I feel like I want to see a spin-off that depicts their activities in a parallel universe.

It all depends on the gods, I suppose.

The evaluation of Blast, who has been fighting in secret until now, will change depending on what kind of being God is.

>>5

It seems that it was good to prepare three enemies and take them down one by one.

>>6

I think that is consciously depicted in terms of the setting.

I wanted to use the Doctor Strange strategy.

The person in charge of the artwork can only properly create a story by relying on the original work, so it’s impossible.

There’s no old man in the original work who’s just all talk like a bad comic book hero.

If this design were for a Class A hero, it would still be good.

>>53

It seems that Garo Boros is in this category in the official guide.

>>16

The protein shaker is amazing!

Fubuki is declaring that these guys’ main weapon is not beams, but concentrated punches.

I’m stubbornly holding on while getting beaten up by the opponent.

>>19

Rewind + twist, perhaps…

>>19

I would like to stop the excessive involvement in the main story, but as long as they can stick to that, I think it’s perfectly fine for them to be there.

>>21

You can’t create it from scratch, can you?

>>21

If it’s in the form of a side story…

You can keep blasting as much as you want, though.

It seems they want to hijack the title of One Punch Man.

If you want to do American comics, I think you shouldn’t do it with someone else’s work.

Because the original work does not depict the character and their appearance has been rewritten several times, their existence is ambiguous.

Are you aware that just by having Blast appear in scenes that were originally without it, the character flavor of those who were in the original work becomes diluted?

The latest episodes of the bald cape are terrible.

I want to see the victims’ association and Saitama getting along soon.

Don’t rewind!

It’s not just that Genos is being killed right in front of me.

For all the effort, it doesn’t really contribute much, does it?

Void! (As you all know from before the rewind!)

I think it’s strange for someone who jumped out in a double-page spread, even if they aren’t the protagonist, to have such a lackluster gag.

I wasn’t expecting much from Blast, but it really just appeared out of nowhere, so every time I see it, I think, what is this?

Why don’t you go see your son, Murapanburasto?

>>40

If you leave your post, Genbu and Byakko, who are equal in rank to Cosmic Gowl and Boros, will attack…

>>43

Even though I can observe the headquarters’ monster transformation treatment experiments and mess with ninjas…

>>40

If you stray too far from your post, things will turn out like they did this week.

>>40

People who really want to draw blasts do not have a grasp of the dynamics of the preceding and following blasts.

I wonder if there is a proper ranking portrayal like with other strong characters.

>>42

No, it’s fine to let them shine.

If it’s interesting.

It’s a manga about blowing away those who babble on about boring things with a single punch, so why is it centered around someone who only says dull things?

Why did you make it look like a tough-looking old man with a beard, like a character from Aishi’s Honjo base?

The visual of Blast is similar to Murata-sensei’s self-portrait, isn’t it?

Wake me up when the blast disappears into the monkey space.

Seriously, it just looks like I’m doing whatever I want because there’s a character with the same name as what I used in my past one-shot.

I really hate it when the story is altered in a boring way.

Who is Genbu?

>>55

The so-called divine beast.

It’s a pet of God!

>>60

ONE: “What’s that… I don’t know…”

I’m lately afraid that the current artists might connect the one-shot blast with the settings.

Even if the blast disappears, it doesn’t mean the story will be fixed…

>>57

You will be healed.

It seems like I know a lot about Void… or maybe not really…

The original Blast had more of an ordinary old man vibe to it.

What the heck is this guy?

On the contrary, I’ve started to want to see a blast that passes the sweet mask.

>>61

It was too noisy and it didn’t work.

The original work is interesting, so it’s being saved.

If you complain, you’ll just be told to calm down, so it’s too invincible, right?

I really wish something could be done about this… I think the Suiryuu arc was well depicted, even if it had some redundant parts.

I want you to redo everything from around the time of the Monster King.

Due to the rewind, I’m slightly unsure about who has what information.

If it’s like this in the Ninja arc, what are they going to do in the Amaimasuku arc…

>>68

Blast will definitely recognize Amymask and take him away.

It seems that Blast will also be active in the next Amaimask arc.

The cutoff from calmness is too strong, so it needs to be nerfed.

That’s as far as you go! Too bad.

I think there is a sense of “original character” to it, for better or worse.

It’s Mary Sue from Murata.

Why do the designs I created on my own end up looking worse than those proposed by ONE?

I don’t really understand what you want to do with this guy.

But I think this guy’s template is quite strong.

>>87

Half of it is correct.

My ears hurt.

>>82

You’ve passed.

