Lettuce Taro, Mash Taro

Is it a project for the howling pen?

Shimamoto is nothing special…

>>4

To be honest, right after my vampire manga published in Big Comic wasn’t very good, so I won’t expect much…!

>>4

That’s why it should be enjoyable.

Shimamoto, who only creates boring original comics, suffered a crushing defeat.

It’s the kind of situation that creates an indescribable atmosphere.

I believe the real-life essay after being cut off is the most interesting predetermined course.

Since the not-so-great Black Museum at Jubilo.

Well, it’s been quite a while since then, and it’s clear that you’ve put in a lot of thought into it.

>>8

That part depicting women’s discrimination at the time was just boring, but the rest was interesting in its own way.

I thought the next one might be a new work from the Black Museum since it hinted at it even at the end of the novel.

I think Shimamoto has the potential to bounce back if he plays it well.

The problem is that Shimamoto himself is really bad at that sort of thing.

Sunday?

It’s probably just a strange gag manga that feels awkward anyway.

The average age of Sunday manga artists keeps increasing.

>>13

There are plenty of opportunities for younger individuals to present, so isn’t it good?

>>13

The mangas that started from last year to this year are all high quality, and I’m looking forward to them.

>>40

I think it’s great that you can feel the determination to compete with romantic comedies and fantasy.

If it’s just the top two, they say to rely on the old veterans, but there are also the bottom two.

A 211cm tall female samurai!?

When was the last time the Shimamoto series was in the Sunday magazine?

>>18

The serialization is exactly…

The modern part of Live a Live was genuinely interesting, so seriously, don’t add any weird jokes or anything…

If you take it seriously, you get embarrassed—how many years have you been a manga artist?

Since the Stoic Vampire wasn’t interesting either, just stop already.

Shinichiro Shimamoto’s original manga is ultimately the greatest masterpiece, Wonder Bit.

Anyway, it’s obvious that Shimamoto’s side will make a fuss on X and attract more attention!

The composition looks like someone is serving behind me!?

Are you going to do it together with Aoi Honoo?

That’s tough, isn’t it?

Does that mean the one who gives up first loses?

I like these two, but honestly, their batting average is low.

>>27

I think there’s such a difference in batting average that it seems questionable to lump them together.

>>27

Is Jubilo being compared to Rumiko or Adachi for having a low batting average?

>>27

Don’t underestimate Fujita Kazuhiro.

Kazuhiko Shimamoto, well yes.

It seems like I’m getting feedback calls from Jubilo every week.

The left image is purely old…

Is it not under the name Big Bang Pro?

I wonder how much Daitezu and the hero are drawn.

If I have the time to do a series other than Aoi Honoo, I would also like to do something like Hoe Pen RRR or Hero Company…

It seems that the person who feels the most sense of crisis about “Cutting Up” being their representative work is probably the person themselves…

Even though I often say that Nameless Shimamoto is a top-tier manga artist, I really don’t have much expectation, do I…?

>>36

Hmm…

I like Wonderbit and Masked Boxer, but I haven’t been into recent works other than those that are self-selling.

Fujita has a mysterious body proportion, but…

Is this a double protagonist for children?

First of all, it doesn’t seem like an enticing subject.

I thought, “Is that Kuzuha?” on the left.

The howling pen RRR can’t go for interviews due to COVID and can’t meet people, so their excitement is low.

It was clearly reflected in the content.