a world where girl bands are so popular that it’s beyond comparison with reality?

It seems like there are many participants in the competition.

A good-looking monster and a talent show monster!

Invincible.

That’s a combination that definitely sells.

Moreover, it’s subtly sexy…

It seems like the uimn faction and the doroob faction are really getting excited on that world’s bulletin board.

>>28

The Drummo faction also seems strong.

It’s a pair that was on the cover not long ago.

Uimana Restoration Faction

The triangle of Mana, Uie, and Saki is also acceptable.

The members of Musica should have all had a strong character vibe similar to Mana-chan during the MyGO era.

It might be better not to dig deeper to preserve dignity.

Idols are light, after all.

I thought there would be some conversation with Dromo in the void, but it was just Doro being teased by Amoris.

The end is the guillotine…

It’s understandable that the mob lesbians direct their hate towards Shoko, being compelled to indulge in the young lady’s whims… such overwhelming idol power…

>>38

Well, I thought you would know it as common knowledge, like something major…

When it seemed hopeless, I ended up singing the songs I like, didn’t I?

While I was playing with the unrequited love setting, I was so dazzled by Mana-chan that my brain melted, and I watched the main story with dead eyes, but I was purified at the live performance.

Dororis got flustered after being incited by Amoris.

Amodoro is also coming.

Oh, by the way, wasn’t An-chan fond of Shuka among the Sumimi characters?

I hope to see them have a role in the sequel too.

Aine-chan likes handsome guys with slanted eyes, doesn’t she?

>>46

Shiina…?

I also… want to have… cat-like eyes…!

Aine-chan, who has talent and isn’t a trendy follower, is the strongest character!

I wanted Aine-chan to sing for Tou as a way to cheer her up, so it’s natural to let Mana take the main vocal role.

Enhanced version of Aine-chan

The live performance of sumimi was really high quality, and it made me want to go to their solo concert.

>>52

There are only two songs…!

>>53

It must have resonated with you that Akane-chan is doing her best even when she makes mistakes or is vulnerable, right?

>>53

Are you referring to Anon-chan as being more aligned with the underground?

Protect from the indiscreet media.

I will put a stop to the rumors in the office.

Move is too handsome.

This is my Hatsune…

The unit that has seen a rapid rise in popularity over the past two days since the anime ended.

I definitely think there are a lot of haters.

>>59

It’s a request for disclosure…

Not just the singing, but the incredible performance that uses the entire large stage is amazing too.

“I won’t disband~” The elongated vowel mark is cute.

Among the big names, it’s the most unknown, isn’t it?

Even if Umine doesn’t like the band, the other three are quite famous.

>>63

If my background is revealed, it might be thought of as just the plaything of a rich young lady.

>>63

I think there are quite a few people who know about Umi-suzu since it’s a big girl band era where there aren’t many high school girls who do bands.

Among them, there is the wealthy Shoko who makes herself a goddess and turns other celebrities into knights serving her…

>>70

And to the goddess who receives the loudest cheers from the mob rez.

What is it? I’ll come out and say it!

It’s amazing how Sumimi makes us understand things live!

Obe treats the big-name four as knights who protect him.

There is the aspiration of a “yumejoshi” there.

What’s showing is Saki-chan’s body, right?

I wonder what Manasaki thinks of each other.

>>68

Mana-chan → Shoko is recognized just like a keyboard kid.

>>91

I want you to somehow sense the reason why Ui-chan returned to the island…!

>>91

Well, it’s not something others would understand, being the composer, screenwriter, and general director while living together with Hatsune…

If you think of yourself as a mob girl, isn’t the setting of Musica’s skit all over the place and meaningless?

It was a doll, but it became a god…!?

>>71

It seems that both settings are being developed in parallel since they were doing puppet shows in the Garupa after-story as well.

>>71

(I haven’t been to the previous performance before becoming a knight…)

Isn’t it great that cherries are their trademark and they’ve incorporated them into their choreography?

Two people, one, I am a cherry.

