
In the shrine grounds ✕ tears, reflecting on the path of voice acting until 1990, Horluchly Hayaml: Mashumar can become Char depending on your performance! But depending on your performance, he may disappear halfway through. He has disappeared.
The script is the foundation, so the performance alone won’t change the outcome.
>>1
It depends on how it’s made, but if it becomes popular, there will be more opportunities for it.
Even though Gabure gave him such delicious experiences, Mashumaar didn’t work out, huh?
Did they erase it because they couldn’t tell the difference with Gaburee?
Well, ZZ’s script changed due to the production decision of Char’s Counterattack, not because of the voice actors’ performances.
I’ve heard that it became quite popular, so they made it a regular feature.
A great example of increasing the number of episodes due to its popularity is “Chōsha Raideen.”
TV programs often have their scripts changed drastically due to the networks’ convenience, right?
Iron-Blooded Ain was also supposed to die soon, but it seems that saying “that guy” was good enough for him to survive and become Greys Ain.
Not only is the script changed, but in some cases, the director is changed as well.
Even though he was mostly a gag character, he went as far as to do a colony drop, so that’s enough, right, Mashumer?
Was Mashmar popular?
It seems happy to receive many responses to its silly first reply.
It seems that there are directors who create a detailed plot when a project is planned and build the production accordingly, as well as directors who mix live feelings while working with the production.
Also, the director who is making it while being told various things by sponsors and TV stations.
I feel like my role has improved through acting like Asuhamu Boon.
Nowadays, TV has too much of a live feel, as they were actually producing episodes that week.
In works by Tomino, there are also reverse patterns like Captain Yassaba, who exited early due to being too intense of a character.
I wonder what major works Mr. Horiuchi has.
Rape Man!
I haven’t heard Hayami’s voice lately; I wonder if they’re working.
They said that Char was supposed to leave the stage once in the 1st as well.
Cola’s popularity among the staff was supposed to lead to an early exit, but it has significantly extended its lifespan.
How long will Gundam rely on Char?
Well, with the current production of primarily one-cour shows, flexible developments probably can’t be achieved.
There are pros and cons.
Kiteretsu’s Tongari hardly appears in the original work and wasn’t a regular at all.
I heard that thanks to Yuji Mitsuya’s extraordinary performance, it became popular and he became a regular.
But Mashmire disappears too quickly, doesn’t he?
The direction of the work suddenly changed around the time Gotton dies, didn’t it?
I wouldn’t say Victory didn’t have popularity, but I think it was mainly because of the anime.
It’s impossible to become Char from that role…
If we’re talking about how the story changed at the setting level due to the actors’ performances, it’s Utena.
Did Char himself become popular and get more appearances?
Anime is also created quite with a sense of live performance.
Except for those with original works, everything else is a popularity-based business.
Old anime is generally produced with about 4 seasons and a cushion of around 1 season.
The developments from the second core can be changed based on the reactions.
The manager of the Akiba Meido Wars was supposed to die in a blast but survived.
Double O didn’t get a very good response for the political drama in the first season.
I heard that the 2nd has shifted towards much more easily understandable entertainment.
Izark’s transformation from a heel to a character with a conscience was, I believe, something the director mentioned regarding his dirty action.
It seems that the plan to die was a lie.
Even the Precure are set to normally exit like Mr. Bunbee but end up surviving.
The closure originally ended with an exit, but on top of that, it made a comeback and even became the final boss.
It seems that there are various potential turning points in history that I can think of, yet I can’t quite come up with them…
That being said, there’s something extremely lively about it.
“Actually, there’s a tendency for everyone to expect stories like ‘This wasn’t in the plan or the script…'”
Since it’s a one-year series, it seems like the script changes quite a bit.
In other words, it seems that there are times when they add developments that aren’t in the script on set.
I heard that Gaelio from Iron-Blooded Orphans will make a comeback in the second season thanks to the efforts of the person behind the character.
It was originally the Galma position.
In Scrapped Princess, the melon seed was supposed to die just like in the original.
In the original plan, Ainz does not reappear after the beginning of Iron Blood.
Gaelio exited in the middle of the first season, and the final boss of the first season was Kudelia’s brothers, right?
There are survivors on the Tekkadan side, but originally there were no survivors; it was a complete annihilation, right?
Wasn’t it exactly that pattern with Korasawa?
Mashuma is not just acting, it’s really creepy…
If it had been serious from the beginning, Mashuma’s character might have thrived, but with the comedic start, it’s impossible, right?
Recently, the script was changed because of the increased popularity of Senior Guell, right?
Well, it’s common for the development to change based on reader popularity in both novels and manga.
It might be something that happens relatively everywhere.
Even in Dragon Ball, Vegeta was originally intended to exit as a regular villain.
Since it gained popularity, Goku was made to let him go and instead, Frieza was prepared.
If Garma had died and exited with a depiction of decline, I wouldn’t understand the meaning of the foreshadowing.
Jerido is in a rival position, but I wonder if he’ll fade out without gaining popularity.
In the early days of ZZ, it seemed to be aimed at children and was comedic, but it wasn’t interesting.
Night of the Rounds was getting knocked out left and right.
I was wondering what would happen to one of the heroines, Nonette, in the game, and she ended up surviving normally.
