The death of chapter bosses like Grocky, Gabure, and Big Man is understandable.

These guys don’t have a culture of handshaking, so we can’t move on to the next topic unless we take the top person’s head.

That being said, watching the guest characters die one after another feels like Black Tomino!

There are also people who die socially.

When fighting the Hanawan tribe, they say things like “Half of our tribe’s warriors died in the battle against the Iron Gear!” It’s just too many corpses…

The script is for G Gundam’s Five Warrior.

Due to continuously having his lines changed by Tomino, they became estranged and stopped working together.

It’s a world where shells are flying without any protective gear in the open cockpit.

The foundation is a cheerful vibe, and that’s good.

But I didn’t want Elchi to be crazy until the end.

In the end, our fleet got wiped out by nuclear missiles.

The characters are powerful, but it’s a harsh world…

Well, even if we’re having a pretend-like battle, I don’t feel any anger towards Innocent…

The anger stemming from the privileged class’s intentions as civilians are being killed like disposable items drives the story…

Since there seems to be no target scope.

It seems like the shooting is being done with the naked eye.

Daitarn, mistaken for a land ship

Another Zabungle manga is mostly full of rather tough and harsh stories.

It’s a gag-oriented story, but characters do die properly when it’s time, and the heroine becomes blind as well.

A movie version that leads everything to a super happy ending.

It seems there is something like Anaheim on the moon.

I only had an impression of Hora as a dull named character in Super Robot Wars, but…

Seeing what they are doing in the original work, I strongly dislike it and think it’s quite villainous.

I mean, the main characters usually don’t die easily, but the mob characters die in a really careless way.

Everyone is smitten with handsome men…

I wonder what’s so good about “dirt manju,” but it’s really endearing… I absolutely love the ending.

I thought bluestone was a rare metal that emerged when the factory disappeared.

Who was the woman with the bazooka? She was beautiful.

Tron, Milan is great… a boyish female warrior who goes against Innocent.

Ah! He died right after making his debut!

The leader of the resistance having their dignity completely destroyed and exiting through a living funeral is a joke, but it’s pretty tragic.

Chiru casually emitting a strong love for Giron in everyday situations is extremely soothing.

That aside, this kid is really tough, bravely firing a machine gun on the front lines…

I still can’t accept that Jiron and TARAKO are an official couple.

I’m just hating the constraints of innocence.

The people of Zora have no resistance to dying in the midst of everyday, trivial conflicts.

Looking back after getting older, I understand well why Koto Set tends to have hysterical outbursts.

I don’t want to be in a position like that…

Everyone! Run!

I really ran and finished.

I think it’s also wrong to say that black is because of death.

In the case of black, it progresses in a more world-class, murky, and insidious manner.

Katakam is over.

Like in the countryside before the war, the girls are half-naked.

It was amazing, but it was too stimulating for the parents of elementary school students.

That ship looks really hot inside…

The clarity of the story’s main theme is great, isn’t it?

I have the memory that enemy mobs could escape even after being defeated.

G-Reco is basically bright, but people die.

I think it’s a work that expresses the idea of living energetically in such a world!

It’s fundamentally an empty society, so rather, there seems to be hope for the future, making it feel bright.

Works by Tomino, like G-Reco, have a similar atmosphere that shares a certain vibe.

Widow!!!

The widow has come out!!!

It’s a world where the only way is up from rock bottom.

It feels similar to things like Kinge.

This round face voice is too cool.

It’s a story about living strongly in a world that seems pointless.

The bright world that Tomino envisions is perhaps a world overflowing with energetic people, regardless of those methods.

I’m not going to die that easily.

In anime, you know.

Jiron is also an energetic man, but…

Because I am fixated on revenge contrary to societal trends, it might be seen as a clingy disposition depending on the perspective.

It’s just making it look bright and nice.

It’s clear that humanity is finally becoming free from an era where the system manages everything!

The essence of Jiron is quite an amazing thing, isn’t it?

It’s basically a story about a rogue smuggler.

Like the image of the Wild West.

I’ll stop my revenge after three days because I’m going against the rules of the world.

I really love the setup of the walker machine’s cockpit.

There are things like simple beds for the medium-sized ones, you know.

It’s a law of innocent management, but to go against it means bearing the weight of a changing era as a man.

In the end, it was too tenacious for me to succeed.

There are times when outlaws shine, and there are also times when they end up as bothersome ruffians, which makes one feel that way.

I wonder if in something like Dunbine, it would become a rebellious troublemaker with no place to belong.