I think Blast = Saitama was way better.

It might have been missed because it was highly anticipated…

Hmm, I’m here!

There isn’t even one cool scene.

If you’re going to do original merchandise, I want you to do it thoroughly.

So rediscover your own talent.

I’m hoping for a gag that’s completely different from the original, which has been built up and built up, to show up in the main series.

There is a possibility that this might be rewound as well…

In a world where unique monsters like Homeless Emperor and Black Sperm appear, along with the White Tiger and Black Tortoise…

Actually, I want to work on it from episode 1, don’t you think?

Just keep it to the level of the Evil Marine Water at most.

It’s boring that the naming isn’t even that of a typical one-punch monster.

From Amaimasuku’s perspective, it makes more sense to be recognized by Blast, who became a hero, rather than ending up with Zero-Pan, which doesn’t really make sense compared to Saitama.

>>103

You’re the one who’s the real idiot, aren’t you?

The sweet mask has zero elements to spark interest in Saitama from the current depiction!

I just received the faith from Genos.

Unlike the previous loops, the part where I thought “Huh? Isn’t the blast weak?” is gone, so this seems like a save that leads to a dead end.

However, the conflicts with the Void that were developed in the loop are completely missing, so those who only read the tankobon might find it completely incomprehensible.

Could it be that we’re going to dig deeper into this later?

The fact that this guy’s name is Blast reminds me of the Wind and Water chapter’s Chinpū-dono.

Isn’t it also what the artists wish for to create an original spin-off of Blast?

It’s great to have a character I created that calmly and lazily talks saying things like “Well, um…” while cutting into the chaos of the original characters’ conflict and getting frustrated with the weaklings.

First of all, it becomes clear why the blast hasn’t appeared much in the original.

Before discussing Blast’s own character traits,

It’s too much to ruin by introducing a character that gives meaning to not showing up at all.

I have a strong feeling of “How can you do something like that?”

It seems like once things become hopeless, I’ll end up saying I’m done with drawing because it’s not going well.

I thought it was a character with Murata’s typical traits, but is it really that Murata’s style is so strong?

Amaimasuku is depicted as being envious of Blast…

Blast Man

What the heck is with the feeling of foreignness even the enemies like Genbu and Byakko have!?

ONE is also to blame for introducing characters that can take advantage of gaps.

Due to the intense assertion of the heroic outfit, it looks more like an A-class hero who tries hard but gets taken down swiftly rather than an S-class hero.

It’s strange that the bald guy calls Pochi our pet, and it’s strange that he can interrupt while the bald guy is moving.

What was that scene?

It’s tough that this is the limit besides the bald cape.

If there were no bald people, it would definitely be the strongest.

What’s problematic about Blast is that regardless of likes or dislikes, it showed up in a place where it wasn’t needed in the original work, and as a result, issues arose in its original role, which negatively affected this side.

You don’t have to come out, right?

First, the comic book style doesn’t suit One Punch Man.

It might be disrespectful to treat Blast as a comic book.

I respect the courage to present something like the Four Holy Beasts, which is so clichéd, with such an unoriginal design without any embarrassment.

That’s enough.

Well, calm down.

>>122

Shut

Interruption

Isn’t it too interesting that the line about that Blast’s son in relation to Blue takes on a different context…?

Although they seem like a really well-behaved good kid,

To be honest, I feel that Murata’s poor management of social media is also a factor contributing to the hate.

>>125

Well, it seems like that topic could come up in the recent One Punch Man threads, but isn’t it only being discussed in the context of the content of the work?

If there’s even a slight opening to attack on social media, they’ll definitely be proudly exposed, right?

>>125

Well, it was a mistake to criticize the original work and disregard the name.

You can create a multiverse just with a blast.

I’m starting to feel anxious about whether we’re really reading the same original work with the ending of the Garou arc.

Actually, there’s still a twist that this draft was also ONE, so I’ll play the “watching” role.

>>129

It’s not good to make assumptions, and being cautious is a good thing, but… hmm…

Mary

Dealing with God is what completes the work, and the blast has a role related to that gimmick, but it feels frustrating that this role is continuously shown just a glimpse.

I seriously doubt the sanity of the strongest bald main character trying to exit without doing anything.

It’s nothing other than Mary Sue.

Why is reset allowed?

>>136

It was so boring before the reset that I felt like throwing up.

If you can show me the success of ONE’s Blast, I’ll decide whether to acknowledge Murata’s version of Blast.

The reason for the redrawing will not be revealed.

It’s a style that makes you figure things out by reading the work, so it’s even more complicated.