I feel sick that my favorite is being treated like a toy by a rich woman.

There is certainly a topic of conversation about her being the daughter of the Toyokawa Group!

Does that lead to a favorable impression as an artist?

>>75

There’s no benefit at all, so the only advantage is to hide it.

The reason Shoka was scouted just a few days after moving to the city has nothing to do with her background; it’s simply because there was an incredibly beautiful girl walking around town.

I thought they were formed through a coupling in the office.

Did Mana-chan say that she scouted Hatsune on the street? Fate…?

>>81

Did Hatsune get scouted because Mana-chan was looking for a partner herself!?

>>81

(Mana-chan introduced me to Saki-chan, huh? 💛)

>>81

According to Hatsune’s recollection, she must have met after being scouted by the idol agency at the audition!

>>90

It must be a misunderstanding… The one I scouted isn’t Mana-chan.

Scout from the agency → Is it the turn to meet Mana-chan at the agency?

That office is part of the Toyokawa group, so that young lady definitely has something going on behind the scenes.

If they really became popular by backing up and selling, talent agencies wouldn’t have such a hard time, would they…

>>83

To put it simply, there are probably a lot of other people who are backed up too…

The sequel could even start with a live scene of sumimi right from the beginning of the first episode.

It’s as impressive as when Lu Bu appears in the Romance of the Three Kingdoms.

Avemujica is a group of geniuses that only hangs on through hard work.

>>88

At the very least, Umineko is a battle-hardened effort monster.

It seems that Hatsune is also grateful to Mana-chan, but when it comes to comparing her to Saki-chan, everything other than Saki-chan becomes black and white.

“Shall we become idols together, Manato? That’s after being scouted by the agency.”

When Ave Mujica suddenly ended, Hatsuka was feeling down and was quite troubled due to work. I wonder what Mana-chan was thinking when she unexpectedly made a comeback.

If we limit it to the guitar, then Mutsumi is also an effort monster, but a type that doesn’t count effort as effort.

Big sister, give me Mana-chan.

>>98

To give.

>>101

This useless dog…

>>98

Mana-chan is not an object…

If Mana-chan picks Hatsune, she will become the strongest with the attributes of the person who found Hatsune for her.

I want a time when Mana-chan comes to the Hatsune household.

Even the gods seem to be pressured.

Mujika is the ultimate band I’ve created, being the daughter of a conglomerate.

I’m acting like a villainous noble lady!

Although Oto is a result of Kurumi’s efforts, I think it’s a bit different because she is also blessed with family, talent, and appearance, making her a music enthusiast.

If Shoko is the Demon King, then Mana-chan is the Hero.

I think there’s a tendency to believe that it’s natural to work hard on top of being a genius.

In that regard, it’s strange how quickly Hatsune and Aine-chan have improved.

Saki’s first meeting with the Hatsune family… I want to see it… I’ll watch… 💛

>>109

At night in the loft

It seems like there is a typo or some unclear text in the provided Japanese. If you’re trying to refer to something specific or need help with a different phrase, please provide that information.

Sound child

The movements of the office regarding the Musica situation are unusual, and it seems that they have a suspicion that the cause is Toyokawa’s influence.

To the mobs in that world, it only looks like a super wealthy young lady is using money to slap the faces of celebrities and doing whatever she wants with her family’s power.

>>112

Such mob lesbians tend to become fans of Obu-sama after attending a live event just once.

>>113

Bari Tachi Young Lady Anti Thread Part 1058

It’s fine that Shoko wanted Hatsune to get along with Mana-chan, but it seems like it will end with “Now, it’s time for work.”

>>114

It seems like you might feel a sense of indebtedness towards Sumimi.

I think that would be ideal while considering Hatsune’s burden.

The greatest light in the work

I can only nod at statements like “I’m moving around and pouring my soul into my singing more than anyone else.”

Mana-chan… Mana-chan… praising Shiyuzumun and doing a lesbian stroke on Obunon.

A woman called Riko Sasaki.

