Which work is this person best known for?

Teach me, Anonymous.

What I like is Onsen Man.

If you like Aoi Honoo, then read Moeyo Pen → Hoero Pen → Shin Hoero Pen → Hoero Pen RRR.

Personally, I like Wonder Bit.

This person draws a variety of things, doesn’t he?

Skullman

I was already up.

Skull Man is good, isn’t it…?

There are also collections of famous quotes, so reading those a little can make you feel like you’ve read something.

I think doujin works have completely taken off the limits on gags and are quite funny, but they can only be bought in print…

It’s Wonderbit, read Wonderbit.

Representative work… Duskin?

This is the first time I’ve seen such a popular thread about Shimamoto Skullman…

I was happy to see it 009 times at the original picture exhibition.

Wonderbit

Table Tennis President

Masked Boxer

Burning V

This area is interesting.

I feel like Aoi Honoo is generally more interesting than Hoe Ro Pen at this point.

“Burn, Pen and Bark, Pen! Read it!”

I liked that ninja thing.

Body shuriken that comes out.

Reading “Howl’s Pen” deepens your understanding when wrestling with Kazuhiro Fujita.

In terms of my career as a manga artist, there’s no doubt it’s “Aoi Honoo,” but when it comes to my representative work, it might be “Fūren no Tenkōsei” or “Gyakkyō Nine.”

Personally, I quite like “Challenger” which ended in two volumes, but it’s definitely a work that won’t rise to the occasion at times like this.

Burn, Pen!

What kind of series is it and how many are there?

It’s not my masterpiece… but I really like Hero Company.

There are many things about this person that you can’t read immediately…

I couldn’t really like “Howl” because its realism line was lowered compared to “Burn”.

I read “Moepen Hoepen,” but now I might feel like I should read “Aoi Honoo”!

It’s a licensed work, but I truly believe that Imitation 7 is a masterpiece.

It seems that “On Fire Transfer Student” had a lot of popularity since the creator later regretted not continuing it further.

There was probably some struggle in the subsequent serialization too.

Looking back, I realize again that this person is incredibly prolific.

For now, I added “Burning Pen” and “Adversity Nine,” which seem to have a reasonable number of volumes, to the cart.

The Wonder Bit that is being recommended so much is not on BookWalker!

“Burn, Pen!” has a hint of a true story flavor, which is amusing.

Why don’t you just read G Gundam since it’s just right?

It’s just perfect timing.

“Howling Pen has a lot of current events and trendy topics, so it might feel a bit awkward to watch now.”

I quite like that Battle Thunder is seriously attempting to create a hero story without any gags.

The pen series is interesting, isn’t it?

I guess it’s really “The Transferee of Fire.”

I vividly remember it from the Sunday manga of that time.

I recently read “Adversity Nine,” and it was interesting and really made me laugh.

The momentum is amazing.

The idea for the spin-off of Kamen Rider BLACK was really great.

The masked boxer was one of Anno’s top picks… well, I can understand that.

I think you’re someone who will never be able to take off their pants in front of others.

The anime store manager is great too!

It’s a licensed work, but isn’t Jodie Justice really based on this person’s original work?

I knew about it from Wonderbit and immediately got excited and took out my pen.

I wasn’t sure for a while whether they were a veteran writer or something else.

I like Gekkyou Nine.

I got really into it during high school and spread the word at school.

There was a sequel to Adversity, right?

The one who joined the Yakult Swallows is Fuku.

I remember the manga published in the Yamato anthology that came out long before the remake was incredibly interesting.

They have published a lot of doujinshi, so it’s fun to read.

I love how Gekkyou Nine goes beyond passionate comedy and has one foot firmly planted in passion.

As expected, Moe characters and shouting characters are impactful and interesting, since they are often quoted just by extracting only the panels.

The soccer manga “Red Card” seems to be evaluated by the author as something they may have regretted a bit.

He said that when he appeared on Hideo Funakoshi’s program.

When asked about my representative work, I think it would be “Howl, Pen.”

The next is Adversity Nine.

This person’s completely original work is somewhat difficult to promote…

Somehow, Aoi Honoo has the best rhythm and is interesting without going too far.

I like other elements as well, but…

In the end, there is a part of me that seeks the energy I get from reading about a man who stands up after exposing a pathetic side for 30 years, like a punchline.