If you kill Arthur, there will be a furious protest letter from women.

I laughed when they said they were overwhelmed by so many coming.

It’s not a joystick, but a steering wheel, WM…

Furthermore, the fuel is gasoline.

It’s one thing with old walker machines, but even the latest models are operated with a handle…

This is a moving shot!

I haven’t said it recently, but…

Director Tomino prefers Zambot and Dunbine over Gundam.

I can understand how you feel.

I generally like it, but the brainwashing aspect related to Elchi feels like a drag that just goes on, which is a downside.

Elchi comes to challenge the Jiron group with the intent to kill, to some extent, while the Iron Gear side cannot afford to take that approach.

It’s really stressful how the story slows down with the question of what to do about Elchi, who has become the Innocent’s pawn.

When I watch Zambungle, isn’t Gurren Lagann quite similar to Zambungle aside from the Getter homage?

The mother ship turns into a robot on its own, Iron Gear.

I was thinking it might be the influence of Macross, but it turns out it’s more like Zambungle.

The broadcast was early.

The robot anime from Gainax, such as Gurren Lagann, has a lot of parodies from various works.

The visibility of Jiron Amos’s thumbnail is good.

In Super Robot Wars Alpha Gaiden, the temperature became extremely high in the environment adapted by Getter for the dinosaur humans, and the other pilots were groggy.

I liked how these guys were just a little hot but acted perfectly fine.

Daiguren is Iron Gear, right?

I like it when Jiron occasionally has a rivalry with beautiful characters.

Melon Amos has come…

Who is the captain?

Hya ha ha ha! I’m surpassing the Overman!

It was a rule that was supposed to end in three days, but everyone got caught up with Jiron and couldn’t let go of their grudges, causing the rule to become hollow and intensifying the world’s conflicts. It’s incredible.

Speaking of TARAKO

This way, rather than Maruko.

I have a memory of being surprised when Z was cutting in and I was turning the steering wheel, like “Huh!?”

The handle operation is impressive, but the cockpit being made of glass is also amazing.

The choices in the α spin-off and the wickedness of the Innocents.

I think it’s the best, but on the contrary, it lacks the barbaric feel of the militia.

“When the lines are this soft, it’s like a lake river.”

It’s the best.

It ended up looking like a figure moving with increasingly hard edges.

It’s nice to have a verbal fight with a microphone and a megaphone, isn’t it?

In the play, everyone is casually saying “Zabungle.”

I love the intonation that feels like “The Bungle” during the next episode preview.

In other words, the fact that Tomino couldn’t be very involved in the first half of Ide’s activation arc is significant.

The official name and the nickname used on-site are different, which is very much like Otomi-san.

The button cannon must have turned into some kind of parody…

Large trucks have sleeping areas in the back seat and the windscreen, you know…

I think you can tell that Tomino was heavily involved from the beginning just by listening to the dialogue.

I laughed because I’m busy with Ideon, so I’m doing Zambungle Graffiti.

I told Sunrise to leave it to another director and just submit the editing plan.

I said I understood when I was told, but every time there was a gap in time, I kept coming to the site repeatedly.

The story is that while I was meddling and saying this and that, it turned out that Tomino became the director.

There are too many elements that I absolutely don’t want to live with, given the size and development.

Zambungle was approached with the idea around the time Ideon finished airing, was suddenly given the role of director, and although there was no story or anything at first, once I hit upon an idea in the bathroom, ideas started to flow smoothly.

What you end up getting is, so to speak, a Gnostic work that, like the immediate prior Ideon, depicts human endeavors, yet approaches it in a dramatically different way.

I don’t understand the meaning of making this while working on the Gundam movie and the Ideon movie.

Originally, it was a Gundam follow-up project where a giant spaceship transforms into a robot traveling through space, but I think Tomino suggested turning it into a western. It feels like that was the right decision.

Kunio Okawahara was complaining, “If you’re going to change the route, let me know!”

To Galleria

It seems that there are directors today who handle multiple anime.

Of course Nagano Moro would be angry that Tomino finally built a house at the age of 60…

In the television version, the handsome guy who dies actually survives, resolves all the various issues, and on top of that, steals the heroine in the movie version, if I remember correctly.

Why didn’t the Zambungle model kits sell that well?

“Simultaneous screening of ZABUNGL and DANGRAM”

When I think about it now, it’s amazing… it’s the best.

Even back then and now, everything compares to Gunpla feels like it’s at a level where it should hang itself…

Box art is nice, isn’t it?