Who started this thread…?

It’s me.

I’m the only one who has nothing! It’s just that I have a sense that can only be described as a mutation…

Piloru was handled really easily at the end, but was that because of a surprise attack?

Proof of courage-kun, who was unusually strict about pop.

Although Hyunkel and Maam’s were relatively loose.

Wasn’t Pirolon only about as strong as an Arch Demon in Dragon Quest?

I am a man who has endured Avan-sensei’s hero training course for three months, even if it was by chance.

Since Piroro is alive in the anime, we can meet again if there is a demon world arc.

It has come to seem natural to fight against Dai, and courage is not something that can be brought out or withdrawn.

I guess it’s not confirmed whether Piroro is dead or not.

It’s really impressive to survive getting hit by the Flash Fire Fist.

Well, I might have died right after returning.

In the original story, it definitely looks like Piroro is dead.

Based on the reaction, it seems like they’re not prepared for suicide and are dying in a way that’s too careless.

If Kilburn loves to see faces full of despair more than food, it’s only natural for him to come there to provoke; it would be strange if he didn’t…

I’ve already gone through all the events that require courage.

Is Dai pure or something?

Well, is purity really necessary?

You were a genius from the start, but you’ve grown too much since becoming Matolf’s disciple.

“Certificate of Courage: ‘Hmm, it’s not bad, but I’d like to see another 2 or 3 acts of courage.'”

A really amazing guy who influenced Balon quite a bit.

Recently, long novels have become so lengthy that it numbs the senses.

When my memory is fading, I wonder if it’s around volume 15?

Dai Dai is just really long once it enters the last dungeon.

The development in the final act is really long.

(Teacher Aban is not here)

Hyunkel likes Pop too much…

(Once killed)

I wonder if they were really that annoying of a character…

First of all, there’s no way to shine just by wishing out of curiosity right after peeking.

So I’m just falling into a mental rut on my own…

The reason the author continued to keep Pop alive is so that he can die in the battle with Barans and Dai can awaken, so there’s really no value in dragging it out that much; it’s a conversation about getting him out of the story quickly.

Isn’t it strange that this guy isn’t the main character?!

Well, when you think about it, it was a time when far more annoying characters and bratty kids were accepted as the standard.

Hey, let’s kill this guy quickly. It’s definitely something that makes you go “Huh?” even for Pop’s first appearance…

It was a blind spot.

He is a man who, armed with a single staff, confronted the lizardman warlord, who possesses the fighting spirit and strength that even the mightiest dragon knight, Balan, acknowledges, and actually turned the tide of battle despite being a frail human wizard.

Speaking of which, even Krillin’s first appearance had a bad personality…

If it hadn’t become popular, would it have ended with that Megante…?

I remember in the live commentary for the new anime, there were a lot of replies like “What is this pop crap? It’s the worst!” and then responses saying, “Hey, make sure you keep watching from now on!”

“Let’s kill pop” is just something Mashirito said.

I like this area, but the Kaiser Phoenix decomposition feels a bit excessive, so I couldn’t really enjoy it.

It can’t be helped; it just happened!

But this guy has no courage.

The early-game pop is, to put it mildly, a cocky show-off who’s both a coward and a crybaby, so that’s that.

In the early stages, Pop is weak and runs away quickly, yet acts arrogantly towards Dai.

If that’s the evaluation at that point in time, then it can’t be helped.

I think Dai-Dai had a pretty good reception in the early stages.

If we’re just talking about the order of publication, I think the late stages where Pop started to shine were actually lower.

Actually, this guy is an annoying kid with no popularity, so let’s kill him – I wonder if there are any manga with cases where this has actually happened.

I can’t really think of any times I seriously killed someone.

Well, Pop only received the proof out of pity when Avan died.

“Pop Must Die” doesn’t mean “kill Pop because he’s annoying,” but rather “if this kind of supporting character dies, it will shake the readers’ emotions, but when are you planning for him to die?”

After being persuaded, I agreed with “If that’s the character concept, then it’s fine to have a development where they don’t die.”

Isn’t this guy ready to sacrifice his life quite frequently with things like jumping into a melee for the old man, tricking his allies to go out alone, or using Megante…?

Even Dai and Hyunckel, who believe in the others.

It shines, but what does the pop shine represent… so I can’t provide advice other than believing in the command.

When I think about it, running away and then coming back to fight together is courageous in both senses.

It’s probably a thought process of wanting to cut off unnecessary things without hesitation, like Mashirito.

In the old days of Jump, it was common to kill off allies meant to die.

In Narou, Pop is in a trash position, right?

That’s what makes you do it.