All that was able to recover, such as Amaimask and Kurobikari…

Isn’t it thanks to Blast-san…!!

>>142

That’s enough, the Murata version is fine like that.

I’m a time traveler, but during the big commotion of the Neo Hero arc that’s currently happening in the original story, Garou appears with the old man and easily wipes out the robot army that the heroes are struggling against, making the A-rank heroes in the background say, “With that kind of strength, he isn’t a hero?”

In the end, what did Murata want to do?

After doing this for many years, are you really planning to gain popularity with a character who has no charm at all, messing up the original plot, Murata?

I heard a rumor that while ONE is saying to stop crediting him as the original creator, Murata is not listening at all.

It’s really not good to intrude and distort the flow of the original work.

It’s not my fault I don’t have a hero’s intuition.

Are you trying to change all of Saitama’s appearances by redrawing them?

It’s funny how my drawing skills are unnecessarily good, which makes my lack of sense stand out even more.

I felt that works like Taipaku, U19, and Doritory had a certain brilliance and, for better or worse, conveyed a sense of the author’s unique style.

>>154

As for the rest, what I felt about Taipaku was the personality like that of a sewer, and the fact that it conveys that already makes the author…

>>154

I think Kirara-zaka has a distinct authorial quality, but the previous two…

It’s sad that Murata-san is being criticized even though it’s based on ONE’s work.

>>155

The original work has always been interesting, but it’s been terrible lately.

It was good when they appeared as a surprise, so it was better for them to disappear as they did.

At this point, I don’t want to hear any complaints about the design or settings, but at least I hope the naming sense doesn’t deviate from that of a monster.

A position that is overwhelmingly stronger than other S-class heroes and trusted by Saitama.

I begin to think that the days when I was an unremarkable, strong uncle might have been better.

>>160

To make Blast useful, we either bring out unnecessary enemies or simply create characters that hinder other characters’ performances.

I feel like I’m the only one in the world excited that Blast and Void are finally teaming up!

Everyone else was disappointed that Flash and Sonic’s was omitted.

The problem is that when this guy appears, the flow of the original story is significantly stalled.

I wonder if they like to favor specific characters like Hiruma, killing both the charm of the work and the charm of the characters.

>>164

M Murata definitely did whatever he wanted with Eyeshield, didn’t he…

>>164

Hiruma, that’s completely the original author’s kink, right…?

It’s different from the direction Murata likes.

Because there is no money generated for the readers.

Since Suiyuu and Manako were still allowed, the scriptwriting quality seems to have dropped during Blast.

>>167

Suiryu is something that was presented exactly as ONE drew it…

I’ve decided to read the Murata version as the Murata version, but I hope they don’t end up making the ONE version resemble the Murata version.

If you’re an illustrator, you should just focus on illustration.

I feel like it would be conceptually difficult to have the guy who is ranked first in the association perform seriously.

It’s funny how a bald guy quietly comes in while everyone is busy doing something and finishes it off with a single hit.

Blast can only be effective when enemies of a higher level of strength appear, which complicates the structure.

The S-class heroes are certainly not on the level of Saitama and lack that feeling of being mere pawns, but you can definitely sense that they are exceptional in their own right, so I don’t feel that impressed by Blast, who is in that middle tier of strength.

ONE believer

vs

Murata Anti

vs

Blast Anti

vs

Murata

>>177

Murata is isolated and unsupported!

>>178

Honestly, the current original work is a bit…

It feels reassuring that heaven does not give two gifts.

Anyway, after this, the cool void scene I imagined where I entrust my sword to it won’t come, right?

I think Blast is still in the lead position even in the current trend of hero revival.

In that case, I’ll watch Dandadan.

Other than Saitama, the other characters are also having their moments and spotlight taken away, and for some reason, it’s kind of lame…

Saitama is so boring! I want to level up to S rank! I want to amp up the monsters!

>>188

Don’t throw everything into the blast, idiot!

Suiryuu was an original character when it first appeared, but…

Since the episode is original, it’s something that can still be forgiven or considered acceptable.

Huh…? Why is everyone looking at manga artists’ social media…?

If you’re following manga, you should have known for a long time that looking at social media won’t benefit you at all.

Recently, it feels like they come out too easily, and you might wonder why Saitama has been leaving the monsters he has defeated until now alone?

I’ve seen someone do a time attack for the first time.

If there was a manga where Blast was the main character, it would probably be really boring.

I quite like the super cheesy hero cosplay paired with Saitama, but it’s kind of lame…

Murata was already proven to just need to draw erotic female characters during the Tatsumaki arc…