The author’s motivation is… you know?
Was it animated?
>>2
It was information you didn’t need to know… I’m sorry… You don’t have to look it up… Really.
Don’t investigate…
The anime is like that, you know?
>>3
Aisekaru joke that no one wants.
>>45
The director and his friend, the author of Re:Zero, were hoping for it.
>>69
So the author of Re:Zero was involved too…
The tempo of the anime…
>>4
Since it’s a snack anime, I want to emphasize the snack feeling!
I wish all the upcoming anime adaptations of gag manga would meet the same fate as Bussu E.
>>6
Since things like Tonegawa and Fist of the North Star: Strawberry Flavor are all slipping, you can be assured.
It seems that the original work has a lot of challenging themes, which is quite tough.
The director…
How did they handle it in the Ruby art anime?
I didn’t actually want to watch a snack anime…
I think it would be better if it became more widespread, as it’s a rare case where its popularity declined after being adapted into an anime.
>>11
The book is popular, and it’s not because of an anime project; it’s because of the offer from the other side…
>>103
So I want people to recognize it as an example that should not be done unless proper individuals are in charge.
It’s just something that causes damage to the original author, the publisher, and the readers, without any benefit at all.
I thought the author would use anything as material regardless of the quality of the anime, but it was disappointing that they turned out to be surprisingly delicate.
>>15
I never thought I would be exploited by a crazy director.
>>15
I don’t think they are the type of writer who complains about their business partners in an immature way.
>>81
If I complain here, I’ll become just like the director.
I thought that animating this would be great no matter if it hits or flops!
I was like, “Is there really a way to deflate like this…?”
I seriously forgot that it was getting an anime adaptation for a moment.
It’s nice, the anime made by Nemesis.
>>18
What on earth is Nemesis…?
>>37
I thought it was that kind of story, but then the author appears normally afterward.
What did I want to do in the end?
>>41
Ashi name probably had to come out because they were causing a commotion over copyright infringement and got deleted.
What was that video posted on YouTube?
Isn’t it difficult to adapt a gag manga into video?
Reading it in manga and having the anime deliver jokes or punchlines verbatim can really change the impression.
It’s really lost its momentum, huh…
>>21
Well, there are those manga that you wouldn’t buy in the first place, right?
It perfectly picked up the joke about how it feels like the original work is also over once the anime is finished!
>>22
I wish I hadn’t had to collect something like this…
Was the anime like that because it was a joke in the manga?
Gag manga plays in my mind with the most amusing phrasing that I find funny.
It’s often disappointing how different it can be when it becomes an anime.
I want to avoid the phenomenon where when the anime fails, it makes it a bit difficult to talk about the original work.
>>27
It’s because the publisher, which should be seriously working on its own products, is requesting to make a crappy anime.
From the reader’s perspective, it’s only natural to think that what I’ve been reading up until now is garbage, isn’t it?
It’s really strange, but it feels like only the aggressive parts of the style were filtered and retained through the filter.
I knew about the anime adaptation, but I ended up not watching it.
It’s true that anime didn’t have a positive impact.
I think the original momentum had already diminished quite a bit even before the anime.
Reading this original work and thinking, “Let’s delve into the depiction of the snack in a realistic way!” is strange, isn’t it?
>>32
When I was poked at, I bizarrely brushed it off by saying, “Oh, I see—everyone in the audience has never been to a snack bar, huh?”
>>32
You wanted to go to snack places under the pretext of business expenses, didn’t you?
Well, I understand that it’s disappointing when the anime is terrible and the director gets in trouble for ridiculous reasons…
I only know that the anime director was causing a huge ruckus on social media.
Nemesis…
It’s not quite right to have it done at a dodgeball-like tempo with dialogue in just a 5-minute anime.
It might have been just right to do it in a three-episode format like Sazae-san.
>>39
It would have been safer to either do it in an overtly low-budget way like “Teekyu” or have it made by Kero-chan.
The decline in momentum is probably because FANZA stopped doing the 10 yen sale.
FANZA is bad.
It’s strange that “Teekyuu” is one of the solutions in this world.
A slightly more understated casting would have been better.
Tonegawa is high quality except for the Rakuten Card Man…
I had a lot of fun watching the anime, though.
>>47
Thanks to such voices, the director can do their best and weaken the original creator as well.
>>47
I was enjoying it quite a bit too, so when I learned about the director and the behind-the-scenes situations, I was like, “Huh…?”
>>47
I think if it were just the main story, it would have ended with some minor complaints.
The director started fighting in X, and it turned into a different kind of fun.