If you read Wonderbit, you’ll realize that the person is incredibly sharp-minded.

That’s why I can’t be stupid.

I think Howling Pen is simply incredibly funny.

I love it because it’s so exaggerated.

By the way, the theme song sung by this Teacher Honoo…

For now, we’ll go with this! Thank you!

Wandabit is releasing a nearly complete version on Kindle using Shimamoto’s own resources.

The newly drawn illustrations have increased compared to the previous edition.

I think Ultraman G is a perfect 100 points as the finale of Ultraman in official fan works.

I wonder what I’ll be selling at Comiket this summer.

Is it Geeks Ax?

I can’t forget the America that keeps exploding in the final episode of Flame Transformation.

The new series that started after ending “Hoe Ro” was boring and flopped!

Good choice.

That’s right… and then you’ll start reading “Howl” and “Burn” and talk about the situation of manga artists with an air of superiority… Everyone becomes an adult that way.

It’s Onsen Man and Mega Megamina, right?

Iron Leaguer

The heroine is typically characterized by being unnecessarily cute (especially with no development).

I want to read it all at once! But if not, you can read a lot on the Sunday Webry app.

I was wondering why he said he was influenced by Usta.

It’s easy to understand when you read “Reckless Captain.”

The short stories are interesting, but they also have a strong, Doujin-like vibe from that time mixed in, which makes me go “whoa” a bit.

I want you to read “Masked Boxer,” “Wonder Bit,” and “Moe Pen,” and then read “Skull Man,” which is too intense, and hope it messes with your health.

I don’t know what to read, but I want to take in some Shimamoto elements! As a beginner’s guide for those who feel the same, I want to recommend “Flame’s Word Spirit,” but this is out of print.

The masked boxer that you can read in one volume is quite interesting because it packs all the elements of this person, so I recommend it.

I want to read more manga like this! That’s what Wonderbit makes me feel.

I would like to ask what the author thinks about the fact that works like half autobiographical essay comics are selling the most.

En-ten is a work that first introduced the now-standard gag of turning common depictions in anime and manga into humor.

It might feel ordinary when read now.

I feel like Anno mentioned that since the person’s humor is reflected in the manga, in order to make the manga more interesting, the person themselves needs to become funnier.

I like U-turns just a little bit.

It’s laughable that, despite being a manga artist, I can speak better and have a stronger voice than interviewer Eiichiro Funakoshi from Weekly Shonen No Name.

It should be the complete 6-volume set of Wonderbit on Kindle, but for some reason, it is displayed as only 2 volumes, so be careful!

The fate of the old man shooting a video with a newly drawn digital version is…

It’s too skillful how it depicts my self that is wildly spiraling out of control with overflowing emotions, and yet another part of me that is surprisingly rational and calm about the situation.

Addictive fun

Well, “Howl’s Moving Castle” is probably about 80% fiction.

You should read tomorrow’s Gundam and Cockroach Man.

Ultimately, you should read the Wonder Bit.

Before that, I absolutely have to read “Burn, Pen” and “Howl, Pen.”

The semi-essay manga sold well precisely because I have consistently run one step behind the front lines as a manga artist.

Speaking of which, I heard you’re going to have a weekly serialization…

I can’t believe it, and judging from the preview cuts, it probably won’t last long…

I liked the poorly redrawn final episode of the new “Howl at the Pen” better.

Adversity Nine ends up becoming passionate after going around in circles at the end, which is nice.

There were also ones where a Rider parody from Shimamoto would hit with bricks or blocks…

Is that the Kingdom of Ambition as well?

The howling pen is interesting, but

Mr. En’o Moeru’s manga doesn’t seem very interesting.

I think it was quite straightforward until “Shin Godzilla,” but starting from “Shin Ultraman,” it has gradually faded out, and I feel it’s the best it’s been in the last few years.

Among the autobiographical coming-of-age manga by many manga artists from that era, it is commendable that alongside Makoto Kobayashi’s works, it is a masterpiece that not only looks back at the past simply but also holds its own as a story.

I like the older works because they have a good balance of shyness and intensity.

Hey… don’t the enthusiastic fans, like the anonymous ones, look at completely original works with a somewhat lukewarm gaze?

I truly think the unseen influence of “Burn, Pen!” is amazing.

Observation is difficult.