>>116

I feel like I heard them say it was unfair when Akane hugged Obu…

In the end, the great angel Manael was just a good girl.

Should I quickly scout a country girl from the countryside, who usually wears a plain t-shirt and a cap, walking in Shibuya?

>>119

Idols have an aura that can be seen, and that’s why they attract each other…

Saki→Hatsu really doesn’t give off any sense of wanting protection…

>>121

God feels like a parental responsibility towards the Mujikamen members, doesn’t it?

She must have been quite a beauty.

That’s why a mother who resembles that crappy grandfather would end up embracing it.

It is a fact that God forcibly resurrected him using the power of his bloodline.

If anything, it’s likely that the old man hinted to the agency to let him do what he wants, since I was allowed to use Hatsune, who is busy, with her consent through sumimi…

You’re all pretty cold when it comes to confessions, huh…?

In fact, the office cannot say anything to Shoko, who is now able to use Toyokawa’s influence, so it is not entirely wrong to say that they are doing as they please with money.

Dance is… really good, you know.

>>129

Hatsuka is holding a guitar, so their choreography is a little different, but it’s nice that they’re stepping to the same beat…

Hatsune is content just being with Shouko and doesn’t wish for anything more, so it is stagnant, after all.

After episode 13, I still want to upload everything, Hoshika.

For Shoko, it’s just an ordinary burden.

Stagnation is something that applies to the entire Musica, I guess.

I’m doing this because you told me to take responsibility, Oblivionis.

When it ends someday, I’ll be sad, but I’m sure I’ll feel lighter as well.

It seemed that God had become busier than before.

It ended brightly on the surface, but nothing has actually improved, has it?

>>136

It’s the fault of the god who chose the busy path of a top pro in that respect…

>>136

From watching conversations with Soyoto, it seems that the entanglements in human relationships have eased, but the entanglements in the Toyokawa family, which I can’t do anything about myself, still seem quite severe.

It seems that the office is not completely obedient either.

I have made up my mind.

Inside the music is mostly organized.

Well, it was Shoko who decided to take responsibility and bear the burden after all.

Shoko has made progress compared to when she broke away and fled during the mid-game.

As I mentioned in the interview, it’s back to square one.

There are almost no elements of growth or progress when comparing Episode 1 and Episode 13.

Returning to Mucchan’s personality is indeed in another dimension.

In the end, it seems that Hatsune is the one who gained… Did she also gain trust…?

>>142

I think everyone except Sakimutsu is benefiting.

>>143

I think Mitsumi is relatively benefiting from the perspective that her multiple personalities are improving.

It might be similar to how Kazumi, who could no longer sing, was able to regain her voice through the power of music to heal illness.

Even Yuutenji, who I believe is the least skilled, has some crazy talent for drums.

Shou-chan is the heir of Toyokawa, so there’s no reason for them to go pro.

I love bands, so I have a reason to do band activities.

>>145

In other words, there are likely things related to the handover of the Toyokawa family that has reached adulthood, and the limit might be surprisingly short.

>>151

Since I vowed to continue protecting Musica, I will probably make an effort to create pawns, including my grandfather who holds my weaknesses, so that I can manage while continuing with Musica.

I don’t know if I can win against the Toyokawa relatives half-heartedly.

“We’ve returned to the starting line, but that doesn’t mean that growth and struggles have been erased.”

That’s what’s great; it has an infinite variety of flavors.

It feels like it was originally depicted as suddenly going to Budokan or suddenly reaching the top.

It feels more like a defensive battle to avoid losing rather than to gain.

To be honest, it feels like the scenario is being pushed through by sheer talent, but that’s how stories that use music as a theme often are.

Nyamuchi gained some benefits, but also received a debuff that will last a lifetime…

It ended in just one episode as a band anime…

As a professional, the dome national tour is already over.

The crazy thing about Hatsune is that there are no depictions of her putting in any effort, which is a bit concerning.

If I’m not careful, my talent might surpass Yuki-na’s.

Shoko tends to be impulsive at times.

