Sexual desire

Era

If we’re comparing to Roboko, it has to be Spin-chan.

Sense

It looks like a bonbon.

I don’t want you to compare Cross Hunter with Soregan.

It was unfortunate that it ended abruptly because there was no space for a story manga to conclude in a grand finale in just one more year.

Is it compliance, I wonder?

There was a distinct smell typical of male high school students.

That was good, but…

It’s really interesting, but about half of its appeal comes from the charm of Jojo, Prince of Tennis, and Neuro…

I liked this work, but it’s sad that it seems the author has exhausted their talent with this.

I read a few one-shots after that, but they just didn’t resonate with me at all…

The timing was bad.

You’ve been caught.

It’s a cat trick!!

I feel like it has been going on for quite a while.

Personally, it’s about a 1:1 ratio for me.

The author must have been pleased when Araki said, “It’s all about me, isn’t it?”

I was thinking it would have been great if I could have come out when the JoJo anime adaptation was really buzzing.

When the thread was created before, there were still anonymous users who had the Jump from that time, so there are indeed enthusiastic fans out there…

I heard that the sequel to the thread image was rejected for publication through Shueisha’s distribution.

It’s not good to have only parodies that teenagers don’t understand.

Whether the thread image is interesting or not, Roboco is being heavily promoted despite not selling well in media development, so it’s all down to the editorial department’s discretion.

I haven’t seen it in a long time, but what is the author doing?

Are you even drawing manga in the first place?

It was strong to quickly parody other series from the same period.

A few years ago, I released a BL book about Tiger & Bunny…

The current lineup of serialized works in this era is just too strong.

If I had to cut something, there was only the thread image level.

The theory of Robokogori being pushed too hard is too interesting.

It’s like a gag that a being has come this far as if they were sane from the very beginning!

Kīsōtengai

No matter how many times you multiply zero, it is still zero.

I think the fun aspects of the romantic comedy parts and the non-parody dialogue were also good.

But I feel like my lack of skill in drawing was holding me back.

When I looked just now, it was at most double.

If I had read it in the Jump magazine at that time, it would have been ten times more exciting.

The target of the parody being the tennis prince at that time was too strong.

I often visited the site that analyzes the source material for this.

There was someone who occasionally drew erotic pictures on the drawing board.

The thread’s image relied too much on parodies and lacked genuine skill.

The author of Roboco, Saiki, and Inumaruk couldn’t break away from the type that makes people unhappy for the sake of laughter.

I like the story about how an information site that covered anything related to JoJo prohibited someone from posting because their thread would fill up just by picking up that one image.

I like it more than Roboco, but if I look past my preferences, I do think Roboco’s manga is more carefully done.

Even though it was blessed by the times, was it cut off because of that…?

It’s just full of parodies of other jump manga, so of course it won’t be a hit.

The manga that was serialized in Young Jump was sealed off from parodies and wasn’t interesting…

It’s quite lively and has a strong flavor of current events, so it was fun to get excited and say, “Is this a parody?” However, when reading it years later, there are various tough aspects.

But there were a few naughty girls, right?

A perverted witch or something.

The author of Maison de Penguin, which was also canceled around the same time, has taken a different path…

What, she’s my real younger sister!? How outrageous!! Hoo hoo!

There were good ideas like hurdles and shining themes from Obata-sensei.

In the Reiwa era, it feels like the kind of gag that would be turned into a toy and called “an unpleasant manga!”

I think my power really dropped in the second half.

Roboco is boring, but Taizo is not necessarily funny…

It seems that it became difficult for me to come up with my own jokes halfway through.

I’ve been mainly focusing on messing with existing Jump works, so I’ve been moving my own characters less.

I think the reasons for the decline in popularity are pretty clear.

I remember that I was targeted by some JoJo fans back then.

“It’s too much of a ‘funny thing that only those who read it at the time would understand’, so it’s not the kind of content that can be sold as digital or used.”

The comments on the paperback only talk about the rankings of the survey now.

It was painful to realize that I was getting worse.

If we’re talking about likes and dislikes, I like you more than Roboko.

I think it’s reasonable that it ended around volume 8.

I feel like this is the brother who burns at the source, Moai-kun.

I thought it was a gag manga for people who never miss reading Jump every week.

It’s not Akutsu from Kijima, is it?! I wouldn’t get the joke unless it’s from back when the series was running…

It was all about the live feeling, but that live feeling was amazing.

I love popularity voting.

The thread image is indeed a manga that is better followed in the original magazine from that time.

I still read the paperback sometimes.

