
The seventh part really illustrated the pelvic line well.
When I look at it again, it’s an amazing picture…
Patterns like this also give off a subtle “animator killer” image.
The color scheme feels very American.
>>4
It’s a story about America, so it’s fine.
The blue lips were somewhat colorful, but I wonder if they will stick with this look.
Am I being treated like a person with a disability?!
You’ve gone from wearing weird clothes that look like pajamas to much tighter ones.
It looks like it would hurt if it crawled over.
I wonder when the design of the heart on the shoulder was from…
I’m really curious about the president’s design.
I lost the star mark on my pants, which is a bit unfortunate.
>>10
Conversely, it means that the presence or absence of something can determine the life or death of an animator, so if it can be resolved with a little effort, the decision is to just get rid of it.
>>10
If you can’t forgive that much, then go officially complain about it.
You’ll be able to watch it without any problems through acting with movement and shouting…
>>11
Yesterday, I watched up to episode 3 of the first JoJo anime on the Jump Plus channel, and I think the power of the dialogue and Koyasu’s voice was so amazing that I didn’t even care about the drop in animation quality.
The animation in part 7 is extremely well done, and since they also draw horses, I’m prepared for the animation quality in the anime to somewhat decline.
It is believed that there was a tremendous struggle around the time when the star on the hat was fiercely defended.
>>14
The star on the hat is enlarged to clarify the positional relationship, making it easier to manipulate and integrate.
Horses certainly go beyond the ominous gate…
It might feel a little bland, but considering that there are quite a few horses on the screen, it seems about right…
Johnny is quite a rare type in JoJo, as he is a simple, slender handsome guy, or rather a laid-back guy, as I think about it now.
I really think SBR has the peak level of animation.
I really think it’s going to be tough to surpass that scene of raising a toast in the manga.
I still haven’t read SBR, but what’s on the back of my hand is…
It probably isn’t anything important.
I wonder if Chumimin will be simplified as well.
I feel like there are quite a few works recently that handle horses with CGI, but I wonder how this one will turn out.
From around chapter five, there have been too many incredibly complicated designs.
From start to finish, the horse is important, and there are probably restrictions on the horse’s movement with the golden rotation, so if they can run through to the end without any breakdowns, I really think that’s amazing.
Since Volume 7 moved to Ultra Jump and there were no constraints, I was able to draw freely and my brush was flowing.
If anything, I thought that making a well-prepared and motivated model for Part 7 and doing it in CG might ultimately require less effort and yield higher quality, but it seems like there are more characters than in the other parts, so that might be impossible…
>>28
There are some people whose body shape changes along the way…
Aside from the clothes, the left side is closer to the image in the play.
As expected, they probably won’t keep changing the art style like in the original and will unify it with this.
The 7th part initially inherited quite a bit of the art style from the 6th part, but it changed quite a bit over the long publication period.
It seems like the impression changed dramatically around the time of Mandam.
>>31
It’s not just about SBR, but switching from weekly to monthly allows for more creative freedom, doesn’t it?
>>31
I think the direction has become more graphic novel-like, and the story has started to include elements of sadness, which has greatly improved it.
>>31
I feel like it changed a little before the MANDOM match.
Even after losing both their belongings and bodily fluids, Gyro still tries to reach the goal in the shortest distance possible, yet cannot win against Diego, and on top of that, ends up losing to Johnny, who suggested taking a detour.
I feel like the direction of SBR changed around that area.
Everyone is looking forward to the seventh part, so I want them to spend money freely and use it with the feeling that it’s okay for it to end like this…
I understand that it’s difficult!
It seems tough being a double protagonist like Rohan or Jotaro from Part 4, where the character changes outfits.
Hats don’t have joints or movements, so they can be made easily with CG.
Is the gyro a mixing device?
>>34
They are deliberately choosing a different voice actor from the game version, so this time too, Iwawana will find someone who fits really well.
Since there are many scenes where the head is shown prominently, I have a strong intention to never take off my hat star.
Reproducing the original work seems like it would require as much artistic effort as creating Cell from Dragon Ball.
I don’t think the art style has changed between the beginning and the end compared to part 3.
The voice actors are not intentionally changed; it’s just that many have changed because they are redoing all the auditions from scratch.
Okuyasu and the others properly auditioned and passed on the second try.
>>41
Well, Okuyasu’s voice is Okuyasu after all…
If there is anyone else who could pass, it would be Shigeru Chiba.
>>42
Shigeru Chiba has an important role as the father of Yoshikage Kira.
In JoJo, the voice actors come from various places without being restricted by any agency, so it’s completely unpredictable who will play which role.
Even though they can’t stand, they strike a cool pose…
Well, the SBR voice actors will probably change quite a bit from the existing ones.
The pattern on the hat hasn’t changed, so it must be the best effort for saving labor; the pants pattern can’t be helped.