Anime is unpredictable, so there are times when significant changes can occur due to adjustments.
Well, it’s common to change the script depending on popularity.
I wonder if Chronocle was told this as well…
If Char had exited halfway through, it would have been meaningless because he would just kill Garma while saying he was going to take revenge on the Zabi family and then disappear.
As for Mashmer, the plot in which Haman exits midway was abandoned at that point.
It’s not just that I can’t handle it the way I originally expected; it’s really not at a level where it’s just acting or anything like that.
I thought I would eventually die somewhere, but somehow I survived, Cola Sour.
◆Second half
The rose…! Hamarn’s rose…!!
After a long absence, they make a reappearance in episode 37.
However, he made his appearance in a state that had undergone enhancement surgery.
Lady Haman is seriously brutal…
The clothing had changed from something like a knight’s outfit to a sleeveless one.
https://w.atwiki.jp/aniwotawiki/pages/11998.html
When there are nearly 50 episodes, it tends to naturally become that way, bringing things in and out…
If the development of Char’s counterattack in ZZ where Mashymre becomes an ally has been scrapped…
That’s the way it would be used…
Regarding the matter of Izark, it seems that since Kira and Athrun fought a duel after killing each other’s friends, they were able to avoid stepping further into the quagmire, which made the situation, in the end, more orderly.
The initial concept often turns out to be uninteresting as you work on it…
Is Zikax fully packaged?
The project took a turn halfway through, so it changed too much.
The first season might also have a shortened broadcast period…
It’s understandable that the focus is more on McGillis and Gaelio, who are like Shaar and Gar, in the Iron-Blooded Odyssey.
I don’t really understand anime production, but…
Is it really that easy to change the story and produce it?
For example, if a character that debuted this week went viral on social media, can we decide not to kill them off in two weeks?
It’s hard to deny that a production system where script revisions can be made just in time is problematic.
Since I’m always working right up to the deadline, there are times when I can actually make corrections in time.
Char was supposed to keep going, but the sponsors made him stop and told him to quit being the masked man.
But there were so many fans saying to bring Char back that he returned.
If it’s receiving popularity, then the Z just before it has killed Fo again, influenced by Fo’s popularity.
However, regarding this, before it was said that Fō was popular and that a development was created,
The production wasn’t keeping up, so we ended up creating a new story as a detour to fill in the gaps, which worked out in our favor.
On the contrary, it was perhaps Captain Yassaba from King G who was removed from the story because he became too good of a character and overshadowed the other characters.
When you seriously look at the scenario in ZZ, you really don’t understand the motivation of the final boss.
The opposing third force was also surprising, so it was indeed unreasonable.
In SEED, Izaku was supposed to die, but he survived.
Now there are cases where we have to deliver each season in advance due to censorship for overseas distribution.
I heard that the voice actor for Iron-Blooded Orphans had the script written in a way that made them stand out more, neglecting the main story, but I wonder what the reality is.
Thanks to the drastic change in the atmosphere of the program between the first half and the second half, Mashu…
The character who was humorous in the first half became dramatically unstable and mad after reappearing in the second half, highlighting the stark contrast.
It’s good that you’re an enemy who is on our side…
Mash was a strengthened human.
Characters that disappeared midway due to the voice actor’s performance.
I only know about Yassaba.
I thought Mashmar was more of a silly character or a comedy relief, so I was quite shocked when he fell into the colony.
In the first place, it was abruptly cancelled from the 1st volume, and they hastily changed the book.
It seems that Char and Mashmer were made into enhanced humans by Haman, but I still don’t understand how that came to be…
While sticking to the kid
Hamaan’s emotions are in a terrible state as she turns her beloved subordinate into a modified weapon.
Wasn’t Mashmarr absent in the initial group illustration of the opening? Maybe it was around the time he disappeared that I thought this character could never become Char…
Personally, it’s a character I like.
It’s a voluntary application, after all.
I can’t tell if it’s really a voluntary choice or a forced one.
Either way, it was because I overpowered Mashumeru who self-destructed.
I realized that the modern era, where we can make things with a bit of leeway for about a season, is actually quite good.
As expected, Horiuchi Kenyu is not bad at all…
If we had about 2 cours, we could create a sense of live performance, but with just 1 cour, it’s not possible.
I’m still not feeling relaxed, you know…?
On the contrary, the complete package delivery itself has not been entirely absent since the past, like in the case of “Giant God Warrior.”
When you think of Kenyu Horiuchi, you think of Mashumeru, right? If he becomes such an iconic presence, later on, Jamil’s voice might end up being someone else, so this was for the best.
It might be a matter of presence or the timing of appearances rather than just roles, but considering the initial position and style, there’s no way Char can pull it off.
Lord Iok from Iron-Blooded Orphans was supposed to survive normally.
Did you change to exit because you were hit harder than expected?
But they went away and came back, so it’s хорошее, right?
Special effects can depend on the filming situation, so the script can really change on set, they said…
It seems that unless it’s a character that can’t be replaced no matter how the script is written, there are often changes based on public reaction.
Jared from Z should have died much earlier, but because there was a passionate fan among the staff, he clung on until the very end and died.
Kinge’s Yassaba was too intense in character and overshadowed everything else, which is why they exited.
Jerid’s treatment in the theatrical version…