That’s because bulldozers can do that.

>>157

You have too much talent.

It’s really tough that the path to becoming the actress I truly aimed for has closed off.

My motivation is probably shattered, but I wonder if I can return to my entertainment activities.

>>158

Since you said you would bet everything on acting and music, you should be motivated.

>>158

I’m just normally auditioning in Garupa.

Of course, it’s falling.

Did I miss my chance to seize my dream and end up getting the yips, having no choice but to do music? Am I gaining anything from this…?

I still think it’s unreasonable for Sayoko to take responsibility and revive Musica after the breakup.

>>163

It’s a bit problematic for someone to think that way about Hatsune, who only shows her innocent side.

>>163

It’s said that both the creators and the performers have chosen to live in a way that intentionally wears masks.

>>172

I think it just expresses that continuing with Abemujika is that.

Well, interpretation brings out desire…

If it weren’t for Mujika, I would have succeeded normally.

Right now, Nyamu’s situation is quite negative.

If we defeat Mortis, we can go straight to being an actress through Minami-chan.

I am closer to being a professional actress than I was in episode 1.

>>170

In the first place, the perspective is so narrow that you can’t see other performances in the world, and that’s why you’re being criticized so harshly, right?

It may not be negative or zero, but…

It seems like there is a difference in feelings from Hatsune after all.

I have things I want to protect from the duty state in episode 10, reflecting on the conclusion of episode 12.

>>173

I thought it might not be impossible.

It felt like a god who, after all, kills themselves and carries Musica in Garupa.

>>179

You’re overanalyzing it.

>>179

I’ve never seen someone receive that conversation before…

>>191

Huh? The last line was exactly like that, right?

>>195

Are you serious…?

It seems like I haven’t heard anything from JR Central.

It’s a heavy burden, but it feels like we’re companions, right?

There are both positives and negatives, but even if you’re lost, keep moving forward.

The talent of Umitsu, which is never mentioned in the main story and only talked about in the background, has a narrative style that makes it feel like it just wants to convey “I’ve put in 100% effort” in a very obvious way…

>>177

The fact that Nyamuchiko developed that far in such a short period from the initial state is surprisingly amazing…

>>182

It’s like Pop from Dragon Quest: The Adventure of Dai, that growth speed.

>>177

I think the depiction of Umiri’s skills being incredible was relatively shown in the main story.

>>188

I’m talking about skills that are on par with those of a professional.

I’m not talking at all about whether that’s talent or not…

It seems that Mana-chan is putting on a performance as if she was born to live in the entertainment world.

It feels like it’s from a game about idols, like BanG Dream!

Even so, being able to keep up with Muzika is already enough reason for those who possess it, right?

Those who start the latest and can keep up to some extent are talented.

It is said that picking up Hatsune was due to a sense of responsibility and a guilt conscience, so at this point, I believe it definitely has quite a good impression.

I guess it’s a story about how things will change from here.

No one would think that the feelings directed towards Hatsune after watching episode 11 are nonexistent or negative.

It raises the question of whether that feeling is the same as the one Hatsune has towards Shoko.

Yutenji has been drumming for less than six months.

The theory that Aine-chan’s character growth speed is actually the most bugged out is a possibility.

It’s common in the industry, but no matter how hard you try, ordinary people can’t reach that point, so being able to keep up no matter how much effort you put in means you’re in the genius category.

Mizuki has been in a band since a long time ago, so the number of years of effort is different.

There are probably very few people who have played instruments with Mimeji since a long time ago.

Therefore, they all seem like kids who are just bundles of talent.

>>194

Regarding Muzika, the majority has quietly been the same since childhood at Saki Mutsumi.

>>199

It should be long, yet for some reason I’m being wrapped around by this talent.

Even if there are those who wholeheartedly bear the music as a god, saying that one kills oneself is quite an exaggeration, or rather, the words are too strong.

Damn it… If I could have drawn cards in Garupa, I could have mixed in too…!

Shoko’s mask represents her will to fight to protect Muzika.