>>47
As long as it was fun, that’s what matters.
Entertainment is a victory for those who can enjoy it.
>>70
If the author reacts that way, it makes even those who enjoyed the anime feel uncomfortable, so it’s better for the author not to show dissatisfaction too openly.
It was a topic suitable for anime adaptation that could be made into a manga…
Did it feel like there were a lot of original anime?
When my favorite comedy light novel was adapted into an anime, the dialogue turned into just bland conversations.
The alterations and the utterly lackluster, half-hearted production have killed the material.
Until it was animated, I was heavily promoting it in the story, in the afterword comments, and in interview articles, asking for the anime adaptation! So the gap feels even bigger…
If you think of the original work and the anime separately, it’s fine, but there is definitely a feeling of a blemish, so to speak.
If it were just poorly made, it would still be one thing, but when the director says something stupid and causes a backlash…
Azazel was good, wasn’t he?
Director Mizushima understands the tempo of gag manga.
I don’t want to animate Snack Bus Eno.
The director mentioned wanting to use Snack Bus E to promote real snack culture, didn’t he?
Tatsu-nii often ends his sentences with “daze,” so in my mind, he talks kind of like Sugi-chan.
I was casually watching while doing housework, but was it really that bad?
Well, I stopped watching it halfway, so there’s that.
04) Reasons why the anime adaptation of “Snack Bus E” is eagerly anticipated ◆ Want to save snack bars across the country To support the restaurant industry (especially entertainment businesses) affected by COVID-19, we need content that makes people think “Let’s go out for drinks” in the post-COVID era ◆ Want to support drinking culture To support the drinking industry suffering from decreased demand due to COVID, we need content that prominently features drinking activities ◆ Want to introduce snack culture to young people Snack bars, which emphasize a sense of security in nightlife, are effective in appealing to today’s youth Anyway, I want to go out for drinks.
There was something off about the circumstances leading up to the anime adaptation.
>>60
It’s just that someone who loves alcohol found a reason to focus on Busue.
If it were just boring, that would have been fine, but there were various things like the Sexy Tanaka incident.
The strawberry flavor was already doomed from the start, as it was treated like an afterthought or a bonus to DD…
Tonegawa’s narration voice is bothersome, so I never want to see it again.
>>65
I think it suited the leader quite well.
Adapting gag anime into animation is difficult, isn’t it?
The only recent success that comes to mind is “Eno’s Lure.”
The original author has no fault at all, and if anything, they really had no choice but to follow themselves… 🦦
>>71
If it’s Busei, they would probably make a joke about how bad the anime is, right? lol
Some people said that, but in reality, it was tough trying to avoid contact as much as possible.
>>77
I wonder if that kind of maneuvering was quite effective…
>>86
Well, touching it carelessly won’t lead to anything good, for sure.
Wasn’t it best to just let it pass?
>>71
Isn’t that a sea otter instead of an otter?
I was moved by how the new work of Gag Manga Biyori is as funny as it was back then.
If the director hadn’t gone wild, it would have just been a mediocre anime…
Please prohibit personal social media for the production team.
Snack culture…??
It’s a simple story.
In manga, it’s still something like that.
There is something tough when it’s shown as a video in anime.
Not just this manga.
>>79
Most works are elevated from manga to anime.
When something like an inside joke is expressed out loud and moves, it becomes a bit embarrassing.
Is it that thing called empathetic shame?
A gag manga with enjoyable dialogue tends to have a tempo that can be a concern when adapted into an anime.
It feels so tough for you…
Despite being attacked from all sides around the world, Nakayama Ryu, who did not strike back, has been reevaluated.
>>83
The dragon didn’t engage in unnecessary fights.
It’s become quite difficult to read the manga after the anime has ended…
It’s not that the original work’s momentum matters, but there are a lot of words.
I had a lot of fun, probably because I’m not that interested in what anyone said on social media.
>>87
You can be proud of enjoying it with that level of quality.
>>96
If you had sound judgment, there’s no way you could enjoy something like that.
It’s not the type of work that does voice actor karaoke, right…
>>88
It’s a snack-themed place, and I like it.
Personally, there were some parts I enjoyed, but the director’s disputes during the broadcast were too much of a distraction.
The anime itself was pretty much like, “This is what happens when you forcefully adapt a gag manga into an anime…”
Honestly, it seems tough to make this anime work no matter how you approach it.
The director…
If you don’t worry about the director, it ends up being “Well, this is about it.”
Roboko even became a movie…
>>94
Roboco is from the director of Gag Manga Biyori, so they made an anime…
I wonder why I tried to talk about snack culture in a manga where people down Mirror Moon in a bottle?
