Severely ill patient
A man who seriously thought about killing the staff.
While the leading actor is performing an act of nearly dying in a sword fight.
A man who seems to be dying of heat.
Without a doubt, the strongest Shishio Makoto.
Isn’t the second part of the Kyoto edition a bit questionable…?
I think it’s at least UR.
I was thinking while watching the movie that if it weren’t for the reverse-blade sword, the fight would have ended quickly since Kenshin’s attacks were quite effective.
It’s no good because the voice is unusually clear.
I like saying “What the hell are you?” twice.
With the Red Report Corps component gone, Sanosuke has become a mysterious good-looking guy, and I might like him more than in the original.
Isn’t it amazing that you can tell who that person is even with their face so hidden?
It becomes interesting when I realize that Sanosuke only stops swinging his sword and starts kicking and punching when he is approaching.
Just a bothersome man.
Aoshi
It’s something similar in the original work too…
In the live-action adaptation, it’s great how both Kenshin and the enemies have heightened killing intent…
Four people attack at the same time and can’t be taken down.
A man who is possessed by Shishio when a bad take occurs.
Happy Birthday!!!!!
Hooorrrr…
Even though the actor’s appearance is completely hidden by the special suit.
It’s a role that absolutely requires someone like Kuzu-san…
It takes hours just to wear it, right?
There is a special attack against an overwhelmingly strong opponent, but there is a time limit.
Tank Sannosuke
The flame spirit that is clearly stronger than in the original work.
The man Sanosuke, who contributed to victory more than the original work despite not having mastered the ultimate skill.
Bakumatsu Raid Boss
It’s terrifying that it feels like you’re recovering a little bit of damage when you escape from Purgatory, Sano.
Even though Kenshin is supposed to be taking hits, it’s scary how he grabs onto me and even bites while saying it doesn’t hurt.
If even one person had been missing, we probably wouldn’t have been able to achieve victory over time.
Without a doubt, there is no substitute for Sano.
I prefer the composition that ends beautifully with the Heavenly Dragon Flash over the original.
“I’m facing four opponents at the same time and I’m in a dominant position, so I’m generally stronger than in the original work…”
I realized that in live-action, flame attacks are more about visual terror than actual power, so that’s good.
The atmosphere of the thread image and the connection seems stronger than the original work, which is amazing.
This is live action…
I love the part where I handle the combo of Rotating Sword Dance Six Continuous and Fang Thrust.
Aoshi is someone I don’t know, but if I had information, it would be a provocation to ask “Who is that?”
Who the hell is Sanosuke?
Since the tank doesn’t sink, it’s practically four or more people.
Who the hell are you…?!
Who the hell are you…!?
I remembered the thread images with the new anime, Rengoku-san.
If it were a one-on-one from start to finish, they are strong enough to last against Kenshin for even 15 minutes without running out of strength.
In the original work, it was who knows until it reaches its peak, but for some reason, the boss suddenly turns into a crazy guy, which is a gag, right?
As a result of omitting the family massacre and excessive portrayal of the childhood siscon, the sense of reality has increased.
A performance filled with resentment, having to perform a sword fight in a scorching heat with flames and costumes, where it’s four against one.
It’s nice to see the opponent get sent flying happily with a crimson arm.
The argument that you could steal the country had some persuasive power.
Ito Hirobumi is being too much of a flashy original character, isn’t he?
It seems I’ll be assassinated someday.
The endurance-focused Sanosuke is too hard.
Do you need a double tree?
First, I shall break my leg.
Next, I will break my leg.
I’ll break your legs to finish you off.
Here comes Battousai.
Hey, Shinsengumi!
What the hell are you?
What the hell are you?!
Even though I know there’s a fire being waved right in front of me, I can’t help but get scared…
Sano, who invested all points in durability without taking a dual skill tree.
The man who understands Shishio’s feelings the most in the world.
Sojiro’s character match is just too perfect.
A bugged word called “Itō Hirobumi” as an original character.
In the original story, Rengoku-san sank immediately because Oda-kun was reluctant to write him, but in the live-action adaptation, he has become incredibly successful.
As told, did the real-life Sano learn the basics of defense?
I thought it must be hell to be constantly wrapped in bandages despite the high temperatures.
Being wrapped in bandages like that on human skin was hell!
Special effects makeup for burns takes 1 hour.
Wrapped with a bandage for one hour there.
The change from an unblockable grab move to a long-range area attack for the crimson arm, which had been heavily criticized with “Isn’t it better to stab?” was a nice modification.
It’s a scene gag with applause, right?
Instead of being overlooked, Haru becomes the sacrifice for the Kaoru doll.
What increased due to the Great Fire of Kyoto?
I have no idea how much of this live-action adaptation is a joke and how much is serious…
Wouldn’t it have been good to install a fan in the bandages like an air-conditioned outfit?
I was shouting “Get out of my way!” while dealing with Sano, and it makes me laugh.
A burning sword is just for show, after all.
No, that’s really scary.
No way… Kaoru-dono!?
It was you, Zhang… In that case, there is no problem.
The sound was really loud, like “Baw!! Baw!!!” because of the fire.
I like Usui-san, who was instantly defeated by Saito in a situation that felt like bullying due to the lack of time.
Who are you? Who are you?
It’s a flashy fireball that looks impressive and produces flames, but it doesn’t cut much and just burns and seals wounds, so it’s actually not that great.
When done in live action, the flamboyance and the fundamental fear of fire prevail.
As expected, having the decisive battle in the Netherworld is a good decision.
