It is a fact that Shinji-kun was valued in the world of comedy.

This is a story that says it doesn’t want to do it from the very beginning until the old film, but in the end, it does it anyway…

The old movie’s awful quality is amazing.

The lack of motivation to not actively resist but absolutely not move on their own will is insane.

There was an atmosphere that not only reflected Shinji’s inner self but also made it difficult to accept things willingly!

If you’re not getting on, then go home.

Don’t mess with me after calling me over! Even Shin-chan would be troubled if I showed up like that!

If I get in an Eva, it’s going to be a huge mess, so I won’t get in anymore…

Even if it ends up like that, you’ll still ride it somehow.

It’s because if I say no, it will create a situation where people die!

Don’t get on! Absolutely don’t get on!!

In the Zeruel battle, Shinji-kun doesn’t try to approach Eva on his own.

I remember seeing in the pamphlet for “Rebuild of Evangelion” that it was a real struggle to create a storyline where we evacuate them to a shelter close to Eva, have that shelter get destroyed, and then get Kaji (or Mari in the movie) to persuade them…

I thought Misato would protect me at first, but then she just casually told me to get in the car, Shinji.

It’s you guys who put us in a situation where we have no choice but to do it, right?!

Since they are the protagonist, it ultimately doesn’t make sense if they don’t ride…

In the old movie version, it seemed like you were just inside the entry plug…

Even though I dislike it, the fact that I do it is being praised as my only strong point, which feels incredibly complimentary.

If we lose to the Apostles, there will be no human complementarity or anything else; everyone will just die normally.

I don’t want to, but I’ll do it because it would result in sacrifices or the end of the world.

It seems like Shinji-kun is amazing or something.

My father seems to have that kind of side to him as well.

The question is whether you could say yes if you were told to get in a tank and fight Godzilla.

Well, it’s actually pretty amazing, Shin-chan.

I think it’s amazing that even the version by Sadamoto, which completely changes the character, is still quite like this.

Rather, I have a strong impression that even though I got motivated, I can’t do anything physically.

Well, if I say it, it’s like the super obvious premise that getting motivated is just a given…

If you’re not going to ride, then go home.

What Pico is saying is generally correct, but the way he’s saying it is so blunt and straightforward that it surprises me!

You don’t need to know… not yet…

This too?

I was motivated up until Baldiell…

The fact that Pikopiko’s Gendo is such a total loser makes it oddly good.

After Zeruel, it’s my turn to come out!

It’s more like the pattern where you don’t submit leads to more conflicts.

So it’s that experience of being forced to watch your allies die.

Rather, the old version has a stronger personal will and a sense of determination that makes it absolutely unwilling to do certain things.

The annoying Pikopiko Gendo is harmless, so he has relatively become a better adult.

The AT Field is strong, after all…

Misato’s

It’s impossible! → Get on, Shinji!

It feels a bit like a skit.

The interesting thing about Pico is that it’s not just one of the various releases that came out to match the new play; it’s the serialization between Q and Shin.

The adults must have been disappointed that Toji, who seemed like he would work efficiently unlike the other troubled ones, ended up falling apart…

Well, it’s already the latter half at that point.

The town I had been risking my life to protect has vanished, the friends I had let my guard down with have evacuated, the girl I was concerned about has become a frightening presence, and to top it off, I ended up having to kill the person who told me they loved me, so it’s no wonder I’ve reached a breaking point.

Because I have a very strong sense of justice, even if I say I don’t want to do it, I end up doing it anyway.

There’s no involvement of adult achievements at all, you know? They put on this vibe of having given a little push, but these guys…

If it were just a matter of somehow motivating someone who is really saying “I don’t want to” with their own will, that would be one thing.

There are times when I intentionally break someone’s motivation after they start trying to get motivated, just to make them say they don’t want to.

I really feel sorry for Shinji-kun…

At the point of the first episode, everything is being decided without Shinji’s knowledge, so he only has the final decision-making power regarding what to do about the Human Instrumentality Project.

It could be my dad, or Kaji-san, or Kensuke, or Touji.

The words reaching Shinji are all from men.

A woman has to put herself on the line to move Shinji.

Draw a new Picopico for me.

In the new series, Yui worked hard for her husband and child until the end, but the old series Yui was connected to Seele and is quite a problematic character, isn’t she?

Why is an ordinary Kyoto University student involved with a secret society?

Because they don’t even try to hide that they are trash, children have no choice but to rely on adults, and as a result, they become independent.

Adults are also doing as they please, so I can free myself.

The only place where I grow enough to read what Misato-san is going to do, outsmart her, go home early, lock the door, put on earplugs, and sleep is in the Pico-Pico world.

The relationship with Asuka is also really good, Pico Pico.

Look! Gendo is smiling! He’s cute!

Shut up, old man number two!

It can’t be denied that the rhythm of Rei rolling in, sensing that someone doesn’t seem too enthusiastic, had a feeling of being set up.

If you dislike your son, you should have just said you dislike him…

Shinji-kun, who is a bit childish, can get angry and is somewhat combative, so he’s quite strong.

In Episode 1, Ayanami’s remarkable performance is electrifying.

Pikopiko is forced to become independent, so somehow the mental state of all the children is stable (except for Toji).

Kaworu and Rei also have a weird vector, but their mental strength is impressive.

Mom wants to leave humanity’s mark with Eva and melts, and Madou pulls everyone into it, the family environment is way too harsh.