
I love you ♡ Shigeru, Mayumi, Junko. Your interpretation cannot explain the Risotto battle; there is a conflict in interpreting King Crimson’s ability.
Your interpretation is exactly that, Narancia! But can you explain it?
If you say there’s a lag until Professor Araki solidifies the settings, you’ll be stabbed from both sides.
Even if I ask the original creator, they just tell me they don’t know.
Junko and Mayumi still don’t know that Shigeru gets incredibly angry when asked, “How did Kira, awakened by Bites the Dust, bring Hayato back to life?”
I don’t really want to use this line, but I don’t think Araki-sensei has thought that deeply about the King Crimson.
It seems that Tsze’s King Crimson from Hunter was created by working backward from the desired development.
At the point of explanation, I’m losing about 40% of the readers, so I wonder if I can make them understand that maneuvering…
Narancia jumped by himself and got stuck, right?
What was that night dew producing something like cling film from its eyes that wasn’t a Stand ability from part 8 or the ability of a rock person?
What about Shigeru?
I think it’s just that there are no merits at all, so I won’t do it, but I can still show the other person the epitaph.
The boss that got hit by the final Gold Experience Requiem could see their own form too…
The JoJo manga itself is something Shigeru owns.
What Bucciarati saw of Bucciarati feels like he used Epitaph.
Even though it’s a separate personality, it can be used by Doppio.
When it was first activated, it had effects beyond its potential, so that’s probably it.
The future BUCHA vision of the first match is better off explained with an epitaph.
The issue is Trish’s hand, which shakes whether it can interfere or not, and Narancia.
Even though it’s a classic move for the boss in manga, it’s too careless of the boss to tell Polnareff and Bucciarati about his abilities before killing them.
I think it’s okay to forget.
My daughter and I have a similar scent of the soul, so I’ll lend you just that part!
How did you kill him around Narancia, and how did you avoid the Risotto battle?
Since I usually look from under my bangs, the epitaph is probably…
It seems like you can project images onto shadows or the back of something.
I think they skillfully created something in the shadow of the pillar or behind it.
The boss is just a strong person who manipulates others outside of blood relations or friendships.
Release…?
It means you can switch whether to interfere or not depending on the boss’s mood.
It’s important for the person to believe that they can do it, as Enya Grandma also says.
It is fundamental that the time that has been blown away cannot be interfered with.
Trish and Narancia are skipping through time in small bursts.
You’re getting close, attacking, and then immediately making time fly, aren’t you?
I marked you with a scent similar to that of my daughter’s spirit! It’s the most forceful, though.
Mysteriously persuasive.
“Stands can change the things they can do within the story.”
Even the boss grows.
To be honest, it was because I wanted to imitate the direction of the movies that Araki watched.
The situation comes first, and then they’re just making the abilities fit that, right?
It’s better to honestly admit that Araki-sensei is a bit loose.
Since we didn’t understand anything even after talking all night, the anime will depict things according to the original.
It seems faster to solve it with violence.
I love the image where the anonymous person explained it really clearly.
That guy is a queer!
What matters is believing that you can do it, as the old woman Enya said.