If we fought on the sandy beach during the day, Usui-san would have 0 advantages, so Saito is the strategist.
It’s different from a sword fight, but I was able to dodge it by sight.
I tried doing things like “back wheel sword” and “yin-yang breakthrough” and I was able to do it! Don’t just recreate it normally, you veterans!
The ending of the Kyoto arc feels like it could have been more than just a mass-produced Shishio Makoto…
If it’s going to end up being used like that, then it would be better to have Usui-san used there…
What was with the match against the monk turning into a lotion sumo?
I watched it without knowing the cast, and when Fukuyama appeared, I thought, if such a great actor in Taiga dramas can play this role…
It seems that even the original Kenshin mentioned something like avoiding reading it.
Avoiding sword fights visually is crazy.
I was surprised to find that there are many Japanese actors who can perform actions like this…
Budou Jin’e is using Skull’s memory…
As for the sword fights, action director Tanigaki made sure to showcase the talents of those who could really perform.
Thanks to that, Mio’s opportunities have increased.
Shishio Makoto, born from the genuine frustration of Tatsuya Fujiwara being forced to perform a one-on-four sword fight while wearing a torture device-like Shishio suit.
Super scary.
I don’t want to do a sword fight in this state, so I’m going down the stairs really slowly.
I can concede that the sandy beach might be somewhat familiar to Ms. Umi because she’s from Ryukyu, but other than that…
Not only are they generally reproducing the Nine Headed Dragon Flash and the Heavenly Soaring Dragon Flash, but…
They even brought out a new move like the Nine-headed Dragon Flash Cancel Heavenly Dragon Flash (air activation version).
The modifications are great, but Soujirou, who rushed in during the final chapter, was incredibly cool.
Running on walls and teleportation had quite a similar movement, didn’t they…?
Being evaluated as stronger than the original in a jump anime is something to truly be proud of.
Every time I see it, it’s the mother from Grave of the Fireflies.
No matter how hard I try, it’s impossible to dodge things like the Kuzu Ryu Sen and the Ten Sho Ryu Sen cancel…
It’s great how Sanosuke allocated the part used for the double extreme to HP…
Shishio is really irritated…
The compatibility with the Bakumatsu zombie tank is too poor.
Humans can run on walls…
I can run on walls, but what about you?
The sword fighting from the Bakumatsu period is really scary, isn’t it, Kenshin?
Why can you win even though you can’t use your arms… Why do you bite off my ear…?
What the hell are you… you’re in the way… (annoyed)
I thought I defeated Sanosuke, but if he lifted me up by putting my head between his legs, I would be furious if I were Shishio.
The action is so serious and the blood is so thick that the tough guy looks incredibly tough.
If it were the manga character Shishio Makoto and this Shishio Makoto
Well, I definitely think the image of Shishio Makoto will win.
The live-action Sanosuke’s skill tree is branching out in a weird direction.
If I were to say it bluntly, the two works of the Shishio arc are interesting, but the storyline is all over the place, so it’s more like a super entertaining B-grade.
The final work (not the last work) that has a connection to the first work has good story enhancements, such as complementary scenarios and improvements, making it feel good overall.
The beginning is interesting, but it feels like a completely different genre with a different kind of fun and atmosphere.
The carefully planned strategy to crush the legs looks really painful.
The beginning doesn’t have the atmosphere of being based on a Jump original…
Scary Kenshin
Takeru Satoh is serious.
There’s no explanation like “mad bloodline” or anything, but the convincing power comes from Masaki’s bulging trapezius muscle.
I really like Shishio Raid, who is always interrupted when trying to kill someone.
If I trace it back, it seems like it’s mostly Mr. Katsura’s fault.
The first work only fails at the Fang Thrust.
Everyone can take action, but only Tanigaki-san threw in the towel regarding Takei Emi.
The other three are just somewhat injured, but Sanozuke has a bright red face and is getting completely beaten up; that’s just too pitiful, don’t you think?
Action that seems more three-dimensional and dynamic than the live-action Attack on Titan.
Everyone was making the best moves as if it were a proper raid boss battle.
Everyone take it all off!
Ken is doing dance.
In a point deduction system, it’s decent, but in a point addition system, it becomes an incredible score; that’s exactly the type of movie this is…
The live-action version is really sad, which is good, right?
The persuasive power of Kenshin’s action, which reflects the need to stop someone, is incredible.
← The live-action version of Umui is coming running from around here.
The most annoying habit and the toughest Sanosuke is just too much of a noise for Shishio.
I was really surprised when I first saw it because I hadn’t seen the previous work and didn’t expect it to move like this.
If you look closely, Saito isn’t moving much, so Sato Ken and Iseya are covering for him in the final battle.
If we don’t quickly make the Hokkaido edition, the lead will tire out during filming due to aging.
I like that both Shishio and Enishi have a frightening seriousness in their intent to kill.
It was done casually, but Ken’s super-fast drawing and sheathing of the sword in the beginning is great, isn’t it?
The action is incredible, but it’s amazing how the meridians can be realistically recreated in reality…
If Sano hadn’t been there, we would have probably lost.
Even though the movie kills off original characters with an original storyline, there’s still laughter from the original readers.
The story is really crap.
Chill out, Haru!!
Well, it’s fine, I guess…
Issei Takahashi exists in the Edo period in both Rurouni Kenshin and JoJo…
It’s necessary to pack it in, and using plenty of time for Shishio is the right decision, but the handling of the Ten Swords is still a bit interesting.
(Crying baby)
The spear thrust that eventually became a normal thrust at the beginning.
The building will be destroyed.
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