Is the Blast fandom really that strong around this tournament?

It’s more of a problem with the entire manga than just with Blast…

Why is Blast in charge?

This is a story about Sonic and Flash, right?

What happened to that person who pretended to fall into evil in order to rally allies to rebel against God?

That person is an old partner of Blast in the Void of the Abyss.

Blast married his sister.

Void uses a map weapon called Dimension Slash.

Looking at the heavily elaborated settings from the past two years made me a bit dizzy.

How much did you embellish the settings related to the gods?

The doujin drawn by Murata.

The original Ryuomon really had a change of heart, but I wonder what will happen now.

Blast…! It’s the same as the title of the one-shot…!

This must be divine revelation…!

The range of anime is still interesting.

Did Blast, who intervened instead of Flash and Sonic, need to keep the village ninjas alive?

Isn’t this my manga?

In this scene, the Sonic franchise, which should be portrayed, is being pushed out of the screen by impurities like Blast and the Tenan-do.

It’s interesting how clearly it expresses the differences in both parties’ stances towards the current One Punch Man.

A chaotic situation unfolds as Blast barges in on its own, leading to the cleanup of the mess caused by Blast’s intrusion.

New series BLAST! Side Story ~ Zero Panman!

There seems to be a lot of requests to increase the number of scenes because there isn’t enough time to make it into an anime.

The ONE version has a more impressive look, doesn’t it?

Murata has become cheaper than ONE and is in a more pathetic state.

It seems like they’re losing because they can’t attack at all since they haven’t taken any weapons…

I wish they could make the anime original storylines more in line with the original source material, even just from the Garou arc…

Isn’t the deteriorating composition also a decline in the quality of the artwork?

Even if the story of an anime is one thing, it will sell if the animation quality is good.

Mob Psycho has amazing animation that doesn’t change the story, which is unfair.

If I go back to just before the blast comes out… it’s the end of the Garou arc.

I have no way of knowing the production system, but the fact is that Murata’s version has become incredibly boring compared to the original.

It’s my personal opinion, but

Void will return to the flow of the original work, but it seems like they want to continue with Blast’s story. Why is that…?

To be honest, when the One Punch Man project began,

“Why is a top Jump manga artist lowering themselves to flatter a web writer?”

I was thinking.

Looking back now, I realize I really understood my own abilities back then.

Why did Murata explode during the Garou arc?

Is there any evidence that this loop is led by Murata?

Is the anime about Murata’s version? Does that mean Zero-Pan is coming?

Wait, you redrew it spanning two years…?

It was good back when they were adding more of the almost non-existent Drive Knight’s activities from the original work.

There is still a lot outside the scope of the collected volume.

Let’s go for another loop.

There’s no choice; if we don’t buy some time here, there won’t be a future.

Well, even if I buy time for a year, I’ll only have two more episodes.

It seems that Volume 33 has reached this point, so…

https://tonarinoyj.jp/episode/3270296674428450886

I feel the same way about stopping the director’s dropout loser revival battle mentioned in the review of the AV that includes a cheap drama part.

Is there an old man in the thread image?

I think it was in the neighboring Young Jump, where a high school girl who got attached by a cat after feeding it says, “I’ll kick you!”

Finally, Murata and ONE were drawing manga with the same structure on the theme of how to depict a manga that has a climactic breakdown.

I wonder where that was… I remember thinking after reading that Murata is just good at drawing.

I got picked up on the blast settings, so maybe that desire to show it off ran wild or something.

It seems there have been those kinds of traits since the time of Eyeshield.

The developments changed too quickly, and in the end, I can’t remember whether the mercenary in the battle suit died or survived.

I remember that the leader died, but in the end, did everyone die?

Isn’t there plenty of room to stretch things out if you quickly get into the Neo arc?

I don’t remember how far I read the Murata version, but I think it was good that I stopped halfway every time I hear about the outside opinions.

It seems they want to be recognized as a manga artist.

Ultimately, it became evident that I am nothing more than a mere illustrator.

I don’t understand why they are doing this in the ninja arc, which is relatively unimportant in the original work as far as I can think.

It is very understandable that Murata couldn’t even secure a serialization on his own.

Original Work Modification Rate

94% 95%

Did you not accept that you are just an illustrator?

See you next year!

The dullness that pierces through the original story’s interestingness is a special kind of talent.

If you’re going to pile it up, pile it up with Tatsumaki.

At least if you’re going to feature it in the Garou arc, please have a better match against Garou.

From the early days, the art was good but felt excessive.

Even if it’s for the purpose of stretching, wouldn’t it be better to make it an original version instead of endlessly looping through redraws? The impression and everything would be better, right…?

A person with negative manga talent.

Here, add a pinch of Tornado for the cover illustration…

Is Blast-kun here?

I feel like the original, where the marks on the ground are deeply embedded in a way that feels like “yay,” has a better humorous effect.

Art Skill S, Story Creation Z

Because you guys kept hitting on him, it finally led to Blast leaving, didn’t it?

Basically, even though it’s already far from the original work, the original side wouldn’t ask them to redraw just two years’ worth.

I liked the way Sonic’s first appearance was done in an anime style with double-page spreads, and the changes made to Saitama vs. Genos’s training were a bit overdone, but I still liked them…

I wanted them to make changes just like that, following the original development.

If you look at the One Punch Man or Mob Psycho that ONE created, you would normally think that they wouldn’t instruct such incomprehensible changes or rewrites.

Well

Calm down.