I also enjoyed it, and my impression is that when the voice and movement are added, Morita really becomes tough!
No matter how much someone turns your work into something terrible, making it a joke or being aggressive about it only brings you down to the same level, and there’s no benefit in that.
Is the popularity declining before and after the anime adaptation…?
Isn’t it the same since regular paperback editions are also being released?
Is Gag Manga Biyori the ideal form?
>>100
But this is not a work that should be done at a fast tempo.
>>111
There’s something appealing about the charm of conversation.
The feeling of throwing out a line casually doesn’t fit.
I think that gag manga like Teekyu or Saiki Kusuo works better as a 5-minute anime with super fast dialogue, as it ultimately makes it difficult to maintain the original pacing.
He wasn’t a director who could do gags.
Because of the director’s mistake.
It seems like something that flopped without the original work, the author, or the readers being aware of it.
>>105
Well, the quality of the anime itself is also not good, right?
It was damn cold.
It’s not that the drawing is bad in a way that could be used for jokes or something like that.
It feels like the misunderstanding between the direction and the director, which turned into a brawl outside the ring, has become a topic of discussion.
Well, it wasn’t really something I wanted to see as a video anyway.
Nemesis…
It was quite slippery, but among the viewers, there were people saying things like “I laughed out loud at the Re:Zero joke.”
I hope such people value their own sense of style.
Even a crappy anime can be the absolute worst if the director or staff let their egos show.
Is it rude to say that I’m glad it’s a voice comic?
>>116
I think a drama CD was the optimal solution!
There aren’t many gag or horror anime, right?
It’s actually something that advanced.
Making people laugh or scare them in anime.
The strawberry flavor is just a bonus for DD, and although there were complaints, I think it sold quite well for a 5-minute anime…
The decline happened after the updates to the original work came to a halt.
Due to the director’s outburst and the unnecessary escalation of the situation by referencing the sexy Tanaka incident, it has become quite dangerous to make jokes about it, which is very unfortunate.
I realized that anime directors are really important.
I want at least a minimum level.
>>122
Even if you have a team that seems certain to win, there are examples where it turned out badly because of the coach…
>>122
He is a director with a proven track record in “Isekai Causal” and “Monster Girl.”
Understand the differences in media.
>>123
Speaking of which, this second season disappeared without attracting any attention…
If it were just poorly made, it would have been better, but…
Even if I’m told not to speculate about the author deleting all their anime-related tweets after the broadcast ends, it feels like I’m just confirming my suspicions, right?
An anime so straightforward that even the stickiness has disappeared.
>>129
The original thread has only been able to stand with outdated template images from long ago…
>>141
I think it’s been like that for quite a while, regardless of anime… ?
>>152
The original work itself is rarely talked about in the first place.
It was treated like a bonus that provided a topic for the thread.
Well, it’s better than a Twitter manga being adapted into an anime.
It’s still a borderline work, though.
I think it was good with the Menesis version’s tempo.
I think people who aren’t enjoying it are just anime beginners who haven’t seen Isekai Quartet.
>>134
I wanted to see the bus.
The worst part is being taken advantage of right from the start, thinking I can do whatever I want with a manga at this level.
No…
There were plenty of mangas that withered away completely due to the failure of their anime…
>>138
Well, there are cases where the original work is on a downward trend by the time it gets adapted into an anime…
I want to sell my name and do something original.
Exceeding the limit kills the work.
It’s really infuriating how they pretended to be picking fights indiscriminately but then backed down with the cat team.
Are you not prepared to be sued by a world-renowned director?
>>140
In the first place, I feel it’s difficult to do a parody since we haven’t even mentioned the name Koimi Hirose.
But you can mention Shinkai’s name itself, right?
>>140
There was a part where they awkwardly inserted a line about adult circumstances, which didn’t come at a good timing.
Well, it was the same with Murasaki Shikibu.
Even if the bus ends, I have the vitality to create new works…
It’s a political cartoon, isn’t it?
By the time it gets animated, it’s already old and boring.
The reason why Taizo, Mote-Ou Saga, and Miss Full were not animated is the same.
>>146
Simply popular…
>>167
However, Tenten-kun has been animated!
The director is important, isn’t it?
In terms of the ideal adaptation of modern gag manga to anime, Cromartie High School and Gag Manga Biyori stand out above the rest.
>>149
Kromati also cuts original material from the source and adds anime-original content, so there’s something similar to this.
I only appreciate the existence of this.