The story about how “Totsugeki Wolf” was initially popular but ended in an unsettling way was mentioned in the afterword of the “Moeru V” paperback edition.

At first, it was really interesting, but somehow it got weird.

As for Kamen Rider, I almost said nothing at all.

I’ve seen the version where the opening and ending are included for each story, as it was a limited edition for the disc.

You wanted to do this, didn’t you…! It felt like that.

The burning V is short but interesting.

However, I think it’s a gag manga.

I hear that many manga artists put up the “Ten Lessons of the Passionate Manga Artist” in their workplaces.

He is the type of person who creates story developments that frustrate the readers.

What is the title of that short manga about American soldiers on the Italian front, like a battlefield manga series?

It’s a bit embarrassing, but ohhhh! This person has been writing about that youth that almost strayed off the path for a long time.

I think Gariki no Joe is close to the rear rather than the front line.

I don’t hate it at all.

The Shimamoto version of G Gundam has its ups and downs, but…

I think Rain’s unusually cute side is incredibly charming.

The Rider didn’t make much noise about it, but they released a doujin, and although it was a bit mediocre in the video and movie, they’ve been saying that the single issue version and the rejected cut version were the best.

A type of writer who has many fans among peers.

It doesn’t come up in conversation much, but I really liked Hero Company because the hooks were interesting every time.

Villain: “You know, like… the evil boss goes out of control and turns into a monster…”

Scholar: “I cannot do it!”

Asuka, read the futuristic series first.

If you do that, everything else will become interesting.

When compared to a swarm of heartwarming manga where no one ends up happy.

The ability to transform unpleasant episodes with editors or colleagues into laughable material is remarkably high.

When looking at the creator of G Gundam

Boe Pen readers get a good deal.

I’m also drawing Samurai Spirits.

Unable to draw girls, Nakoruru was created by Shimamoto.

Acquisition has become difficult, but it may be reissued soon due to recent trends.

No matter how boring it is with Professor Shimamoto, there is always something shining in the jokes, so when there are no jokes, that’s the truly bad time.

If you don’t take G Gundam seriously, it won’t be interesting, so I don’t have a very good compatibility with Shimamoto.

What’s more, I think Imagawa can no longer produce work in the style he used to.

The timing of the final episode of “Howl’s Pen” was really bad.

I feel that the balance of personality and approachability is well maintained by the table tennis president.

I think the worst thing is when you try to be serious and then start making jokes.

I wondered what Shimamoto Nakoruru was.

No matter how you look at it, this is definitely 003.

It’s Shimamoto-sensei’s thread, so I don’t want to say too much, but Iwamura shouldn’t pitch at the very least.

Instead of just talking theoretically, there are those who insist on their point even while subtly thinking, “No way, this is impossible.”

I think it would be great if they serialized a live-action manga of Wonderbit.

Is Samurai Spirits that thing where Haohmaru repeatedly strikes a victory pose for the sake of getting money?

I like those big, passionate speeches that are a collection of impulsive and fallacious arguments, even if they don’t get mentioned much.

I wanted it to continue more.

I wonder if I can see Beat X, which was submitted by readers to Shonen Ace, somewhere.

Since it’s just a reader submission, it might be impossible to publish it as a commercial volume.

Well, we’re both serialized in the same magazine, so what’s with that…?

I remembered that I had only read Hero Company sporadically, but it’s unfinished…

I really like Skullman, which has no gags stemming from Shimamoto-sensei’s shyness at all.

I think the sudden appearance of the skull reversal kick without any context is a joke.

They regard it as a mistake on their part.

I highly recommend the one-man red card because it’s really interesting.

Flame Turn, Adversity, Mask, Table Tennis, and Wonder Bit are undeniably good works.

Mubou, Ninja Man, and the Red Card are interesting, but they have a bit of a “did we really go there?” feeling.

Asuka’s future type is completely going for it.

I feel like after reading “Tomorrow’s Joe,” then “Challenger,” and then “Masked Boxer,” I can somewhat see what Shimamoto wanted to draw and what he has ended up drawing.

All I need is Adversity Nine.

Actually, I’ve never seen table tennis.

I think the person that most people know the best is the anime store manager.

I don’t feel like I can call that a representative work, though.

I struggled to draw girls during the time of Samurai Spirits.

After that, for some reason, I got hooked on drawing girls in the Cutie Honey body type.