>

I also like the first edition of Phoenix the most.

Isn’t Blast a character through which mysteries and the exploration of strength can be deepened by not showing up…?

It gives the impression that there is a desperate attempt to include original elements without considering the work’s entertainment value.

Blast Pan Man

I left my post and a monster appeared.

I don’t understand why they would introduce Blast, who has become a flavor by not appearing, in the Garou arc.

I think finding out that they belong to a mysterious organization that is somewhat of a copy of the Avengers, and not contributing much, is rather a negative aspect.

Does it mean that it’s going to be a completely original development from here?

I mean, in the collaboration version by ONE and Murata, it’s normal for ONE to intervene and rewrite the scenario, right?

It seems that M’s preference for American comic-style exaggeration doesn’t really match well with the original material.

After making the quiet fish that faces the Deep Sea King unnecessarily flashy, it seems they were told something, as they redrew it to be more in line with the original work.

I had been thinking since the time of the rewrite of Boros, “What is this?” but I never could have imagined that those times would actually be better.

Was there even a part about compensating for the Murata version of the sword?

Isn’t there no need for Saitama to steal various things?

I think it’s at a stage that’s not just calm, but rather cooled down.

It was released as a comic, but I think it’s okay to start again from the chabudai now.

If a Blast that looks nothing like the original Village Strong comes out, I’ll laugh.

I think they went all out with the blasts up to this point because they can showcase their originality in animation precisely because there are no roles for them.

That really kills the character’s charm, and it seems they really lack a sense for storytelling and character creation.

Even cool characters without blasts have their uncool aspects, so let’s tone down their intensity and charm.

Even gag characters have cool aspects, but because we’re reducing the element of surprise and shifting cool moments to more serious characters, the storytelling and character portrayal are simply becoming worse.

The guy from Suiryuu is probably under the supervision of ONE.

Well, it’s clear that the early exit of Blast has received a lot of negative feedback.

You’ll end up becoming a suspicious person who thinks they’re Blast.

It feels like everything about Blast is standing out from the work, doesn’t it?

Well, the character design is just mediocre, isn’t it, Murata?

I’m sure there will be various changes, but it feels a bit like fan fiction to think that the next arc will be the Amaimask arc and the one after that will be the Neo Hero arc…

Even if you improve the details or make the chapter’s ending happier, the main story still relies on the original work.

Just sitting with my legs stretched out makes me feel more like a laid-back protagonist, which is oddly irritating—it’s interesting how manga works like that.

Whether it’s a gag or a serious setting, every time there’s too much explanation verbally, it feels almost pathological.

Since you have the artistic ability, you should just work a little harder on expressing yourself through your art.

Even if it’s limited to just this guy, he would just get in the way in situations like Tatsumaki’s memories or the scene where he claims to be her son, so I can only say the original author definitely wouldn’t let him appear.

This original work is amazing… I can’t believe it was drawn by just one person without any editing.

One Saitama has the strength to take away weapons without breaking them one by one, while Village Saitama is only strong to the extent that he doesn’t have that kind of leeway.

I think the simplicity of the original hero is what makes them cool.

Blast is the exact opposite.

Gaudy and yet uncool.

The Murata version also transforms the monster princess Megami Megane into the monster princess Do S…

It’s not good for original characters to take the roles of established characters.

I think if it were the original work, the flashy hero costumes of the village story would be ridiculed.

“If you’re going to set it up as ‘you shouldn’t stray too far from your post since you’re keeping the monster at bay,’ then…”

Stop messing around and hurry up and confront that person (the mistakes of my past), I think…

In a way, I feel like I could understand the era of the Void setting in the Void of emptiness better as “having left my post to deal with the Void I deeply think about.”

In other words, the existence of Blast itself is a nuisance.

Basically, while ONE has a cool atmosphere that gets heated at key moments, Murata is always intense.

Am I too conscious of shonen manga?

Did Murata’s version of Amaai not see the battle between Garou and Saitama?

If that’s the case, where does the persuasive power to push that so hard in the Amami arc come from?

Since Blast left his post, they’ve also been accepting attacks from the monsters that appeared.

It’s a character that can’t be presented unless you are the original creator, as it’s rather difficult to understand the setting.

One of the strengths of the web is that you can rewrite things, right? I said something like that somewhere, but then the original GIF production came out, and I realized that this is what the strength of the web is.

The original work is ONE’s hobby, and the Murata version is also drawn according to Murata’s interests, so they should be allowed to draw as they please.

There is a serious possibility that they don’t share any settings at all regarding the rewritten parts about the massacre of Amaimasuku.

If Blast turns out to be the villain and they rewrite all the previous scenes, I would laugh.

I think it’s not really okay to casually make a monster like Pochi seem benevolent…

I wonder why the note saying it was rewritten at the request of Professor Murata has disappeared after the first rewrite.

https://tonarinoyj.jp/episode/2550912965179935254

I think it shouldn’t be allowed even once to let something like that happen…

I wonder who first said they wanted to release a blast…

When I compare them, the ONE version is filled in more than I expected and is well-drawn.

Murata is good at drawing, but I think his panel arrangement is really bad.

It seems like they think this is the end of the blast, but there are still hints left that suggest they saved Amai in the past.

The design of Blast is already out of place.

Replacing black eyes with white eyes without a sword reimbursement gag—what kind of judgment is that?

I mean, this is a scroll I stole from that person, so I can’t even talk about how Flash and Panic got strengthened later on.