Even without the parody, the regular cast had great characters, didn’t they?

The underclassmen who came out as a boost all seemed somewhat lacking in substance.

In the afterword comic of the final volume

“I was drawing something like ‘I wanted to draw a new work in Jump and even a few pages of Taizou in Square’ and I thought that I must have really liked this work, but I also thought, of course I can’t continue a work that got canceled.”

The funniest part was the popularity vote episode.

I remember laughing out loud at a joke that had an incredibly high hurdle, but I can’t recall what the content was.

I like the junior from the student council during the graduation event.

It hurts so much, but I don’t feel good at all…

Daiamon is too fond of Taizo.

I am currently using a support site to write the continuation individually.

When I visited Araki-sensei’s house along with other manga artists for the bonus manga of the standalone book.

I wonder if I should have everyone draw Jotaro.

I like the story about being told by Araki-sensei that when I drew it, it didn’t have that characteristic of Ouhon.

It’s better for anonymous posters to stop bringing something down when evaluating something.

I laughed out loud when someone in a skeleton costume at Halloween quoted Hidan’s lines from Naruto.

If I were asked to write a collaborative manga with Kawasaki Frontale for the Taizo, I don’t think I would be able to do it easily.

About a year ago, there was a sale and I read all the volumes in one go; it was more interesting than I remembered.

It was good that the parody of the serialization team was done early.

Relying on JoJo had a sense of pity.

Even though Kyōsuke Usuta is drawing a spin-off manga about Mad, this person wasn’t invited, huh?

People who like fatty liver probably also like onigiri from Jumpra.

I occasionally read this again and think, wow, the Jump back then was extremely intense…

It was too early to make JoJo references.

(I’ll lick it, young girl.)

I feel like there weren’t many JoJo jokes except for when Asami Aran came out.

Aisu’s room is “The Room Where Clumsy Maids Need to Be Punished.”

I probably still really like Muhyo and Roji’s Bizarre Adventure and Eyeshield 21 parodies to the point where I would laugh a lot even now.

It’s reckless to say that even though I received an offer for serialization from SQ, I should do this…

Moaikun?

It was a problem that my seniors graduated.

I prefer subtle jokes that you can add on quietly rather than big, flashy jokes.

Isn’t it just me targeting people whose heads aren’t shaped like triangles for my type?

Don’t worry, Prince Genta is too.

Like that kind of guy.

Hiroki and Yashako wanted to see more.

I think Kijima was quite necessary as a rival position.

It was incredibly interesting because it was in real-time.

If my drawing skills were a bit better, I think I would still be in Robo’s position.

The pattern is nice…

What are you doing without your glasses!

A beautiful girl robot without eroticism is just like a destroyer that doesn’t transform…

It’s not like there’s a difference, and this guy has also been doing manga for quite a long time, right?

If I had to say anything, it’s that this was too explicit and difficult, so going down the route of anime adaptation was impossible.

Grandma used to say… to hit the ones that grew big from mushrooms with a turtle.

Is your grandma Bowser!?

The author of One Piece fell in love, ended the serialization to create an original work, but it was canceled, and then resumed serialization, but Taiemon could not do the same.

I remember that Saito-san’s first author as a newcomer was causing some amazing scientific changes in the popularity vote.

It is also said that Saito, being a newcomer, went a bit too far in doing as he pleased.

Start-up bottle

Second generation in charge, Saito

That sounds amazing when you put it that way…

I really loved Eroguard Ero-Lib because it had a high basic damage.

It’s usually interesting when it comes out.

Overall, the punchlines are funny, but among them, the ones that don’t shout are particularly amusing, aren’t they?

A voice like Judorashi’s raspy voice, yay!!!

It seems that even Ooba Tsugumi was quite fond of Ouga Mon.

A manga that often comes up with a considerable probability in discussions of works that influenced me as a manga artist or that I liked in the past.

I like it when a girl with big breasts tries to hide her embarrassment by making a parody.

Kita’s move to another magazine restricted his parodies, which wasn’t so great, but it’s in stark contrast to the hit he had with “Kenka Shobai.”

The romantic comedy gags around the president that couldn’t be straightforward were enjoyable.

It was such a waste for just that.

I thought I could do it with my sense of tsukkomi even if it was original…

When they did a parody of Tokyo Ghoul in Yan Jan, it was funny, but they didn’t really do many parodies.

I have a memory of laughing out loud when it wasn’t Akutsu.

It’s interesting to see now that Saito-san is a newcomer editor who only stands out in rugby or American football.