Rejecting someone of the opposite sex who has feelings for me while I’m on the verge of death.

Is it a confession to someone of the opposite sex that you have feelings for?

A magician has to be the coolest in the party, but that means you also need the guts to use your own life if the cool reasoning leads to that answer.

When you think about it calmly, he’s quite an outrageous talent: the son of a master weaponsmith, trained by two heroes, and doped with dragon’s blood and the tears of a god.

It’s not like we’re Saints, so don’t start breaking down the Great Demon King’s special moves after just a few tries.

According to Mr. Sanjō, this character was created with the aim of becoming like Kai Shiden.

Given Pop’s personality, it was also an excellent move that Avan-sensei didn’t join Dai and the others even if he was alive.

I couldn’t grow at all due to comfort and dependence.

Popp says he is not a chosen one!

I never said I was mediocre, and from the beginning, those around me have been saying that I actually have talent, which is unusual.

It’s crazy that the guy who was rolling around moaning “it hurts!” can still use a zombie strategy that assumes recovery even after having his bones shattered; his mentality is just too on point.

It’s also true that there’s no way that Mr. Aban would directly instruct someone who has absolutely no standout qualities, even if they barged in.

Since they are the kind of person who goes out of their way to write a book so that you can learn to some extent just by reading the textbook, I think they are fairly indifferent to whether or not someone has talent.

What kind of wizard doesn’t die immediately when hit at zero distance with a spell of Ionazun level…?

I think there’s a realistic thought that one person cannot develop the next generation all on their own when it comes to writing a book.

Isn’t it amazing that you can use Meteor Swarm from the early stages, even though it doesn’t really shine on its own in this work?

If I couldn’t use Behemo with the wise man’s aptitude, it would have been dangerous.

Mamm and Hyunkel were entrusted with the task or were close friends’ only daughter, and they provided guidance, but more than that, there was no doubt about her talent.

The scene where the true intentions of the magic teacher are understood and the strongest magic is unleashed is just too cool.

I never memorized Iona Zun or Begiragon until the end anyway.

It seems that Pop, who struggled to learn Begirama, was probably best at the Fire magic.

The Kaiser Phoenix has a good-looking open mouth…

I’m stuck with terrible equipment right before the final boss!

Daï’s Gira feels quite superior, doesn’t it?

It is often said that spells in this world are unfortunate.

I think the truly unfortunate ones are the armor.

It felt like the maximum spell wouldn’t be stable or might not even be cast unless both hands were used…

The shape of spells has quite a significant meaning, doesn’t it, Dai Dai?

Because it got rounded, it’s become like a Thousand Ball that can be kicked around.

Didn’t Sigma say something like, “I broke my spine and died instantly”?

I feel like I’ve read an interview that said the Gira type is the strongest magic of the first generation protagonist, and that’s why it was treated with such respect, but I’m not sure if I actually read it or not.

Did a bishop use something like a buggy?

Is it fair to say that the lack of a kanji representation for Bagikuro is a sign of poor treatment?

The only ones properly equipped are Hyunkel and Maam…

The old man was also healing with Leona’s Behemo.

I also imitated the technique of digging into the ground.

In the end, Pop is just like an old man, they’re similar to each other.

With a draconic aura, most damage won’t get through.

Wizards and martial artists originally don’t have decent armor, but that’s beside the point.

I wonder why the armor for Avan and Crocodine is so shabby.

Kilburn: “Pop, that guy is insane! We have to kill him quickly!”

Burn: “Avan is a sharper one than that guy…”

Lord Burn never wavers from this stance until the end, and I can see that he only values visible strength, as evidenced by his attitude towards Ronberg.

I mean, it makes sense that they don’t call Merazoma and Mahyado “ultimate spells.”

So what’s up with Bagikross? That’s the mystery.

In fact, there may be other extreme vacuum spells…

I think Pop’s equipment will become a legend in the future.

What does it mean to fight the Demon King in traveler’s clothing…?

The vacuum spell creates a vacuum and generates air pressure, I suppose.

It seems that the pressure from the aftermath cannot be reflected or absorbed as if it were a spell.

I feel that Burn treats everyone other than heroes as worthless and unworthy of discussion.

I wonder what it was that he was still doing fine even after being hit by true Baan in the end.

Burn didn’t care about Matorifu even though he was cautious about Avan.

It will turn out to be like that in pop too.

You’ve been a genius since long ago.

I think there aren’t many options for armor that fits men’s physiques very well from the start.

It’s definitely a genius, but I understand why they would feel humble around characters like Da Hyun and Kermamu.

Mamu’s talent is crazy when you think about it calmly.