A generation of voice actors who were completely hooked on JoJo’s Bizarre Adventure is lining up.
If anything, the existing voice actors from the anime JoJo might come back to appear again.
In Part 7, Johnny’s outfit changes frequently.
When I read the original, it’s not like that at all, but just looking at this illustration, is this Giorno from the original…?
>>49
Why the 5th part?
>>53
I just made a mistake normally! I’m sorry, Johnny!
I wish I had a mixin.
The small ☆ marks are probably for reducing animation production costs…
AI! Accurately depict intricate patterns in a dynamic animation!
>>57
Yes! I will depict the patterns accurately rotated!
I hear that there are many unnamed people who say they like part 7’s artwork the most…
It would be nice if they added at least a few star marks instead of being so detailed.
It’s impossible to animate just because drawing horses is difficult, and this anime studio lacks the skill to handle popular titles.
>>60
Even Studio Ghibli struggles to draw animals, especially horses.
If drawing a horse is just so-so, then the pattern on the pants isn’t that important either.
>>61
The star patterns, when hand-drawn, simply double the time and effort, so it’s a discussion about cost-cutting; however, horse animation is necessary and it’s more a matter of whether one can understand the movements of the horse rather than just the effort involved.
Isn’t Johnny unable to kneel?
>>63
When I strike a strange pose, I definitely look like I can move.
I hope President Kase continues in office.
Personally, I’m totally fine with a flat star texture that doesn’t move synchronously.
It’s really tough and difficult to draw a horse running, and not many people can do it, so I heard from someone anonymous that animating Part 7 would be difficult in this era, but they are going to do it.
>>69
Listen up.
Actually, animators can hardly draw anything other than girls.
During the toast, a special ending will definitely play.
“I would bet my soul on it.”
Part 7 was the one where Araki’s art reached its peak maturity, so I understand that recreating it is tough…
Free for today only.
Apparently, there are only elderly people left who can work on mechanics.
Drawing a large number of horses must be difficult, so I think it might be better to just make the whole thing CG animation.
The voice of Jonny in the game was really good, wasn’t it?
It might be a coincidence, but I was happy to be the same as Hayami-san from Vanilla’s third part game.
It’s not a horse, but you should check out the King of Deer or something like that.
Gathering Japan’s top animators, we can finally create an animation that moves these animals like this.
Don’t make unfounded complaints if you are not an animator.
You can see “Know your shame!!!!” on TV…
Also, Mike-O.
>>83
Um, that’s the sixth part…
>>84
I haven’t made my debut on terrestrial broadcast yet…
>>85
Did MX TV say it’s not on terrestrial broadcasting?!
Is that Kajikun’s voice?
The president’s wife has to appear on the cover in a heroine-like position because there’s such a lack of feminine presence.
>>87
It’s one of the better series where a heroine-like girl appears, considering that in the third part there are a runaway girl and her mother…
Since the voice has not been announced yet, we can only make guesses.
When the judge scene came in MX, it was unusually exciting here…
>>90
Just by wandering around here, I managed to get about 10 judge videos.
It seems that baseball player Ohtani reacted to the anime adaptation of “7”.
>>91
What does that mean?
I don’t think the impact of the artwork is a concern since it hasn’t been reproduced well since around the third part.
It’s hard to tell whether the treatment of MX not being on terrestrial broadcasting is serious or a joke.
>>95
It’s a local station that isn’t on nationwide broadcasting, so I can somewhat understand those opinions.
I really think the illustrations from Part 7 are at their peak; they’re so cool!
The anime version no longer has that homosexual smell.
I feel like the author’s artistic ability peaked in Part 7.
>>99
I really like Gyro’s spinning top laughing while embedding the corpse’s eye into his cheek during the Doctor Ferdinand battle.
Is Wekapipo’s sister’s husband finally coming out?
Is the weapon a sword?
What is with the skinny flesh on these legs? Are you kidding me?
I thought about writing that, but come to think of it, Johnny had those circumstances…
It’s not that I have a problem with anime art, but when you put them side by side, the original work looks way too cool.
Is the initially unclear ability of D4D still the same?
>>106
Even King Crimson was just as it was.
I think the overall composition peaked in the 7th part.
I think the way to bring out the intensity in battles is more prominent in parts 3 to 5, typical of shonen manga.
Well, there’s probably quite a change in direction from Part 7 onwards.
>>109
From issue 7 onwards, it’s a young men’s magazine, so the direction is different.
>>114
At first, it was published in Weekly Shonen Jump…
Indeed, the publication in the youth magazine starts from chapter 8 onward.
The bottom right is too cool…
>>110
Once again, I realize how amazing Araki-sensei’s art is.
It would be good to add some supplementary information about the zombie horses in the original content.
It seems that the gyro disruption will simply change from the anti-kingdom faction to the president before we know it.
I wonder if Sandman can be broadcast in America.