>>151
Whether or not there was a demand for anime aside, it felt like they were trying a little hard with the risqué parts…
>>151
The character design was good.
Has snack culture been saved?
The original creator and the director should delete their social media while working on the anime!
I think it would have been much better without the director’s off-field brawl and the original content.
I’m sorry, that’s a lie; I wanted them to stop cutting up the original material too.
The main anime had nothing commendable, but it wasn’t so bad that it deserved harsh criticism; it was a bland and flavorless anime.
Roboko gives off a somewhat conservative vibe, after all.
The tomato poodle’s lycopene is closer.
No, but seeing Busei in a sexual way is not a thing, right?
>>159
However… if lucky?
>>169
It’s a bus, you know?!
>>159
Busu E is well, I suppose.
Even if it’s for 30 minutes, I wished we could have had various discussions in 5-minute increments.
Since there are a lot of episodes, there’s no need to hold back.
The difference in media is a truth, but…
In the end, the alterations that become problematic and things like this are ultimately driven by intentions and ideologies unrelated to the expression or enjoyment of the anime, so they are essentially garbage.
Regarding the Nemesis version of the post, Shinkai reposted it and it was no good.
I couldn’t get sponsors unless I ingratiated myself with the actual snack industry…
I’m not saying I’m going to change a boring original work! It’s a manga about a snack, so the intention to make it feel like a snack is something I can defend.
That said, it doesn’t change the fact that it was boring…
The evaluation I thought was the harshest towards the director was
Even Yamakan was able to stop using Twitter during the WUG broadcast, but I’m even worse than that.
That’s what it was.
>>170
There are directors who are constantly tweeting while properly making interesting anime, so that part doesn’t really matter.
Shinkai liking Nemesis’s video is the answer to everything.
I think it was interesting that the anime had the hero sing a Dragon Quest song.
I’m always on edge with their comments, so I hope the people involved won’t identify themselves as such on social media.
Since I’ve played around with characters like Teraho-kun and Umaru-chan so much, I should also have fun with my own anime.
>>176
It becomes serious and it will be related to the next job…
Do you think the people who are reading Busue are the ones watching something called Isekai Quartet…?
>>179
Just so you know, it’s more popular than Bus E.
>>193
So what?
30 minutes is too long.
It’s the same as rakugo.
Isn’t it different when a person with 30 years of experience and a young person talk about the same thing?
There’s a feeling of doubt about the adaptation of a gag manga with so many lines like this into an anime.
In manga, the lines get absorbed in 0.5 seconds, but it definitely takes a few seconds for the reading to catch up.
When I see the pile of corpses, including the thread image,
Gag Manga Biyori is truly blessed.
It’s interesting that it became clear the person recognized themselves as a “shinkai” (a person with abnormal sexual desires).
I mean, I don’t think the popularity of Bus E will rise or fall after it becomes an anime; hasn’t anything really changed?
I need to finish counting the stains on the ceiling… I’m just a pure, money-driven thief! If you just hand over the money, I won’t be rough! Please, just give me the money! But… what if I could!? Is he really in a stance of both offense and defense?!
Just because it’s an anime doesn’t mean new people are going to conveniently come in…
As the volumes increase, it’s common for the number of copies to decline…
I thought I’d take another look after a long time, but the Nemesis video is gone.
Pop Team Epic, a work that sparks mixed opinions.
But it’s not a style that seeks the same sense of speed as Gag Manga Biyori or The Disastrous Life of Saiki K.
![[Manga] The magic trick that everyone tried to master as kids but couldn’t is trending, lol.](https://otaku-reviews.net/wp-content/uploads/2025/06/bf53dd2f.jpg)
![[Manga Time Kirara] Tell me your favorite couple in Kirara.](https://otaku-reviews.net/wp-content/uploads/2025/06/7f363a8b.jpg)
![[Gundam GQuuuuuuX] Even though you’re a Newtype, you’re so insensitive, Egusabe-kun.](https://otaku-reviews.net/wp-content/uploads/2025/06/b96ae33d.jpg)
![[Rune Factory] I’m sorry, but I live behind the general shrine.](https://otaku-reviews.net/wp-content/uploads/2025/06/af0f4933.jpg)
![[Fullmetal Alchemist] I have no certainty, but I feel like Envy is the weakest among the homunculi.](https://otaku-reviews.net/wp-content/uploads/2025/06/da613d5c.png)
![[Thunder thunder thunder] I thought this cover was sexy… so I bought it, and it turned out to be more interesting than I expected.](https://otaku-reviews.net/wp-content/uploads/2025/06/d303d5fc.jpg)